Home » The PARIS Forums » PARIS: Main » OT: An interesting paradox - Islam and the Pope
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| Re: OT: An interesting paradox - Islam and the Pope [message #72740 is a reply to message #72738] |
Tue, 19 September 2006 16:41   |
Jamie K
Messages: 1115
Registered: July 2006
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Senior Member |
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l/76X/Gjno91+Aclbs/xOa+zwf8APGP/AL5FH2eD/njH/wB8iul/4QbxN/0C
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AH0v+NHtqf8AMvvD2NT+V/ce+UUUV4h7Z//Z
---=_linux45258e1e--I do have this old note (see below) and I have these bitmaps but I don't think
these are the right bitmaps.
http://www.kfocus.com/skins/green.jpg
http://www.kfocus.com/skins/MIXEREQAUX.bmp
http://www.kfocus.com/skins/MIXEREQAUXB&W&bev.jpg
http://www.kfocus.com/skins/MIXERFADERPAN.bmp
http://www.kfocus.com/skins/MIXERFXMON.bmp
http://www.kfocus.com/skins/MIXERMASTER.bmp
http://www.kfocus.com/skins/New Mixer Look.jpg
Greetings from the North pole.
I have been hacking some of Santa?s audio gear and decided I hated the way
PARIS looked, to hard on the eyes. So I made some changes, but I got orders
backin up on me and it started to tweak my nerves a bit, all I really wanted
done was the mixer anyway so that is all I did. Any way if you do this and
hose your machine your stupid for listening to an elf. :>) It is worth the
effort because it looks great and the new meters alone rock, it is really
not that hard so here we go.
#1
Go to http://www.wilsonc.demon.co.uk/d7resourceexplorer.htm and download
this app and load it as it says too.
#2
Print this then collect all the bitmaps from the newsgroup there are 4 of
them split up to different posts for you guys using dial-up.
#3
VERY IMPORTANT!!!
Back up your ?PARIS.exe? file to a different location.
#4
Launch ?PE Resource Explorer? as app requires then ?open? the ?PARIS.exe?
file in it.
#5
You will see a folder named ?PICT? expand it and find the folders that are
named the same as your downloaded bitmaps and make sure you did not change
the name of the bitmaps in any way.
#6
At the top click on the menu ?Resources? and in the drop down menu click
?import image resource?. Navigate to one of the bitmaps you downloaded and
choose it. YOU CAN ONLY IMPORT ONE IMAGE AT A TIME SO DO THIS FOR EACH IMAGE
TILL YOU HAVE IMPORTED ALL 4 BITMAPS.
#7
PE Resource Explorer has created a new folder named ?bitmaps? that will contain
the 4 bitmaps in it. You will now expand the folder of the name of the first
bitmap you want to swap out in the ?PICT? folder. Start by selecting the
first bitmap in the ?bitmaps? folder, do you remember the name because they
have to be the same. Who knows what will happen if you mix them up.
#8
Select and ?cut? the bitmap from the ?bitmaps? folder, use cut so you?re
sure you got it. Go to the same named bitmap in the ?PICT? folder select
and delete the old bitmap then paste the new one. Do this for all 4 bitmaps
then after all the new bitmaps are in place you MUST DELETE THEM from the
?bitmaps? folder that was created. Do this by clicking on the bitmap in the
?bitmaps? folder number ?1? and under the ?Resource? menu click ?Delete Resource?
and do this till all the bitmaps you imported are gone, including the folder
it created. It MUST look just the way it did before you imported anything,
that means NO ?bitmaps? folder anymore.
#9
Save and exit PE Resource Explorer, if upon exit it asks you to save click
?yes?. If you did everything right the next time you launch PARIS it will
have a cool new look. If not it will crash and you should go to the nearest
mirror and say in to it, ?You idiot you listened to the elf?. Then go back
and replace the now contaminated PARIS.exe with the backup.
Congratulations you are a hacker!
Merry DAW Stuff,
Rogue Elf
P.S. Got a problem with this and affraid to mess up your warranty or support
(LOL), go home momma's boy or girl!
"john" <no@no.com> wrote:
>
>
>
>I got a screenshot of this black/blue skin but nothing more. Is there a
way
>to make paris go black and blue?
>
>Just wishing. Maybe black/blue will do latency comp automatically. hehe
>
>JohnI thought that was all you needed...?
"John" <no@no.com> wrote:
>
>I do have this old note (see below) and I have these bitmaps but I don't
think
>these are the right bitmaps.
>
>http://www.kfocus.com/skins/green.jpg
>http://www.kfocus.com/skins/MIXEREQAUX.bmp
>http://www.kfocus.com/skins/MIXEREQAUXB&W&bev.jpg
>http://www.kfocus.com/skins/MIXERFADERPAN.bmp
>http://www.kfocus.com/skins/MIXERFXMON.bmp
>http://www.kfocus.com/skins/MIXERMASTER.bmp
>http://www.kfocus.com/skins/New Mixer Look.jpg
>
>
>Greetings from the North pole.
>I have been hacking some of Santa?s audio gear and decided I hated the way
>PARIS looked, to hard on the eyes. So I made some changes, but I got orders
>backin up on me and it started to tweak my nerves a bit, all I really wanted
>done was the mixer anyway so that is all I did. Any way if you do this and
>hose your machine your stupid for listening to an elf. :>) It is worth the
>effort because it looks great and the new meters alone rock, it is really
>not that hard so here we go.
>
>#1
>Go to http://www.wilsonc.demon.co.uk/d7resourceexplorer.htm and download
>this app and load it as it says too.
>#2
> Print this then collect all the bitmaps from the newsgroup there are 4
of
>them split up to different posts for you guys using dial-up.
>#3
>VERY IMPORTANT!!!
>Back up your ?PARIS.exe? file to a different location.
