Home » The PARIS Forums » PARIS: Main » OT: Springtime in Islamberg.
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| Re: Springtime in Islamberg. [message #84795 is a reply to message #84792] |
Fri, 18 May 2007 20:53   |
![Deej [4] is currently offline](/theme/PARIS_Forum_Template/images/offline.png "Deej [4] is currently offline")
Deej [4]
Messages: 1292
Registered: January 2007
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Senior Member |
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VNN80Wm4uq3yyaut482mqtvon/iX1Rzn/9k=
---=_linux4672880e--Hmmm. Resolution kinda sucks. If anyone's interested I'll email higher a
quality pic.
Gantt
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>
>
>I hope this drawing makes sense...
>
>Gantt
>
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>
>>
>>Gantt,
>>Please post the diagram for your setup. That sounds great.
>>Tom
>>
>> "Gantt Kushner" <ganttmann@comcast.net> wrote in message =
>>news:4671ac3c$1@linux...
>>
>> I have a circuit I designed that lets a 2 humbucker guitar do a lot of
>=
>>tricks
>> w/ a minimum of switching. I installed it on my old PRS Custom 24 in
>=
>>the
>> place of the rotary switch (which I used for many years but have grown
>=
>>to
>> hate!). It uses a 4-pole/double throw mini toggle and a standard 3 =
>>position
>> switch. With the mini switch in the "normal" position you get a =
>>standard
>> Les Paul type 2 humbucking pu guitar. Flip the mini switch and the =
>>bridge
>> position is the two outside coils (closest to the bridge and farthest)
>=
>>in
>> series; neck position is the two inside coils in parallel (PRS calls
>=
>>this
>> "Parallel Strat"), center position is the series outsides + parallel
>=
>>insides
>> in parallel. 6 really useful sounds. The series outside coil sound
=
>>is my
>> all time favorite. Sounds like a 10 foor tall Telecaster on steroids.
>=
>> If
>> you're interested I'll scan my drawing and post it. You need two =
>>humbuckers
>> w/ all the wires available and a 4 pole double throw mini switch to do
>=
>>it...
>> and, of course, a 2 humbucker guitar that you love to play.
>>
>> Gantt
>I'll call you about 6:00 pm EST alright?
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>
>"Cujo" <chris@applemanstudio.com> wrote in message news:4671fbef$1@linux...
>>
>>
>>> So these mics are too mismatched for OH duty?
>>
>
>You could use them for OH duty. The differences are almost completely
>inaudible unless working with them up close on hot sources. You could gain
>match them and you might want either roll off or boost a teensy bit (about
>1/2 to 1dB with a 1/2 octave Q) in the 4-6KHz range on one of the mics to
>match up their frequencies if you even noticed any imbalance. If you're
a
>tech or know a good one, you could match the tubes (and I'd match the
>grilles also-the gold plated grille may lend itself to a teeny different
>tonality than the black painted grill for up close vocal work) and you'd
be
>extremely close. The capsules were both purchased at the same time directly
>from John Peluso, are from the same QC'ed batch and should be very close
to
>a match.
>
>give me a call if you want to talk about these. I'm available tonight
>970-769-0488
>
>;o)
>
>I have no problem with amp emulations. Back in 1999 when I unloaded all my
gear for money for my house re-hab, the only things I kept were my sans amp
psa 1 and peavey vmp2 pre.
Chuck
Jamie K <Meta@Dimensional.com> wrote:
>
>LOL. Get a room, you two!
>
>I dig those guitars through a good amp, too.
>
>Remember when using an electric guitar and a guitar amp was heresy? They
>booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>
>Flash forward and now that stuff is traditional
>
>I bet you would both dig my variax setup if you heard it.
>
>And Chuck, I bet you would even like what I do with amp emulations, once
>you hear some of my custom setups (which stand up to comparison with my
>tube rig).
>
>Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>chuck duffy wrote:
>> Haha I agree with you! I can't believe it!
>>
>> My 2 cents. A strat, a tele and a les with a bigsby trem and locking
nuts.
>> Also, a must have is a gibson vintage f hole.
>>
>> After that an SG and a les junior.
>>
>> Other areas we will agree on... USE AN AMP!
>>
>> Chuck
>>
>> "DC" <dc@spammersinhell.com> wrote:
>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>
>>> A good LP and a hardtail strat would be the minimum.
>>>
>>> DC
>>>
>>>
>>> "John" <no@no.com> wrote:
>>>> Any suggestions on a single electric guitar that can do Strat / Les
Paul
>>> /
>>>> Telecaster sounds or some other guitar that has an amazing array of
these
>>>> type sounds?
>>That's my fault Chuck. I had that in my iphoto archives and couldn't resist!
By the way Paul, you may want to change the wording on Chucks picture with
Jason Miles, since those who never saw Chuck, might get it wrong. Chuck
is on the right, and Jason Miles on the left.
:) Lou
"chuck duffy" <c@c.com> wrote:
>
>I can't believe you found a picture of me :-)
>
>Chuck
>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>www.laidbak.com/ebay/paris/album/index.html
>>
>>New pix from Dave EK, Neil, and a couple more from Rod.
>>
>>Enjoy!
>>
>>pab
>Are you positive it's me on the right?
Chuck
"Louis Guarino Jr." <kateeba@snet.net> wrote:
>
>That's my fault Chuck. I had that in my iphoto archives and couldn't resist!
>
>
>By the way Paul, you may want to change the wording on Chucks picture with
>Jason Miles, since those who never saw Chuck, might get it wrong. Chuck
>is on the right, and Jason Miles on the left.
>
>:) Lou
>
>"chuck duffy" <c@c.com> wrote:
>>
>>I can't believe you found a picture of me :-)
>>
>>Chuck
>>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>>www.laidbak.com/ebay/paris/album/index.html
>>>
>>>New pix from Dave EK, Neil, and a couple more from Rod.
>>>
>>>Enjoy!
>>>
>>>pab
>>
>Gantt -
You forgot to include the "And A Miracle Occurs Here" cloud in the
middle of your circuit!
- Paul Artola
Ellicott City, Maryland
On 15 Jun 2007 22:37:35 +1000, "Gantt Kushner" <ganttmann@comcast.net>
wrote:
>Hey DJ,
As a sidebar to this, what's your opinion on the 4050's in general. I
have been thinking about picking up a pair to have something different
from the U89's I use frequently.
Thanks,
David.
DJ wrote:
> I can't compare these to yours/Thad's mic, but these are a couple of
> extremely good builds (the green one is Mikes very first Royer build) and
> Claytor is very consistent and an excellent circuit man. I would imagine
> we're talking apples to apples. I'm prolly going to kick myself at some
> point for selling these. There are some singers that will inevitably be
> coming back here and wanting to know where *their mic* went so I'll have to
> wean them on to a different one. I even thought about replacing the tube and
> shell on one or the other (the coating on the grill affects the tone a
> little) of these and matching them up for extra duty as OH's or room mics
> but I couldn't decide which of the voicings I would want two of. they are
> more useful having a little difference in the voicings. When Ed Stasium was
> over here last, he brought over a matched pair of AT 4060's and left them
> here for a few days. I compared these to them and I personally preferred
> either of these mics to the AT's. The AT's were brighter and more *solid
> state* sounding by comparison. If these were multipattern, I would be
> keeping them. As it is, I have a pair of matched cardiod LDC tube mics
> (Manley Baby Blues) and a matched pair of AT 4050's for stereo LDC
> multipattern duties so these, being tube cardiods, are a bit redundant. They
> are every bit in the same league with the Manleys, IMO. I know that's a
> stretch to believe, but to my ears, they are at that level of detail (and
> these Manleys cost over $1600.00 new, when they were making them), though
> the Manleys are a bit more mechanically versatile, being front address 1"
> capsules. I am needing the flexibility that multipatterns provide and the
> mic I'm buying is a Peluso 2247 (multipattern). I have A/B'ed it with these
> and they have their tonal differences, but they are in the same general
> ballpark as far as detail and smoothness are concerned. Probably has a bit
> to do with the Peluso capsules in these mics.
>
> They are going up on EBay this weekend if there are no takers here.
> ;o)
> Deej
> 970-769-0488
> animix at animas dot net
>
>I can confirm much of what Deej says here, though of course we don't know
for sure how apples to apples the comparison is. I've been using the Claytor
mostly as a room mic for the drum kit but also on some other things where
I'm doing scratch tracks of guitars or something. It's not hyped at all,
not bright and not dark, but it has a little gravitas to it that kind of
sneaks up on you. It's not easily noticed until you try a different mic on
the same source.
It's pretty ecumenical about preamps as well, I've used it with everything
we have, from the built in pres on the Firebox to my Langevin.
It will be interesting to see if we use it for vocals. So far we've been
using the Baby Bottle for demos but I think when it comes time to actually
track I'll try the Claytor and the Bottle on each of us and see what works
best. We have three male vocalists and if I had to handicap it I'd say I'll
go through the bottle (I have the lowest speaking voice and usually sing
a part under the lead vocal), Russell will use the Bottle (very loud, full
voice), and Nick will use the Claytor (much thinner, higher voice than the
rest of us). But it will be interesting to see.
TCB
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>I can't compare these to yours/Thad's mic, but these are a couple of
>extremely good builds (the green one is Mikes very first Royer build) and
>Claytor is very consistent and an excellent circuit man. I would imagine
>we're talking apples to apples. I'm prolly going to kick myself at some
>point for selling these. There are some singers that will inevitably be
>coming back here and wanting to know where *their mic* went so I'll have
to
>wean them on to a different one. I even thought about replacing the tube
and
>shell on one or the other (the coating on the grill affects the tone a
>little) of these and matching them up for extra duty as OH's or room mics
>but I couldn't decide which of the voicings I would want two of. they are
>more useful having a little difference in the voicings. When Ed Stasium
was
>over here last, he brought over a matched pair of AT 4060's and left them
>here for a few days. I compared these to them and I personally preferred
>either of these mics to the AT's. The AT's were brighter and more *solid
>state* sounding by comparison. If these were multipattern, I would be
>keeping them. As it is, I have a pair of matched cardiod LDC tube mics
>(Manley Baby Blues) and a matched pair of AT 4050's for stereo LDC
>multipattern duties so these, being tube cardiods, are a bit redundant.
They
>are every bit in the same league with the Manleys, IMO. I know that's a
>stretch to believe, but to my ears, they are at that level of detail (and
>these Manleys cost over $1600.00 new, when they were making them), though
>the Manleys are a bit more mechanically versatile, being front address 1"
>capsules. I am needing the flexibility that multipatterns provide and the
>mic I'm buying is a Peluso 2247 (multipattern). I have A/B'ed it with these
>and they have their tonal differences, but they are in the same general
>ballpark as far as detail and smoothness are concerned. Probably has a bit
>to do with the Peluso capsules in these mics.
>
>They are going up on EBay this weekend if there are no takers here.
>;o)
>Deej
>970-769-0488
>animix at animas dot net
>
>
>"Neil" <IUOI@OI.com> wrote in message news:4671e52e$1@linux...
>>
>> These are fucking great prices for those mics - I can attest
>> that if these mics are as good as the one I had from Mike C.,
>> no one here will be disappointed... kinda regret selling the
>> one I had to Thadster, in fact. <snif>
>>
>>
>> Neil
>>
>>
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>Check 'em out
>>>
>>>;o)
>>>
>>>
>>
>
>Bill L wrote:
> I'll check the Variax again.
Feel free to look me up if you're ever in Denver, you can try mine.
If not, try to get a demo of workbench (variax software) and see what
it's like to modify and customize the models to taste. Pretty cool. For
example, my modified strat model is an improvement on the stock one IMO.
> Don't you find the split humbucker to be extremely weak and anemic? It
> has no fullness.
Have you ever played a PRS?
Cheers,
-Jamie
www.JamieKrutz.com
> Jamie K wrote:
>> Bill L wrote:
>>> Jamie, I'm surprised by your praise of the Variax. I found it
>>> disappointingly dead feeling and it seemed to have a latency in
>>> creating the sound.
>>
>> To each their own, but it might have been the particular variax you
>> played and the way it was set up. I've played some 300 models that
>> were terrible, sharp frets and bad action. Poor QC at the factory?
>> I've played others that were decent. My variax plays decently.
>>
>> Whatever very minor latency might be in my variax at normal tuning
>> hasn't put me off at all. It's very responsive, feels like a normal
>> guitar.
>>
>> When I use the transposing feature there is noticeable latency but my
>> brain has had no trouble adjusting. A little latency isn't a problem
>> per se - for example I don't have trouble adjusting to the latency
>> when playing with an amp stack at the back of the stage (although I
>> don't do that anymore, I've reformed and go for low stage volume/close
>> monitoring now).
>>
>> I haven't noticed a "dead feeling." The guitar feels as alive as my
>> other guitars. I can even get feedback (the good kind).
>>
>> In short, my variax gets good tone and is amazingly flexible. I also
>> added a GK3 pickup to it to drive a guitar synth at the same time, and
>> I use that setup with live multitracking in my solo show to build
>> gigantic arrangements. Very fun!
>>
>> But my PRS is my favorite guitar to play, and I take that on gigs
>> where I don't need to cover acoustic/electric/synth/alt tunings. When
>> I just need to be the electric guitar player in a band, the PRS is
>> flexible enough to cover a wide palette of electric guitar tones and
>> it's a better built guitar. Plus it has 24 frets. Plus I have two of
>> them in case I break a string. :^)
>>
>> When the new Roland VG99 ships I'm going to check it out. It would let
>> me play the PRS and still do guitar modeling. I think the variax
>> modeling is better than the VG88's but we'll see if Roland has raised
>> the bar with the new box.
>>
>> Another option would be to take variax guts and put them into a better
>> guitar. Like Adrian Belew did with a Parker Fly. OK I WANT that
>> guitar, (but not in that color). :^)
>>
>> I've considered transplanting variax guts into a custom body - which
>> would also let me add a 24 fret neck, but then again, my variax is
>> pretty decent as it is so there's no rush. If I go that route I'd grab
>> the guts from a 300. There's no sense gutting my expensive 700. :^)
>>
>>
>>> Also the instrument was shite and looked like a toy to me, but I
>>> don't think it was the expensive model. I do really like the concept
>>> of it - maybe I should give it another shot, but they need to make a
>>> pretty version. A guitar is like a woman - it should be as pretty as
>>> possible, don't you think.
>>
>> I dig a good looking instrument, and I have the coolest looking variax
>> on the planet (cherry sunburst 700). Although the very best looking
>> variax is the acoustic model with the natural wood top, I love mine.
>> But I don't sleep with either of them...much...
>>
>> My cherryburst PRS looks and plays a notch better. I've never had a
>> luthier setup the variax for optimal playability though (since it's
>> been good enough) but that's on my todo list.
>>
>>
>>> I'm also surprised by the suggestions that tapping a humbucker gives
>>> a decent Strat sound. I tried that in 1978 and it sucked. i tried it
>>> again about every 10 years since and it sucked every time. Can it
>>> have stopped sucking in the new millennia? I doubt it.
>>
>> Not identical to a strat sound but similar enough to play that spanky
>> role.
>>
>> Actually I think the PRS does it by combining inner and outer coils
>> from the two different pickups in various combinations. I had an
>> Ibanez Roadstar II that did it by splitting the coils on either pickup
>> with any PU combination available. I could get spanky tones out of
>> both. Not exactly a strat but no suckage either.
>>
>>
>>> If I were mostly an R&B and rock player I would do a Strat w/ a
>>> humbucker in the bridge. That's about the most versatile setup I have
>>> heard. I actually have a handmade strat with EMGs and a midrange
>>> boost knob that does a pretty strong lead sound and of course excels
>>> at shimmery rhythm sounds.
>>
>> That's a great setup. My Kramer is configured like that (although the
>> neck PU is a sustainer driver as well). My Steinberger has
>> hum/single/hum which is also a very versatile setup.
>>
>> OK, now I guess you can see I swing both ways, a collection of trad
>> pickup guitars AND a couple of variaxen. I use them all. Clearly I'm
>> addicted...
>>
>> Cheers,
>> -Jamie
>> www.JamieKrutz.com
>>
>>
>>
>>> Jamie K wrote:
>>>>
>>>> LOL. Get a room, you two!
>
|
|
|
|
|
|
| Re: OT: Springtime in Islamberg. [message #84802 is a reply to message #84793] |
Sat, 19 May 2007 00:00 |
JeffH
Messages: 307
Registered: October 2007
Location: Wamic, OR
|
Senior Member |
|
|
>
> and
>
>>>shell on one or the other (the coating on the grill affects the tone a
>
>
>>>little) of these and matching them up for extra duty as OH's or room mics
>
>
>>>but I couldn't decide which of the voicings I would want two of. they
>
> are
>
>>>more useful having a little difference in the voicings. When Ed Stasium
>
> was
>
>>>over here last, he brought over a matched pair of AT 4060's and left them
>
>
>>>here for a few days. I compared these to them and I personally preferred
>
>
>>>either of these mics to the AT's. The AT's were brighter and more *solid
>
>
>>>state* sounding by comparison. If these were multipattern, I would be
>
>
>>>keeping them. As it is, I have a pair of matched cardiod LDC tube mics
>
>
>>>(Manley Baby Blues) and a matched pair of AT 4050's for stereo LDC
>>>multipattern duties so these, being tube cardiods, are a bit redundant.
>
> They
>
>>>are every bit in the same league with the Manleys, IMO. I know that's
>
> a
>
>>>stretch to believe, but to my ears, they are at that level of detail (and
>
>
>>>these Manleys cost over $1600.00 new, when they were making them), though
>
>
>>>the Manleys are a bit more mechanically versatile, being front address
>
> 1"
>
>>>capsules. I am needing the flexibility that multipatterns provide and
>
> the
>
>>>mic I'm buying is a Peluso 2247 (multipattern). I have A/B'ed it with
>
> these
>
>>>and they have their tonal differences, but they are in the same general
>
>
>>>ballpark as far as detail and smoothness are concerned. Probably has a
>
> bit
>
>>>to do with the Peluso capsules in these mics.
>>>
>>>They are going up on EBay this weekend if there are no takers here.
>>>;o)
>>>Deej
>>>970-769-0488
>>>animix at animas dot net
>>>
>>>
>
>Funny, I've always liked my 414's. Mine are older ones and I think the capsules
have been made significantly differently in the last 10 - 15 years.
Gantt
EK Sound <askme@nospam.com> wrote:
>414's!!!! they sound like 414's!?!?!?! Yuck! ;-)
>
>Thanks Gantt... never much cared for the 414, so maybe I'll give *one*
>4050 a shot before I get a pair... :-)
>
>David.
>
>Gantt Kushner wrote:
>> I'm not DJ, but I've been using a pair of 4050's for a while now...
I find
>> them to be comparable to my old AKG 414's, but w/ a subtle flavor of their
>> own. Lighter and brighter than my U87. I like them a lot for piano,
acoustic
>> guitars, vocals - all the things I'd also like my 414's for. also, i
had
>> one die on me and sent it back to Audio Technica for repair. They fixed
>> it for free. Pretty amazing considering that they were long out of warranty
>> and I was not the original owner!
