Home » The PARIS Forums » PARIS: Main » OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW
| OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63083] |
Sun, 15 January 2006 00:31  |
LaMont
Messages: 828
Registered: October 2005
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Senior Member |
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nd you start getting this wierd
>warbling/pulsing tone through your reference monitors.....then by all means,
>use a 7 meter WC cable. You could probably reamp this racket and time
>stretch it to use as a techno loop.
>
>;oP
>
>One possible solution to this would be Systemlink, I think. Use the acards
in a separate DAW to minimize the hit to the PCI bus of the workstation
performing playback......at least in theory.
I'm pretty much SOL once my UAD resources exceed 40%, no matter what PCI
latency I use.......and I've got another DAW just sitting here.......and AMD
XP 3000 CPU with 2G PC2700 DDR nd a system drive. All I need is a case, PSU,
a sound card and VStack. I have configured this machine in the past with 3 x
UAD-1 cards in the PCI slots without issue. Since there ar 6 PCI slots and
one of them was holding my Magma host cards, I doubt if I would nave much
problem running 4 x UAD cards. I just wonder if the PCI latency would be an
issue on this machine under heavy plugin loads also, even though it wouldn't
be hosting a playback application(unlessVstack could be considered a
playback app)
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:43e37f0c$1@linux...
>
> Many people with multiple UAD-1 cards in Magma systems have reported
similar
> issues. Magma is planning to release a PCI Express converter card that
will
> allow your system to run from a PCI-E slot in the near future. This,
combined
> with tweaking PCI latency settings, may help. I think it's time for a new
> card from UA.
> g
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I'm just having such a gret time in *nativeville* these days. So much to
> >learn. I've been getting crackling inmy audio when streaming tracks from
> >Cubase to Paris when using large numbers of UAD-1 plugins. Well, come to
> >find out, there's more fun to be had in tweakville......
> >
> >Here's some info on PCI latency.
> >
> >http://www.soundonsound.com/sos/Oct04/articles/pcnotes.htm
> >
> >http://www.uaudio.com/webzine/2005/june/index5.html
> >
> >http://mark-knutson.com/t3/
> >
> >http://downloads.guru3d.com/download.php?det=951
> >
> >From what I can determine from reading a few threads about this, PCI
latency
> >is the amount of "wait" time PCI is allocated to communicate with any
given
> >peripheral. A high PCI Latency setting takes more PCI bus time than
another
> >device with a lower setting. Normally, the PCI Latency Timer is set to 32
> >cycles. This means the active PCI device has to complete its transactions
> >within 32 clock cycles or hand it over to the next PCI device. As you can
> >see, a device, like a video card which has a setting of 248 essentially
> >"hogs" the PCI Bus.
> >
> >PCI latency timers are a mechanism for PCI bus-mastering devices to share
> >the PCI bus fairly. A dev
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| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63084 is a reply to message #63083] |
Sun, 15 January 2006 00:55  |
Jamie K
Messages: 1115
Registered: July 2006
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Senior Member |
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ice such as the RME 9652 gains bus ownership
and
> >the clock counts down based on the latency setting. In our case the RME
> >9652 specifies a clock count of 255 (unlike most devices which accept the
> >default count set equally for other devices on the the PCI bus). You
might
> >want to check the default PCI latency for the MADI.
> >
> >In most cases the healthy level for setting this is around 32-64, but can
> >sometimes be higher for various sound cards or video cards reaching to
the
> >upward amounts of 128.
> >
> >The 255 requested by RME HDSP cards seems to be wayyyyyy on the high
side.
> >(which is in fact the maximum value available). I understand that
setting
> >this value too low can can interrupt transfers unnecessarily and hurt the
> >9652's performance, but setting the value too high can cause other
devices
> >to wait longer than they should have too, therefore overflowing their
> >buffers. this can be really problematic with some network cards (and I'm
> >using a Marvel onboard LAN so I'll have to check this further.
> >
> >I used the Doubledawg PCI latency utility to tweak my PCI latency
settings
> >a bit. I dropped the latency of the Matrox G450 to 32, switched my UAD-1
> >cards from 128 to 64 in the UAD-1 control panel and backed the latency of
> my
> >HDSP 9652 cards from 255 to 248. This, plus changing to buffers in my RME
> >control panel to 2048 has solved my problem with *crackling* of the audio
> >with 15 UAD-1 plugins using 40% of the available CPU resources of the
cards.