>#4
>Launch ?PE Resource Explorer? as app requires then ?open? the ?PARIS.exe?
>file in it.
>#5
>You will see a folder named ?PICT? expand it and find the folders that are
>named the same as your downloaded bitmaps and make sure you did not change
>the name of the bitmaps in any way.
>#6
>At the top click on the menu ?Resources? and in the drop down menu click
>?import image resource?. Navigate to one of the bitmaps you downloaded and
>choose it. YOU CAN ONLY IMPORT ONE IMAGE AT A TIME SO DO THIS FOR EACH IMAGE
>TILL YOU HAVE IMPORTED ALL 4 BITMAPS.
>#7
>PE Resource Explorer has created a new folder named ?bitmaps? that will
contain
>the 4 bitmaps in it. You will now expand the folder of the name of the first
>bitmap you want to swap out in the ?PICT? folder. Start by selecting the
>first bitmap in the ?bitmaps? folder, do you remember the name because they
>have to be the same. Who knows what will happen if you mix them up.
>#8
>Select and ?cut? the bitmap from the ?bitmaps? folder, use cut so you?re
>sure you got it. Go to the same named bitmap in the ?PICT? folder select
>and delete the old bitmap then paste the new one. Do this for all 4 bitmaps
>then after all the new bitmaps are in place you MUST DELETE THEM from the
>?bitmaps? folder that was created. Do this by clicking on the bitmap in
the
>?bitmaps? folder number ?1? and under the ?Resource? menu click ?Delete
Resource?
>and do this till all the bitmaps you imported are gone, including the folder
>it created. It MUST look just the way it did before you imported anything,
>that means NO ?bitmaps? folder anymore.
>#9
>Save and exit PE Resource Explorer, if upon exit it asks you to save click
>?yes?. If you did everything right the next time you launch PARIS it will
>have a cool new look. If not it will crash and you should go to the nearest
>mirror and say in to it, ?You idiot you listened to the elf?. Then go back
>and replace the now contaminated PARIS.exe with the backup.
>Congratulations you are a hacker!
>Merry DAW Stuff,
>Rogue Elf
>
>P.S. Got a problem with this and affraid to mess up your warranty or support
>(LOL), go home momma's boy or girl!
>
>
>
>
>
>
>
>
>"john" <no@no.com> wrote:
>>
>>
>>
>>I got a screenshot of this black/blue skin but nothing more. Is there
a
>way
>>to make paris go black and blue?
>>
>>Just wishing. Maybe black/blue will do latency comp automatically. hehe
>>
>>John
>Haven't tried it yet Don.
"Don Nafe" <dnafe@magma.ca> wrote in message news:45257cfd@linux...
> I take it my suggestion didn't work
>
> Don
>
>
> "DJ" <notachance@net.net> wrote in message news:4524fa4b@linux...
> > Hmmmm...........maybe so?
> >
> > "Don Nafe" <dnafe@magma.ca> wrote in message news:4524f895@linux...
> >> Ya know I actually understood that....scarey
> >>
> >> would putting SX into record mode complete that circuit in the UAD?
> >>
> >> DOn
> >>
> >>
> >> "DJ" <notachance@net.net> wrote in message news:45248dc6@linux...
> >> >I wonder if this isn't working because some of the UAD-1 plugins (like
> > the
> >> > Neve EQ for instance) are upsampling what is essentially a Paris
audio
> >> > file
> >> > being played *through* SX with none of the downsampling possible that
> >> > would
> >> > normally be part of the DSP process in SX to resolve the sample rate
of
> >> > the
> >> > plugin to the project sample rate/clock source. If so, that would
> >> > certainly
> >> > explain some things. It might also explain why the UAD-1 card with
ADAT
> >> > I/O
> >> > that was on the boards a few years ago went nowhere and why the POCO,
> >> > Duende, etc. do not have digital I/O and only work in a plugin
format.
> > If
> >> > these processors were
> >> > upsampling/downsampling in real time, the SR converters/clocking
> >> > shenanigans
> >> > that would be necessary to bring the audio signal back to the project
> >> > sample
> >> > rate would put the pricepoint through the roof.
> >> >
> >> > Well.....it's just a thought........
> >> >
> >> > ;O)
> >> >
> >> > Deej
> >> >
> >> >
> >> >
> >> >
> >> > "DJ" <notachance@net.net> wrote in message news:452475f8@linux...
> >> >> Well.........I'm baffled by this and I'm just going to let it slide
> >> >> for
> > a
> >> >> while. Looping audio *through* SX so that it functions as a
standalone
> > FX
> >> >> processor has been a total bust so far. OTOH, streaming tracks
> >> >> directly
> >> > from
> >> >> SX (lots of them) to Paris and summing there does not create the
> > clocking
> >> >> trainwreck that looping through the inserts does. I guess it must be
> > the
> >> >> loop that is causing it as opposed to the one way trip.
> >> >>
> >> >> C'est la ****'in vie
> >> >>
> >> >> ;o)
> >> >>
> >> >> "DJ" <notachance@net.net> wrote in message news:452403c4@linux...
> >> >> > OK,
> >> >> >
> >> >> > Before you guys start getting too exicted about this, it appears
> >> >> > that
> >> >> there
> >> >> > is one more hoop to jump through if you are using multiple MECs.
> >> >> > When
> >> >> > looping audio from Paris *through* Cubase SX channels while Cubase
> >> >> > SX
> >> >> > is
> >> >> > slaved to Paris ADAT sync, Cubase crashes once audio is being
looped
> >> > from
> >> >> > two different MECs. This is likely due to the latency between EDS
> > cards
> >> >> > causing a trainwreck with the clocking.