>>
>> Gantt
>>
>>
>>
>> EK Sound <askme@nospam.com> wrote:
>>
>>>Hey DJ,
>>>
>>>As a sidebar to this, what's your opinion on the 4050's in general. I
>>>have been thinking about picking up a pair to have something different
>>
>>>from the U89's I use frequently.
>>
>>>Thanks,
>>>
>>>David.
>>>
>>>DJ wrote:
>>>
>>>>I can't compare these to yours/Thad's mic, but these are a couple of
>>>>extremely good builds (the green one is Mikes very first Royer build)
>>
>> and
>>
>>>>Claytor is very consistent and an excellent circuit man. I would imagine
>>
>>
>>>>we're talking apples to apples. I'm prolly going to kick myself at some
>>
>>
>>>>point for selling these. There are some singers that will inevitably
be
>>
>>
>>>>coming back here and wanting to know where *their mic* went so I'll have
>>
>> to
>>
>>>>wean them on to a different one. I even thought about replacing the tube
>>
>> and
>>
>>>>shell on one or the other (the coating on the grill affects the tone
a
>>
>>
>>>>little) of these and matching them up for extra duty as OH's or room
mics
>>
>>
>>>>but I couldn't decide which of the voicings I would want two of. they
>>
>> are
>>
>>>>more useful having a little difference in the voicings. When Ed Stasium
>>
>> was
>>
>>>>over here last, he brought over a matched pair of AT 4060's and left
them
>>
>>
>>>>here for a few days. I compared these to them and I personally preferred
>>
>>
>>>>either of these mics to the AT's. The AT's were brighter and more *solid
>>
>>
>>>>state* sounding by comparison. If these were multipattern, I would be
>>
>>
>>>>keeping them. As it is, I have a pair of matched cardiod LDC tube mics
>>
>>
>>>>(Manley Baby Blues) and a matched pair of AT 4050's for stereo LDC
>>>>multipattern duties so these, being tube cardiods, are a bit redundant.
>>
>> They
>>
>>>>are every bit in the same league with the Manleys, IMO. I know that's
>>
>> a
>>
>>>>stretch to believe, but to my ears, they are at that level of detail
(and
>>
>>
>>>>these Manleys cost over $1600.00 new, when they were making them), though
>>
>>
>>>>the Manleys are a bit more mechanically versatile, being front address
>>
>> 1"
>>
>>>>capsules. I am needing the flexibility that multipatterns provide and
>>
>> the
>>
>>>>mic I'm buying is a Peluso 2247 (multipattern). I have A/B'ed it with
>>
>> these
>>
>>>>and they have their tonal differences, but they are in the same general
>>
>>
>>>>ballpark as far as detail and smoothness are concerned. Probably has
a
>>
>> bit
>>
>>>>to do with the Peluso capsules in these mics.
>>>>
>>>>They are going up on EBay this weekend if there are no takers here.
>>>>;o)
>>>>Deej
>>>>970-769-0488
>>>>animix at animas dot net
>>>>
>>>>
>>
>>She should go commiserate with Dexys Midnight Runners. I'm sure they'd really
feel for her.
TCB
"Neil" <Report message to a moderator
|
|
|
|
| Re: Springtime in Islamberg. [message #84804 is a reply to message #84772] |
Sat, 19 May 2007 02:27 |
Sarah
Messages: 608
Registered: February 2007
|
Senior Member |
|
|
>
>>1/2 to 1dB with a 1/2 octave Q) in the 4-6KHz range on one of the mics to
>
>>match up their frequencies if you even noticed any imbalance. If you're
> a
>>tech or know a good one, you could match the tubes (and I'd match the
>>grilles also-the gold plated grille may lend itself to a teeny different
>
>>tonality than the black painted grill for up close vocal work) and you'd
> be
>>extremely close. The capsules were both purchased at the same time
>>directly
>
>>from John Peluso, are from the same QC'ed batch and should be very close
> to
>>a match.
>>
>>give me a call if you want to talk about these. I'm available tonight
>>970-769-0488
>>
>>;o)
>>
>>
>The 4050's are very versatile. They sound a bit flatter to my ears than the
414's I'v used (don't have a TEF for them thought) and smoother as well.
They don't impart the honky mids of a U87 in cardioid and you can also work
the proximity effect without getting overly boomy unless you swallow it.
They open up nicely in omni and just sorta get out of the way and let the
sound through without adding a bunch of color. Great utility mics.
;o)
"EK Sound" <askme@nospam.com> wrote in message news:4672ad58$1@linux...
> Hey DJ,
>
> As a sidebar to this, what's your opinion on the 4050's in general. I
> have been thinking about picking up a pair to have something different
> from the U89's I use frequently.
>
> Thanks,
>
> David.
>
> DJ wrote:
>> I can't compare these to yours/Thad's mic, but these are a couple of
>> extremely good builds (the green one is Mikes very first Royer build) and
>> Claytor is very consistent and an excellent circuit man. I would imagine
>> we're talking apples to apples. I'm prolly going to kick myself at some
>> point for selling these. There are some singers that will inevitably be
>> coming back here and wanting to know where *their mic* went so I'll have
>> to wean them on to a different one. I even thought about replacing the
>> tube and shell on one or the other (the coating on the grill affects the
>> tone a little) of these and matching them up for extra duty as OH's or
>> room mics but I couldn't decide which of the voicings I would want two
>> of. they are more useful having a little difference in the voicings. When
>> Ed Stasium was over here last, he brought over a matched pair of AT
>> 4060's and left them here for a few days. I compared these to them and I
>> personally preferred either of these mics to the AT's. The AT's were
>> brighter and more *solid state* sounding by comparison. If these were
>> multipattern, I would be keeping them. As it is, I have a pair of matched
>> cardiod LDC tube mics (Manley Baby Blues) and a matched pair of AT 4050's
>> for stereo LDC multipattern duties so these, being tube cardiods, are a
>> bit redundant. They are every bit in the same league with the Manleys,
>> IMO. I know that's a stretch to believe, but to my ears, they are at that
>> level of detail (and these Manleys cost over $1600.00 new, when they were
>> making them), though the Manleys are a bit more mechanically versatile,
>> being front address 1" capsules. I am needing the flexibility that
>> multipatterns provide and the mic I'm buying is a Peluso 2247
>> (multipattern). I have A/B'ed it with these and they have their tonal
>> differences, but they are in the same general ballpark as far as detail
>> and smoothness are concerned. Probably has a bit to do with the Peluso
>> capsules in these mics.
>>
>> They are going up on EBay this weekend if there are no takers here.
>> ;o)
>> Deej
>> 970-769-0488
>> animix at animas dot net
>>You were totally out of line. I hope he did call the cops on you...
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>I almost got into a physical brawl with some asshole today who was ****'in
>with me out on the highway on my way home. It's been a really hard/stressful
>week and I haven't had nearly enough sleep. The guy was driving down the
>highway (70MHP speed limit) going about 40 and I passed him on the shoulder
>to get around him because he wouldn't move over. When he saw that I was
>going to be passing him he floored his car to try to keep me from passing.
>When this didn't work he got pissed and ran right up on my bumper and
>started honkin his horn. I just pulled over and I musta' looked like some
>insane maniac when I jumped out of the car and started walking back to his
>car because he rolled up the window 3/4 of the way and started whining and
>bitchin' about how what I had done was illegal. I told him that if he had
a
>problem with my driving to call the damn cops (I didn't say "fuckin" cops
>because he had a couple of kids in the car whose eyes were as big around
as
>saucers) and that he'd better stay off my ass. We didn't part as friends.
I
>was so mad I was literally shaking when I drove away.
>
>I need to get more sleep. I'm wayyyy too old to be losin' my temper and
>swellin up like an old toady frog. I'm old and not a big, badass by an
>stretch and the guy probably could have whupped my ass on any given day.
>
>I'm going over to the hot springs across the street, soak up some lithium
>and go to bed.
>
>G'nite....
>
>;o)
>
>It's easy to get PO'd on the road. I've been there too. But it ain't
worth it. Take a deep breath, turn on the radio, or do what I do
sometimes when some old timer does something not too bright down here in
FLA - I imagine it's my father and how I would feel if somebody was
honkin' and cussin' at him...
DJ wrote:
> I almost got into a physical brawl with some asshole today who was ****'in
> with me out on the highway on my way home. It's been a really hard/stressful
> week and I haven't had nearly enough sleep. The guy was driving down the
> highway (70MHP speed limit) going about 40 and I passed him on the shoulder
> to get around him because he wouldn't move over. When he saw that I was
> going to be passing him he floored his car to try to keep me from passing.
> When this didn't work he got pissed and ran right up on my bumper and
> started honkin his horn. I just pulled over and I musta' looked like some
> insane maniac when I jumped out of the car and started walking back to his
> car because he rolled up the window 3/4 of the way and started whining and
> bitchin' about how what I had done was illegal. I told him that if he had a
> problem with my driving to call the damn cops (I didn't say "fuckin" cops
> because he had a couple of kids in the car whose eyes were as big around as
> saucers) and that he'd better stay off my ass. We didn't part as friends. I
> was so mad I was literally shaking when I drove away.
>
> I need to get more sleep. I'm wayyyy too old to be losin' my temper and
> swellin up like an old toady frog. I'm old and not a big, badass by an
> stretch and the guy probably could have whupped my ass on any given day.
>
> I'm going over to the hot springs across the street, soak up some lithium
> and go to bed.
>
> G'nite....
>
> ;o)
>
>www.1and1.com Cheap, lots of features and very reliable. Everybody i
know uses them and no one complains. Fantastic tech support, too.
I think I get a free month if you mention me.
steve the artguy wrote:
> hey, Parisians-
>
> It occurs to me that after having my website up for nearly 10 years on a
> local server I should bite the bullet and get my own domain.
>
> Exploring this option has opened my eyes to what exists in the cyberworld
> in the way of web hosting companies that offer your domain and apparently
> a zillion other features, most of which I've never heard of.
>
> I know nothing of Pearl scripts or CGI (other than what they are), but I
> do HTML well enough to have thrown my own site together over the years. The
> servcices I've been looking at mention everything in the world except HTML...
>
> So, the question is, what are you guys (and gals) using? How satisfied are
> you with the service and features? How much is it costing? Is your site strictly
> personal, or business, or both, or what? Are you using an ISP, or a server
> in your closet?
>
>
> thanks for your time and experience
>
> -steveShe's a darn good singer, but she's gone so dark and angry. I think she
made some bad choices about direction and lost her fan base. Maybe she
will pull out of it.
Cujo wrote:
> Should read "pop star"
>
> "LaMont" <jjdpro@ameritech.net> wrote:
>> I agree with you. But, I think this has more to do with the whole American
>> Idol star thing than anything else.
>>
>> Also, with acts like the Pussy Cat Dolls and the Beyonce's the Ultra-Sex
>> kitten thing is in full overdrive.. Kelly is more of the girl next door
> type..
>> "Neil" <OIUOIU@OIU.com> wrote:
>>> And she's actually one of the good ones...
>>>
>>> http://www.cnn.com/2007/SHOWBIZ/Music/06/15/music.kelly.clar kson.ap/index.html
>>>
>>>
>>>
>I've played a PRS, but I think that is a different kind of circuit than
what I am referring too. There is something else going on there I thought.
Jamie K wrote:
> Bill L wrote:
>> I'll check the Variax again.
>
> Feel free to look me up if you're ever in Denver, you can try mine.
>
> If not, try to get a demo of workbench (variax software) and see what
> it's like to modify and customize the models to taste. Pretty cool. For
> example, my modified strat model is an improvement on the stock one IMO.
>
>
>> Don't you find the split humbucker to be extremely weak and anemic? It
>> has no fullness.
>
> Have you ever played a PRS?
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>
>> Jamie K wrote:
>>> Bill L wrote:
>>>> Jamie, I'm surprised by your praise of the Variax. I found it
>>>> disappointingly dead feeling and it seemed to have a latency in
>>>> creating the sound.
>>>
>>> To each their own, but it might have been the particular variax you
>>> played and the way it was set up. I've played some 300 models that
>>> were terrible, sharp frets and bad action. Poor QC at the factory?
>>> I've played others that were decent. My variax plays decently.
>>>
>>> Whatever very minor latency might be in my variax at normal tuning
>>> hasn't put me off at all. It's very responsive, feels like a normal
>>> guitar.
>>>
>>> When I use the transposing feature there is noticeable latency but my
>>> brain has had no trouble adjusting. A little latency isn't a problem
>>> per se - for example I don't have trouble adjusting to the latency
>>> when playing with an amp stack at the back of the stage (although I
>>> don't do that anymore, I've reformed and go for low stage
>>> volume/close monitoring now).
>>>
>>> I haven't noticed a "dead feeling." The guitar feels as alive as my
>>> other guitars. I can even get feedback (the good kind).
>>>
>>> In short, my variax gets good tone and is amazingly flexible. I also
>>> added a GK3 pickup to it to drive a guitar synth at the same time,
>>> and I use that setup with live multitracking in my solo show to build
>>> gigantic arrangements. Very fun!
>>>
>>> But my PRS is my favorite guitar to play, and I take that on gigs
>>> where I don't need to cover acoustic/electric/synth/alt tunings. When
>>> I just need to be the electric guitar player in a band, the PRS is
>>> flexible enough to cover a wide palette of electric guitar tones and
>>> it's a better built guitar. Plus it has 24 frets. Plus I have two of
>>> them in case I break a string. :^)
>>>
>>> When the new Roland VG99 ships I'm going to check it out. It would
>>> let me play the PRS and still do guitar modeling. I think the variax
>>> modeling is better than the VG88's but we'll see if Roland has raised
>>> the bar with the new box.
>>>
>>> Another option would be to take variax guts and put them into a
>>> better guitar. Like Adrian Belew did with a Parker Fly. OK I WANT
>>> that guitar, (but not in that color). :^)
>>>
>>> I've considered transplanting variax guts into a custom body - which
>>> would also let me add a 24 fret neck, but then again, my variax is
>>> pretty decent as it is so there's no rush. If I go that route I'd
>>> grab the guts from a 300. There's no sense gutting my expensive 700. :^)
>>>
>>>
>>>> Also the instrument was shite and looked like a toy to me, but I
>>>> don't think it was the expensive model. I do really like the concept
>>>> of it - maybe I should give it another shot, but they need to make a
>>>> pretty version. A guitar is like a woman - it should be as pretty as
>>>> possible, don't you think.
>>>
>>> I dig a good looking instrument, and I have the coolest looking
>>> variax on the planet (cherry sunburst 700). Although the very best
>>> looking variax is the acoustic model with the natural wood top, I
>>> love mine. But I don't sleep with either of them...much...
>>>
>>> My cherryburst PRS looks and plays a notch better. I've never had a
>>> luthier setup the variax for optimal playability though (since it's
>>> been good enough) but that's on my todo list.
>>>
>>>
>>>> I'm also surprised by the suggestions that tapping a humbucker gives
>>>> a decent Strat sound. I tried that in 1978 and it sucked. i tried it
>>>> again about every 10 years since and it sucked every time. Can it
>>>> have stopped sucking in the new millennia? I doubt it.
>>>
>>> Not identical to a strat sound but similar enough to play that spanky
>>> role.
>>>
>>> Actually I think the PRS does it by combining inner and outer coils
>>> from the two different pickups in various combinations. I had an
>>> Ibanez Roadstar II that did it by splitting the coils on either
>>> pickup with any PU combination available. I could get spanky tones
>>> out of both. Not exactly a strat but no suckage either.
>>>
>>>
>>>> If I were mostly an R&B and rock player I would do a Strat w/ a
>>>> humbucker in the bridge. That's about the most versatile setup I
>>>> have heard. I actually have a handmade strat with EMGs and a
>>>> midrange boost knob that does a pretty strong lead sound and of
>>>> course excels at shimmery rhythm sounds.
>>>
>>> That's a great setup. My Kramer is configured like that (although the
>>> neck PU is a sustainer driver as well). My Steinberger has
>>> hum/single/hum which is also a very versatile setup.
>>>
>>> OK, now I guess you can see I swing both ways, a collection of trad
>>> pickup guitars AND a couple of variaxen. I use them all. Clearly I'm
>>> addicted...
>>>
>>> Cheers,
>>> -Jamie
>>> www.JamieKrutz.com
>>>
>>>
>>>
>>>> Jamie K wrote:
>>>>>
>>>>> LOL. Get a room, you two!
>>>>>
>>>>> I dig those guitars through a good amp, too.
>>>>>
>>>>> Remember when using an electric guitar and a guitar amp was heresy?
>>>>> They booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>>>>>
>>>>> Flash forward and now that stuff is traditional
>>>>>
>>>>> I bet you would both dig my variax setup if you heard it.
>>>>>
>>>>> And Chuck, I bet you would even like what I do with amp emulations,
>>>>> once you hear some of my custom setups (which stand up to
>>>>> comparison with my tube rig).
>>>>>
>>>>> Cheers,
>>>>> -Jamie
>>>>> www.JamieKrutz.com
>>>>>
>>>>>
>>>>> chuck duffy wrote:
>>>>>> Haha I agree with you! I can't believe it!
>>>>>>
>>>>>> My 2 cents. A strat, a tele and a les with a bigsby trem and
>>>>>> locking nuts.
>>>>>> Also, a must have is a gibson vintage f hole.
>>>>>> After that an SG and a les junior.
>>>>>>
>>>>>> Other areas we will agree on... USE AN AMP!
>>>>>> Chuck
>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>
>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>
>>>>>>> DC
>>>>>>>
>>>>>>>
>>>>>>> "John" <no@no.com> wrote:
>>>>>>>> Any suggestions on a single electric guitar that can do Strat /
>>>>>>>> Les Paul
>>>>>>> /
>>>>>>>> Telecaster sounds or some other guitar that has an amazing array
>>>>>>>> of these
>>>>>>>> type sounds?
>>>>>>My best results with emulators are when I run them through a quality
tube power amp and a good speaker. I use a Mesa Satellite 60, and have
used an Atomic Reactor. Both lift the cold emulations to the realm of
great amp sounds IMHO.
I could not use my Tonelab straight into the board. It does not breath
for me.
Jamie K wrote:
>
> DC wrote:
>> One more thing. I offered to let one of the modeler companies use my
>> 1968 HIWATT as a reference to make an emulation, and they admitted
>> that they really couldn't get it all that close.
>
> Which modeler company?
>
>
>> They are fine unless you
>> are building the whole song around the guitar.
>
> Unless you create a sound using a modeler that makes the song, which is
> entirely possible IMO.
>
>
>> Which of course is why AC/DC don't use 'em...
>
> We should all use only SGs through Marshalls then. Or whatever they use.
