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| Re: Listening Challenge @ the File vault [message #61166 is a reply to message #61151] |
Fri, 09 December 2005 15:51   |
Don Nafe
Messages: 1206
Registered: July 2005
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Senior Member |
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> > because
> >
> >>>now submix two is card A and there are no resources left for the global
> >>>inserts. Of course, now submix one has all kinds of resources, but I
> >
> > can't
> >
> >>>record to it. Is this a Catch-22? Am I just an idiot? (ok, don't
> >
> > answer
> >
> >>>that!)
> >>>
> >>>Do you have to be happy with the resources on the card you are
recording
> >>>with (both mixer and global inserts) as there is no sharing of
> >
> > resources?
> >
> >>>Thanks
> >>>
> >>>Kent
> >>>
> >>>
> >>>
> >
> >
> >Good for you Jim! congrats!
;o)
"Jim Romanow" <balhat@earthlink.net> wrote in message
news:43bb4608$1@linux...
>
> Hello and Happy New Year!
> I recently released a CD that was recorded completely in PARIS. It was
mixed
> in PARIS too but Distressors and a Rane MOJO compressor were enlisted
mainly
> to process the bass, snare and kick on a few occasions. MP3 samples of all
> the songs are available at www.imaginaryfreds.com
>
> I have worked on many local musicians' projects but am hardly a seasoned
> recording engineer like many of you. This is a great newsgroup and I have
> followed your threads for years in an effort to improve my knowledge of
PARIS.
> Although I have nothing useful to offer in return, I would be grateful if
> some of you could listen and comment (especially regarding my screw ups
with
> PARIS or whatever that upset your ears!).
>
> This CD was mastered by a professional at his mastering studio.
>
> Thank you very much.
> Best regards,
> Jim
>
> Athlon 1.2MHz
> 1 MEC, 16 in, 16 out
> 2 EDS cards
> UAD
> VST
>
>
> Jim Romanow
> Box 676
> Storrs, CT 06268
> balhat@earthlink.netthat's not dicky geers friend is it???
On 4 Jan 2006 18:31:53 +1000, "James McCloskey" <excelsm@hotmail.com>
wrote:That was a good one.... LOL
Jorsi
"James McCloskey" <excelsm@hotmail.com> skrev i en meddelelse
news:43bb79e9$1@linux...
>
>Yeah he totally left us. You'd think he would pop in now and then.
DJ
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| Re: Listening Challenge @ the File vault [message #61178 is a reply to message #61166] |
Sat, 10 December 2005 13:21 |
Morgan
Messages: 133
Registered: August 2005
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Senior Member |
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click/pop problems when I built my last AMD box running 2 EDS
> cards. I would hear these pops and see these little spikes in the editor,
> and even stranger still, I would close the project, reboot the box, go
> back
> to the same project and the pops were in different locations. I installed
> new 400W pwr supply, re-vamped my cooling setup and still had problems.
> Turns out, it was bad ram, swapped the ram and pops went away.....strange
> but true.
>
> Good luck man.
> Rob_A
> www.studiomanitou.com
>
> "jim" <jim@redgateguitars.com> wrote in message news:43b9bc76$1@linux...
>> Hi Everybody...My first post to the group... Happy new year... Hey does
>> anyone have a suggestion for a intermittent clipping sound which happens
> on
>> random empty channels to the right of an operating channel? I know this
>> sounds weird but the channel can be empty with the fader turned down and
>> I
>> still get a click every few seconds... It still happens with nothing
> plugged
>> into the inputs of Paris. I can see the click on the level indicator
>> onscreen. It can happen on any channel but it is always to the right of
>> an
>> operating channel, and usually an unused one. I hear it on playback but
> more
>> importantly on my mixdowns as well. I have reloaded the software but as
> yet
>> have not managed to track the problem down...
>>
>> Thanks,
>>
>> Jim.
>>
>>
>
>ya, paris sure likes things the same lenght huh?
Tom Bruhl wrote:
> If you cut them all to the same length that seems to minimize
> the likelyhood of a crash. Save before trying anyway.
> Tom
>
> "Don Nave" <dnafe@magma.ca <mailto:dnafe@magma.ca>> wrote in
> message news:43bb3811@linux...
> Don't try to edit the length or move too many tracks at one time
> in the edit
> window...crash city.
>
>
> "jef knight" <thestudio@allknightmusic.com
> <mailto:thestudio@allknightmusic.com>> wrote in message
> news:43bb23ef@linux...
> > sometimes, when playing, if I hit play again it locks up.
> >
> > John wrote:
> >
> >> Can anyone add or clarify my new list of Paris no nos ?
> >>
> >>
> >>
> >> Things to keep you from crashing.
> >>
> >>
> >> In STOP mode
> >>
> >> DON'T
> >> * select a new Native Effect if the current one is open
> >> * enter record mode without first setting your record path
> >> (Ctrl-R)
> >> * use the name of the project for your recording path
> >> * save with looping enabled
> >>
> >> During Playback or Recording
> >>
> >> DON'T
> >> * change inserts (native or eds)
> >> * move loop or punch points
> >> * enable or disable loop or punch
> >>
> >> Rendering
> >> DON'T
> >> * render tracks with different lengths
> >>
> >> NoLimit
> >>
> >> DON'T
> >> * use 0 or 50 values
>thank aaron i'll try that
Aaron Allen wrote:
>Try uping your cache.
>
>"jef knight" <thestudio@allknightmusic.com> wrote in message
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| Re: Listening Challenge @ the File vault [message #61192 is a reply to message #61180] |
Sun, 11 December 2005 16:42 |
Morgan
Messages: 133
Registered: August 2005
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Senior Member |
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lasma... expect a useable
lifespan of 4-5 years with Plasma.