> >> >> > This will not be an issue to those who are not wanting to have
> >> >> > plugin
> >> >> > automation in SX. As long as SX is not slaving to the Paris
> >> >> > timeline,
> >> > the
> >> >> > audio passes through the audio interface on Cubase and back to
Paris
> >> > with
> >> >> no
> >> >> > problem. If, however, you want to automate plugin parameters, you
> > will
> >> >> need
> >> >> > both machines timeline synced so that you can write automation
data
> > to
> >> >> > Cubase SX.
> >> >> >
> >> >> > I am hoping to solve this problem by sending Paris ADAT sync to a
JL
> >> >> Cooper
> >> >> > Datasync II unit which converts ADAT timecode to MTC and then
> >> >> > slaving
> >> >> Cubase
> >> >> > SX to incoming MTC form the Datasync II.
> >> >> >
> >> >> > Thank goodness for yet another kludge. I thought I had finally
> >> >> > succeeded
> >> >> in
> >> >> > accomplishing everything I started out to do and there was this
> > sudden
> >> >> > realization that my life would have no further purpose.
> >> >> >
> >> >> > ;o)
> >> >> >
> >> >> >
> >> >>
> >> >>
> >> >
> >> >
> >>
> >>
> >
> >
>
>
>That's a very disturbing story Tyrone. Cell phone, dinner knives and
disappearing passengers eh? This may have been some kind of test run.
I'm glad you're safely home.
Deej
"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
news:45256ca3$1@linux...
>
> I did some dates with Will D in South Africa (Johannesburg & Durban). It
was
> an amazing trip and though we were there to work, I was able to take in a
> few sites....the home of Nelson Mandela in Soweto, The Apartheid Museum
and
> an animal reserve.
>
> The flight was 17 hours, and going there went without incident, but coming
> home proved quite disturbing. About 40 minutes into the flight leaving
Johannesburg,
> I noticed a young man (in a group of about 5) looking around quite
nervously,
> then proceed to use his cell phone. The plane was sparsely filled, so no
> else noticed it. I was about to get a flight attendant, but one happened
> upon him and asked him to put the phone away. He did so, but it left an
uneasy
> feeling none the less.
>
> Once we landed in Dakar (about 8 hours later) the gentlemen de-boarded the
> plane and the carrier (or TSA..not sure who) did a massive search of the
> plane. They asked us to remove our luggage from the overheads and to move
> from our seats. They brought on about 20 workers who checked under the
seat
> cushions as well as the headrest. Once they reached the area where the
gentleman
> with the phone was seated, I watched as they pulled a dinner knife from
deep
> within the headrest. In all, they found 3 dinner knives hidden in the seat
> cushions. I am not certain who hid the knives, but that point is mute to
> me.
>
> After the search was over, the flight attendant went down the aisle saying
> there was a passenger missing who did not de-board the plane in Dakar as
> planned. Needless to say, I did not sleep those 17 hours coming home. Upon
> my return, I spoke with one of my colleagues who had left the day before
> I did and although he did not notice that there were any items found
during
> the search, he did share that there was a passenger missing at Dakar as
well.
>
> Boarding the plane (returning to the US) was the tightest boarding
procedure
> I have ever witnessed. After having our luggage screened at the security
> check point, we had our personal items scanned again at the gate...then
were
> patted down...then tickets checked again...then given a boarding pass and
> finally returning the boarding pass at the door of the plane....yet there
> were still discrepancies with passengers being missing landing in Dakar.
>
> Not sure what else to say.
>I believe SX 1.0 was the first to implement the new audio engine. Nuendo
2.0 followed - that was the first point at which the two products really
began to merge into a single development cycle with product specific phases.
Now, Cubase 4 and Nuendo 4 are using a new sequencer/midi engine (as I
understand it).
There are bugs in C4, but overall it's a significant upgrade in terms of
fluidity in workflow (I imported a channel preset - various different
plugins) from Nuendo 3.2 to C4 today - worked perfectly, all plugin settings
retained.
Lamont and I will continue to disagree on the existence of a track count
breakdown issue. I've never had a problem mixing in Nuendo regardless of
track count (along with many other Nuendo users) and still contend that if
you can more easily mix 50 tracks in another DAW (audible at the same time,
not just 50 tracks of hit or miss parts), the mixing platform is doing some
EQ and stereo image "management" for you by cutting lows and narrowing the
stereo field. To me, this is a limitation, not an advantage, but to each
their own. We all mix differently and hence will have preferences, even if
the logo is the only technical difference.
Regards,
Dedric
On 10/5/06 10:49 AM, in article 452537a0$1@linux, "James McCloskey"
<excelsm@hotmail.com> wrote:
>
> "LaMont" <jjdpro@ameritech.net> wrote:
>>
>> Nuendo and Cubase share the same audio engine..
>
> I thought they had moved to that engine years ago, but I read on GS or some
> where people said that it was still using the old Cubase audio engine.
> I've been misinformed.
>
> James
>
>>
>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>> It looks cool. Control room features are nice, but the word is, it's the
>>> same old Cubase audio engine, not the Nuendo audio engine: (
>>>
>>>
>>> Dedric Terry <dterry@keyofd.net> wrote:
>>>> Thought some of you that use Cubase or Nuendo with Paris or on its' own
>>>> might be interested in this if you haven't upgraded yet, etc. I took
> the
>>>> Nuendo users' offer to get it for $199 (separate license/dongle) to run
>>> on a
>>>> VST System link slave PC, though I'm enjoying the new features enough
> it
>>> has
>>>> superceded Nuendo 3.2 temporarily on my main system.
>>>>
>>>> C4 adds drag and drop inserts (to and from any channel, or the library).
>>>> Very handy, and a much needed addition. There is an extensive
>>>> library/preset capability to C4 to greatly speed up saving and loading
>>>> presets for plugins, channels, VSTi's, mixers, etc.
