Home » The PARIS Forums » PARIS: Main » Mixing in paris, paris compressor across main buss.
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| Re: Mixing in paris, paris compressor across main buss. [message #59444 is a reply to message #59443] |
Sun, 23 October 2005 14:14   |
cujo
Messages: 285
Registered: July 2005
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Senior Member |
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>
>I have to agree. The few projects that I've recorded in 16bit have more
>"slam" to 'em. Reminds me of a recent article I read about mixing. When
>asked if he had any tips for mixers the (guru-of-mix --I think it was that
>Elliot Schnieder or Schmidt guy -whatever...:)) said something like (gosh
>-what a terrible memory) "I just turn the knobs until it sounds right."
>I must admit, sometimes I let my ears be guided by my eyes. I see "24 bit"
>and think "oooh that must be better." But the fact (or at least my fact)
>is that, on some projects, 16 bit is the way to go.
>(Mike R.)
>
>"John Macy" <Report message to a moderator
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| Re: Mixing in paris, paris compressor across main buss. [message #59459 is a reply to message #59441] |
Sun, 23 October 2005 19:45 |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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be nice.
units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes,
I actually have a remote control for my stand up room fan hahah), DAT and a
DCC.
The only thing I've found thus far that can handle most of it is a pocket
PC.. but even it won't hang the whole lot of 'em. Not to mention it was
about $600 (gulp)
I don't want too much, do I?
Thanks !
AA
Dude!!!!!! ROTFL!!!!! Don't change a thing!! You just need an infrared
patchbay to get this happening!!!!!
;oD
"Aaron Allen" <nospam@not_here.dude> wrote in message news:438c094e@linux...
> I am cleaning up the
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| Re: Mixing in paris, paris compressor across main buss. [message #59464 is a reply to message #59444] |
Sun, 23 October 2005 22:18 |
Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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em a tv with local channels and nothing else.
1 remote
Aaron Allen wrote:
> I am cleaning up the rental place here prepping for a move, and have
> included a pic of a problem I'd like to rectify. As you can see, I have WAY
> too many remote controls in my living area, and I want to tone the house of
> a thousand buttons down. The battery cost alone is deadly, LOL.
> Has anybody out there seen a decent solution to this gaggle of remotes I end
> up dealing with just trying to relax in front of a movie? Preferences would
> include, lighting in the dark, common buttons actually being 'common' (IE,
> play means play for the DVD, VCR, etc...) and not having to reteach the
> thing when changing out batteries. I'd rather not own a surfboard with
> buttons on it, but I understand I have a load of stuff to control.. function
> keys or macros would be nice.
> units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes,
> I actually have a remote control for my stand up room fan hahah), DAT and a
> DCC.
> The only thing I've found thus far that can handle most of it is a pocket
> PC.. but even it won't hang the whole lot of 'em. Not to mention it was
> about $600 (gulp)
>
> I don't want too much, do I?
>
> Thanks !
>
> AA
>
>
>in bios turn off com ports, printer port, sound card, usb everything.
Then check manual to make sure pa
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| Re: Mixing in paris, paris compressor across main buss. [message #59469 is a reply to message #59441] |
Mon, 24 October 2005 00:35 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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ge news:438c094e@linux...
>I am cleaning up the rental place here prepping for a move, and have
>included a pic of a problem I'd like to rectify. As you can see, I have WAY
>too many remote controls in my living area, and I want to tone the house of
>a thousand buttons down. The battery cost alone is deadly, LOL.
> Has anybody out there seen a decent solution to this gaggle of remotes I
> end up dealing with just trying to relax in front of a movie? Preferences
> would include, lighting in the dark, common buttons actually being
> 'common' (IE, play means play for the DVD, VCR, etc...) and not having to
> reteach the thing when changing out batteries. I'd rather not own a
> surfboard with buttons on it, bu
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| Re: Mixing in paris, paris compressor across main buss. [message #59483 is a reply to message #59464] |
Mon, 24 October 2005 09:31 |
Cujjo
Messages: 325
Registered: June 2007
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Senior Member |
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V??? ;-)
>
>David.
