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| Re: OT Scale for jingle work in NYC? Quick answer please! [message #66021 is a reply to message #66020] |
Sat, 01 April 2006 10:48   |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Pete" <<A=20
=
href=3D"mailto:ruthenburg@sbcglobal.net">ruthenburg@sbcglobal.net</A>>=
wrote=20
in message <A=20
=
href=3D"news:444e8e5e$1@linux">news:444e8e5e$1@linux</A>...</DIV><BR>So =
I took=20
out my UAD and EMU card and 1 EDS;still getting the<BR>same =
message.<BR><BR>So=20
all I have in the comp are 2 EDS cards and I'm getting the<BR>same=20
thing.<BR><BR>Pretty frustrating since I had 4 EDS and 1 UAD working =
before=20
I<BR>installed the EMU 0404.<BR><BR>IDEAS?<BR><BR>Pete<BR><BR>"Pete=20
Ruthenburg" <<A=20
=
href=3D"mailto:ruthenburg@sbcglobal.net">ruthenburg@sbcglobal.net</A>>=
=20
wrote:<BR>><BR>>So I go to open PARIS and get an error occured =
while=20
reading<BR>>default project.A new empty project will be =
created.There are=20
not<BR>>enough free resources.Then I get an unhandled exception =
error=20
and<BR>>have to restart the comp.<BR>><BR>>I'm getting this =
after=20
taking out an EDS card and putting an EMU<BR>>0404 card in its=20
spot.<BR>><BR>>Heres what I've got in the =
comp:<BR>><BR>>PCI=20
1 UAD-1 IRQ 18<BR>>PCI 2 EMU 0404 IRQ =
21<BR>>PCI 3 EDS IRQ =
22<BR>>PCI=20
4 EDS IRQ 16<BR>>PCI 5 =20
EDS IRQ 18<BR>><BR>>Those IRQ =
assignments=20
were working with the EDS in place where<BR>>the EMU is now.Any=20
ideas?SHould I move the EMU card?<BR>><BR>>Should I finally hook =
up the=20
Magma 13 slot I've been lazy with<BR>>and not hooked=20
up.<BR>><BR>>Thamks =
peeps,<BR>>Pete<BR></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_0011_01C66898.1BD5C530--"Can't get enough of your love" lusted the Mississippi Queen
"chuck d" <c@c.com> wrote in message news:444e5c0c$1@linux...
>
> Today's luscious cowbell entry comes from the incomparable Mr. Barry
> White.
> 'Can't Get Enough of Your Love' might run well under the alternate tag of
> 'Can't Get Enough of Your Funky Cowbell', as there is a sinisterly
> persistent,
> full bodied, deliciously muted cowbell that flows through every measure
> except
> the sexy, spoken word middle 8.
>
> Enjoy
> Chuck http://createdigitalmusic.com/2006/04/25/sonys-answer-to-app les-soundtrack-cinescore-eliminates-composers-entirely/Well-spoken, indeed. You have a subtle and discerning sensibility.
The force is strong with this one.
Jimmy
"chuck d" <c@c.com> wrote in message news:444e5c0c$1@linux...
>
> Today's luscious cowbell entry comes from the incomparable Mr. Barry
White.
> 'Can't Get Enough of Your Love' might run well under the alternate tag of
> 'Can't Get Enough of Your Funky Cowbell', as there is a sinisterly
persistent,
> full bodied, deliciously muted cowbell that flows through every measure
except
> the sexy, spoken word middle 8.
>
> Enjoy
> ChuckOh joy. I am so excited about this. I'm jumping up and down like an
elephant in quicksand. Now I don't have to worry about pitching demos,
calling prospective clients, and worst of all, trying to be creative (what a
drag that is).
As if library music and reality TV hasn't done enough damage to the custom
music market already. And I just finished my composing promo website
today...
Hmmm...maybe UPS is hiring.
Regards,
Dedric
On 4/25/06 5:09 PM, in article 444eac34$1@linux, "James McCloskey"
<excelsm@hotmail.com> wrote:
>
> http://createdigitalmusic.com/2006/04/25/sonys-answer-to-app les-soundtrack-cin
> escore-elimina
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| Re: OT Scale for jingle work in NYC? Quick answer please! [message #66060 is a reply to message #66052] |
Sun, 02 April 2006 11:25 |
rick
Messages: 1976
Registered: February 2006
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Senior Member |
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ance.
>> KJ
>
>I ended up using soundApp.
"Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote:
>
>KJ,I'm pretty sure PARIS doesn't do .aiff.Convert it to a .wav
>file and your good to go.
>
>Pete
>
>"KJ" <no@spam.com> wrote:
>>
>>Thanks Tony, I'm back up, but I'm having trouble importing an .aiff file.
>> It' has been a long time since I've used Paris, I thought I was able to
>>do this in the past???
>>
>>KJ
>>
>>"Tony Benson" <tony@standinghampton.com> wrote:
>>>If the file is missing, I think you'll have to do a reinstall of the PARIS
>>
>>>software. I'm not at my rig right now and can't remember which folder
to
>>
>>>check, so I can't tell you where to look to see if indeed the file is
>>>missing for sure or if it somehow got renamed, corrupt, etc. Anyway, a
>
>>>reinstall should put everything back to good.
>>>
>>>Tony
>>>
>>>
>>>
>>>"KJ" <no@spam.com> wrote in message news:444fe441$1@linux...