>>>>
>>>> One of the biggest new and unsung features is the Media Bay (and Sound
>>>> Frame, and Loop browser) which accesses all media on your system, catalogs
>>>> it by type and allows you to search, filter, drag and drop relevant files
>>>> into your project - there is of course a preview for audio files, in
>>>> addition to the ability to preview in context (e.g. project plays back,
>>>> audio file plays in time, time stretched to match the project tempo -
> cool
>>>> for loops that are cut to measure boundaries, not as useful for free form
>>>> vocal tracks, etc). Sound Frame and the Loop browser are just versions
>>> of
>>>> Media Bay with filters for audio and loops enabled, respectively. Not
>>>> overly different, but perhaps saves a step over turning on filters in
> Media
>>>> Bay.
>>>>
>>>> The sequencer engine has been rewritten from what I understand. C4 feels
>>>> more tightly integrated than Nuendo 3.2. It runs really well (not without
>>>> some bugs still, of course).
>>>>
>>>> C4 adds VST3.0 support, and new built in VST3 plugins. The new plugins
>>> with
>>>> are actually very good - new EQs, compressors, expander, gate, chorus,
>>>> delays, etc. They will operate in mono, stereo or multichannel depending
>>> on
>>>> the channel format they are inserted on (the delays and chorus are not
>>>> multichannel unfortunately). Btw, a 5.1 instance of the multiband comp
>>> eats
>>>> up a lot of cpu power. The new VSTi's are also very good - Halion One
>> is
>>> a
>>>> rompler based on the Motif to some degree - no editing, but has quite
> a
>>> few
>>>> useful presets. The other VSTi's are quite nice and creative and stand
>>> up
>>>> well along side the Raptures and Absynths of the soft synth world (albeit
>>>> not as versatile as either of these).
>>>>
>>>> C4 adds the Control Room that is already in Nuendo 3.2 - a great feature
>>> for
>>>> mixerless setups, esp. with key commands for switching between speaker
>>>> configs (multichannel, stereo, mono, etc), 4 different monitor outputs,
>>> dim,
>>>> talkback, monitor source selects, studio configs for headphone mixes,
> etc.
>>>>
>>>> Instrument tracks are a quick way to add a VSTi with a track directly
> in<
|
|
|
|
| Re: OT: An interesting paradox - Islam and the Pope [message #72742 is a reply to message #72738] |
Tue, 19 September 2006 16:49 |
uptown jimmy
Messages: 441
Registered: September 2005
|
Senior Member |
|
|
she had
a
>couple badass songs I've been exposed to. I seriously loved her duet with
>RF. Definitely chubby but I thought her timing on the beat was killer.
>
>I was just looking at the Nuendo-post newsgroup and who should turn up there
but Max Howarth.
The oldies of the NG will remember him...he had a few Paris setups in his
production facility in Edinburgh I think writing jingles and posting
commercial spots
Looks like he is Nuendo now....
Wondered where he got to....
www.redfacilities.com
--
Martin Harrington
www.lendanear-sound.comA gorgeous redhead goes into the doctor's office and says "her body
hurts
whenever she touches it. "Impossible" says the doctor. "Show me."
The
redhead takes her finger, pushes on her left breast, and screams,
then she
pushes on her elbow, and screams in even more agony. She pushes her
knee
and screams, then she pushes on her thigh, and more screaming.
Pushes her
ankle, more screams, and everywhere she touches, makes her scream.
Doctor says, "You're not really a redhead are you." "Well, no", she
says, "I'm
actually a blonde." "I thought so", the doctor says, "Your finger is
broken."thanks...;o)
On Thu, 05 Oct 2006 12:26:46 -0700, Chas. Duncan
<duncan5199ATsbcglobalDOTnet@> wrote:
>-- and it works: you really do look smarter...
>
>chas.
>
>-- byt the way -- thanks DL and Deej for bringing this up -- I now
>know something about WaveLab that I didn't know before... CD's will
>leave here from now on chock-full of useful info. Gracias.
>
>On Thu, 05 Oct 2006 05:14:58 -0400, rick <parnell68@hotmail.com>
>wrote:
>
>>and i'll agree just to look smart with them two above.
>>
>>
>>
>>On Wed, 04 Oct 2006 12:00:11 -0600, EK Sound <askme@nospam.com> wrote:
>>
>>>Yah, what he said... ;-)
>>>
>>>David.
>>>
>>>David L wrote:
>>>
>>>> Click on the CD tab in the montage. Then click on the CD Text box. At the
>>>> bottom, move to the previous track so that you can give the CD a title, then
>>>> move though each of the tracks and give them names.
>>>>
>>>> Davidwell, that's almost as dumb as me.
On Thu, 5 Oct 2006 14:46:25 -0600, "DJ" <notachance@net.net> wrote:
>Rick,
>
>some UAD-1 plugins upsample the signal while processing it......the sneaky
>bastards.
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:mujai210kurc2or3ne8ek78h4coqmv54pi@4ax.com...
>> are we talking bit rate or sample rate? i no longer have my uad card
>> but thought they worked at the pre specified rate of the audio. maybe
>> you can put a dummy file in sx to lock the uad sample rate to match
>> the rest.
>>
>> On Thu, 5 Oct 2006 06:02:41 -0600, "DJ" <notachance@net.net> wrote:
>>
>> >Yes, they are, but the UAD-1 upsamples during processing with the
>Fairchild,
>> >1073, Pultec and some others.
>> >
>> >
>> >"rick" <parnell68@hotmail.com> wrote in message
>> >news:gei9i2tdu1nimf16gnf75mfl7hsb0lpb82@4ax.com...
>> >> aren't all the machines set to the same sample rate?