> And wear English schoolboy pants. The rest is BLASPHEMY! ;^)
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>
>> heh
>>
>> DC
>>
>> "DC" <dc@spammersinhell.com> wrote:
>>> I have a Digitech I like. One caveat though:
>>>
>>> If your music is built around guitar parts and if you want a
>>> signature tone that people will quickly recognize, then
>>> emulations are not for you.
>>>
>>> No one has ever done a real-sounding HIWATT emulation
>>> either...
>>>
>>> DC
>>>
>>>
>>> "chuck duffy" <c@c.com> wrote:
>>>> I have no problem with amp emulations. Back in 1999 when I unloaded
>>>> all
>>> my
>>>> gear for money for my house re-hab, the only things I kept were my sans
>>> amp
>>>> psa 1 and peavey vmp2 pre.
>>>> Chuck
>>>>
>>>> Jamie K <Meta@Dimensional.com> wrote:
>>>>> LOL. Get a room, you two!
>>>>>
>>>>> I dig those guitars through a good amp, too.
>>>>>
>>>>> Remember when using an electric guitar and a guitar amp was heresy?
>>>>> They
>>>>> booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>>>>>
>>>>> Flash forward and now that stuff is traditional
>>>>>
>>>>> I bet you would both dig my variax setup if you heard it.
>>>>>
>>>>> And Chuck, I bet you would even like what I do with amp emulations,
>>>>> once
>>>>> you hear some of my custom setups (which stand up to comparison
>>>>> with my
>>>>> tube rig).
>>>>>
>>>>> Cheers,
>>>>> -Jamie
>>>>> www.JamieKrutz.com
>>>>>
>>>>>
>>>>> chuck duffy wrote:
>>>>>> Haha I agree with you! I can't believe it!
>>>>>>
>>>>>> My 2 cents. A strat, a tele and a les with a bigsby trem and locking
>>>> nuts.
>>>>>> Also, a must have is a gibson vintage f hole.
>>>>>> After that an SG and a les junior.
>>>>>>
>>>>>> Other areas we will agree on... USE AN AMP!
>>>>>> Chuck
>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>
>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>
>>>>>>> DC
>>>>>>>
>>>>>>>
>>>>>>> "John" <no@no.com> wrote:
>>>>>>>> Any suggestions on a single electric guitar that can do Strat / Les
>>>> Paul
>>>>>>> /
>>>>>>>> Telecaster sounds or some other guitar that has an amazing array of
>>>> these
>>>>>>>> type sounds?
>>Never ever stop and get into it with strangers on the highway...
Never ever. Really awful things happen. All the time.
Remember, anger makes you slow, blind, and stupid. Keep your cool
and you will be fine.
And yes, I am speaking to myself too.
A friend got into it with a creep, a punk who dared him to do anything.
He did something. He went to the trunk and pulled out a Samurai sword
and put the point on the guy's chest. The guy dared him to use it...
No one got hurt, but my friend went to jail and lost all weapons...
Ironically, the more you are able to defend yourself, the cooler you need
to be.
Read this:
http://ayoob.com/cgi-bin/miva?Merchant2/merchant.mv+Screen=P ROD&Store_Code=Ayoob&Product_Code=GE&Category_Co de=AMAB
DCThat sounds like a great setup, Bill.
I have a friend who uses a Tonelab through a Bose L1 system for prog and
fusion stuff and he gets excellent tone and response even without a tube
power amp or guitar speaker. So that's possible, too.
I haven't tried the Tonelab myself but I'm impressed with what he gets
out of it.
For my gigs the GNX4 fills multiple roles: I use it as a guitar preamp,
guitar/violin multi-FX box, mic preamp, vocal/instrument mixer, direct
box and live multitracker. It does all that. Kim can probably relate (he
uses one also).
I run my GNX4 direct to the house PA via the balanced XLR output and it
sounds consistently great out front (I can go mono or stereo).
I monitor onstage using the house monitoring system, or through an EV
12" 2 way PA speaker/monitor that I bring, or if I want to travel light,
through a Galaxy powered hot spot on a mic stand at Guitar height (for
easy controlled feedback) - aimed at my ears (lets me keep stage volume
down but I can still make the guitar sing). In all cases, I can keep
stage volume under control and there's no "spotlight" of loud guitar
hitting any part of the audience from the stack I don't use. :^) So the
house engineer really has total control of the mix and the mix is
consistent throughout the FOH.
If there's no house PA (small gigs) I can throw the EV on a pole and
cover the house, or even add its twin and make everyone go deaf with
guitar crunching goodness.
The key for going direct to the PA with the GNX4 and getting great tone
is to turn on the internal speaker emulation, and to program the patches
while listening through a full range system (I use my studio monitors).
Because I also run my violin, my vocals (the GNX4 has a mic preamp), my
guitar synth and sometimes my keyboard through the GNX4, I actually
require full range monitoring rather than just a guitar speaker. However
when I'm just playing guitar at a band gig, I could probably get away
with using a non-full-range guitar speaker. But since the GNX4 sings
just fine without it I haven't felt compelled to haul my 2x12 cab to
gigs. For my particular setup it's just not needed.
However 2x12 sounds great with my heavily modded bassman 50 head! But
that rig no longer has to take the abuse of gigging.
Cheers,
-Jamie
www.JamieKrutz.com
Bill L wrote:
> My best results with emulators are when I run them through a quality
> tube power amp and a good speaker. I use a Mesa Satellite 60, and have
> used an Atomic Reactor. Both lift the cold emulations to the realm of
> great amp sounds IMHO.
>
> I could not use my Tonelab straight into the board. It does not breath
> for me.
>
> Jamie K wrote:
>>
>> DC wrote:
>>> One more thing. I offered to let one of the modeler companies use my
>>> 1968 HIWATT as a reference to make an emulation, and they admitted
>>> that they really couldn't get it all that close.
>>
>> Which modeler company?
>>
>>
>>> They are fine unless you
>>> are building the whole song around the guitar.
>>
>> Unless you create a sound using a modeler that makes the song, which
>> is entirely possible IMO.
>>
>>
>>> Which of course is why AC/DC don't use 'em...
>>
>> We should all use only SGs through Marshalls then. Or whatever they
>> use. And wear English schoolboy pants. The rest is BLASPHEMY! ;^)
>>
>> Cheers,
>> -Jamie
>> www.JamieKrutz.com
>>
>>
>>
>>> heh
>>>
>>> DC
>>>
>>> "DC" <dc@spammersinhell.com> wrote:
>>>> I have a Digitech I like. One caveat though:
>>>>
>>>> If your music is built around guitar parts and if you want a
>>>> signature tone that people will quickly recognize, then
>>>> emulations are not for you.
>>>>
>>>> No one has ever done a real-sounding HIWATT emulation
>>>> either...
>>>>
>>>> DC
>>>>
>>>>
>>>> "chuck duffy" <c@c.com> wrote:
>>>>> I have no problem with amp emulations. Back in 1999 when I
>>>>> unloaded all
>>>> my
>>>>> gear for money for my house re-hab, the only things I kept were my
>>>>> sans
>>>> amp
>>>>> psa 1 and peavey vmp2 pre. Chuck
>>>>>
>>>>> Jamie K <Meta@Dimensional.com> wrote:
>>>>>> LOL. Get a room, you two!
>>>>>>
>>>>>> I dig those guitars through a good amp, too.
>>>>>>
>>>>>> Remember when using an electric guitar and a guitar amp was
>>>>>> heresy? They
>>>>>> booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>>>>>>
>>>>>> Flash forward and now that stuff is traditional
>>>>>>
>>>>>> I bet you would both dig my variax setup if you heard it.
>>>>>>
>>>>>> And Chuck, I bet you would even like what I do with amp
>>>>>> emulations, once
>>>>>> you hear some of my custom setups (which stand up to comparison
>>>>>> with my
>>>>>> tube rig).
>>>>>>
>>>>>> Cheers,
>>>>>> -Jamie
>>>>>> www.JamieKrutz.com
>>>>>>
>>>>>>
>>>>>> chuck duffy wrote:
>>>>>>> Haha I agree with you! I can't believe it!
>>>>>>>
>>>>>>> My 2 cents. A strat, a tele and a les with a bigsby trem and
>>>>>>> locking
>>>>> nuts.
>>>>>>> Also, a must have is a gibson vintage f hole.
>>>>>>> After that an SG and a les junior.
>>>>>>>
>>>>>>> Other areas we will agree on... USE AN AMP!
>>>>>>> Chuck
>>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>>
>>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>>
>>>>>>>> DC
>>>>>>>>
>>>>>>>>
>>>>>>>> "John" <no@no.com> wrote:
>>>>>>>>> Any suggestions on a single electric guitar that can do Strat /
>>>>>>>>> Les
>>>>> Paul
>>>>>>>> /
>>>>>>>>> Telecaster sounds or some other guitar that has an amazing
>>>>>>>>> array of
>>>>> these
>>>>>>>>> type sounds?
>>>Bill L wrote:
> I've played a PRS, but I think that is a different kind of circuit than
> what I am referring too. There is something else going on there I thought.
On the PRS they combine inner and outer coils across pickups for some of
the switch positions.
Cheers,
-Jamie
www.JamieKrutz.com
> Jamie K wrote:
>> Bill L wrote:
>>> I'll check the Variax again.
>>
>> Feel free to look me up if you're ever in Denver, you can try mine.
>>
>> If not, try to get a demo of workbench (variax software) and see what
>> it's like to modify and customize the models to taste. Pretty cool.
>> For example, my modified strat model is an improvement on the stock
>> one IMO.
>>
>>
>>> Don't you find the split humbucker to be extremely weak and anemic?
>>> It has no fullness.
>>
>> Have you ever played a PRS?
>>
>> Cheers,
>> -Jamie
>> www.JamieKrutz.com
>>
>>
>>
>>> Jamie K wrote:
>>>> Bill L wrote:
>>>>> Jamie, I'm surprised by your praise of the Variax. I found it
>>>>> disappointingly dead feeling and it seemed to have a latency in
>>>>> creating the sound.
>>>>
>>>> To each their own, but it might have been the particular variax you
>>>> played and the way it was set up. I've played some 300 models that
>>>> were terrible, sharp frets and bad action. Poor QC at the factory?
>>>> I've played others that were decent. My variax plays decently.
>>>>
>>>> Whatever very minor latency might be in my variax at normal tuning
>>>> hasn't put me off at all. It's very responsive, feels like a normal
>>>> guitar.
>>>>
>>>> When I use the transposing feature there is noticeable latency but
>>>> my brain has had no trouble adjusting. A little latency isn't a
>>>> problem per se - for example I don't have trouble adjusting to the
>>>> latency when playing with an amp stack at the back of the stage
>>>> (although I don't do that anymore, I've reformed and go for low
>>>> stage volume/close monitoring now).
>>>>
>>>> I haven't noticed a "dead feeling." The guitar feels as alive as my
>>>> other guitars. I can even get feedback (the good kind).
>>>>
>>>> In short, my variax gets good tone and is amazingly flexible. I also
>>>> added a GK3 pickup to it to drive a guitar synth at the same time,
>>>> and I use that setup with live multitracking in my solo show to
>>>> build gigantic arrangements. Very fun!
>>>>
>>>> But my PRS is my favorite guitar to play, and I take that on gigs
>>>> where I don't need to cover acoustic/electric/synth/alt tunings.
>>>> When I just need to be the electric guitar player in a band, the PRS
>>>> is flexible enough to cover a wide palette of electric guitar tones
>>>> and it's a better built guitar. Plus it has 24 frets. Plus I have
>>>> two of them in case I break a string. :^)
>>>>
>>>> When the new Roland VG99 ships I'm going to check it out. It would
>>>> let me play the PRS and still do guitar modeling. I think the variax
>>>> modeling is better than the VG88's but we'll see if Roland has
>>>> raised the bar with the new box.
>>>>
>>>> Another option would be to take variax guts and put them into a
>>>> better guitar. Like Adrian Belew did with a Parker Fly. OK I WANT
>>>> that guitar, (but not in that color). :^)
>>>>
>>>> I've considered transplanting variax guts into a custom body - which
>>>> would also let me add a 24 fret neck, but then again, my variax is
>>>> pretty decent as it is so there's no rush. If I go that route I'd
>>>> grab the guts from a 300. There's no sense gutting my expensive 700.
>>>> :^)
>>>>
>>>>
>>>>> Also the instrument was shite and looked like a toy to me, but I
>>>>> don't think it was the expensive model. I do really like the
>>>>> concept of it - maybe I should give it another shot, but they need
>>>>> to make a pretty version. A guitar is like a woman - it should be
>>>>> as pretty as possible, don't you think.
>>>>
>>>> I dig a
|
|
|
|
| Re: Springtime in Islamberg. [message #84809 is a reply to message #84804] |
Sat, 19 May 2007 08:15 |
Deej [4]
Messages: 1292
Registered: January 2007
|
Senior Member |
|
|
"Neil" <OIUOIU@OIU.com> wrote:
>
>And she's actually one of the good ones...
>
> http://www.cnn.com/2007/SHOWBIZ/Music/06/15/music.kelly.clar kson.ap/index.html
>
>If you have sine wavs on multiple channels they are being summed in the master
fader and if they are clipping it will show. What are you trying to say?I have 3 digimax fs(s) and love em. Amazing sound.
Neil wrote:
> Although not ever having used any of the Presonus stuff before,
> I would kind of tend to agree with Crhis' last statement - at
> least from a standpoint of HAVING used RME & MOTU stuff.
>
> I've always been happy with the sound & performance of my RME
> Multifaces, and I recently picked up a MOTU 8-Pre, and although
> I'm not using it as an interface, so I cna't speak for the
> drivers (I just using it as a stand-alone preamp for tom mics
> so far, lightpiping the signals out to one of the Multifaces),
> I can say that for $549, it's a bargain for a bank of eight of
> what so far seem to be pretty darn decent, good clean preamps.
>
> Neil
>
>
> "Brandon" <a@a.com> wrote:
>>
>> This was a post from Chris when I was researching this device a few =
>> months back.
>>
>>>>> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message=20
>>>>> news:45d88fac$1@linux...
>>>>> =20
>>>>>
>>>>>> HI Brandon,
>>>>>> Driver -
>>>>>> Not all the routing features are available in the current drivers. =
>> You
>>> can=20
>>>>>> at the moment only use the analog and the first bank of adat in the=20
>>>>>> internal routing control.
>>>>>>
>>>>>> Every unit we've gotten so far has had hardware issues.
>>>>>> dead or abnormally noisy inputs or outputs.
>>>>>> Weird zippering sounds when using the mic gain and also the =
>> headphone
>>>>>> channels.
>>>>>> Grounding noise and buzzing units.
>>>>>>
>>>>>> If they work out some of these mechanical and or drivers issues then
>> the
>>>>>> unit will be a great device but so far I've had to replace almost =
>> every
>>>>>> unit with some other device.
>>>>>>
>>>>>>
>>>>>> In the long run I think you really better off going with the MOTU =
>> and
>>> RME=20
>>>>>> products.
>>>&
|
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|
|
| Re: Springtime in Islamberg. [message #84810 is a reply to message #84804] |
Sat, 19 May 2007 09:18 |
dc[3]
Messages: 895
Registered: September 2005
|
Senior Member |
|
|
gt;>>
>>>>>> Chris
>> --=20
>> Thanks,
>>
>> Brandon.
>>
>> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> <HTML><HEAD>
>> <META http-equiv=3DContent-Type content=3D"text/html; =
>> charset=3Diso-8859-1">
>> <META content=3D"MSHTML 6.00.6000.16481" name=3DGENERATOR>
>> <STYLE></STYLE>
>> </HEAD>
>> <BODY bgColor=3D#ffffff>
>> <DIV><FONT face=3DArial>This was a post from Chris when I was =
>> researching this=20
>> device a few months back.</FONT></DIV>
>> <DIV><FONT face=3DArial></FONT> </DIV>
>> <DIV>>>>"Chris Ludwig" <<A=20
>> href=3D"mailto:chrisl@adkproaudio.com">Report message to a moderator
|
|
|
|
| Re: Springtime in Islamberg. [message #84811 is a reply to message #84810] |
Sat, 19 May 2007 10:33 |
Jamie K
Messages: 1115
Registered: July 2006
|
Senior Member |
|
|
o.com" target="_blank">chrisl@adkproaudio.com</A>> =
>> wrote in=20
>> message <BR>>>>news:45d88fac$1@linux...<BR>>>> =20
>> <BR>>>><BR>>>>>HI =
>> Brandon,<BR>>>>>Driver=20
>> -<BR>>>>>Not all the routing features are available in the =
>> current=20
>> drivers. You<BR>>can <BR>>>>>at the moment only use the =
>> analog=20
>> and the first bank of adat in the <BR>>>>>internal routing=20
>> control.<BR>>>>><BR>>>>>Every unit we've gotten =
>> so far=20
>> has had hardware issues.<BR>>>>>dead or abnormally noisy =
>> inputs or=20
>> outputs.<BR>>>>>Weird zippering sounds when using the mic =
>> gain and=20
>> also the=20
>> headphone<BR>><BR>>>>>channels.<BR>>>>>Groundi=
>> ng=20
>> noise and buzzing units.<BR>>>>><BR>>>>>If they =
>> work out=20
>> some of these mechanical and or drivers issues=20
>> then<BR>the<BR>><BR>>>>>unit will be a great device but =
>> so far=20
>> I've had to replace almost every<BR>><BR>>>>>unit with =
>> some other=20
>> device.<BR>>>>><BR>>>>><BR>>>>>In =
>> the long=20
>> run I think you really better off going with the MOTU and<BR>>RME=20
>> <BR>>>>>products.<BR>>>>><BR>>>>>Chri=
>> s</DIV>
>> <DIV><BR>-- <BR>Thanks,</DIV>
>> <DIV> </DIV>
>> <DIV>Brandon.</DIV></BODY></HTML>
>>
>>
>You need to put some Spyro Gyra in that CD player and stop listening to
rap !I like my cruise control because then I don't focus on the "getting
there" part and instead can think about what I'm going to do when I'm there.DJ is just trying to get in jail with Paris.It proves nothing with respect to dynamic audio reading and summing.
--
Martin Harrington
www.lendanear-sound.com
0414 913 247
"John" <no@no.com> wrote in message news:4673c564$1@linux...
>
> If you have sine wavs on multiple channels they are being summed in the
> master
> fader and if they are clipping it will show. What are you trying to say?
>You're right Wes. It's my fault. I was using the wrong tool for the job.
Next time I'll be driving a Hummer and I'll just roll right over the top of
his worthless ass.....
(kiddin....just kiddin........)
;o)
"Wes" <wes@wes.com> wrote in message news:46735e87$1@linux...
>
> You were totally out of line. I hope he did call the cops on you...
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>I almost got into a physical brawl with some asshole today who was ****'in
>
>>with me out on the highway on my way home. It's been a really
>>hard/stressful
>
>>week and I haven't had nearly enough sleep. The guy was driving down the
>
>>highway (70MHP speed limit) going about 40 and I passed him on the
>>shoulder
>
>>to get around him because he wouldn't move over. When he saw that I was
>
>>going to be passing him he floored his car to try to keep me from passing.