>>>>
>>>> I'm running 2 card paris setup with one C-16 and one MEC, on a Mac with
>>
>>>> O/S
>>>> 9.22. I'm getting an error message on start up. It says, Paris could
>>not
>>>> open because "Paris_studiocontrolLibrary" could not be found.
>>>>
>>>> Thanks in advance.
>>>> KJ
>>>
>>>
>>
>I was in a local studio last night helping the owner record a rock band's
demo and he had this great bass drum sound on his studio's birch starclassic
set. A real tight crisp thump...
I had to check it out - he was using the evans emad heads with the muffle
rings installed (that with an audix d6). Sounded great - is any using these
heads/rings?
Are there other brands that offer a ring or muffle sytem like the emad that
can be bought seperate from the heads. I'm using the pillow system now :)...Thanks fo all the help guys.
KJ
"Dale" <Report message to a moderator
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| Re: OT Scale for jingle work in NYC? Quick answer please! [message #66095 is a reply to message #66064] |
Mon, 03 April 2006 02:16 |
rick
Messages: 1976
Registered: February 2006
|
Senior Member |
|
|
t; >Katrina. He had done a bunch of recording in a studio there (he is
pretty
> >much a techno-phobe, so he doesn't know what format) and he says the
quality
> >of the ruff mixes from my little Paris studio kills the stuff he did down
> >there. He says he's just gonna have to record it all again here.
> >
> >Anyway... If I knew what I could get that'd sound as good (and that I
could
> >afford!) I'd switch, but for now, I'm still a Paris dude.
> >
> >Peace ('cause we still need it!),
> >
> >Gantt
> >
> >
>This is a multi-part message in MIME format.
------=_NextPart_000_0040_01C66CA6.27B0FFC0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who =
(or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of the =
new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the =
more
> modern tricks, and then import files back to Paris. But it still =
sounds
> SOOOO good to me. I have a client who moved here from New Orleans =
after
> Katrina. He had done a bunch of recording in a studio there (he is =
pretty
> much a techno-phobe, so he doesn't know what format) and he says the
quality
> of the ruff mixes from my little Paris studio kills the stuff he did =
down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that =
I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
------=_NextPart_000_0040_01C66CA6.27B0FFC0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'll be hanging whether or not I get =
this WC thing=20
working!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<
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| Re: OT Scale for jingle work in NYC? Quick answer please! [message #66104 is a reply to message #66095] |
Mon, 03 April 2006 07:59 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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|
br />
says the<BR>quality<BR>> of the ruff mixes from my little Paris =
studio=20
kills the stuff he did down<BR>> there. He says he's just =
gonna=20
have to record it all again here.<BR>><BR>> Anyway... If =
I knew=20
what I could get that'd sound as good (and that I<BR>could<BR>> =
afford!)=20
I'd switch, but for now, I'm still a Paris dude.<BR>><BR>> =
Peace=20
('cause we still need it!),<BR>><BR>>=20
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_0010_01C66CAD.325C7560--Not a chance here--I have learned to make the thing
work in my favor, actually. I have had lots of people
call me cause they hear about my "protools killing"
system :) .
I have a 3 card track/overdub system and a
5 card mix system. I keep a PT 002R on hand to facilitate
transfers and the like and the occasional remote overdub,
but it is 99% Paris for me, and not likely to change
anytime soon.
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>I haven't been around much lately, and I just took a look at the "For Sale"
>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>is it "whom"?), besides me, is still using Paris as their main system?
I'm
>getting pretty frustrated about not being able to use most of the new plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
>modern tricks, and then import files back to Paris. But it still sounds
>SOOOO good to me. I have a client who moved here from New Orleans after
>Katrina. He had done a bunch of recording in a studio there (he is pretty
>much a techno-phobe, so he doesn't know what format) and he says the quality
>of the ruff mixes from my little Paris studio kills the stuff he did down
>there. He says he's just gonna have to record it all again here.
>
>Anyway... If I knew what I could get that'd sound as good (and that I could
>afford!) I'd switch, but for now, I'm still a Paris dude.
>
>Peace ('cause we still need it!),
>
>Gantt
>
>Hey Tom,
How many EDS cards do you have? If you have more than two,
make sure that the second MEC is connected to the highest
"letter" card. Run a short BNC cable from the WC out on the
Master MEC to the WC in on the second MEC. Do not use the
house sync line. Start paris from the *EXE file*, not the
default project (this can be done with a shortcut on the
desktop). Once Paris *finishes* launching (no more flashing
lights on MEC or modules) open a project. When the project
has finished opening, select WC sync in the project window.
Wait for all lights to stop flashing again, then try to
play. If it works (and it should) do a "save as" and rename
so it saves the WC input option. When you go to lauch the
project again, launch Paris itself first, then open the
project from within Paris.
I start all periferals with a rack mount power bar first
(console, WC gen, MEC's, convertors etc etc) and fire up the
computer last.
I think the default transfer line was something like 8-16,
but I can't remember exactly.
What are your config settings for Paris? this may also play
a part. I use 128/128/80/med IIRC... but it has been a
while since I checked.
Good luck!
David.
Tom Bruhl wrote:
> I've read through all the posts on this word clock setup but nothing
> allows it to happen for me as of yet. The only thing I haven't tried
> is terminators on the Mecs. Still can't find 75ohm ones around here.
>
> I have/had a default project set up to 48k, External Sync in paris.
> I am clocking only 2 Mecs in XP(with Magma) from the Lucid Wordclock
> Generator.
> I've turned off the Mecs and turned them back on after the Lucid.
> Both Mecs are getting their own WC with cables of equal length. I have
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