>> >>
>> >> On Wed, 4 Oct 2006 22:44:51 -0600, "DJ" <notachance@net.net> wrote:
>> >>
>> >> >I wonder if this isn't working because some of the UAD-1 plugins (like
>> >the
>> >> >Neve EQ for instance) are upsampling what is essentially a Paris audio
>> >file
>> >> >being played *through* SX with none of the downsampling possible that
>> >would
>> >> >normally be part of the DSP process in SX to resolve the sample rate
>of
>> >the
>> >> >plugin to the project sample rate/clock source. If so, that would
>> >certainly
>> >> >explain some things. It might also explain why the UAD-1 card with
>ADAT
>> >I/O
>> >> >that was on the boards a few years ago went nowhere and why the POCO,
>> >> >Duende, etc. do not have digital I/O and only work in a plugin format.
>If
>> >> >these processors were
>> >> >upsampling/downsampling in real time, the SR converters/clocking
>> >shenanigans
>> >> >that would be necessary to bring the audio signal back to the project
>> >sample
>> >> >rate would put the pricepoint through the roof.
>> >> >
>> >> >Well.....it's just a thought........
>> >> >
>> >> >;O)
>> >> >
>> >> >Deej
>> >> >
>> >> >
>> >> >
>> >> >
>> >> >"DJ" <notachance@net.net> wrote in message news:452475f8@linux...
>> >> >> Well.........I'm baffled by this and I'm just going to let it slide
>for
>> >a
>> >> >> while. Looping audio *through* SX so that it functions as a
>standalone
>> >FX
>> >> >> processor has been a total bust so far. OTOH, streaming tracks
>directly
>> >> >from
>> >> >> SX (lots of them) to Paris and summing there does not create the
>> >clocking
>> >> >> trainwreck that looping through the inserts does. I guess it must be
>> >the
>> >> >> loop that is causing it as opposed to the one way trip.
>> >> >>
>> >> >> C'est la ****'in vie
>> >> >>
>> >> >> ;o)
>> >> >>
>> >> >> "DJ" <notachance@net.net> wrote in message news:452403c4@linux...
>> >> >> > OK,
>> >> >> >
>> >> >> > Before you guys start getting too exicted about this, it appears
>that
>> >> >> there
>> >> >> > is one more hoop to jump through if you are using multiple MECs.
>When
>> >> >> > looping audio from Paris *through* Cubase SX channels while Cubase
>SX
>> >is
>> >> >> > slaved to Paris ADAT sync, Cubase crashes once audio is being
>looped
>> >> >from
>> >> >> > two different MECs. This is likely due to the latency between EDS
>> >cards
>> >> >> > causing a trainwreck with the clocking.
>> >> >> > This will not be an issue to those who are not wanting to have
>plugin
>> >> >> > automation in SX. As long as SX is not slaving to the Paris
>timeline,
>> >> >the
>> >> >> > audio passes through the audio interface on Cubase and back to
>Paris
>> >> >with
>> >> >> no
>> >> >> > problem. If, however, you want to automate plugin parameters, you
>> >will
>> >> >> need
>> >> >> > both machines timeline synced so that you can write automation
>data
>> >to
>> >> >> > Cubase SX.
>> >> >> >
>> >> >> > I am hoping to solve this problem by sending Paris ADAT sync to a
>JL
>> >> >> Cooper
>> >> >> > Datasync II unit which converts ADAT timecode to MTC and then
>slaving
>> >> >> Cubase
>> >> >> > SX to incoming MTC form the Datasync II.
>> >> >> >
>> >> >> > Thank goodness for yet another kludge. I thought I had finally
>> >succeeded
>> >> >> in
>> >> >> > accomplishing everything I started out to do and there was this
>> >sudden
>> >> >> > realization that my life would have no further purpose.
>> >> >> >
>> >> >> > ;o)
>> >> >> >
>> >> >> >
>> >> >>
>> >> >>
>> >> >
>> >>
>> >
>>
>Brian T is now running a large Nuendo System here in Houston.
http://www.steinberg.net/540+M52087573ab0.html?&cHash=7a 306ba699&tx_ttnews%5BbackPid%5D=514&tx_ttnews%5Btt_n ews%5D=113
"Martin Harrington" <lendan@bigpond.net.au> wrote in message
news:4525f58f$1@linux...
>I was just looking at the Nuendo-post newsgroup and who should turn up
>there but Max Howarth.
> The oldies of the NG will remember him...he had a few Paris setups in his
> production facility in Edinburgh I think writing jingles and posting
> commercial spots
> Looks like he is Nuendo now....
> Wondered where he got to....
>
> www.redfacilities.com
>
> --
> Martin Harrington
> www.lendanear-sound.com
>
>I've chatted with Max via email a few times recently - seems like they are
doing really well - pretty much the lead audio post facility in Scotland I
believe. He's on the Nuendo forum quite often also. Derek and Brian T are
also on the Nuendo forum. Good to see past Paris users around and about.
Dedric
On 10/6/06 12:27 AM, in article 4525f58f$1@linux, "Martin Harrington"
<lendan@bigpond.net.au> wrote:
> I was just looking at the Nuendo-post newsgroup and who should turn up there
> but Max Howarth.
> The oldies of the NG will remember him...he had a few Paris setups in his
> production facility in Edinburgh I think writing jingles and posting
> commercial spots
> Looks like he is Nuendo now....
> Wondered where he got to....
>
> www.redfacilities.comMy (blonde) wife will appreciate this.
;o)
"rick" <parnell68@hotmail.com> wrote in message
news:oa9ci2lsb1433ohphgem6v4veplav9u3uu@4ax.com...
> A gorgeous redhead goes into the doctor's office and says "her body
> hurts
> whenever she touches it. "Impossible" says the doctor. "Show me."
> The
> redhead takes her finger, pushes on her left breast, and screams,
> then she
> pushes on her elbow, and screams in even more agony. She pushes her
> knee
> and screams, then she pushes on her thigh, and more screaming.
> Pushes her
> ankle, more screams, and everywhere she touches, makes her scream.