David.
Pete Ruthenburg wrote:
> SO we've been using a 27" up til now.The wifey and I are
> thinking of getting a new tv.We started out looking at 30-32"
> tube HDTVs,but then the picture quality of the lcds started to
> wow us.
>
> Now I see you can get 42" projection DLP and Lcds for less than
> 2 grand.So our budget has maybe doubled from what we were
> thinking at first.We just don't want to buy something then want
> something else a couple of years later.
>
> Anybody got some cool sets their running or have any advice.
>
> I'm really eyeing the Sony 42" projection LCD pretty good right
> now.
>
> TIA,
> PeteLook for a used Focusrite Octopre with the adat card.
David.
Rod Lincoln wrote:
> I've got a friend/client who's looking for an 8 channel mic pre that has lightpipe/spdif
> outs. He's running a digi 002 rig and wants to bypass the digi A/D stage.
> He wants it to be good, but affordability is a concern. He was looking a
> a presonus digimax LT, but I saw that Aaron had some experience with those
> and wasn't that hot on them.
> Right now his chain is a Mackie 1402 vlz into the Digi 002.
> Any suggestions?
> TIA
> RodAgreed :)
LaMont
"TCB" <nobody@ishere.com> wrote:
>
>I wasn't thinking you were slamming SX or native stuff in general. In fact,
>in theory native mixes should sound better becuase of the necessary latencies
>in many hardware based computer systems. And I agree that different sytstems
>need to be worked differently to sound good--I think a lot of what makes
>PARIS sound good is that it takes abuse artfully, maybe even aesthetically.
>But I was shocked at how little difference there was on that DAW CD.
>
>TCB
>
>"La" <jjdpro@ameritech.net> wrote:
>>
>>Good Post Thad..
>>
>>My point was not to slam SX/Nuendo,but to say that:
>>
>>-Pro Toools Sounds good if not great.
>>-(To Me) I have to work harder to get good mixes out of SX/Nuendo. The
>mixes
>>end up sound ing great, but the work involved is not as easy(To me) get
>maximum
>>results.
>>Take care
>>
>>
>>"TCB" <nobody@ishere.com> wrote:
>>>
>>>I did the DAW summing CD thingy from what's his name in Nashville and
could
>>>find basically zero difference in anything. Maybe I'm deaf, but if you
>were
>>>to double blind me I don't think I could pick out individual mixes consistently.
>>>Since that was (if I recall) a 24 track mix that was big and loud and
R&B/rock/gospel
>>>I would think that would argue against this idea.
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| Re: Listening Challenge @ the File vault [message #61244 is a reply to message #61192] |
Tue, 13 December 2005 00:35 |
Jeremy Luzier
Messages: 102
Registered: November 2005
|
Senior Member |
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>>>
>>>>>>>in
>>>>>>>
>>>>>>>
>>>>>>>>>!@# to mix aggresive Rock, R &B, Hip hop with. Onthe other hand,
>
>
>>>>>>>>>those
>>>>>>>
>>>>>>>same
>>>>>>>
>>>>>>>
>>>>>>>>>mixes done in PT LE, have that sparkle and width. In Nuendo, after
>>>
>>>30
>>>
>>>>>>>tracks,
>>>>>>>
>>>>>>>
>>>>>>>>>things start's getting "smearded" and tracks levels tends to get
>
> lost
>
>>>>>>>or
>>>>>>>
>>>>>>>
>>>>>>>>>they don't sit right.
>>>>>>>>>However, in PT Le, (same songs, tracks are not smeared, levels stay
>>>
>>>>>>>>>intacked,
>>>>>>>>>and the overall mix sounds very professional, just like mixes in
>>>>>>>>>Paris..
>>>>>>>>>
>>>>>>>>>Some local Engineer friends in the area( Motown), have been in
>>>>>>>>>discussions
>>>>>>>>>about the state of current DAWs and what's working and what's not.
>>>
>>>>>>>>>Opinions
>>>>>>>>>varied,but the one constant opinion that was stated was how dificult
>>>
>>>it
>>>
>>>>>>>was
>>>>>>>
>>>>>>>
>>>>>>>>>to mix in Cubase and Nuendo on mixes over 30 tracks. No matter what
>>>
>>>i/o
>>>
>>>>>>>converters(Apogee,Lucid,Motu,
>>>>>>>
>>>>>>>
>>>>>>>>>RME) mixing Rock , R&B, Hip-Hop is a dificult chore in
>>>>>>>>>SX/Nuendo..Where
>>>>>>>>>as mixing in Paris and Pro Tools is not.. Hey,Just one Engineer's
>>>>>>>>>opinon.
>>>>>>>>>P.S
>>>>>>>>>Jsut for geekdum sakes, the new Sonar 5 uses a newly coded 64 to
>
>
>>>>>>>>>32bit
>>>>>>>
>>>>>>>floating
>>>>>>>
>>>>>>>
>>>>>>>>>point mixer..
>>>>>>>>>
>>>>>>>>>"Martin Harrington" <lendan@bigpond.net.au> wrote:
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>>Yukkk,
>>>>>>>>>>Don't do it..PT I mean.
>>>>>>>>>>I've just been playing with PT M-Powered 6.8, using my Delta 1010,
>>>
>>>and
>>>
>>>>>>>I
>>>>>>>
>>>>>>>
>>>>>>>>>>have to say...I don't like it.
>>>>>>>>>>The interface is (IMNSHO), horrible, confusing, and convoluted.
>>>>>>>>>>Moves that come easily in Paris, and more easily in Nuendo, are
>>>>>>>>>>tiresome
>>>>>>>>>
>>>>>>>>>in
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