>
>>When this didn't work he got pissed and ran right up on my bumper and
>>started honkin his horn. I just pulled over and I musta' looked like some
>
>>insane maniac when I jumped out of the car and started walking back to his
>
>>car because he rolled up the window 3/4 of the way and started whining and
>
>>bitchin' about how what I had done was illegal. I told him that if he had
> a
>>problem with my driving to call the damn cops (I didn't say "fuckin" cops
>
>>because he had a couple of kids in the car whose eyes were as big around
> as
>>saucers) and that he'd better stay off my ass. We didn't part as friends.
> I
>>was so mad I was literally shaking when I drove away.
>>
>>I need to get more sleep. I'm wayyyy too old to be losin' my temper and
>
>>swellin up like an old toady frog. I'm old and not a big, badass by an
>>stretch and the guy probably could have whupped my ass on any given day.
>>
>>I'm going over to the hot springs across the street, soak up some lithium
>
>>and go to bed.
>>
>>G'nite....
>>
>>;o)
>>
>>
>Bill,
I wasn't the one doing the honkin'..just the cursin'.
anyway..........
;o)
"Bill L" <bill@billlorentzen.com> wrote in message news:46736596@linux...
> It's easy to get PO'd on the road. I've been there too. But it ain't worth
> it. Take a deep breath, turn on the radio, or do what I do sometimes when
> some old timer does something not too bright down here in FLA - I imagine
> it's my father and how I would feel if somebody was honkin' and cussin' at
> him...
>
> DJ wrote:
>> I almost got into a physical brawl with some asshole today who was
>> ****'in with me out on the highway on my way home. It's been a really
>> hard/stressful week and I haven't had nearly enough sleep. The guy was
>> driving down the highway (70MHP speed limit) going about 40 and I passed
>> him on the shoulder to get around him because he wouldn't move over. When
>> he saw that I was going to be passing him he floored his car to try to
>> keep me from passing. When this didn't work he got pissed and ran right
>> up on my bumper and started honkin his horn. I just pulled over and I
>> musta' looked like some insane maniac when I jumped out of the car and
>> started walking back to his car because he rolled up the window 3/4 of
>> the way and started whining and bitchin' about how what I had done was
>> illegal. I told him that if he had a problem with my driving to call the
>> damn cops (I didn't say "fuckin" cops because he had a couple of kids in
>> the car whose eyes were as big around as saucers) and that he'd better
>> stay off my ass. We didn't part as friends. I was so mad I was literally
>> shaking when I drove away.
>>
>> I need to get more sleep. I'm wayyyy too old to be losin' my temper and
>> swellin up like an old toady frog. I'm old and not a big, badass by an
>> stretch and the guy probably could have whupped my ass on any given day.
>>
>> I'm going over to the hot springs across the street, soak up some lithium
>> and go to bed.
>>
>> G'nite....
>>
>> ;o)Tailgaters are definitely the worst. There's two kinds: the idiot in a
piece of shit pickup or something who thinks he's racing NASCAR and the
space cadet chick putting on mascara in the rearview. My theory with
idiots: the worse their chances of stopping in an emergency - the closer
they tailgate.
Sarah wrote:
> Deej,
>
> I feel for you, man. I hate slow drivers. If they're not going to go
> the speed limit, they should notice when someone behind them would like to
> and pull the hell over, since they're obviously not in a hurry. I'm
> convinced that getting behind the wheel of a vehicle automatically drops a
> human being's IQ by about 20 points.
Sarah, That's cold. I'd just barely be
>
> But my biggest pet peeve is tailgaters, and I've done all kinds of mean
> things to them. My favorite trick was one I used back when I drove for the
> local wheelchair lift bus door-to-door service. My bus was a really old
> 3-speed Mercedes, held about 20. I never drove slow, but there was always
> some idiot that would tailgate me. I would just slow down to about 15-20
> for a few seconds, then put it in 3rd gear and floor the accelerator. This
> would result in the tailgater being buried in a thick, smelly black cloud of
> diesel fumes. Now that was fun. My passengers always enjoyed that one,
> too.
>
> S
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote in message news:46734733$1@linux...
>> I almost got into a physical brawl with some asshole today who was ****'in
>> with me out on the highway on my way home. It's been a really
>> hard/stressful week and I haven't had nearly enough sleep. The guy was
>> driving down the highway (70MHP speed limit) going about 40 and I passed
>> him on the shoulder to get around him because he wouldn't move over. When
>> he saw that I was going to be passing him he floored his car to try to keep
>> me from passing. When this didn't work he got pissed and ran right up on my
>> bumper and started honkin his horn. I just pulled over and I musta' looked
>> like some insane maniac when I jumped out of the car and started walking
>> back to his car because he rolled up the window 3/4 of the way and started
>> whining and bitchin' about how what I had done was illegal. I told him that
>> if he had a problem with my driving to call the damn cops (I didn't say
>> "fuckin" cops because he had a couple of kids in the car whose eyes were as
>> big around as saucers) and that he'd better stay off my ass. We didn't part
>> as friends. I was so mad I was literally shaking when I drove away.
>>
>> I need to get more sleep. I'm wayyyy too old to be losin' my temper and
>> swellin up like an old toady frog. I'm old and not a big, badass by an
>> stretch and the guy probably could have whupped my ass on any given day.
>>
>> I'm going over to the hot springs across the street, soak up some lithium
>> and go to bed.
>>
>> G'nite....
>>
>> ;o)
>>
>
>Right on, my man! Spyro Gyra is the sweetest cure for a harshed mellow.
Pat Metheny group (First Circle) works wonders too, bro!
John wrote:
> You need to put some Spyro Gyra in that CD player and stop listening to
> rap !sweet! That and my Steinberger and I'm travelin' light!
DC wrote:
> This might be interesting...
>
> http://www.vettaville.nl/vvpocketpod.html#552
>
>
> DC
>I've often thought about rigging up something like this and just ducting it
out the back:
http://transportation.frost.com/prod/servlet/market-insight- top.pag?docid=JSAA-5NCK62&ctxixpLink=FcmCtx25&ctxixp Label=FcmCtx26.
;o)
"W. Mark Wilson" <xpam_mark@avidrecording> wrote in message
news:4673b14b$1@linux...
>I had a guy once who literally made it a habit to seek me out on a certain
>time and stretch of road. I finally blew my cool and started packing....
>you guessed it.... a bottle of Sue Bee Honey and a sack of Martha White
>baking flour.... honey first... real light little string for about 7 or 8
>seconds and then the flour by the butt end of the sack... left arm out the
>side window and the whole thing to the wind.
>
> W.
>
>
> "Sarah" <sarahjane@sarahtonin.com> wrote in message
> news:46739522$1@linux...
>> Deej,
>>
>> I feel for you, man. I hate slow drivers. If they're not going to go
>> the speed limit, they should notice when someone behind them would like
>> to and pull the hell over, since they're obviously not in a hurry. I'm
>> convinced that getting behind the wheel of a vehicle automatically drops
>> a human being's IQ by about 20 points.
>>
>> But my biggest pet peeve is tailgaters, and I've done all kinds of
>> mean things to them. My favorite trick was one I used back when I drove
>> for the local wheelchair lift bus door-to-door service. My bus was a
>> really old 3-speed Mercedes, held about 20. I never drove slow, but
>> there was always some idiot that would tailgate me. I would just slow
>> down to about 15-20 for a few seconds, then put it in 3rd gear and floor
>> the accelerator. This would result in the tailgater being buried in a
>> thick, smelly black cloud of diesel fumes. Now that was fun. My
>> passengers always enjoyed that one, too.
>>
>> S
>>
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote in message news:46734733$1@linux...
>>>I almost got into a physical brawl with some asshole today who was
>>>****'in with me out on the highway on my way home. It's been a really
>>>hard/stressful week and I haven't had nearly enough sleep. The guy was
>>>driving down the highway (70MHP speed limit) going about 40 and I passed
>>>him on the shoulder to get around him because he wouldn't move over. When
>>>he saw that I was going to be passing him he floored his car to try to
>>>keep me from passing. When this didn't work he got pissed and ran right
>>>up on my bumper and started honkin his horn. I just pulled over and I
>>>musta' looked like some insane maniac when I jumped out of the car and
>>>started walking back to his car because he rolled up the window 3/4 of
>>>the way and started whining and bitchin' about how what I had done was
>>>illegal. I told him that if he had a problem with my driving to call the
>>>damn cops (I didn't say "fuckin" cops because he had a couple of kids in
>>>the car whose eyes were as big around as saucers) and that he'd better
>>>stay off my ass. We didn't part as friends. I was so mad I was literally
>>>shaking when I drove away.
>>>
>>> I need to get more sleep. I'm wayyyy too old to be losin' my temper and
>>> swellin up like an old toady frog. I'm old and not a big, badass by an
>>> stretch and the guy probably could have whupped my ass on any given day.
>>>
>>> I'm going over to the hot springs across the street, soak up some
>>> lithium and go to bed.
>>>
>>> G'nite....
>>>
>>> ;o)
>>>
>>
>>
>
>Jamie, I really do believe you can get great tone that way. It just does
not quite get it for me. If it's a smaller gig do usually run into the
PA from the Tonelab myself, but i like to monitor through the amp to get
the tone and the stage monitoring vibe that makes me happy.
Jamie K wrote:
>
> That sounds like a great setup, Bill.
>
> I have a friend who uses a Tonelab through a Bose L1 system for prog and
> fusion stuff and he gets excellent tone and response even without a tube
> power amp or guitar speaker. So that's possible, too.
>
> I haven't tried the Tonelab myself but I'm impressed with what he gets
> out of it.
>
> For my gigs the GNX4 fills multiple roles: I use it as a guitar preamp,
> guitar/violin multi-FX box, mic preamp, vocal/instrument mixer, direct
> box and live multitracker. It does all that. Kim can probably relate (he
> uses one also).
>
> I run my GNX4 direct to the house PA via the balanced XLR output and it
> sounds consistently great out front (I can go mono or stereo).
>
> I monitor onstage using the house monitoring system, or through an EV
> 12" 2 way PA speaker/monitor that I bring, or if I want to travel light,
> through a Galaxy powered hot spot on a mic stand at Guitar height (for
> easy controlled feedback) - aimed at my ears (lets me keep stage volume
> down but I can still make the guitar sing). In all cases, I can keep
> stage volume under control and there's no "spotlight" of loud guitar
> hitting any part of the audience from the stack I don't use. :^) So the
> house engineer really has total control of the mix and the mix is
> consistent throughout the FOH.
>
> If there's no house PA (small gigs) I can throw the EV on a pole and
> cover the house, or even add its twin and make everyone go deaf with
> guitar crunching goodness.
>
> The key for going direct to the PA with the GNX4 and getting great tone
> is to turn on the internal speaker emulation, and to program the patches
> while listening through a full range system (I use my studio monitors).
>
> Because I also run my violin, my vocals (the GNX4 has a mic preamp), my
> guitar synth and sometimes my keyboard through the GNX4, I actually
> require full range monitoring rather than just a guitar speaker. However
> when I'm just playing guitar at a band gig, I could probably get away
> with using a non-full-range guitar speaker. But since the GNX4 sings
> just fine without it I haven't felt compelled to haul my 2x12 cab to
> gigs. For my particular setup it's just not needed.
>
> However 2x12 sounds great with my heavily modded bassman 50 head! But
> that rig no longer has to take the abuse of gigging.
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>
> Bill L wrote:
>> My best results with emulators are when I run them through a quality
>> tube power amp and a good speaker. I use a Mesa Satellite 60, and have
>> used an Atomic Reactor. Both lift the cold emulations to the real
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| Re: Springtime in Islamberg. [message #84837 is a reply to message #84809] |
Sun, 20 May 2007 02:26 |
Sarah
Messages: 608
Registered: February 2007
|
Senior Member |
|
|
e
implementation and Vista with 16+ MB RAM becomes viable, I don't think
building a super computer for Cubase is practical.
Mac and the new Logic sure might be though.....but I don't want to get
absorbed by the Borg just yet.
"Neil" <IOUOIU@OIU.com> wrote in message news:46741429$1@linux...
>
> So, you're still running two PC's, though?
>
> What's the 2nd/slave one being used for?
>
> Neil
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>I've been sitting around here frettin' about building another DAW. The
>>reason for the chagrin is latency and resource limitations. I have
>>resigned
>
>>myself to staying with my Opteron 185 (5.2GHz on two cores) system. I've
>
>>been doing a bit of experimentation with some things and I've decided to
>
>>just "live with" ASIO driect monitoring instead of trying to go the route
> of
>>"real time" zero latency tracking. ADM with the HDSP cards works so
>>flawlessly that I don't think I'm going to be needing to go to the server
>
>>level system right now as long as I've got the slave DAW running
>>systemlink.
>
>>VStack sorta' sucks for my purposes though. I'm probably going to get
>>another version of Cubase for the slave comp due to the bussing
>>limitations
>
>>in VStack. Maybe in another year when Steinberg has their apps optomized
> for
>>dual socket Quad core systems and Vista is a bit further down the road.
>>I've also been looking at the new Macs and I'm waiting to see what the
>>newest incarnation of Logic will hold.
>>
>>
>Sure, a 32 bit float (and also 64 bit float) will have lots of headroom, but
it makes for mixes that clip the 2-buss instead of clipping at the faders.
You can't 'play the console' with this kind of structure like you can with
a mixer that has limited headroom at the faders (like Paris and its integer
based buss). What you see as a limitation, I see as an advantage, and vice
versa...
What you lose with the high headroom 2-buss is variation in clip point...a
high headroom 2-buss will only clip at one spot, where you've set the master
fader to. It's nice to be able to clip a channel using the EQ trim, then
run the fader down a bit, using the trim/clip as a bit of a limiter/level
control. This means that all your tracks clip at different points relating
to their fader settings, which is harder to perceive as clipping per-se since
it sounds more musical in a mix. To do this on a floating pt system you'd
need to add a saturation pluggin.
Cheers
Kris
"John" <no@no.com> wrote:
>
>Sure, a common problem in the summing busses is clipping at the master bus
>when you mix many tracks. You can find this point by getting a sine wave
>(like these http://www.rme-audio.com/english/download/audtest.htm) and putting
>the sine wave on each track all in phase.
>
>This way the peaks of all tracks are at the same point. So you have all
>these tracks at 0db and you find that they will often clip the master bus
>if you have more than 1 at 0db and so you have to pull the fader back on
>each track to avoid clipping.
>
>You will find that for 8 tracks you may have to be down 20 db to not clip
>on the master bus. Real music doesn't have all channels at the peak 0dB
>at the same time so it's a more extreme test but using this you can find
>where your master clips.
>
>In cubase if you do 32 bit float projects there is so much headroom you
can
>clip the crap out of the input to the master (light design to go on at 0db)
>and it will still not clip the signal. Every DAW is different. In Paris
>0db has some headroom so you can go above that my a few db and not get a
>nasty clip.
>
>In cubase you can monitor the master fader pre fader or post fader. If
you
>monitor prefader you will see the clip light at 0dB even though it doesn't
>clip the signal and you have tons of headroom. If you render/bounce this
>"clipped" signal to disk though it WILL be clipped. The trick in cubase
>(and I think it's awesome) is y
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| Re: Springtime in Islamberg. [message #84838 is a reply to message #84810] |
Sun, 20 May 2007 02:57 |
Sarah
Messages: 608
Registered: February 2007
|
Senior Member |
|
|
ou monitor the Master POST fader and simply
>pull down the fader so it's not clipping, render/bounce and you're done.
>
>You can have cubase clipping the crap out of the master fader Pre fader
and
>it's no problem and you don't have to pull your faders back down because
>of the 32 bit headroom. Most people DON'T understand this point about Cubase.
> In Paris you have a nice feature where it will warm any clipping but you
>have a limited headroom so you need to make sure not to clip on your faders
>as a rule.
>
>JohnDeej...I admire your persistance with DAWs, but after doing tons of homework,
actual research, etc...I have come to the conclusion that the best DAW is
the DAW that does not rely on ASIO or 'zero latency' for monitoring...
I have been in the process for a couple of days rearranging everything (again)
and re-installing my Soundtracs console...this way, I have all the analog
pres, comps, EQs, etc I want with true zero latency...Die hard that I am,
I have yet to encounter any latency when using a console for tracking...kind
of backwards from the way most people use them, but hey, I've got 32 channels
on one board, 18 on another, and 8 on the 3rd...
FWIW the most recent TapeOp mag/rag has a real world review of the Mac only
Apogee/Symphony setup and Logic...but its a Mac ...
KSomehow I knew the collective Paris brain would have the answer I was looking
for.
Thanks all!
-steve
but who are those imposters at Paul's site? They don't look anything like
the images of Paris folk I have in my head...
"Louis Guarino Jr." <kateeba@snet.net> wrote:
>
>Wow this place looks great. I have to look into it and maybe change
up
>from Hostway.com if it is that cheap and that good! Thanks for the link!
>(didn't notice this till after I posted my site to Steve).
>
>Lou
>
>Bill L <bill@billlorentzen.com> wrote:
>>www.1and1.com Cheap, lots of features and very reliable. Ever
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| Re: Springtime in Islamberg. [message #84841 is a reply to message #84811] |
Sun, 20 May 2007 08:10 |
ulfiyya
Messages: 25
Registered: July 2005
|
Junior Member |
|
|
concentrate on the music and the people, which
will get better end results than managing routing of signals.
I don't mind whether digital or analog, they each have pluses and
minuses, IMHO, though I would probably go for a good digital console as
the price to quality ratio is much higher with a DM2000 than an analog
board, which would necessarily be pretty old at that price and quality
level.
wireline wrote:
> Deej...I admire your persistance with DAWs, but after doing tons of homework,
> actual research, etc...I have come to the conclusion that the best DAW is
> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>
> I have been in the process for a couple of days rearranging everything (again)
> and re-installing my Soundtracs console...this way, I have all the analog
> pres, comps, EQs, etc I want with true zero latency...Die hard that I am,
> I have yet to encounter any latency when using a console for tracking...kind
> of backwards from the way most people use them, but hey, I've got 32 channels
> on one board, 18 on another, and 8 on the 3rd...
>
> FWIW the most recent TapeOp mag/rag has a real world review of the Mac only
> Apogee/Symphony setup and Logic...but its a Mac ...
> K
>
>
>Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
David.
Bill L wrote:
> I'm with Wireline. While there are ways to use ASIO direct and even low
> latency monitoring, as a onetime pro studio owner I have the mindset
> that managing the flows in the studio should be as simple and central as
> possible for the sake of speed and flexibility. A console does that and
> offers the pres, eqs and studio routing infrastructure that makes life
> comfortable so you can concentrate on the music and the people, which
> will get better end results than managing routing of signals.
>
> I don't mind whether digital or analog, they each have pluses and
> minuses, IMHO, though I would probably go for a good digital console as
> the price to quality ratio is much higher with a DM2000 than an analog
> board, which would necessarily be pretty old at that price and quality
> level.