>
>Aaron Allen wrote:
>> I am cleaning up the rental place here prepping for a move, and have
>> included a pic of a problem I'd like to rectify. As you can see, I have WAY
>> too many remote controls in my living area, and I want to tone the house of
>> a thousand buttons down. The battery cost alone is deadly, LOL.
>> Has anybody out there seen a decent solution to this gaggle of remotes I end
>> up dealing with just trying to relax in front of a movie? Preferences would
>> include, lighting in the dark, common buttons actually being 'common' (IE,
>> play means play for the DVD, VCR, etc...) and not having to reteach the
>> thing when changing out batteries. I'd rather not own a surfboard with
>> buttons on it, but I understand I have a load of stuff to control.. function
>> keys or macros would be nice.
>> units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes,
>> I actually have a remote control for my stand up room fan hahah), DAT and a
>> DCC.
>> The only thing I've found thus far that can handle most of it is a pocket
>> PC.. but even it won't hang the whole lot of 'em. Not to mention it was
>> about $600 (gulp)
>>
>> I don't want too much, do I?
>>
>> Thanks !
>>
>> AA
>>
>>
>>I never tried that, Thanks.
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>
>I'm aware that's it's been posted about not clicking on assertion failed
messages
>until you save as, but I got one this morning, and just for kicks I kept
>going, i
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| Re: Mixing in paris, paris compressor across main buss. [message #59485 is a reply to message #59483] |
Mon, 24 October 2005 10:29 |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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/>
>
> In classical, if you have a great teacher, they keep your nose to the
> wheel, and let you know that you have along way to go. The
> parents will be smart, and reserved with their praise and exposure of
> the child to the public.
>
> Then you can end up with another Mozart, but it is rare today; fame
> is too much of a drug to most people.
>
> I've seen these kids end up featured soloists with major symphonies
> and I've seen them disappear. It's all in the parents and the
> teachers.
>
> DC
>I saw a used "ultra match" (no pro) today in a Long and Mcquade in Toronto,
if that is any help.
All the best,
Mike
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>Dear DJ,
>I may be able to find one here in Greece.
>What would you need Ultramatch or ADA-8000 ( I have one of those )
>Let me know if Greece is an option for you.
>Regards,
>Dimitrios
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I am actually trying to source a Behringer product right now
>>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have
>>ever used that worked well and as advertized is an AD/DA/format converter
>>called the Ultramatch Pro SRC 2496. I've got one and need another one in
>>order to do something else bizarre with my routing matrix. Anyway, I have
>>scoured the internet for one of these to no avail. I was talking to a
>>retailer in Nashville earlier today and was told that this and the ADA8000
>>may not be showing up again due to a patent infringement situation involving
>>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got
>an
>>Ultramatch Pro FS? I need one yesterday. They are backordered everythere
>>with mid-January as the projected date for filling orders.
>>
>>
>Thanks Mike,
I need the SRC 2496 version to nail this down. If you run across one let me
know.
;o)
Deej
<Mike Audet mike.....> wrote in message news:438cf83a$1@linux...
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| Re: Mixing in paris, paris compressor across main buss. [message #59486 is a reply to message #59483] |
Mon, 24 October 2005 10:21 |
Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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/>
>
> I saw a used "ultra match" (no pro) today in a Long and Mcquade in
Toronto,
> if that is any help.
>
> All the best,
>
> Mike
> "Dimitrios" <musurgio@otenet.gr> wrote:
> >
> >Dear DJ,
> >I may be able to find one here in Greece.
> >What would you need Ultramatch or ADA-8000 ( I have one of those )
> >Let me know if Greece is an option for you.
> >Regards,
> >Dimitrios
> >
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>I am actually trying to source a Behringer product right now
> >>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have
> >>ever used that worked well and as advertized is an AD/DA/format
converter
> >>called the Ultramatch Pro SRC 2496. I've got one and need another one in
> >>order to do something else bizarre with my routing matrix. Anyway, I
have
> >>scoured the internet for one of these to no avail. I was talking to a
> >>retailer in Nashville earlier today and was told that this and the
ADA8000
> >>may not be showing up again due to a patent infringement situation
involving
> >>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone
got
> >an
> >>Ultramatch Pro FS? I need one yesterday. They are backordered everythere
> >>with mid-January as the projected date for filling orders.