> Doctor says, "You're not really a redhead are you." "Well, no", she
> says, "I'm
> actually a blonde." "I thought so", the doctor says, "Your finger is
> broken."> this video) she come across as just another chubby chick with a
> microphone.
Think Pink!
El Miguel
"Neil" <OIOIU@I.com> wrote in message news:45248c5a$1@linux...
>
> "justcron" <justcron@hydrorecords.com> wrote:
>>Sometimes a song just kills me. Garth Brooks - The Dance for example.
>>Here's the latest:
>> http://www.megamart.us/cma/Rascal_Flatts_with_Kelly_Clarkson _-_What_Hurts_The_Most_(ACM)_-_videopimp.mpg
>
> When Kelly Clarkson is at her best - like on the studio version
> of "Sunce U Been Gone", she fuckin' rocks solid and is one of
> the best female singers out there... but otherwise (like in
> this video) she come across as just another chubby chick with a
> microphone.
>
> Neil
>When I saw them do it live in 1993 it was just Walsh on electric, Felder on
double neck 6/12 string electric and Frey on a Takamine Electric/acoustic 12
string with a a sideman playing a B3, Schmidt on bass, Henley on drums. It
sounded HUGE because the sound guys had delays , etc. going all over the
guitars. One of the best live concerts I've ever seen in my entire life.
Deej
"John" <no@no.com> wrote in message news:452033bc$1@linux...
>
> Well, I pulled out Hotel Calif. and here's the breakdown.
>
>
> Bar 1
>
> 12 string and acoustic playing single notes, organ WAY background swirly
> sound
>
> Bar 9
> Electric picking left Acoustic Strum center
> Acoustic picking Left
> On a dark desert highway Electric right doing muted "chuckas"
>
> The you get to:
> There she stood in the doorway Electric double with upper harmony in
right,
> lower left
>
> The at:
> Welcome to the Hotel California Electric double plus Electric accent riff
>
> The meat of the song is at the long solo and is just:
> Acoustic Strumming
> Doubled Electric in harmony with upper part in right channel
> Mono Lead Guitar Center turns into duet part
> With tiny electric noodling that is of no merit way in the background.
>
> So if I count the doubles 2 guitars we got 6 guitars at the meaties part.
> Nice but not 11 to 13. hehe Jam on !
>
> John
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
> >
> >
> >John,
> >Try Hotel California. I think there are between 11 and 13 different
> >guitar parts/sounds on that by the end but no clutter. =20
> >Tom
> > "John" <no@no.com> wrote in message news:451de55b$1@linux...
> >
> > Here's a couple more:
> >
> > Rolling Stones: It's only rock and roll
> >
> > acoustic 10 o clock electric 1 right rhythm
> > electric 2 right lead
> >
> > electric 3 left electric 4 right
> >
> > 5 freaking guitars !!
> >
> >
> >
> > Neil Young........Old Man
> >
> > Guitar panned 90% left
> > Vocal center, more verb in right
> > Bass center
> > Piano center very quiet
> >
> > banjo comes in left
> > slide guitar with nice reverb center mono
> >
> > Stereo vocal harmonies
> >
> >
> > Share your own !! Thanks
> >
> >
> >I choose Polesoft Lockspam to fight spam, and you?
> >http://www.polesoft.com/refer.html
> >
> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> ><HTML><HEAD>
> ><META http-equiv=3DContent-Type content=3D"text/html; =
> >charset=3Diso-8859-1">
> ><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
> ><STYLE></STYLE>
> ></HEAD>
> ><BODY bgColor=3D#ffffff>
> ><DIV><FONT face=3DArial size=3D2>John,</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>Try Hotel California. I think =
> >there are=20
> >between 11 and 13 different</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>guitar parts/sounds </FONT><FONT =
> >face=3DArial=20
> >size=3D2>on that by the end but no clutter. </FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> ><BLOCKQUOTE=20
> >style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> > <DIV>"John" <<A href=3D"mailto:no@no.com">no@no.com</A>> wrote =
> >in message=20
> > <A =
>
>href=3D"news:451de55b$1@linux">news:451de55b$1@linux</A>...</DIV><BR>Here=
> >'s a=20
> > couple more:<BR><BR>Rolling Stones: It's only rock and=20
> > roll<BR><BR>acoustic 10 o clock electric 1 right rhythm<BR>electric 2
> =
> >right=20
> > lead<BR><BR>electric 3 left electric 4 right<BR><BR>5 freaking guitars
> =
> >
> > !!<BR><BR><BR><BR>Neil Young........Old Man<BR><BR>Guitar panned 90%=20
> > left<BR>Vocal center, more verb in right<BR>Bass center<BR>Piano =
> >center very=20
> > quiet<BR><BR>banjo comes in left<BR>slide guitar with nice reverb =
> >center=20
> > mono<BR><BR>Stereo vocal harmonies<BR><BR><BR>Share your own !! =20
> >Thanks</BLOCKQUOTE>
> ><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
> >and=20
> >you?<BR><A=20
>
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
> >.html</A> </FONT></DIV></BODY></HTML>
> >
> >
>Scroll down to lakewood (last sentence) ;)
http://mixonline.com/design/profiles/audio_class_6/
GH
"Mark McCurdy" <gmmccurdy@hotmail.com> wrote:
>Brian T is now running a large Nuendo System here in Houston.
>
> http://www.steinberg.net/540+M52087573ab0.html?&cHash=7a 306ba699&tx_ttnews%5BbackPid%5D=514&tx_ttnews%5Btt_n ews%5D=113
>
>
>
>"Martin Harrington" <lendan@bigpond.net.au> wrote in message
>news:4525f58f$1@linux...
>>I was just looking at the Nuendo-post newsgroup and who should turn up
>>there but Max Howarth.