>
> wireline wrote:
>
>> Deej...I admire your persistance with DAWs, but after doing tons of
>> homework,
>> actual research, etc...I have come to the conclusion that the best DAW is
>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>
>> I have been in the process for a couple of days rearranging everything
>> (again)
>> and re-installing my Soundtracs console...this way, I have all the analog
>> pres, comps, EQs, etc I want with true zero latency...Die hard that I am,
>> I have yet to encounter any latency when using a console for
>> tracking...kind
>> of backwards from the way most people use them, but hey, I've got 32
>> channels
>> on one board, 18 on another, and 8 on the 3rd...
>>
>> FWIW the most recent TapeOp mag/rag has a real world review of the Mac
>> only
>> Apogee/Symphony setup and Logic...but its a Mac ...
>> K
>>
>>
>>My Furman HDS16 gives me the flexibility of a console for cue mixes.
Everything else is pretty well laid out and easy to manage. I don't need the
preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels of
AES switchable to coax or optical S/Pdif?
;o)
"EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>
> David.
>
> Bill L wrote:
>> I'm with Wireline. While there are ways to use ASIO direct and even low
>> latency monitoring, as a onetime pro studio owner I have the mindset that
>> managing the flows in the studio should be as simple and central as
>> possible for the sake of speed and flexibility. A console does that and
>> offers the pres, eqs and studio routing infrastructure that makes life
>> comfortable so you can concentrate on the music and the people, which
>> will get better end results than managing routing of signals.
>>
>> I don't mind whether digital or analog, they each have pluses and
>> minuses, IMHO, though I would probably go for a good digital console as
>> the price to quality ratio is much higher with a DM2000 than an analog
>> board, which would necessarily be pretty old at that price and quality
>> level.
>>
>> wireline wrote:
>>
>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>> homework,
>>> actual research, etc...I have come to the conclusion that the best DAW
>>> is
>>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>>
>>> I have been in the process for a couple of days rearranging everything
>>> (again)
>>> and re-installing my Soundtracs console...this way, I have all the
>>> analog
>>> pres, comps, EQs, etc I want with true zero latency...Die hard that I
>>> am,
>>> I have yet to encounter any latency when using a console for
>>> tracking...kind
>>> of backwards from the way most people use them, but hey, I've got 32
>>> channels
>>> on one board, 18 on another, and 8 on the 3rd...
>>>
>>> FWIW the most recent TapeOp mag/rag has a real world review of the Mac
>>> only
>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>> K
>>>
>>>
>>>http://www.doteasy.com
free basic + services, paid for as you grow. They have HTML and much more.
I've used them for several sites both small biz and personal, zero hassles
man.
AA
"steve the artguy" <artguy@somethingorother.net> wrote in message
news:46732bc0$1@linux...
>
> hey, Parisians-
>
> It occurs to me that after having my website up for nearly 10 years on a
> local server I should bite the bullet and get my own domain.
>
> Exploring this option has opened my eyes to what exists in the cyberworld
> in the way of web hosting companies that offer your domain and apparently
> a zillion other features, most of which I've never heard of.
>
> I know nothing of Pearl scripts or CGI (other than what they are), but I
> do HTML well enough to have thrown my own site together over the years.
> The
> servcices I've been looking at mention everything in the world except
> HTML...
>
> So, the question is, what are you guys (and gals) using? How satisfied are
> you with the service and features? How much is it costing? Is your site
> strictly
> personal, or business, or both, or what? Are you using an ISP, or a server
> in your closet?
>
>
> thanks for your time and experience
>
> -steveI notice doteasy wants to transfer my existing domain to them. There doesn't
seem to be a way around that either on the free one. hmmyep, I came to that conclusion 3 years ago and have not looked back. Unless
you''re running Paris aor Pro Tools HD, then you need a (digtal or analog)
mixer.
"wireline" <wirelinestudio@spammeanddie.com> wrote:
>
>Deej...I admire your persistance with DAWs, but after doing tons of homework,
>actual research, etc...I have come to the conclusion that the best DAW is
>the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>
>I have been in the process for a couple of days rearranging everything (again)
>and re-installing my Soundtracs console...this way, I have all the analog
>pres, comps, EQs, etc I want with true zero latency...Die hard that I am,
>I have yet to encounter any latency when using a console for tracking...kind
>of backwards from the way most people use them, but hey, I've got 32 channels
>on one board, 18 on another, and 8 on the 3rd...
>
>FWIW the most recent TapeOp mag/rag has a real world review of the Mac only
>Apogee/Symphony setup and Logic...but its a Mac ...
>K
>
>
>My mom took a bad fall a few days ago. She didn't break any bones but got
seriously bruised up. She's started feeling really bad today. God knows
what's going on. This little town doesn't have any doctors right now that
will accept Medicare because of the expense of hiring people full time to
deal with the bureaucracy so they can get paid. I called my doctor (the are
open on Satrudays) to request an appointment. They say that they can't take
her because they don't take medicare patients. I told them that I would pay
cash. They said that they cannot take cash. They could get their license
revoked. She has a supplemental medical policy. They can't take that either.
We're forced to go to the ER to get her any help. Luckily, there's one here
that is separate from the big hospital complex here so there's less of a
chance of her contacting a random killer respiratory bug than there would be
if we went to the big Medical center here.
Amazing..........I'm off to the ER to sit with the illegal aliens who will
get their healthcare free. I, OTOH, will get a bill for around $1000.00.
;o)HI DJ,
Less than analog console.
The DM2000 VCM has 6 expansion slots with the right combination of
expansion cards you can have up to 96 channels of I/O A48k or 48 chs @
96k. You can mix most any of th exp cards they have so you can replicate
the current I/O needs you have now. If you want to bypass their analog
I/O you can easily hookup your ADI8DS to use with any analog effects or
Mic-Pres if needed.
You can at some point replace all or some of those RME cards with a
single Madi and make the routing allot easier. Yamaha is supposedly
working on their own MY-Madi card but it won't be out for awhile. The
3rd party one is stupid expensive for no reason. Now that we are
building the recording systems for Yamaha Commercial Audio we get to be
dealers. :)
Chris
DJ wrote:
> My Furman HDS16 gives me the flexibility of a console for cue mixes.
> Everything else is pretty well laid out and easy to manage. I don't need the
> preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels of
> AES switchable to coax or optical S/Pdif?
>
> ;o)
>
>
> "EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
>
>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>
>> David.
>>
>> Bill L wrote:
>>
>>> I'm with Wireline. While there are ways to use ASIO direct and even low
>>> latency monitoring, as a onetime pro studio owner I have the mindset that
>>> managing the flows in the studio should be as simple and central as
>>> possible for the sake of speed and flexibility. A console does that and
>>> offers the pres, eqs and studio routing infrastructure that makes life
>>> comfortable so you can concentrate on the music and the people, which
>>> will get better end results than managing routing of signals.
>>>
>>> I don't mind whether digital or analog, they each have pluses and
>>> minuses, IMHO, though I would probably go for a good digital console as
>>> the price to quality ratio is much higher with a DM2000 than an analog
>>> board, which would necessarily be pretty old at that price and quality
>>> level.
>>>
>>> wireline wrote:
>>>
>>>
>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>> homework,
>>>> actual research, etc...I have come to the conclusion that the best DAW
>>>> is
>>>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>>>
>>>> I have been in the process for a couple of days rearranging everything
>>>> (again)
>>>> and re-installing my Soundtracs console...this way, I have all the
>>>> analog
>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that I
>>>> am,
>>>> I have yet to encounter any latency when using a console for
>>>> tracking...kind
>>>> of backwards from the way most people use them, but hey, I've got 32
>>>> channels
>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>
>>>> FWIW the most recent TapeOp mag/rag has a real world review of the Mac
>>>> only
>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>> K
>>>>
>>>>
>>>>
>>>>
>
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762"John" <no@no.com> wrote:
>
>I notice doteasy wants to transfer my existing domain to them. There doesn't
>seem to be a way around that either on the free one. hmm
I don't see how they could administer your domain if it was not transferred
to them. But then again, I'm the ignorant guy here...
-steve"DJ" <www.aarrrrggghhh!!!.com> wrote:
>My mom took a bad fall a few days ago. She didn't break any bones but got
>seriously bruised up. She's started feeling really bad today. God knows
>what's going on. This little town doesn't have any doctors right now that
>will accept Medicare because of the expense of hiring people full time to
>deal with the bureaucracy so they can get paid. I called my doctor (the
are
>open on Satrudays) to request an appointment. They say that they can't take
>her because they don't take medicare patients. I told them that I would
pay
>cash. They said that they cannot take cash. They could get their license
>revoked. She has a supplemental medical policy. They can't take that either.
>We're forced to go to the ER to get her any help. Luckily, there's one here
>that is separate from the big hospital complex here so there's less of a
>chance of her contacting a random killer respiratory bug than there would
be
>if we went to the big Medical center here.
>
>Amazing..........I'm off to the ER to sit with the illegal aliens who will
>get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>
>;o)
>
>
>
>
my girlfriend Bonnie is doing an article about retirees who move abroad,
and she was talking to a guy who's retired to Costa Rica. He says he gets
great healthcare for $37/month, and knows people who travel to Costa Rica
to have their operations.
Kinda makes ya proud. By the way, the US, home of the tallest population
in the world, now rates 20th in the world. Tallest kids are now in Holland,
averaging three inches taller than here.
-steveHmmm...
At the risk of being very unpopular, the Dm2000, while an asTOUNDING board,
is discontinued last I heard...and as with all things digital, once discontinued,
lack of any support whatsoever is not far behind...I would think very hard
about the DM2000 (even though I really was amazed at just how good it sounds)
or even a Sony RMX100...
That said, none of my boards are current production models, even the companies
have changed hands drastically or are out of the pro audio biz...but parts
are readily available, and there are no digital issues, software, etc to
be concerned about.
Last FWIW: Otari made a really handy board - had no preamps, just tape returns,
auxes out the wazoo, sources I trust say the EQ was a silent miracle, and
(get this) 48 channels of Eagle automation....
Just an FYI
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>My Furman HDS16 gives me the flexibility of a console for cue mixes.
>Everything else is pretty well laid out and easy to manage. I don't need
the
>preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
>9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels
of
>AES switchable to coax or optical S/Pdif?
>
>;o)
>
>
>"EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>
>> David.
>>
>> Bill L wrote:
>>> I'm with Wireline. While there are ways to use ASIO direct and even low
>>> latency monitoring, as a onetime pro studio owner I have the mindset
that
>>> managing the flows in the studio should be as simple and central as
>>> possible for the sake of speed and flexibility. A console does that and
>>> offers the pres, eqs and studio routing infrastructure that makes life
>>> comfortable so you can concentrate on the music and the people, which
>>> will get better end results than managing routing of signals.
>>>
>>> I don't mind whether digital or analog, they each have pluses and
>>> minuses, IMHO, though I would probably go for a good digital console
as
>>> the price to quality ratio is much higher with a DM2000 than an analog
>>> board, which would necessarily be pretty old at that price and quality
>>> level.
>>>
>>> wireline wrote:
>>>
>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>> homework,
>>>> actual research, etc...I have come to the conclusion that the best DAW
>>>> is
>>>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>>>
>>>> I have been in the process for a couple of days rearranging everything
>>>> (again)
>>>> and re-installing my Soundtracs console...this way, I have all the
>>>> analog
>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
I
>>>> am,
>>>> I have yet to encounter any latency when using a console for
>>>> tracking...kind
>>>> of backwards from the way most people use them, but hey, I've got 32
>>>> channels
>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>
>>>> FWIW the most recent TapeOp mag/rag has a real world review of the Mac
>>>> only
>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>> K
>>>>
>>>>
>>>>
>
>Yeah, but I *closed* the deal! If enough guys sign up there could be one
for each of us.
John wrote:
> I said it first so I want the free month !This is a multi-part message in MIME format.
--------------090404060808000700040205
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Conte
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| Re: Springtime in Islamberg. [message #84845 is a reply to message #84841] |
Sun, 20 May 2007 08:45 |
Jamie K
Messages: 1115
Registered: July 2006
|
Senior Member |
|
|
E21tEdnah
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--------------090404060808000700040205--My Steiny fits perfectly into a Samsonite hardshell suitcase. That's the
reason I bought it. When I use its gig bag, I almost feel like I'm
cheating, it's so tiny.
Jamie K wrote:
> DC wrote:
>> Absolutely. These things are very useful, and I will not mind in the
>> least if they eventually become nearly perfect. A lot of people
>> always see technology as a "this vs. that" but us gear hounds always
>> want one
>> of each...
>
> True. Keeping in mind: "You can't have everything, where would you put
> it?" :^)
>
>> Bill L <bill@billlorentzen.com> wrote:
>>> sweet! That and my Steinberger and I'm travelin' light!
>
> Nice.
>
> My Steinberger and my GK250ML have been my carry-on companions when I
> have to fly to gigs. Small, sweet and loud.
>
> Cheers,
> -Jamie
> www.JamieKrutz.comDude, we are so civilized!
Jamie K wrote:
> Bill L wrote:
>> Jamie, I really do believe you can get great tone that way. It just
>> does not quite get it for me. If it's a smaller gig do usually run
>> into the PA from the Tonelab myself, but i like to monitor through the
>> amp to get the tone and the stage monitoring vibe that makes me happy.
>
> Absolutely. We all find what works for us.
>
> There are plenty of options these days. More than I have time to
> evaluate. So it's great to hear what works for you, and I'm happy to
> share what works for me.
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>> Jamie K wrote:
>>>
>>> That sounds like a great setup, Bill.
>>>
>>> I have a friend who uses a Tonelab through a Bose L1 system for prog
>>> and fusion stuff and he gets excellent tone and response even without
>>> a tube power amp or guitar speaker. So that's possible, too.
>>>
>>> I haven't tried the Tonelab myself but I'm impressed with what he
>>> gets out of it.
>>>
>>> For my gigs the GNX4 fills multiple roles: I use it as a guitar
>>> preamp, guitar/violin multi-FX box, mic preamp, vocal/instrument
>>> mixer, direct box and live multitracker. It does all that. Kim can
>>> probably relate (he uses one also).
>>>
>>> I run my GNX4 direct to the house PA via the balanced XLR output and
>>> it sounds consistently great out front (I can go mono or stereo).
>>>
>>> I monitor onstage using the house monitoring system, or through an EV
>>> 12" 2 way PA speaker/monitor that I bring, or if I want to travel
>>> light, through a Galaxy powered hot spot on a mic stand at Guitar
>>> height (for easy controlled feedback) - aimed at my ears (lets me
>>> keep stage volume down but I can still make the guitar sing). In all
>>> cases, I can keep stage volume under control and there's no
>>> "spotlight" of loud guitar hitting any part of the audience from the
>>> stack I don't use. :^) So the house engineer really has total control
>>> of the mix and the mix is consistent throughout the FOH.
>>>
>>> If there's no house PA (small gigs) I can throw the EV on a pole and
>>> cover the house, or even add its twin and make everyone go deaf with
>>> guitar crunching goodness.
>>>
>>> The key for going direct to the PA with the GNX4 and getting great
>>> tone is to turn on the internal speaker emulation, and to program the
>>> patches while listening through a full range system (I use my studio
>>> monitors).
>>>
>>> Because I also run my violin, my vocals (the GNX4 has a mic preamp),
>>> my guitar synth and sometimes my keyboard through the GNX4, I
>>> actually require full range monitoring rather than just a guitar
>>> speaker. However when I'm just playing guitar at a band gig, I could
>>> probably get away with using a non-full-range guitar speaker. But
>>> since the GNX4 sings just fine without it I haven't felt compelled to
>>> haul my 2x12 cab to gigs. For my particular setup it's just not needed.
>>>
>>> However 2x12 sounds great with my heavily modded bassman 50 head! But
>>> that rig no longer has to take the abuse of gigging.
>>>
>>> Cheers,
>>> -Jamie
>>> www.JamieKrutz.com
>>>
>>>
>>>
>>> Bill L wrote:
>>>> My best results with emulators are when I run them through a quality
>>>> tube power amp and a good speaker. I use a Mesa Satellite 60, and
>>>> have used an Atomic Reactor. Both lift the cold emulations to the
>>>> realm of great amp sounds IMHO.
>>>>
>>>> I could not use my Tonelab straight into the board. It does not
>>>> breath for me.
>>>>
>>>> Jamie K wrote:
>>>>>
>>>>> DC wrote:
>>>>>> One more thing. I offered to let one of the modeler companies use my
>>>>>> 1968 HIWATT as a reference to make an emulation, and they admitted
>>>>>> that they really couldn't get it all that close.
>>>>>
>>>>> Which modeler company?
>>>>>
>>>>>
>>>>>> They are fine unless you
>>>>>> are building the whole song around the guitar.
>>>>>
>>>>> Unless you create a sound using a modeler that makes the song,
>>>>> which is entirely possible IMO.
>>>>>
>>>>>
>>>>>> Which of course is why AC/DC don't use 'em...
>>>>>
>>>>> We should all use only SGs through Marshalls then. Or whatever they
>>>>> use. And wear English schoolboy pants. The rest is BLASPHEMY! ;^)
>>>>>
>>>>> Cheers,
>>>>> -Jamie
>>>>> www.JamieKrutz.com
>>>>>
>>>>>
>>>>>
>>>>>> heh
>>>>>>
>>>>>> DC
>>>>>>
>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>> I have a Digitech I like. One caveat though:
>>>>>>>
>>>>>>> If your music is built around guitar parts and if you want a
>>>>>>> signature tone that people will quickly recognize, then
>>>>>>> emulations are not for you.
>>>>>>>
>>>>>>> No one has ever done a real-sounding HIWATT emulation
>>>>>>> either...
>>>>>>>
>>>>>>> DC
>>>>>>>
>>>>>>>
>>>>>>> "chuck duffy" <c@c.com> wrote:
>>>>>>>> I have no problem with amp emulations. Back in 1999 when I
>>>>>>>> unloaded all
>>>>>>> my
>>>>>>>> gear for money for my house re-hab, the only things I kept were
>>>>>>>> my sans
>>>>>>> amp
>>>>>>>> psa 1 and peavey vmp2 pre. Chuck
>>>>>>>>
>>>>>>>> Jamie K <Meta@Dimensional.com> wrote:
>>>>>>>>> LOL. Get a room, you two!
>>>>>>>>>
>>>>>>>>> I dig those guitars through a good amp, too.
>>>>>>>>>
>>>>>>>>> Remember when using an electric guitar and a guitar amp was
>>>>>>>>> heresy? They
>>>>>>>>> booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>>>>>>>>>
>>>>>>>>> Flash forward and now that stuff is traditional
>>>>>>>>>
>>>>>>>>> I bet you would both dig my variax setup if you heard it.
>>>>>>>>>
>>>>>>>>> And Chuck, I bet you would even like what I do with amp
>>>>>>>>> emulations, once
>>>>>>>>> you hear some of my custom setups (which stand up to comparison
>>>>>>>>> with my
>>>>>>>>> tube rig).