> >>
> >>
> >
>Hmm... tried that route & I just get an error page.
Neil
"Rob Arsenault" <info@studiomanitou.com> wrote:
>Neil,
>I think the "@" in the link is when you want to include the user and
>password within the string so you don't have to type it again at the entry
>point. Otherwise, just paste ftp://manitou.serveftp.net/ into IE and it
will
>ask you for the user and password (xmas/xmas). But, for some reason, the
>passive mode still needs to be turned off in internet options in
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| Re: Mixing in paris, paris compressor across main buss. [message #59492 is a reply to message #59485] |
Mon, 24 October 2005 11:46 |
Cujjo
Messages: 325
Registered: June 2007
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Senior Member |
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"mailto:dc@spamsony.com">dc@spamsony.com</A>> wrote in =
message <A=20
=
href=3D"news:4388ba1a$1@linux">news:4388ba1a$1@linux</A>...<BR>>><B=
R>>>=20
"Tom Bruhl" <<A=20
href=3D"mailto:Arpegio@comcast.net">Arpegio@comcast.net</A>>=20
wrote:<BR>>> >Just plain spooky.<BR>>> ><BR>>> =
>Tom<BR>>><BR>>><BR>>> I've seen the same thing =
in young=20
classical players. When you get<BR>>> to know them a bit =
you=20
realize it is a savant-like quickness in the<BR>>> mind that =
allows them=20
to play at such unearthly levels. In a way, it<BR>>> is =
like Rain=20
Man, if you know what I mean.<BR>>><BR>>> Now comes the =
hard=20
part. They have to learn everything else<BR>>> about =
music,=20
and really apply themselves in the next few years to<BR>>> even =
maintain=20
their current levels of playing. The *worst* thing =
that<BR>>> can=20
happen is adults fawning over them and praising them to =
the<BR>>> sky=20
and comparing them to the greats, and getting them record<BR>>>=20
deals. Yet this is usually what happens. When =
it does,=20
the prodigy<BR>>> disappears and is never heard from=20
again.<BR>>><BR>>> In classical, if you have a great =
teacher, they=20
keep your nose to the<BR>>> wheel, and let you know that you =
have along=20
way to go. The<BR>>> parents will be smart, and =
reserved=20
with their praise and exposure of<BR>>> the child to the=20
public.<BR>>><BR>>> Then you can end up with another =
Mozart, but=20
it is rare today; fame<BR>>> is too much of a drug to most=20
people.<BR>>><BR>>> I've seen these kids end up featured =
soloists=20
with majo
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| Re: Mixing in paris, paris compressor across main buss. [message #59510 is a reply to message #59504] |
Mon, 24 October 2005 17:54 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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m to the
>>>>>sky and comparing them to the greats, and getting them record
>>>>>deals. Yet this is usually what happens. When it does, the prodigy
>>>>>disappears and is never heard from again.
>>>>>
>>>>>In classical, if you have a great teacher, they keep your nose to the
>>>>>wheel, and let you know that you have along way to go. The
>>>>>parents will be smart, and reserved with their praise and exposure of
>>>>>the child to the public.
>>>>>
>>>>>Then you can end up with another Mozart, but it is rare today; fame
>>>>>is too much of a drug to most people.
>>>>>
>>>>>I've seen these kids end up featured soloists with major symphonies
>>>>>and I've seen them disappear. It's all in the parents and the
>>>>>teachers.
>>>>>
>>>>>DC
>>>>>
>>>>
>>>>
>>When did something like a mismatched power supply ever stop me? I figure if
I can just get stick the correct plug and rip the grounding pin off of it,
I'll be good to go.
;oD
"erlilo" <erlilo@online.no> wrote in message news:438d5349$1@linux...
> I think there'll be problems with it without changing the powersupply. We
> have for the most 220V AC in Europe and US have 110V, as far as I
remember.