>> The oldies of the NG will remember him...he had a few Paris setups in
his
>> production facility in Edinburgh I think writing jingles and posting
>> commercial spots
>> Looks like he is Nuendo now....
>> Wondered where he got to....
>>
>> www.redfacilities.com
>>
>> --
>> Martin Harrington
>> www.lendanear-sound.com
>>
>>
>
>Anyone know who engineered and produced this one? What kind of
tape machines would they have had in 1975? It sounds great.
fernando.
"DJ" <notachance@net.net> wrote:
>When I saw them do it live in 1993 it was just Walsh on electric, Felder
on
>double neck 6/12 string electric and Frey on a Takamine Electric/acoustic
12
>string with a a sideman playing a B3, Schmidt on bass, Henley on drums.
It
>sounded HUGE because the sound guys had delays , etc. going all over the
>guitars. One of the best live concerts I've ever seen in my entire life.
>
>Deej
>
>"John" <no@no.com> wrote in message news:452033bc$1@linux...
>>
>> Well, I pulled out Hotel Calif. and here's the breakdown.
>>
>>
>> Bar 1
>>
>> 12 string and acoustic playing single notes, organ WAY background swirly
>> sound
>>
>> Bar 9
>> Electric picking left Acoustic Strum center
>> Acoustic picking Left
>> On a dark desert highway Electric right doing muted "chuckas"
>>
>> The you get to:
>> There she stood in the doorway Electric double with upper harmony in
>right,
>> lower left
>>
>> The at:
>> Welcome to the Hotel California Electric double plus Electric accent riff
>>
>> The meat of the song is at the long solo and is just:
>> Acoustic Strumming
>> Doubled Electric in harmony with upper part in right channel
>> Mono Lead Guitar Center turns into duet part
>> With tiny electric noodling that is of no merit way in the background.
>>
>> So if I count the doubles 2 guitars we got 6 guitars at the meaties part.
>> Nice but not 11 to 13. hehe Jam on !
>>
>> John
>>
>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>> >
>> >
>> >John,
>> >Try Hotel California. I think there are between 11 and 13 different
>> >guitar parts/sounds on that by the end but no clutter. =20
>> >Tom
>> > "John" <no@no.com> wrote in message news:451de55b$1@linux...
>> >
>> > Here's a couple more:
>> >
>> > Rolling Stones: It's only rock and roll
>> >
>> > acoustic 10 o clock electric 1 right rhythm
>> > electric 2 right lead
>> >
>> > electric 3 left electric 4 right
>> >
>> > 5 freaking guitars !!
>> >
>> >
>> >
>> > Neil Young........Old Man
>> >
>> > Guitar panned 90% left
>> > Vocal center, more verb in right
>> > Bass center
>> > Piano center very quiet
>> >
>> > banjo comes in left
>> > slide guitar with nice reverb center mono
>> >
>> > Stereo vocal harmonies
>> >
>> >
>> > Share your own !! Thanks
>> >
>> >
>> >I choose Polesoft Lockspam to fight spam, and you?
>> >http://www.polesoft.com/refer.html
>> >
>> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> ><HTML><HEAD>
>> ><META http-equiv=3DContent-Type content=3D"text/html; =
>> >charset=3Diso-8859-1">
>> ><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
>> ><STYLE></STYLE>
>> ></HEAD>
>> ><BODY bgColor=3D#ffffff>
>> ><DIV><FONT face=3DArial size=3D2>John,</FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>Try Hotel California. I think =
>> >there are=20
>> >between 11 and 13 different</FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>guitar parts/sounds </FONT><FONT =
>> >face=3DArial=20
>> >size=3D2>on that by the end but no clutter. </FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
>> ><BLOCKQUOTE=20
>> >style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>> >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> > <DIV>"John" <<A href=3D"mailto:no@no.com">no@no.com</A>> wrote =
>> >in message=20
>> > <A =
>>
>>href=3D"news:451de55b$1@linux">news:451de55b$1@linux</A>...</DIV><BR>Here=
>> >'s a=20
>> > couple more:<BR><BR>Rolling Stones: It's only rock and=20
>> > roll<BR><BR>acoustic 10 o clock electric 1 right rhythm<BR>electric
2
>> =
>> >right=20
>> > lead<BR><BR>electric 3 left electric 4 right<BR><BR>5 freaking guitars
>> =
>> >
>> > !!<BR><BR><BR><BR>Neil Young........Old Man<BR><BR>Guitar panned 90%=20
>> > left<BR>Vocal center, more verb in right<BR>Bass center<BR>Piano =
>> >center very=20
>> > quiet<BR><BR>banjo comes in left<BR>slide guitar with nice reverb =
>> >center=20
>> > mono<BR><BR>Stereo vocal harmonies<BR><BR><BR>Share your own !! =20
>> >Thanks</BLOCKQUOTE>
>> ><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
=
>> >and=20
>> >you?<BR><A=20
>>
>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>> >.html</A> </FONT></DIV></BODY></HTML>
>> >
>> >
>>
>
>Just like the record ! Sweet !
"DJ" <notachance@net.net> wrote:
>When I saw them do it live in 1993 it was just Walsh on electric, Felder
on
>double neck 6/12 string electric and Frey on a Takamine Electric/acoustic
12
>string with a a sideman playing a B3, Schmidt on bass, Henley on drums.
It
>sounded HUGE because the sound guys had delays , etc. going all over the
>guitars. One of the best live concerts I've ever seen in my entire life.
>
>Deej
>
>"John" <no@no.com> wrote in message news:452033bc$1@linux...
>>
>> Well, I pulled out Hotel Calif. and here's the breakdown.