>>>>>>>>>
>>>>>>>>> Cheers,
>>>>>>>>> -Jamie
>>>>>>>>> www.JamieKrutz.com
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> chuck duffy wrote:
>>>>>>>>>> Haha I agree with you! I can't believe it!
>>>>>>>>>>
>>>>>>>>>> My 2 cents. A strat, a tele and a les with a bigsby trem and
>>>>>>>>>> locking
>>>>>>>> nuts.
>>>>>>>>>> Also, a must have is a gibson vintage f hole.
>>>>>>>>>> After that an SG and a les junior.
>>>>>>>>>>
>>>>>>>>>> Other areas we will agree on... USE AN AMP!
>>>>>>>>>> Chuck
>>>>>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>>>>>
>>>>>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>>>>>
>>>>>>>>>>> DC
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>> "John" <no@no.com> wrote:
>>>>>>>>>>>> Any suggestions on a single electric guitar that can do
>>>>>>>>>>>> Strat / Les
>>>>>>>> Paul
>>>>>>>>>>> /
>>>>>>>>>>>> Telecaster sounds or some other guitar that has an amazing
>>>>>>>>>>>> array of
>>>>>>>> these
>>>>>>>>>>>> type sounds?
>>>>>>?Bill L <bill@billlorentzen.com> wrote:
I think there's a utility somewhere called StVitus.exe
LOL!
:DI use the gig bag, it looks like a tennis racket. I've never had anyone
even ask me what it was, I just walk on the plane with the Steinberger
over my shoulder, and put it (carefully) on top of whatever is already
in the overhead above me. It also makes a great backup guitar to my PRS
for local gigs. So easy to bring.
I carry the GK amp in a soft bag. It's only about the size of a boombox
and can fit under the seat or in the overhead. But it's heavier than it
looks, so I have a little foldup suitcase dolly to drag it around the
airport.
Cheers,
-Jamie
www.JamieKrutz.com
Bill L wrote:
> My Steiny fits perfectly into a Samsonite hardshell suitcase. That's the
> reason I bought it. When I use its gig bag, I almost feel like I'm
> cheating, it's so tiny.
>
> Jamie K wrote:
>> DC wrote:
>>> Absolutely. These things are very useful, and I will not mind in the
>>> least if they eventually become nearly perfect. A lot of people
>>> always see technology as a "this vs. that" but us gear hounds always
>>> want one
>>> of each...
>>
>> True. Keeping in mind: "You can't have everything, where would you put
>> it?" :^)
>>
>>> Bill L <bill@billlorentzen.com> wrote:
>>>> sweet! That and my Steinberger and I'm travelin' light!
>>
>> Nice.
>>
>> My Steinberger and my GK250ML have been my carry-on companions when I
>> have to fly to gigs. Small, sweet and loud.
>>
>> Cheers,
>> -Jamie
>> www.JamieKrutz.comBill L wrote:
> Dude, we are so civilized!
Yes. Quite so. Jolly good!
Cheers,
-Jamie
www.JamieKrutz.com
> Jamie K wrote:
>> Bill L wrote:
>>> Jamie, I really do believe you can get great tone that way. It just
>>> does not quite get it for me. If it's a smaller gig do usually run
>>> into the PA from the Tonelab myself, but i like to monitor through
>>> the amp to get the tone and the stage monitoring vibe that makes me
>>> happy.
>>
>> Absolutely. We all find what works for us.
>>
>> There are plenty of options these days. More than I have time to
>> evaluate. So it's great to hear what works for you, and I'm happy to
|
|
|
|
| Re: Springtime in Islamberg. [message #84850 is a reply to message #84837] |
Sun, 20 May 2007 12:02 |
Deej [4]
Messages: 1292
Registered: January 2007
|
Senior Member |
|
|
"DC" <dc@spammersinhell.com> wrote:
>>>>>>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>>>>>>
>>>>>>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>>>>>>
>>>>>>>>>>>> DC
>>>>>>>>>>>>
>>>>>>>>>>>>
>>>>>>>>>>>> "John" <no@no.com> wrote:
>>>>>>>>>>>>> Any suggestions on a single electric guitar that can do
>>>>>>>>>>>>> Strat / Les
>>>>>>>>> Paul
>>>>>>>>>>>> /
>>>>>>>>>>>>> Telecaster sounds or some other guitar that has an amazing
>>>>>>>>>>>>> array of
>>>>>>>>> these
>>>>>>>>>>>>> type sounds?
>>>>>>>Nope just updated to the VCM version.
wireline wrote:
> Hmmm...
>
> At the risk of being very unpopular, the Dm2000, while an asTOUNDING board,
> is discontinued last I heard...and as with all things digital, once discontinued,
> lack of any support whatsoever is not far behind...I would think very hard
> about the DM2000 (even though I really was amazed at just how good it sounds)
> or even a Sony RMX100...
>
> That said, none of my boards are current production models, even the companies
> have changed hands drastically or are out of the pro audio biz...but parts
> are readily available, and there are no digital issues, software, etc to
> be concerned about.
>
> Last FWIW: Otari made a really handy board - had no preamps, just tape returns,
> auxes out the wazoo, sources I trust say the EQ was a silent miracle, and
> (get this) 48 channels of Eagle automation....
>
> Just an FYI
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>
>> My Furman HDS16 gives me the flexibility of a console for cue mixes.
>> Everything else is pretty well laid out and easy to manage. I don't need
>>
> the
>
>> preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
>>
>
>
>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels
>>
> of
>
>> AES switchable to coax or optical S/Pdif?
>>
>> ;o)
>>
>>
>> "EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
>>
>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>
>>> David.
>>>
>>> Bill L wrote:
>>>
>>>> I'm with Wireline. While there are ways to use ASIO direct and even low
>>>>
>
>
>>>> latency monitoring, as a onetime pro studio owner I have the mindset
>>>>
> that
>
>>>> managing the flows in the studio should be as simple and central as
>>>> possible for the sake of speed and flexibility. A console does that and
>>>>
>
>
>>>> offers the pres, eqs and studio routing infrastructure that makes life
>>>>
>
>
>>>> comfortable so you can concentrate on the music and the people, which
>>>>
>
>
>>>> will get better end results than managing routing of signals.
>>>>
>>>> I don't mind whether digital or analog, they each have pluses and
>>>> minuses, IMHO, though I would probably go for a good digital console
>>>>
> as
>
>>>> the price to quality ratio is much higher with a DM2000 than an analog
>>>>
>
>
>>>> board, which would necessarily be pretty old at that price and quality
>>>>
>
>
>>>> level.
>>>>
>>>> wireline wrote:
>>>>
>>>>
>>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>>>
>
>
>>>>> homework,
>>>>> actual research, etc...I have come to the conclusion that the best DAW
>>>>>
>
>
>>>>> is
>>>>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>>>>
>>>>> I have been in the process for a couple of days rearranging everything
>>>>>
>
>
>>>>> (again)
>>>>> and re-installing my Soundtracs console...this way, I have all the
>>>>> analog
>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
>>>>>
> I
>
>>>>> am,
>>>>> I have yet to encounter any latency when using a console for
>>>>> tracking...kind
>>>>> of backwards from the way most people use them, but hey, I've got 32
>>>>>
>
>
>>>>> channels
>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>
>>>>> FWIW the most recent TapeOp mag/rag has a real world review of the Mac
>>>>>
>
>
>>>>> only
>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>> K
>>>>>
>>>>>
>>>>>
>>>
|
|
|
|
| Re: Springtime in Islamberg. [message #84851 is a reply to message #84778] |
Sun, 20 May 2007 12:50 |
Bill L
Messages: 766
Registered: August 2006
|
Senior Member |
|
|
>>
>>
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762They grow them tall so they can see over the dikes.
steve the art-like personage wrote:
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>> My mom took a bad fall a few days ago. She didn't break any bones but got
>
>> seriously bruised up. She's started feeling really bad today. God knows
>
>> what's going on. This little town doesn't have any doctors right now that
>
>> will accept Medicare because of the expense of hiring people full time to
>
>> deal with the bureaucracy so they can get paid. I called my doctor (the
> are
>> open on Satrudays) to request an appointment. They say that they can't take
>
>> her because they don't take medicare patients. I told them that I would
> pay
>> cash. They said that they cannot take cash. They could get their license
>
>> revoked. She has a supplemental medical policy. They can't take that either.
>
>> We're forced to go to the ER to get her any help. Luckily, there's one here
>
>> that is separate from the big hospital complex here so there's less of a
>
>> chance of her contacting a random killer respiratory bug than there would
> be
>> if we went to the big Medical center here.
>>
>> Amazing..........I'm off to the ER to sit with the illegal aliens who will
>
>> get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>>
>> ;o)
>>
>>
>>
>>
>
> my girlfriend Bonnie is doing an article about retirees who move abroad,
> and she was talking to a guy who's retired to Costa Rica. He says he gets
> great healthcare for $37/month, and knows people who travel to Costa Rica
> to have their operations.
>
> Kinda makes ya proud. By the way, the US, home of the tallest population
> in the world, now rates 20th in the world. Tallest kids are now in Holland,
> averaging three inches taller than here.
>
> -steveI hope that does not stand fro Very Complicated Matrix.
Chris Ludwig wrote:
> Nope just updated to the VCM version.
>
>
> wireline wrote:
>> Hmmm...
>>
>> At the risk of being very unpopular, the Dm2000, while an asTOUNDING
>> board,
>> is discontinued last I heard...and as with all things digital, once
>> discontinued,
>> lack of any support whatsoever is not far behind...I would think very
>> hard
>> about the DM2000 (even though I really was amazed at just how good it
>> sounds)
>> or even a Sony RMX100...
>>
>> That said, none of my boards are current production models, even the
>> companies
>> have changed hands drastically or are out of the pro audio biz...but
>> parts
>> are readily available, and there are no digital issues, software, etc to
>> be concerned about.
>>
>> Last FWIW: Otari made a really handy board - had no preamps, just
>> tape returns,
>> auxes out the wazoo, sources I trust say the EQ was a silent miracle, and
>> (get this) 48 channels of Eagle automation....
>>
>> Just an FYI
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>
>>> My Furman HDS16 gives me the flexibility of a console for cue mixes.
>>> Everything else is pretty well laid out and easy to manage. I don't need
>>>
>> the
>>> preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
>>>
>>
>>
>>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels
>>>
>> of
>>> AES switchable to coax or optical S/Pdif?
>>>
>>> ;o)
>>>
>>>
>>> "EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
>>>
>>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>>
>>>> David.
>>>>
>>>> Bill L wrote:
>>>>
>>>>> I'm with Wireline. While there are ways to use ASIO direct and even
>>>>> low
>>>>>
>>
>>
>>>>> latency monitoring, as a onetime pro studio owner I have the mindset
>>>>>
>> that
>>>>> managing the flows in the studio should be as simple and central as
>>>>> possible for the sake of speed and flexibility. A console does that
>>>>> and
>>>>>
>>
>>
>>>>> offers the pres, eqs and studio routing infrastructure that makes life
>>>>>
>>
>>
>>>>> comfortable so you can concentrate on the music and the people, which
>>>>>
>>
>>
>>>>> will get better end results than managing routing of signals.
>>>>>
>>>>> I don't mind whether digital or analog, they each have pluses and
>>>>> minuses, IMHO, though I would probably go for a good digital console
>>>>>
>> as
>>>>> the price to quality ratio is much higher with a DM2000 than an analog
>>>>>
>>
>>
>>>>> board, which would necessarily be pretty old at that price and quality
>>>>>
>>
>>
>>>>> level.
>>>>>
>>>>> wireline wrote:
>>>>>
>>>>>
>>>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>>>>
>>
>>
>>>>>> homework,
>>>>>> actual research, etc...I have come to the conclusion that the best
>>>>>> DAW
>>>>>>
>>
>>
>>>>>> is
>>>>>> the DAW that does not rely on ASIO or 'zero latency' for
>>>>>> monitoring...
>>>>>>
>>>>>> I have been in the process for a couple of days rearranging
>>>>>> everything
>>>>>>
>>
>>
>>>>>> (again)
>>>>>> and re-installing my Soundtracs console...this way, I have all the
>>>>>> analog
>>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
>>>>>>
>> I
>>>>>> am,
>>>>>> I have yet to encounter any latency when using a console for
>>>>>> tracking...kind
>>>>>> of backwards from the way most people use them, but hey, I've got 32
>>>>>>
>>
>>
>>>>>> channels
>>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>>
>>>>>> FWIW the most recent TapeOp mag/rag has a real world review of the
>>>>>> Mac
>>>>>>
>>
>>
>>>>>> only
>>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>>> K
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>
>>
>>
>Excellent - thanks...
Chris Ludwig <chrisl@adkproaudio.com> wrote:
>Nope just updated to the VCM version.
>
>
>That is correct. Register the domain with them and the hosting is free
unless you want extended services. reg is extremely cheap IMO, far
outweighing paying for a host for basic webpage serving. Reg'ing is
something you have to do anyway, so why not do it with them?
AA
"John" <no@no.com> wrote in message news:46744015$1@linux...
>
> I notice doteasy wants to transfer my existing domain to them. There
> doesn't
> seem to be a way around that either on the free one. hmmIndeed, however.....
what's with the no midi port for pedal control?
AA
"DC" <dc@spammersinlalaland.com> wrote in message news:46737cc8$1@linux...
>
> This might be interesting...
>
> http://www.vettaville.nl/vvpocketpod.html#552
>
>
> DC
>Well, you obviously have vastly greater processing needs than I do, but one
thing in this post sent shivers down my spine. At some point in the future
I'm going to have to a) move to Vista or b) move to something else. I despise
Vista, it is an evil, horrible, repulsive tool of corporate control disguised
as a very bad operating system. It makes you stupider just looking at it
for a few hours. But at some point if I want to run Live 7 (or something
similar) I'll have no choice but to move off of XP, which means either Vista
or whatever feline Apple is stuffing down the throats of their users.
The horror.
TCB
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>I've been sitting around here frettin' about building another DAW. The
>reason for the chagrin is latency and resource limitations. I have resigned
>myself to staying with my Opteron 185 (5.2GHz on two cores) system. I've
>been doing a bit of experimentation with some things and I've decided to
>just "live with" ASIO driect monitoring instead of trying to go the route
of
>"real time" zero latency tracking. ADM with the HDSP cards works so
>flawlessly that I don't think I'm going to be needing to go to the server
>level system right now as long as I've got the slave DAW running systemlink.
>VStack sorta' sucks for my purposes though. I'm probably going to get
>another version of Cubase for the slave comp due to the bussing limitations
>in VStack. Maybe in another year when Steinberg has their apps optomized
for
>dual socket Quad core systems and Vista is a bit further down the road.
>I've also been looking at the new Macs and I'm waiting to see what the
>newest incarnation of Logic will hold.
>
>I'm not baiting you - just curious - why do you hate Vista so much? I
really know little about it other than the fact that i won't be moving
to it immediately.
TCB wrote:
> Well, you obviously have vastly greater processing needs than I do, but one
> thing in this post sent shivers down my spine. At some point in the future
> I'm going to have to a) move to Vista or b) move to something else. I despise
> Vista, it is an evil, horrible, repulsive tool of corporate control disguised
> as a very bad operating system. It makes you stupider just looking at it
> for a few hours. But at some point if I want to run Live 7 (or something
> similar) I'll have no choice but to move off of XP, which means either Vista
> or whatever feline Apple is stuffing down the throats of their users.
>
> The horror.
>
> TCB
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>> I've been sitting around here frettin' about building another DAW. The
>> reason for the chagrin is latency and resource limitations. I have resigned
>
>> myself to staying with my Opteron 185 (5.2GHz on two cores) system. I've
>
>> been doing a bit of experimentation with some things and I've decided to
>
>> just "live with" ASIO driect monitoring instead of trying to go the route
> of
>> "real time" zero latency tracking. ADM with the HDSP cards works so
>> flawlessly that I don't think I'm going to be needing to go to the server
>
>> level system right now as long as I've got the slave DAW running systemlink.
>
>> VStack sorta' sucks for my purposes though. I'm probably going to get
>> another version of Cubase for the slave comp due to the bussing limitations
>
>> in VStack. Maybe in another year when Steinberg has their apps optomized
> for
>> dual socket Quad core systems and Vista is a bit further down the road.
>> I've also been looking at the new Macs and I'm waiting to see what the
>> newest incarnation of Logic will hold.
>>
>>
>Not finals, necessarily, but close enough to where it'll just
be a tweak or two before they're finished. I'll hand it to
these guys - they're into some weird shit, but at least they
don't want everything louder than everything else, and they
don't want all the tops of all the waveforms looking like a
bunch of Darfurian refugees standing in a canoe.
I think the guitars might be a bit raspy in a few places, but
the guys like 'em as-is.
Comments welcome....
http://saqqararecords.com/MiscAudio/DiMakina-JustWhenUThough t-Mix1.mp3
http://saqqararecords.com/MiscAudio/DiMakina-JimmyThePill-Mi x1.mp3
http://saqqararecords.com/MiscAudio/DiMakina-Panophobia-Mix1 .mp3
Enjoy!
NeilHI Bill,
Yes if just using the little screen. Using the Studio manager software
makes it about easy as using a DAW.
Chris
Bill L wrote:
> I hope that does not stand fro Very Complicated Matrix.
>
> Chris Ludwig wrote:
>> Nope just updated to the VCM version.
>>
>>
>> wireline wrote:
>>> Hmmm...
>>>
>>> At the risk of being very unpopular, the Dm2000, while an asTOUNDING
>>> board,
>>> is discontinued last I heard...and as with all things digital, once
>>> discontinued,
>>> lack of any support whatsoever is not far behind...I would think
>>> very hard
>>> about the DM2000 (even though I really was amazed at just how good
>>> it sounds)
>>> or even a Sony RMX100...
>>>
>>> That said, none of my boards are current production models, even the
>>> companies
>>> have changed hands drastically or are out of the pro audio biz...but
>>> parts
>>> are readily available, and there are no digital issues, software,
>>> etc to
>>> be concerned about.
>>>
>>> Last FWIW: Otari made a really handy board - had no preamps, just
>>> tape returns,
>>> auxes out the wazoo, sources I trust say the EQ was a silent
>>> miracle, and
>>> (get this) 48 channels of Eagle automation....
>>>
>>> Just an FYI
>>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>
>>>> My Furman HDS16 gives me the flexibility of a console for cue
>>>> mixes. Everything else is pretty well laid out and easy to manage.
>>>> I don't need
>>>>
>>> the
>>>> preamps. What would a DM2000 cost with interconnectivity for3 x RME
>>>> HDSP
>>>>
>>>
>>>
>>>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono
>>>> Channels
>>>>
>>> of
>>>> AES switchable to coax or optical S/Pdif?
>>>>
>>>> ;o)
>>>>
>>>>
>>>> "EK Sound" <askme@nospam.com> wrote in message
>>>> news:467438ac$1@linux...