>
> Erling
>
> "Dimitrios" <musurgio@otenet.gr> skrev i melding news:438cbc5e$1@linux...
> >
> > Dear DJ,
> > I may be able to find one here in Greece.
> > What would you need Ultramatch or ADA-8000 ( I have one of those )
> > Let me know if Greece is an option for you.
> > Regards,
> > Dimitrios
> >
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>I am actually trying to source a Behringer product right now
> >>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have
> >>ever used that worked well and as advertized is an AD/DA/format
converter
> >>called the Ultramatch Pro SRC 2496. I've got one and need another one in
> >>order to do something else bizarre with my routing matrix. Anyway, I
have
> >>scoured the internet for one of these to no avail. I was talking to a
> >>retailer in Nashville earlier today and was told that this and the
ADA8000
> >>may not be showing up again due to a patent infringement situation
> >>involving
> >>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone
got
> > an
> >>Ultramatch Pro F
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| Re: Mixing in paris, paris compressor across main buss. [message #59564 is a reply to message #59510] |
Tue, 25 October 2005 15:28 |
Eugene B
Messages: 35
Registered: August 2005
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Member |
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may have to do with
Native Instruments plugins, whatever's going on with my system drive or
?. Or maybe a recent update fixed something. BTW, I do send bug reports
to Apple so they've seen the detailed crash reports.
The bug where Logic stops playing back a virtual synth did come up one
time today. That one needs to be fixed. Reloading the song is the
workaround.
On the plus side, Logic on a dual G5 is incredible in its capabilities
and the music is sounding great.
Nice to hear from you, Thad.
Cheers,
-Jamie
http://www.JamieKrutz.com
DJ wrote:
> heheheh.........hi thad
>
> ;o)
>
> "TCB" <nobody@ishere.com> wrote in message news:438f5066$1@linux...
>
>>You're running this on BeOS, right?
>>
>>Jamie K <Meta@Dimensional.com> wrote:
>>
>>>I'm using Logic "Pro" 7.1 on a dual 2.5GHZ G5 running OSX. Logic would
>>>be "Pro" if it didn't crash. Of course OSX doesn't go down when Logic
>>>does but it's still an interruption to restart Logic when it happens.
>>>Some of that may be a hardware problem with my rig, I'm tracking down a
>>
>>>possible HD glitch right now.
>>>
>>>The other thing about Logic is there is a bit of a learning curve. Most
>>
>>>things are straight forward but a few things are obtuse. You might give
>>
>>>yourself a few weeks to come up to speed, depending on what your needs
>
> are.
>
>>>Those negatives aside, Logic has come a long way and it rocks. It has an
>>
>>>incredible selection of useful plugins for convolution reverb,
>>>compression, limiting, distortion, EQ, etc. It also includes a good
>>>variety of excellent virtual instrument/synth plugins, and great third
>>>party plugins are readily available. It really is a virtual studio and
>>>I'm very happy with the tracks I'm producing. C'mon over and check it
>>>out if you're ever in the neighborhood.
>>>
>>>Everything is automatable. Mixers show as many tracks as you have. The
>>>MIDI features are comprehensive. Logic can play video files for film
>>>scoring.
>>>
>>>The G5 processors support so many plugins and tracks that I rarely have
>>
>>>to "freeze" anything, it's all live. But if I ever need more CPU
>>>overhead, freezing a track converts a track and all plugin operations to
>>
>>>an audio file. It can be unfrozen if any editing is needed. There's also
>>
>>>an option to network with another Mac to farm out CPU time but I've
>>>never needed that with the G5. BTW, the new dual core dual processor G5
>>
>>>box is somewhere around twice as fast as mine. Whoa.
>>>
>>>If at all possible, you should try to mix on each of the systems you're
>>
>>>considering and see if the sound pleases your ear. The i/o you choose
>>>will also matter. Like Tony I'm using a MOTU 828MII which has been a
>>>decent sounding, reliable piece of gear, and there are many other
>>>options to consider. You can combine several i/o devices if you need to
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