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how do you know when your CPU is Shot!? [message #80837] Wed, 28 February 2007 19:16 Go to next message
Jeremy Luzier is currently offline  Jeremy Luzier   UNITED STATES
Messages: 102
Registered: November 2005
Senior Member
e.
>
> Opinions?

I've done M-S for overheads with 2 condensers (Microtech Gefell umt70s),
and with 2 ribbons (Beyer m130 and m160), but not both types together in
M-S. It might be an interesting sound.

M-S buys you the ability to control your width and ambience after the
fact, which can be really great. Plus, it's totally mono co
Re: how do you know when your CPU is Shot!? [message #80838 is a reply to message #80837] Wed, 28 February 2007 21:22 Go to previous messageGo to next message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
mpatible
(though you'd better make sure you like the sound of your M, because
that's all you'll get in mono). You should make sure you can monitor a
decoded stereo signal (try Voxengo's free plugin), but record only the
M-S so you can change it later.

M-S can also sound great on piano... and lots of other things. You can
also experiment using an omni mic for the M.

Let us know how it turns out for you!

Grahamhas anybody an idea , why i cannot receive an answer/response from intdevices??
i wrote an email three times to Support@intdevices.com / support@emu.com
/ sales@intdevices.com .
Re: how do you know when your CPU is Shot!? [message #80841 is a reply to message #80837] Wed, 28 February 2007 20:31 Go to previous messageGo to next message
Carl Amburn is currently offline  Carl Amburn   UNITED STATES
Messages: 214
Registered: July 2005
Senior Member
johnson314@bellsouth.net" target="_blank">johnson314@bellsouth.net> wrote in message
> news:461bf5a3@linux...
>> Is this still for sale, Deej?
>>
>> Jimmy
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote in message news:4617e056@linux...
>>> I've got a blackface ADAT module sittin here for $175.00. I haven't
>>> seen
>>> one sell for less than this............EVER. You need this. I know who
>>> you
>>> are so you
>>> now have a choice to make...........either you buy this and I leave you
>>> alone or you keep jackin' around trying t
Re: how do you know when your CPU is Shot!? [message #80843 is a reply to message #80838] Wed, 28 February 2007 22:12 Go to previous messageGo to next message
Nil is currently offline  Nil
Messages: 245
Registered: March 2007
Senior Member
I like Logic's sound, but my preference is to bring an outside (analog) element
in
to the mix at some point - console, compressor, real tape or tape emulator
etc.

Right now Logic is considered a bit clunky, and it takes a while to learn
(Mac Pro Video is a good starting place), but its Virtual Instruments are

excellent, and it does a lot...

Hope this helps,

Ted


"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>Is it significant that no one has really talked about the sound? Is it
"fine"
>in the sense that I won't miss Paris? Or that I'll miss Paris a little,
>but eventually I'll figure out how to make Logic sound great too? Or that
>I''ll really miss Paris, but get over it, Paris is obsolete, it's time to
> move on?
>
>Gantt
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote:
>>
>>So here I am, still trying to figure out if there's life (for me, that
is)
>>after Paris, and I've been thinking, "well, if I'm a Mac dude, and if,
maybe,
>>I'm gonna stay a Mac dude, then maybe I should think about Logic, since
>Apple
>>owns it, and should, theor
Re: how do you know when your CPU is Shot!? [message #80844 is a reply to message #80837] Wed, 28 February 2007 21:44 Go to previous messageGo to next message
Jeremy Luzier is currently offline  Jeremy Luzier   UNITED STATES
Messages: 102
Registered: November 2005
Senior Member
etically, keep it current and competitive...".
>>
>>And so I've been contemplating the Logic+Apogee Symphony package. Any
thoughts?
>> Are any of you folks running real studio sessions on Logic systems? How
>>about latency? Track count? Native FX? UAD-1 FX? And most importantly
>>- how's it sound?
>>
>>Gantt
>JAZZ MATH

1. If x is the number of chord changes in a tune, and y is the tempo at
which it is played, then xy = factor by which a guitarist will turn down
his amp.

2. # (notes/measure played by a saxophonist on a ballad) is proportional
to # (drinks he has consumed).


3. 4 + 4.125 + 4 + 3.875 + 4 + 4.667 + 4 + (x, where x is unknown) = 1
chorus trading with the drummer.

4. (2 + 5 + 1) x (# of freshman college ja
Re: how do you know when your CPU is Shot!? [message #80870 is a reply to message #80844] Thu, 01 March 2007 08:48 Go to previous message
Chris Ludwig is currently offline  Chris Ludwig   UNITED STATES
Messages: 868
Registered: May 2006
Senior Member
this=20
with Cubase?<BR>&gt; I can strap a compressor as an insert before =
disk, but I=20
dont wanna do that.<BR>&gt; What is the solution?<BR>&gt; <BR>&gt; =
thx<BR>&gt;=20
b<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0030_01C77CD2.8FD0F140--On Wed, 11 Apr 2007 23:33:04 -0500, "Sandy Tipping"
<tippsand@earthling.net> wrote:

>Paul,
>
>You CAN have 16 inputs (2 8-input analog modules) active AND the 8-ouput
>ADAT module active, because the input segment and output segment of each MEC
>Module are treated independently.
>
>The 16 input blocks and 16 output blocks are logically separate, meaning
>that you CAN use 16 analog inputs and feed 8 outputs via ADAT. Notice that
>the ADAT block can live on the input side AND / OR the output side
>simultaneously.
>
>Hope this helps.
>
>Sandy

I'll try that again tonight - I thought I could do that, but couldn't
figure out how to remove just the adat input side and leave the output
side.

This is why I'm screwing with this stuff NOW and not Sunday
afternoon...

pabOn Thu, 12 Apr 2007 00:01:44 -0600, "Dave(EK Sound)"
<audioguy_editout_@shaw.ca> wrote:

>You would be calibrating the inputs REALLY LOW.
>
>+4 is the **0VU** setting on pro gear.. which can be
>anything from -21 dB to -9dBFS depending on who makes the gear.
>
>The idea is to set whatever you feed Paris with to 0VU
>(console, pre's etc) then adjust the input trims to *your
>desired* level for 0VU. Here, we used the full output level
>of a DA88 to determine the input cal for our cards (at the
>time, we transfered in a LOT from DA88/38)
>
>Basically, you want the head-end stuff to be operating at an
>optimum level without the Paris inputs clipping.
>
>David.
>

Thanks, David. I'll give it a shot this afternoon.

pabHI Gantt,
I think your already pursuing the workaround that will work best.:)
Chris


Gantt Kushner wrote:
> It's true. I'm a Mac dude. Is there a Mac workaround?
>
> Thanks!
>
> Gantt
>
> "Aaron Allen" <know-spam@not_here.dude> wrote:
>
>> Think Gantt is on a mac... no worky.
>> Or so I've heard .......:P
>>
>> AA
>>
>> "michael" <

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