| *** New News Server - 1 year anniversary! *** [message #58587] |
Wed, 28 September 2005 17:17  |
Kim
Messages: 1246 Registered: October 2005
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Senior Member |
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> wrote in message
> >news:4353a9f8$1@linux...
> >> DJ,
> >>
> >> What I want to hear are the reasons not to get a MADI..:)
> >>
> >>
> >> Chris
> >>
> >>
> >> DJ wrote:
> >> > I could have sworn that I saw somewhere that only 3 x HDSP PCI cards
>
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| Re: *** New News Server - 1 year anniversary! *** [message #58641 is a reply to message #58630] |
Fri, 30 September 2005 01:59   |
rick
 Messages: 1976 Registered: February 2006
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Senior Member |
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t; wrote:
>>>>
>>>>This is going to be great!!!
>>>>
>>>>Well it looks like Malcolm Toft and John Oram are going toe to toe with
>>>new
>>>>versions of the Trident 80b console. The killer thing is the 16 ch.
>>>>versions
>>>>are going to cost around $2,500.00. The Toft console also has an
>>>>optional
>>>>digital I/O card. Can you say, killer front end for my Paris rig???
>>>>Check
>>>>out the thread at gearsluts.com under "New product alert!", Important
you
>>>>start with the Toft thread. The whole Toft, Oram , trident war almost
>> started
>>>>again, the thread gets heated.
>>>>
>>>>Check out the specs.
>>>>
>>>>http://www.toftaudiodesigns.com/
>>>>
>>>> http://aes.harmony-central.com/119AES/Content/Toft_Audio/PR/ ADB-Consoles.html
>>>>
>>>>http://www.oram.co.uk/
>>>>
>>>>James
>>>
>>
>
>Glad you like them, Tom. I think they are
a fantastic value. I use my 46's over my Royers
all the time, especially on electric guitars. I
know Darren Rahn for the group here got a pair
also and is verry pleased, too. Even the unmatched,
stock transformer 46's are pretty nice :)
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Had a project that called for tenor sax, vocals
>and a little egg shakin'.
>
>Used 'em on everything through the Precision 8
>with really great results.
>
>The best words to describe them are natural and not hyped.
>to remove the room coming off the backside of the figure 8.
>Vocals didn't need compression. I was singing and watching
>levels so that made this possible. They did seem slightly
>compressed sounding though. Even when the wave got
>squared off in Paris it didn't gack or even sound clipped.
>I rerecorded those spots because they looked bad...
>Odd but kinda cool. =20
>
>Vocals in the mix need lots of high end. Not a problem either.
>It was a disco thing with that sizzly sound that only a condensor
>should get. What I found was that these things took Paris' eq=20
>sweetly. The esses didn't go over the edge and tone was smooth
>as silk. I did use La2a's across them at mixdown though. The eggs
>recorded nicely and again sounded natural. One on each side of the mic.
=
>=20
>
>These are the first ribbons I've used except for some Beyer M160s way =
>back.
>These are flo
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