> >Any more than this and the crackling returns so this is definitely an
issue
> >with the UAD-1 cards. Since my UAD and RME cards are in a Magma, tweaking
> >the settings for the PCI-PCI bridge (perhaps increasing them in this case
> >while lowering the latency timing on the cards themselves) might be a
fix.
> >It's going to be interesting......and as I suspected.......it never ends.
> >
> >;o)
> >
> >
> >“All I need is a case, PSU,
a sound card and Vstack”
If you are referring to Steinberg’s V-Stack, you will need a different solution.
V-Stack has no “Audio in”.
Otherwise it sounds like a workable solution. Very DJ-ish.
g
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>One possible solution to this would be Systemlink, I think. Use the acards
>in a separate DAW to minimize the hit to the PCI bus of the workstation
>performing playback......at least in theory.
>
>I'm pretty much SOL once my UAD resources exceed 40%, no matter what PCI
>latency I use.......and I've got another DAW just sitting here.......and
AMD
>XP 3000 CPU with 2G PC2700 DDR nd a system drive. All I need is a case,
PSU,
>a sound card and VStack. I have configured this machine in the past with
3 x
>UAD-1 cards in the PCI slots without issue. Since there ar 6 PCI slots and
>one of them was holding my Magma host cards, I doubt if I would nave much
>problem running 4 x UAD cards. I just wonder if the PCI latency would be
an
>issue on this machine under heavy plugin loads also, even though it wouldn't
>be hosting a playback application(unlessVstack could be considered a
>playback app)
>Hi Steve,
Sorry for the delayed response here..
Ampfarm 3 is for TDM ProTools only. I've not tried Guitar Rig with Paris, so I'm not sure, but I know Amplitube works with Paris, so guitar rig might.
Also, I think they are releasing a new version of Amplitube soon, so that might be worth checking out.
Cheers,
TC
>
> Hey TC, I am brand new to the forum but I believe I was the first in Wisconsin
> to purchase Paris. These plugins you are refering to, are they for the Paris
> w/ MEC? SteveI really have to check with these guys and see if they ever let people come
in for tours. They're only about an hour from my house and the only
"serious" pro audio company I know of in Iowa. Maybe if I tell them I'm
bringing cash and want to A/B some of their stuff? ;>) Hey, it's worth a
try.
Tony
"Neil" <OIUOIU@OIU.com> wrote in message news:43e15e09$1@linux...
>
> I sent them an e-mail about this, and my question & their
> response is posted below:
>
> <begin copy & paste:>
> Question on this new unit you guys have...
>
> I notice that in the product description it says that it's a
> smooth-sounding preamp, yet I guess I tend to associate
> germanium with somewhat "dirty" or "scratchy" sounding
> electronics... or is that perhaps because some of the early
> solid state germanium stuff simply wasn't up to snuff design-
> wise yet?
> I have one your TG2 Abbey Road Spcl Edition units (which I<
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| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63085 is a reply to message #63083] |
Sun, 15 January 2006 01:08 |
Michele Hobbs
Messages: 17
Registered: September 2005
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Junior Member |
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br />
> love, by the way - what a great mic pre!); so for the sake of
> comparison, how would you describe the difference in sound
> between your germanium pre and the TG2?
>
> <response follows>
> I think the "dirty" thing comes from the fact that they were
> used in many distortion or booster type guitar pedals. Our
> design is very different from those. It uses large high power
> transistors instead of the small low powered types. I think
> modern construction techniques used for making them helps
> eliminate many of the problems associated with germanium
> transistors.
> Sound wise I would compare it to the Neve 1057 type modules.
> The earliest "prototype" Neve that used germaniums. The big
> differences being much higher voltage and headroom with better
> frequency response and noise. The key to the sound on the
> germanium is the controls. Especially feedback and thick. you
> can actually vary the feedback of the amplifier and change how
> it functions and sound while doing so. In this months Tape Op
> there is a review where he says the feedback one direction
> sounds more open and "faster" like and API and the other more
> gooey and thick like a Neve. Combine that with the thick, pad,
> and input gain and you have a good selection of tones...Check
> out the review if you can...
> Hope this helps
> Wade
> <End copy & paste>
>I seem to always end up with 80-90% OH's and 10-20% spot.