>>>>
>>>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>>>
>>>>> David.
>>>>>
>>>>> Bill L wrote:
>>>>>
>>>>>> I'm with Wireline. While there are ways to use ASIO direct and
>>>>>> even low
>>>>>>
>>>
>>>
>>>>>> latency monitoring, as a onetime pro studio owner I have the mindset
>>>>>>
>>> that
>>>>>> managing the flows in the studio should be as simple and central
>>>>>> as possible for the sake of speed and flexibility. A console does
>>>>>> that and
>>>>>>
>>>
>>>
>>>>>> offers the pres, eqs and studio routing infrastructure that makes
>>>>>> life
>>>>>>
>>>
>>>
>>>>>> comfortable so you can concentrate on the music and the people,
>>>>>> which
>>>>>>
>>>
>>>
>>>>>> will get better end results than managing routing of signals.
>>>>>>
>>>>>> I don't mind whether digital or analog, they each have pluses and
>>>>>> minuses, IMHO, though I would probably go for a good digital console
>>>>>>
>>> as
>>>>>> the price to quality ratio is much higher with a DM2000 than an
>>>>>> analog
>>>>>>
>>>
>>>
>>>>>> board, which would necessarily be pretty old at that price and
>>>>>> quality
>>>>>>
>>>
>>>
>>>>>> level.
>>>>>>
>>>>>> wireline wrote:
>>>>>>
>>>>>>
>>>>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>>>>>
>>>
>>>
>>>>>>> homework,
>>>>>>> actual research, etc...I have come to the conclusion that the
>>>>>>> best DAW
>>>>>>>
>>>
>>>
>>>>>>> is
>>>>>>> the DAW that does not rely on ASIO or 'zero latency' for
>>>>>>> monitoring...
>>>>>>>
>>>>>>> I have been in the process for a couple of days rearranging
>>>>>>> everything
>>>>>>>
>>>
>>>
>>>>>>> (again)
>>>>>>> and re-installing my Soundtracs console...this way, I have all
>>>>>>> the analog
>>>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
>>>>>>>
>>> I
>>>>>>> am,
>>>>>>> I have yet to encounter any latency when using a console for
>>>>>>> tracking...kind
>>>>>>> of backwards from the way most people use them, but hey, I've
>>>>>>> got 32
>>>>>>>
>>>
>>>
>>>>>>> channels
>>>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>>>
>>>>>>> FWIW the most recent TapeOp mag/rag has a real world review of
>>>>>>> the Mac
>>>>>>>
>>>
>>>
>>>>>>> only
>>>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>>>> K
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>
>>>
>>>
>>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762Yeah what chris said..Also, I'm really considering (2) Tascams Dm4800 these
are under 5k and the layout is fabulous!!
DJ, my friend I know you have the furman thing, but a mixer, any mixer will
make your life easier..
Chris Ludwig <chrisl@adkproaudio.com> wrote:
>HI DJ,
>Less than analog console.
>The DM2000 VCM has 6 expansion slots with the right combination of
>expansion cards you can have up to 96 channels of I/O A48k or 48 chs @
>96k. You can mix most any of th exp cards they have so you can replicate
>the current I/O needs you have now. If you want to bypass their analog
>I/O you can easily hookup your ADI8DS to use with any analog effects or
>Mic-Pres if needed.
>You can at some point replace all or some of those RME cards with a
>single Madi and make the routing allot easier. Yamaha is supposedly
>working on their own MY-Madi card but it won't be out for awhile. The
>3rd party one is stupid expensive for no reason. Now that we are
>building the recording systems for Yamaha Commercial Audio we get to be
>dealers. :)
>Chris
>
>
>
>
>DJ wrote:
>> My Furman HDS16 gives me the flexibility of a console for cue mixes.
>> Everything else is pretty well laid out and easy to manage. I don't need
the
>> preamps. What would a DM2000 cost with interconnectivity for3 x RME HDSP
>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono Channels
of
>> AES switchable to coax or optical S/Pdif?
>>
>> ;o)
>>
>>
>> "EK Sound" <askme@nospam.com> wrote in message news:467438ac$1@linux...
>>
>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>
>>> David.
>>>
>>> Bill L wrote:
>>>
>>>> I'm with Wireline. While there are ways to use ASIO direct and even
low
>>>> latency monitoring, as a onetime pro studio owner I have the mindset
that
>>>> managing the flows in the studio should be as simple and central as
>>>> possible for the sake of speed and flexibility. A console does that
and
>>>> offers the pres, eqs and studio routing infrastructure that makes life
>>>> comfortable so you can concentrate on the music and the people, which
>>>> will get better end results than managing routing of signals.
>>>>
>>>> I don't mind whether digital or analog, they each have pluses and
>>>> minuses, IMHO, though I would probably go for a good digital console
as
>>>> the price to quality ratio is much higher with a DM2000 than an analog
>>>> board, which would necessarily be pretty old at that price and quality
>>>> level.
>>>>
>>>> wireline wrote:
>>>>
>>>>
>>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>>> homework,
>>>>> actual research, etc...I have come to the conclusion that the best
DAW
>>>>> is
>>>>> the DAW that does not rely on ASIO or 'zero latency' for monitoring...
>>>>>
>>>>> I have been in the process for a couple of days rearranging everything
>>>>> (again)
>>>>> and re-installing my Soundtracs console...this way, I have all the
>>>>> analog
>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
I
>>>>> am,
>>>>> I have yet to encounter any latency when using a console for
>>>>> tracking...kind
>>>>> of backwards from the way most people use them, but hey, I've got 32
>>>>> channels
>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>
>>>>> FWIW the most recent TapeOp mag/rag has a real world review of the
Mac
>>>>> only
>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>> K
>>>>>
>>>>>
>>>>>
>>>>>
>>
>>
>>
>
>--
>Chris Ludwig
>ADK
>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>www.adkproaudio.com <http://www.adkproaudio.com/>
>(859) 635-5762Good educational materials are priceless.
You know for years I know what sounds good to my ears but the hardest thing
to do is to learn the way to recreate what you hear. Through the last educational
recording materials I purchased I learned that the Acoustic guitar sound
that I love to hear is a six string with nashville tuning. I have also reaffirmed
that my ears love ribbon mics...which I still dont have. I really really
need to find a way to get into a ribbon mic. I really want to get a stereo
ribbon mic like the one from Cascade. I have an extra Mackie HR824 never
been out of he box that I think I am going to have to sell. I have been holding
onto it for years just incase someone stuck their headstock into the speaker
cone.
bOn Sat, 16 Jun 2007 14:49:14 -0600, "DJ" <www.aarrrrggghhh!!!.com>
wrote:
>
>Amazing..........I'm off to the ER to sit with the illegal aliens who will
>get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>
Yep. A good friend of mine is dying from cancer right now. The
Cyberknife treatments (a series of focused radio beams that intersect
at the tumor) had knocked back the brain tumors and they were going to
start on the lungs...
And then their insurance company told them, "We're done. This is just
stupid, and we're not going to pay any more."
Those treatments run $21k per.
And they can prolong his life so he can see his daughter graduate from
college.
And now, because the insurance company has said, "Yeah, we know you've
been paying in for all these years. Did you REALLY expect us to give
you any of it back????" the treatment center is refusing treatment.
They have the technology to save this man's life, yet they refuse to
use it and will let him die because his insurance company is run by
assholes.
So, the cancer will start growing again, will spread to other parts of
his body, and he'll die. Nice.
Fuckers.
pabOn Sat, 16 Jun 2007 22:44:47 -0500, Paul Braun
<cygnus_nospam@ctgonline.org> wrote:
>And now, because the insurance company has said, "Yeah, we know you've
>been paying in for all these years. Did you REALLY expect us to give
>you any of it back????" the treatment center is refusing treatment.
>They have the technology to save this man's life, yet they refuse to
>use it and will let him die because his insurance company is run by
>assholes.
>
>So, the cancer will start growing again, will spread to other parts of
>his body, and he'll die. Nice.
>
Oh- and I forgot. He's a veteran. Talked to the VA about getting
some help.
Nope.
They have so many kids coming back from Iraq that are all hacked up
and blown to bits, that they're denying benefits to older vets because
they have to spend all their money on the current crop of casualties.
So much for your country taking care of you after serving your
country....
pabThe reason for the new film SICKO.. I really don't under stand those who say
they don;t want a national health care system.
It's not until the current medical/Insurance system reams you and yours then
do you 'see why it's needed'. But knoowwww The Gove will do a even wost job.
That Bull-Shit!! At least, the bill will get paid.. Ok, I can hear someone
saying by who??
By our hard earned tax dollars that are being wasted on stupid programs and
politicians. Let's take care of our own.!!
Unlike many in this country, I have paid into our tax system for over 30
years, and I for one would be glad to pay for me and my family, you and your
families health needs.
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>My mom took a bad fall a few days ago. She didn't break any bones but got
>seriously bruised up. She's started feeling really bad today. God knows
>what's going on. This little town doesn't have any doctors right now that
>will accept Medicare because of the expense of hiring people full time to
>deal with the bureaucracy so they can get paid. I called my doctor (the
are
>open on Satrudays) to request an appointment. They say that they can't take
>her because they don't take medicare patients. I told them that I would
pay
>cash. They said that they cannot take cash. They could get their license
>revoked. She has a supplemental medical policy. They can't take that either.
>We're forced to go to the ER to get her any help. Luckily, there's one here
>that is separate from the big hospital complex here so there's less of a
>chance of her contacting a random killer respiratory bug than there would
be
>if we went to the big Medical center here.
>
>Amazing..........I'm off to the ER to sit with the illegal aliens who will
>get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>
>;o)
>
>
>
>I currently have 3 EDS cards and want to reduce to 2 as well as remove an
8in card (trying to pair down the parts of my system that I don't use). I
have tried a couple different configurations of reducing cards, 1 card and 2
cards. I have also tried saving a new project (while three cards are
installed) that deletes the third submix. I get the same error regardless
of whether I open the default project or another project that works with 3
cards:
An error has occurred whil reading the "Default Project" for a new project.
A new empty project will be created instead. There are not enough
resources.
Unhandled Exception: c0000005
At Address: 0048c425
Any suggestions, or am I stuck with 3 cards in my system if I want to read
all my old project files.
Thanks in advance,
JohnHave you deleted or renamed the default project in your Paris directory?
Jeff
John Shapiro wrote:
> I currently have 3 EDS cards and want to reduce to 2 as well as remove an
> 8in card (trying to pair down the parts of my system that I don't use). I
> have tried a couple different configurations of reducing cards, 1 card and 2
> cards. I have also tried saving a new project (while three cards are
> installed) that deletes the third submix. I get the same error regardless
> of whether I open the default project or another project that works with 3
> cards:
>
> An error has occurred whil reading the "Default Project" for a new project.
> A new empty project will be created instead. There are not enough
> resources.
>
> Unhandled Exception: c0000005
> At Address: 0048c425
>
> Any suggestions, or am I stuck with 3 cards in my system if I want to read
> all my old project files.
>
> Thanks in advance,
> John
>
>
>No. However, the main issue is I cannot open any of my projects i.e. if I
start PARIS via clicking on any project, I get the same error.
"Jeff Hoover" <jkhoover@excite.com> wrote in message news:4674d0ae@linux...
> Have you deleted or renamed the default project in your Paris directory?
>
> Jeff
>
> John Shapiro wrote:
>> I currently have 3 EDS cards and want to reduce to 2 as well as remove an
>> 8in card (trying to pair down the parts of my system that I don't use).
>> I have tried a couple different configurations of reducing cards, 1 card
>> and 2 cards. I have also tried saving a new project (while three cards
>> are installed) that deletes the third submix. I get the same error
>> regardless of whether I open the default project or another project that
>> works with 3 cards:
>>
>> An error has occurred whil reading the "Default Project" for a new
>> project. A new empty project will be created instead. There are not
>> enough resources.
>>
>> Unhandled Exception: c0000005
>> At Address: 0048c425
>>
>> Any suggestions, or am I stuck with 3 cards in my system if I want to
>> read all my old project files.
>>
>> Thanks in advance,
>> John
>>
>>Sorry but as much as I like you, I don't want to pay for your families
needs. If you want to pay for my families needs I can take paypal
immediately. I can think of 50 grand worth of surgeries right off the
bat to get me going. Wrist, shoulder, ankle. Hook me up!
John
LaMont wrote:
> The reason for the new film SICKO.. I really don't under stand those who say
> they don;t want a national health care system.
>
> It's not until the current medical/Insurance system reams you and yours then
> do you 'see why it's needed'. But knoowwww The Gove will do a even wost job.
> That Bull-Shit!! At least, the bill will get paid.. Ok, I can hear someone
> saying by who??
>
> By our hard earn
|
|
|
|
| Re: Springtime in Islamberg. [message #84852 is a reply to message #84851] |
Sun, 20 May 2007 12:56 |
Deej [4]
Messages: 1292
Registered: January 2007
|
Senior Member |
|
|
ed tax dollars that are being wasted on stupid programs and
> politicians. Let's take care of our own.!!
>
> Unlike many in this country, I have paid into our tax system for over 30
> years, and I for one would be glad to pay for me and my family, you and your
> families health needs.
>
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>> My mom took a bad fall a few days ago. She didn't break any bones but got
>
>> seriously bruised up. She's started feeling really bad today. God knows
>
>> what's going on. This little town doesn't have any doctors right now that
>
>> will accept Medicare because of the expense of hiring people full time to
>
>> deal with the bureaucracy so they can get paid. I called my doctor (the
> are
>> open on Satrudays) to request an appointment. They say that they can't take
>
>> her because they don't take medicare patients. I told them that I would
> pay
>> cash. They said that they cannot take cash. They could get their license
>
>> revoked. She has a supplemental medical policy. They can't take that either.
>
>> We're forced to go to the ER to get her any help. Luckily, there's one here
>
>> that is separate from the big hospital complex here so there's less of a
>
>> chance of her contacting a random killer respiratory bug than there would
> be
>> if we went to the big Medical center here.
>>
>> Amazing..........I'm off to the ER to sit with the illegal aliens who will
>
>> get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>>
>> ;o)
>>
>>
>>
>>
>Chris,
I took a look at their site and they do show the DM series as
discontinued. Are the new ones basically the same, but with a s/w update?
I also saw some new smaller digital mixers that look kinda cool, w/ more
dedicated knobs than most small format digital mixers have. Know
anything about those?
Chris Ludwig wrote:
> HI Bill,
> Yes if just using the little screen. Using the Studio manager software
> makes it about easy as using a DAW.
>
> Chris
>
>
> Bill L wrote:
>> I hope that does not stand fro Very Complicated Matrix.
>>
>> Chris Ludwig wrote:
>>> Nope just updated to the VCM version.
>>>
>>>
>>> wireline wrote:
>>>> Hmmm...
>>>>
>>>> At the risk of being very unpopular, the Dm2000, while an asTOUNDING
>>>> board,
>>>> is discontinued last I heard...and as with all things digital, once
>>>> discontinued,
>>>> lack of any support whatsoever is not far behind...I would think
>>>> very hard
>>>> about the DM2000 (even though I really was amazed at just how good
>>>> it sounds)
>>>> or even a Sony RMX100...
>>>>
>>>> That said, none of my boards are current production models, even the
>>>> companies
>>>> have changed hands drastically or are out of the pro audio biz...but
>>>> parts
>>>> are readily available, and there are no digital issues, software,
>>>> etc to
>>>> be concerned about.
>>>>
>>>> Last FWIW: Otari made a really handy board - had no preamps, just
>>>> tape returns,
>>>> auxes out the wazoo, sources I trust say the EQ was a silent
>>>> miracle, and
>>>> (get this) 48 channels of Eagle automation....
>>>>
>>>> Just an FYI
>>>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>>
>>>>> My Furman HDS16 gives me the flexibility of a console for cue
>>>>> mixes. Everything else is pretty well laid out and easy to manage.
>>>>> I don't need
>>>>>
>>>> the
>>>>> preamps. What would a DM2000 cost with interconnectivity for3 x RME
>>>>> HDSP
>>>>>
>>>>
>>>>
>>>>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono
>>>>> Channels
>>>>>
>>>> of
>>>>> AES switchable to coax or optical S/Pdif?
>>>>>
>>>>> ;o)
>>>>>
>>>>>
>>>>> "EK Sound" <askme@nospam.com> wrote in message
>>>>> news:467438ac$1@linux...
>>>>>
>>>>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>>>>
>>>>>> David.
>>>>>>
>>>>>> Bill L wrote:
>>>>>>
>>>>>>> I'm with Wireline. While there are ways to use ASIO direct and
>>>>>>> even low
>>>>>>>
>>>>
>>>>
>>>>>>> latency monitoring, as a onetime pro studio owner I have the mindset
>>>>>>>
>>>> that
>>>>>>> managing the flows in the studio should be as simple and central
>>>>>>> as possible for the sake of speed and flexibility. A console does
>>>>>>> that and
>>>>>>>
>>>>
>>>>
>>>>>>> offers the pres, eqs and studio routing infrastructure that makes
>>>>>>> life
>>>>>>>
>>>>
>>>>
>>>>>>> comfortable so you can concentrate on the music and the people,
>>>>>>> which
>>>>>>>
>>>>
>>>>
>>>>>>> will get better end results than managing routing of signals.
>>>>>>>
>>>>>>> I don't mind whether digital or analog, they each have pluses and
>>>>>>> minuses, IMHO, though I would probably go for a good digital console
>>>>>>>
>>>> as
>>>>>>> the price to quality ratio is much higher with a DM2000 than an
>>>>>>> analog
>>>>>>>
>>>>
>>>>
>>>>>>> board, which would necessarily be pretty old at that price and
>>>>>>> quality
>>>>>>>
>>>>
>>>>
>>>>>>> level.
>>>>>>>
>>>>>>> wireline wrote:
>>>>>>>
>>>>>>>
>>>>>>>> Deej...I admire your persistance with DAWs, but after doing tons of
>>>>>>>>
>>>>
>>>>
>>>>>>>> homework,
>>>>>>>> actual research, etc...I have come to the conclusion that the
>>>>>>>> best DAW
>>>>>>>>
>>>>
>>>>
>>>>>>>> is
>>>>>>>> the DAW that does not rely on ASIO or 'zero latency' for
>>>>>>>> monitoring...
>>>>>>>>
>>>>>>>> I have been in the process for a couple of days rearranging
>>>>>>>> everything
>>>>>>>>
>>>>
>>>>
>>>>>>>> (again)
>>>>>>>> and re-installing my Soundtracs console...this way, I have all
>>>>>>>> the analog
>>>>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard that
>>>>>>>>
>>>> I
>>>>>>>> am,
>>>>>>>> I have yet to encounter any latency when using a console for
>>>>>>>> tracking...kind
>>>>>>>> of backwards from the way most people use them, but hey, I've
>>>>>>>> got 32
>>>>>>>>
>>>>
>>>>
>>>>>>>> channels
>>>>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>>>>
>>>>>>>> FWIW the most recent TapeOp mag/rag has a real world review of
>>>>>>>> the Mac
>>>>>>>>
>>>>
>>>>
>>>>>>>> only
>>>>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>>>>> K
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>
>>>>
>>>>
>>>
>Well, Michael Moore may have really done it this time . . . his new film
"Sicko" is getting raves from both sides of the "fence." Maybe someone who
matters will pay attention.