>>
>>
>> Bar 1
>>
>> 12 string and acoustic playing single notes, organ WAY background swirly
>> sound
>>
>> Bar 9
>> Electric picking left Acoustic Strum center
>> Acoustic picking Left
>> On a dark desert highway Electric right doing muted "chuckas"
>>
>> The you get to:
>> There she stood in the doorway Electric double with upper harmony in
>right,
>> lower left
>>
>> The at:
>> Welcome to the Hotel California Electric double plus Electric accent riff
>>
>> The meat of the song is at the long solo and is just:
>> Acoustic Strumming
>> Doubled Electric in harmony with upper part in right channel
>> Mono Lead Guitar Center turns into duet part
>> With tiny electric noodling that is of no merit way in the background.
>>
>> So if I count the doubles 2 guitars we got 6 guitars at the meaties part.
>> Nice but not 11 to 13. hehe Jam on !
>>
>> John
>>
>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>> >
>> >
>> >John,
>> >Try Hotel California. I think there are between 11 and 13 different
>> >guitar parts/sounds on that by the end but no clutter. =20
>> >Tom
>> > "John" <no@no.com> wrote in message news:451de55b$1@linux...
>> >
>> > Here's a couple more:
>> >
>> > Rolling Stones: It's only rock and roll
>> >
>> > acoustic 10 o clock electric 1 right rhythm
>> > electric 2 right lead
>> >
>> > electric 3 left electric 4 right
>> >
>> > 5 freaking guitars !!
>> >
>> >
>> >
>> > Neil Young........Old Man
>> >
>> > Guitar panned 90% left
>> > Vocal center, more verb in right
>> > Bass center
>> > Piano center very quiet
>> >
>> > banjo comes in left
>> > slide guitar with nice reverb center mono
>> >
>> > Stereo vocal harmonies
>> >
>> >
>> > Share your own !! Thanks
>> >
>> >
>> >I choose Polesoft Lockspam to fight spam, and you?
>> >http://www.polesoft.com/refer.html
>> >
>> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> ><HTML><HEAD>
>> ><META http-equiv=3DContent-Type content=3D"text/html; =
>> >charset=3Diso-8859-1">
>> ><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
>> ><STYLE></STYLE>
>> ></HEAD>
>> ><BODY bgColor=3D#ffffff>
>> ><DIV><FONT face=3DArial size=3D2>John,</FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>Try Hotel California. I think =
>> >there are=20
>> >between 11 and 13 different</FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>guitar parts/sounds </FONT><FONT =
>> >face=3DArial=20
>> >size=3D2>on that by the end but no clutter. </FONT></DIV>
>> ><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
>> ><BLOCKQUOTE=20
>> >style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>> >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> > <DIV>"John" <<A href=3D"mailto:no@no.com">no@no.com</A>> wrote =
>> >in message=20
>> > <A =
>>
>>href=3D"news:451de55b$1@linux">news:451de55b$1@linux</A>...</DIV><BR>Here=
>> >'s a=20
>> > couple more:<BR><BR>Rolling Stones: It's only rock and=20
>> > roll<BR><BR>acoustic 10 o clock electric 1 right rhythm<BR>electric
2
>> =
>> >right=20
>> > lead<BR><BR>electric 3 left electric 4 right<BR><BR>5 freaking guitars
>> =
>> >
>> > !!<BR><BR><BR><BR>Neil Young........Old Man<BR><BR>Guitar panned 90%=20
>> > left<BR>Vocal center, more verb in right<BR>Bass center<BR>Piano =
>> >center very=20
>> > quiet<BR><BR>banjo comes in left<BR>slide guitar with nice reverb =
>> >center=20
>> > mono<BR><BR>Stereo vocal harmonies<BR><BR><BR>Share your own !! =20
>> >Thanks</BLOCKQUOTE>
>> ><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
=
>> >and=20
>> >you?<BR><A=20
>>
>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>> >.html</A> </FONT></DIV></BODY></HTML>
>> >
>> >
>>
>
>Check www.allmusic.com / eagles / credits
"fernando" <gringo@HOTMAIL.COM> wrote:
>
>Anyone know who engineered and produced this one? What kind of
>tape machines would they have had in 1975? It sounds great.
>fernando.
>
>"DJ" <notachance@net.net> wrote:
>>When I saw them do it live in 1993 it was just Walsh on electric, Felder
>on
>>double neck 6/12 string electric and Frey on a Takamine Electric/acoustic
>12
>>string with a a sideman playing a B3, Schmidt on bass, Henley on drums.
>It
>>sounded HUGE because the sound guys had delays , etc. going all over the
>>guitars. One of the best live concerts I've ever seen in my entire life.
>>
>>Deej
>>
>>"John" <no@no.com> wrote in message news:452033bc$1@linux...
>>>
>>> Well, I pulled out Hotel Calif. and here's the breakdown.
>>>
>>>
>>> Bar 1
>>>
>>> 12 string and acoustic playing single notes, organ WAY background swirly
>>> sound
>>>
>>> Bar 9
>>> Electric picking left Acoustic Strum center
>>> Acoustic picking Left
>>> On a dark desert highway Electric right doing muted "chuckas"
>>>
>>> The you get to:
>>> There she stood in the doorway Electric double with upper harmony in
>>right,
>>> lower left
>>>
>>> The at:
>>> Welcome to the Hotel California Electric double plus Electric accent
riff
>>>
>>> The meat of the song is at the long solo and is just:
>>> Acoustic Strumming
>>> Doubled Electric in harmony with upper part in right channel
>>> Mono Lead Guitar Center turns into duet part
>>> With tiny electric noodling that is of no merit way in the background.
>>>
>>> So if I count the doubles 2 guitars we got 6 guitars at the meaties part.
>>> Nice but not 11 to 13. hehe Jam on !
>>>
>>> John
>>>
>>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>> >
>>> >
>>> >John,
>>> >Try Hotel California. I think there are between 11 and 13 different
>>> >guitar parts/sounds on that by the end but no clutter. =20
>>> >Tom
>>> > "John" <no@no.co
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