S
"DJ" <www.aarrrrggghhh!!!.com> wrote in message news:46744e6b@linux...
> My mom took a bad fall a few days ago. She didn't break any bones but got
> seriously bruised up. She's started feeling really bad today. God knows
> what's going on. This little town doesn't have any doctors right now that
> will accept Medicare because of the expense of hiring people full time to
> deal with the bureaucracy so they can get paid. I called my doctor (the
> are open on Satrudays) to request an appointment. They say that they can't
> take her because they don't take medicare patients. I told them that I
> would pay cash. They said that they cannot take cash. They could get their
> license revoked. She has a supplemental medical policy. They can't take
> that either. We're forced to go to the ER to get her any help. Luckily,
> there's one here that is separate from the big hospital complex here so
> there's less of a chance of her contacting a random killer respiratory bug
> than there would be if we went to the big Medical center here.
>
> Amazing..........I'm off to the ER to sit with the illegal aliens who will
> get their healthcare free. I, OTOH, will get a bill for around $1000.00.
>
> ;o)
>
>
>
>Unfortunately, I don't know of any way... this perhaps is one of the many
glitches that was suppose to be fixed, but never happened. You may have to
rebuild the projects from scratch... Sorry... ~ Ed
"John Shapiro" <me at johnshapiro dot com> wrote in message
news:4674ce06@linux...
>I currently have 3 EDS cards and want to reduce to 2 as well as remove an
>8in card (trying to pair down the parts of my system that I don't use). I
>have tried a couple different configurations of reducing cards, 1 card and
>2 cards. I have also tried saving a new project (while three cards are
>installed) that deletes the third submix. I get the same error regardless
>of whether I open the default project or another project that works with 3
>cards:
>
> An error has occurred whil reading the "Default Project" for a new
> project. A new empty project will be created instead. There are not
> enough resources.
>
> Unhandled Exception: c0000005
> At Address: 0048c425
>
> Any suggestions, or am I stuck with 3 cards in my system if I want to read
> all my old project files.
>
> Thanks in advance,
> John
>
>
>John <aint@itawful.com> wrote:
>Sorry but as much as I like you, I don't want to pay for your families
>needs. If you want to pay for my families needs I can take paypal
>immediately. I can think of 50 grand worth of surgeries right off the
>bat to get me going. Wrist, shoulder, ankle. Hook me up!
I would rather pay for Lamont's family's (or yours) healthcare
needs than pay for someone who HASN'T been paying into the
system, yet we have to do that anyway, don't we?
This is one area where I stray from my mostly-conservative
leanings... I think we should try & find a way to provide
healthcare for everyone - the biggest part of the problem
becomes this: when the govt steps in & determines what's
a "fair" price for something & hence starts regulating prices,
quality falls by the wayside. People going into college are
going to forget about med school because you won't be able to
make $250k as a doctor anymore & decide where you're going to
live & work - the government pays you $75k and assigns you to a
city somewhere. Why amass mountains of debt in student loans to
do that? Nursing is a pretty decent field to be in, in a lot
of cities RN's & LVN's can get a signing bonus, just like in
the NFL (ok, not that big lol), and can often choose their own
hours/shifts within reason because there's such a demand for
their skills. Under a government healthcare system, their pay &
assignments would be determined by the govt, as well. Probably
this would go all the way down to positions like x-ray & lab
technicians, orderlies, janitors... candy-stripers
would become part of Americorps, I'm sure. :)
To summarize it, the entire healthcare system experience would
be like walking into one big, giant Department of Motor
Vehicles office... except it's not your car registration you're
needing, it's a triple-bypass.
How does THAT idea sit with you?
So, the question really becomes: Do you REALLY want people like
doctors & nurses as civil servants?
NeilThis is a multi-part message in MIME format.
------=_NextPart_000_0110_01C7B0CC.5A64F050
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
John,
Always start from your default project. Resave your default project with =
the new=20
hardware configuration. That should smooth things out. Start from =
there then=20
open older projects.
I hope this works. It does for me when adding hardware to the system.
Good luck,
Tom
"John Shapiro" <me at johnshapiro dot com> wrote in message =
news:4674dac8@linux...
No. However, the main issue is I cannot open any of my projects i.e. =
if I=20
start PARIS via clicking on any project, I get the same error.
"Jeff Hoover" <jkhoover@excite.com> wrote in message =
news:4674d0ae@linux...
> Have you deleted or renamed the default project in your Paris =
directory?
>
> Jeff
>
> John Shapiro wrote:
>> I currently have 3 EDS cards and want to reduce to 2 as well as =
remove an=20
>> 8in card (trying to pair down the parts of my system that I don't =
use).=20
>> I have tried a couple different configurations of reducing cards, 1 =
card=20
>> and 2 cards. I have also tried saving a new project (while three =
cards=20
>> are installed) that deletes the third submix. I get the same error =
>> regardless of whether I open the default project or another project =
that=20
>> works with 3 cards:
>>
>> An error has occurred whil reading the "Default Project" for a new=20
>> project. A new empty project will be created instead. There are =
not=20
>> enough resources.
>>
>> Unhandled Exception: c0000005
>> At Address: 0048c425
>>
>> Any suggestions, or am I stuck with 3 cards in my system if I want =
to=20
>> read all my old project files.
>>
>> Thanks in advance,
>> John
>>
>>=20
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0110_01C7B0CC.5A64F050
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>John,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Always start from your default=20
project. </FONT><FONT face=3DArial size=3D2>Resave your default =
project with=20
the new </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>hardware configuration. That =
should=20
</FONT><FONT face=3DArial size=3D2>smooth things out. Start from =
there then=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>open older projects.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I hope this works. It does for me =
when adding=20
hardware to the system.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Good luck,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"John Shapiro" <me at johnshapiro dot com> wrote in message =
<A=20
href=3D"news:4674dac8@linux">news:4674dac8@linux</A>...</DIV>No. =
However, the=20
main issue is I cannot open any of my projects i.e. if I =
<BR>start PARIS=20
via clicking on any project, I get the same error.<BR><BR><BR>"Jeff =
Hoover"=20
<<A href=3D"mailto:jkhoover@excite.com">jkhoover@excite.com</A>> =
wrote in=20
message <A =
href=3D"news:4674d0ae@linux">news:4674d0ae@linux</A>...<BR>> Have=20
you deleted or renamed the default project in your Paris=20
directory?<BR>><BR>> Jeff<BR>><BR>> John Shapiro=20
wrote:<BR>>> I currently have 3 EDS cards and want to reduce to =
2 as=20
well as remove an <BR>>> 8in card (trying to pair down the parts =
of my=20
system that I don't use). <BR>>> I have tried a couple different =
configurations of reducing cards, 1 card <BR>>> and 2 =
cards. I=20
have also tried saving a new project (while three cards <BR>>> =
are=20
installed) that deletes the third submix. I get the same error=20
<BR>>> regardless of whether I open the default project or =
another=20
project that <BR>>> works with 3 cards:<BR>>><BR>>> =
An error=20
has occurred whil reading the "Default Project" for a new <BR>>> =
project. A new empty project will be created instead. There are =
not=20
<BR>>> enough resources.<BR>>><BR>>> Unhandled =
Exception:=20
c0000005<BR>>> At Address: 0048c425<BR>>><BR>>> Any=20
suggestions, or am I stuck with 3 cards in my system if I want to =
<BR>>>=20
read all my old project files.<BR>>><BR>>> Thanks in=20
advance,<BR>>> John<BR>>><BR>>> <BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_0110_01C7B0CC.5A64F050--I'd say, welcome to world of Microsoft Windows XP... Unless it is an issue
that can be repeatedly duplicated, nothing can be done. Of course, there
could be a hardware that is starting to fail on you. I've had that happen
many times... it's almost like XP wants to squeeze every bit of life out of
the video card or whatever... ~ Ed
"Nicolas Jacques" <webbit@videotron.ca> wrote in message
news:4671e001@linux...
> Hello All!
>
> Have been running Paris 3.0 on Xp for more than a year now, with not much
> problems.
>
> I just decided to send this now to have your view on this.
>
> When i startup the Paris Application, the Splash screen appears, and the
> communication to the MEC starts.
>
> For me a "normal" startup will show the Internal reference light up, then
> the sample rate, then Master Clip and then Abit24 Clip.
>
> But sometimes, maybe once on 5 attemps, there will be no communication
> with
> the MEC.
>
> The light up sequence will not occur. then if i check in my Patchbay
> window,
> there are some components missing.
>
> I close up the App and start it up immediatly and it is then ok...
>
> Has it happened to anyone,, any ideas? any driver update?
>
> See the provided Attached images just in case
>
> thank you!
>
> NJ
>
>
>
>
>
>HI Bill,
Yes AFAIK the only major update is the DSP increase and the quality and
number of effects. I think also the mixers software has more routing
options but haven't A/Bed it with an old one yet.
Which of the smaller ones? The 01v96v2 and o2r96v2 or the DM1000v2? I
think the o1v96 is the only one currently that has a chance to be
discontinued. But normally they just replace and upgrade. That ones
feature set is getting long in th e tooth.
Chris
Bill L wrote:
> Chris,
>
> I took a look at their site and they do show the DM series as
> discontinued. Are the new ones basically the same, but with a s/w update?
>
> I also saw some new smaller digital mixers that look kinda cool, w/
> more dedicated knobs than most small format digital mixers have. Know
> anything about those?
>
> Chris Ludwig wrote:
>> HI Bill,
>> Yes if just using the little screen. Using the Studio manager
>> software makes it about easy as using a DAW.
>>
>> Chris
>>
>>
>> Bill L wrote:
>>> I hope that does not stand fro Very Complicated Matrix.
>>>
>>> Chris Ludwig wrote:
>>>> Nope just updated to the VCM version.
>>>>
>>>>
>>>> wireline wrote:
>>>>> Hmmm...
>>>>>
>>>>> At the risk of being very unpopular, the Dm2000, while an
>>>>> asTOUNDING board,
>>>>> is discontinued last I heard...and as with all things digital,
>>>>> once discontinued,
>>>>> lack of any support whatsoever is not far behind...I would think
>>>>> very hard
>>>>> about the DM2000 (even though I really was amazed at just how good
>>>>> it sounds)
>>>>> or even a Sony RMX100...
>>>>>
>>>>> That said, none of my boards are current production models, even
>>>>> the companies
>>>>> have changed hands drastically or are out of the pro audio
>>>>> biz...but parts
>>>>> are readily available, and there are no digital issues, software,
>>>>> etc to
>>>>> be concerned about.
>>>>>
>>>>> Last FWIW: Otari made a really handy board - had no preamps, just
>>>>> tape returns,
>>>>> auxes out the wazoo, sources I trust say the EQ was a silent
>>>>> miracle, and
>>>>> (get this) 48 channels of Eagle automation....
>>>>>
>>>>> Just an FYI
>>>>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>>>
>>>>>> My Furman HDS16 gives me the flexibility of a console for cue
>>>>>> mixes. Everything else is pretty well laid out and easy to
>>>>>> manage. I don't need
>>>>>>
>>>>> the
>>>>>> preamps. What would a DM2000 cost with interconnectivity for3 x
>>>>>> RME HDSP
>>>>>>
>>>>>
>>>>>
>>>>>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono
>>>>>> Channels
>>>>>>
>>>>> of
>>>>>> AES switchable to coax or optical S/Pdif?
>>>>>>
>>>>>> ;o)
>>>>>>
>>>>>>
>>>>>> "EK Sound" <askme@nospam.com> wrote in message
>>>>>> news:467438ac$1@linux...
>>>>>>
>>>>>>> Maybe if we keep poking him, he'll finally bite on a DM2K... ;-)
>>>>>>>
>>>>>>> David.
>>>>>>>
>>>>>>> Bill L wrote:
>>>>>>>
>>>>>>>> I'm with Wireline. While there are ways to use ASIO direct and
>>>>>>>> even low
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> latency monitoring, as a onetime pro studio owner I have the
>>>>>>>> mindset
>>>>>>>>
>>>>> that
>>>>>>>> managing the flows in the studio should be as simple and
>>>>>>>> central as possible for the sake of speed and flexibility. A
>>>>>>>> console does that and
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> offers the pres, eqs and studio routing infrastructure that
>>>>>>>> makes life
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> comfortable so you can concentrate on the music and the people,
>>>>>>>> which
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> will get better end results than managing routing of signals.
>>>>>>>>
>>>>>>>> I don't mind whether digital or analog, they each have pluses
>>>>>>>> and minuses, IMHO, though I would probably go for a good
>>>>>>>> digital console
>>>>>>>>
>>>>> as
>>>>>>>> the price to quality ratio is much higher with a DM2000 than an
>>>>>>>> analog
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> board, which would necessarily be pretty old at that price and
>>>>>>>> quality
>>>>>>>>
>>>>>
>>>>>
>>>>>>>> level.
>>>>>>>>
>>>>>>>> wireline wrote:
>>>>>>>>
>>>>>>>>
>>>>>>>>> Deej...I admire your persistance with DAWs, but after doing
>>>>>>>>> tons of
>>>>>>>>>
>>>>>
>>>>>
>>>>>>>>> homework,
>>>>>>>>> actual research, etc...I have come to the conclusion that the
>>>>>>>>> best DAW
>>>>>>>>>
>>>>>
>>>>>
>>>>>>>>> is
>>>>>>>>> the DAW that does not rely on ASIO or 'zero latency' for
>>>>>>>>> monitoring...
>>>>>>>>>
>>>>>>>>> I have been in the process for a couple of days rearranging
>>>>>>>>> everything
>>>>>>>>>
>>>>>
>>>>>
>>>>>>>>> (again)
>>>>>>>>> and re-installing my Soundtracs console...this way, I have all
>>>>>>>>> the analog
>>>>>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard
>>>>>>>>> that
>>>>>>>>>
>>>>> I
>>>>>>>>> am,
>>>>>>>>> I have yet to encounter any latency when using a console for
>>>>>>>>> tracking...kind
>>>>>>>>> of backwards from the way most people use them, but hey, I've
>>>>>>>>> got 32
>>>>>>>>>
>>>>>
>>>>>
>>>>>>>>> channels
>>>>>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>>>>>
>>>>>>>>> FWIW the most recent TapeOp mag/rag has a real world review of
>>>>>>>>> the Mac
>>>>>>>>>
>>>>>
>>>>>
>>>>>>>>> only
>>>>>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>>>>>> K
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>
>>>>>
>>>>>
>>>>
>>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762"LaMont" <jjdpro@ameritech.net> wrote in message news:4674c045$1@linux...
>
> The reason for the new film SICKO.. I really don't under stand those who
> say
> they don;t want a national health care system.
>
> It's not until the current medical/Insurance system reams you and yours
> then
> do you 'see why it's needed'. But knoowwww The Gove will do a even wost
> job.
> That Bull-Shit!! At least, the bill will get paid.. Ok, I can hear someone
> saying by who??
The reason that these doctors are not taking Medicare patients is because
the government runs it in such a wonderful way.Well heck, if it's discontinued, it's right up my alley. It can replace my
discontinued Steinberg Houston.and interface with my *soon to be*
discontinued RME HDSP 9652's.
I'm starting to feel right at home again. I picked up a Demeter VTCL the
other day. Went to their site to DL a manual and guess what???........yep,
it's now *vintage*. It will feel right at home here in the *Studio Of The
Living Dead*.
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:46755517@linux...
> HI Bill,
> Yes AFAIK the only major update is the DSP increase and the quality and
> number of effects. I think also the mixers software has more routing
> options but haven't A/Bed it with an old one yet.
> Which of the smaller ones? The 01v96v2 and o2r96v2 or the DM1000v2? I
> think the o1v96 is the only one currently that has a chance to be
> discontinued. But normally they just replace and upgrade. That ones
> feature set is getting long in th e tooth.
>
>
> Chris
>
>
> Bill L wrote:
>> Chris,
>>
>> I took a look at their site and they do show the DM series as
>> discontinued. Are the new ones basically the same, but with a s/w update?
>>
>> I also saw some new smaller digital mixers that look kinda cool, w/ more
>> dedicated knobs than most small format digital mixers have. Know anything
>> about those?
>>
>> Chris Ludwig wrote:
>>> HI Bill,
>>> Yes if just using the little screen. Using the Studio manager software
>>> makes it about easy as using a DAW.
>>>
>>> Chris
>>>
>>>
>>> Bill L wrote:
>>>> I hope that does not stand fro Very Complicated Matrix.
>>>>
>>>> Chris Ludwig wrote:
>>>>> Nope just updated to the VCM version.
>>>>>
>>>>>
>>>>> wireline wrote:
>>>>>> Hmmm...
>>>>>>
>>>>>> At the risk of being very unpopular, the Dm2000, while an asTOUNDING
>>>>>> board,
>>>>>> is discontinued last I heard...and as with all things digital, once
>>>>>> discontinued,
>>>>>> lack of any support whatsoever is not far behind...I would think very
>>>>>> hard
>>>>>> about the DM2000 (even though I really was amazed at just how good it
>>>>>> sounds)
>>>>>> or even a Sony RMX100...
>>>>>>
>>>>>> That said, none of my boards are current production models, even the
>>>>>> companies
>>>>>> have changed hands drastically or are out of the pro audio biz...but
>>>>>> parts
>>>>>> are readily available, and there are no digital issues, software, etc
>>>>>> to
>>>>>> be concerned about.
>>>>>>
>>>>>> Last FWIW: Otari made a really handy board - had no preamps, just
>>>>>> tape returns,
>>>>>> auxes out the wazoo, sources I trust say the EQ was a silent miracle,
>>>>>> and
>>>>>> (get this) 48 channels of Eagle automation....
>>>>>>
>>>>>> Just an FYI
>>>>>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>>>>
>>>>>>> My Furman HDS16 gives me the flexibility of a console for cue mixes.
>>>>>>> Everything else is pretty well laid out and easy to manage. I don't
>>>>>>> need
>>>>>>>
>>>>>> the
>>>>>>> preamps. What would a DM2000 cost with interconnectivity for3 x RME
>>>>>>> HDSP
>>>>>>>
>>>>>>
>>>>>>
>>>>>>> 9652's, an RME Multiface, 2 RME ADI8-DS, and 9 x stereo/18 mono
>>>>>>> Channels
>>>>>>>
>>>>>> of
>>>>>>> AES switchable to coax or optical S/Pdif?
>>>>>>>
>>>>>>> ;o)
>>>>>>>
>>>>>>>
>>>>>>> "EK Sound" <askme@nospam.com> wrote in message
>>>>>>> news:467438ac$1@linux...
>>>>>>>
>>>>>>>> Maybe if we
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