"Kris" . wrote:
>
>I like to bring in the room mics in sparse sections of the tune (maybe verse,
>or bridge), and drop them out for the fuller sections like choruses.
>
>Another option is to gate them keyed to the snare mic...gives a believable
>snare ambience, but doesn't muddy up the toms and kick.
>
>Cheers,
>
>Kris
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>It sure can tighten things up in a mix.
>>
>>
>The only thing I know is, I've been using WD's for the last 5 years with no
problems. I wanted to add a second drive to my new G5 and ordered two 250
Gig WD Caviar's (one for my son's comp). Both drives were DOA. Ordered two
equivalent Seagate's (about $10.00 more each) and no problems at all. Now
I'm spooked about the WD's. Maybe it was just bad luck, but still not a good
feeling. Newegg.com had good prices and they have an excellent return policy
so that's where I bought.
Tony
"Tom Bruhl" <arpegio@comcast.net> wrote in message news:43e27ec2$1@linux...
Cubase has asked me the question:
Pending Connections: Direct Music/Midex 3.1.
Should this be assigned to my MIDI card?
It isn't listed as one of the options. The only thing
Midi related is Midi Map. Is this where it should be?
Everything is working now with it assigned to the
Delta 66 A-B out.
I am in need of a new ide drive. Is Seagate the current
'go to' drive company? I'm looking at the 7200 - 8 meg cache job.
Thanks for all your answers.
TomOk.... I figured it out...
Darn drivers didn't load properly adn that .dll musta been corrupt... but
I uninstalled the scherzo drivers and reinstalled. Paris popped up and working
fine... so far, no lock ups or not powering down properly after using Paris.
WooHooo! Back in business! Although I sure miss my dual Pentium III motherboard.
That thing was as solid as a rock.... ok.. back to the jams... lol.
"Ed" <askme@email.com> wrote:
>
>Hi Rick,
>
>I know about the .dll and it is sitting in proper folder and I even copied
>it back to the emu/paris folder, but I still get the error. It's not the
>EDS card, cause I see it in the devices... it' something with the software.
> I am stumped.
>
>I have been using Paris on 2000 for a few years. In fact I switched to
2000
>before Matt released the final(beta) driver. I despise XP and hate it bloated
>secret call backs to Microsoft... (monitor zdnet tech news for that info)
>and it disgusts me that I have to talk to some person in India if I want
>to reload windows and justify why I have to reload windows and assure them
>it is not loaded on another pc. It's all phoney and ridiculous, so no more
>XP for me.
>
>Anyway, any thoughts to what might be happening (or not happening). I have
>reloaded paris on a few pc's because of a new motherboard and never encountered
>thi problem. *shrug*
>
>rick <parnell68@hotmail.com> wrote:
>>the control library in your program/emu paris folder below the cfg etc
>>file.
>>
>>i didn't know paris liked win2000.
>>
>>On 3 Feb 2006 12:07:02 +1000, "Ed"
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| Re: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63086 is a reply to message #63083] |
Sun, 15 January 2006 01:11 |
Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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; <askme@email.com> wrote:
>>
>>>
>>>ok.. please help... I got a new install... (new motherboard, drive, etc)
>I
>>>am on win 2000 as usual. I install everything as usual... but when I
click
>>>on the paris icon... I get an error. "PARIS_studioControlLibrary" could
>not
>>>be found. I can't figure this one out. Anyone know what that means?
>I
>>>see schzero for the card in the devices... I am stumped. It's like the
>paris
>>>installer isn't working... any help please?
>>
>Hmmmm.....I see what you mean. Seems I've got something here that is a bit
better (and beyond) systemlink anyway. Theoretically, I could split off one
of my HDSP cards and a couple of the UAD-1 cards, install them on my second
computer, install Cubase SE (or any other PC compatible audio app which has
PDC) on the second computer, use my network to transfer some tracks (like
the drum submix and bass instruments) to one computer and the rest of the
audio to the other computer, run ADAT sync cables from ADAT cards in my MECs
to the audio cards in the two different comps, then apply the UAD-1 FX to
the tracks on both computers which are controlled by ADAT sync from the
Paris transport. this would be superior to systemlink, most likely. the
downside to this is that during a lot of my mix process, I am just playing
back using the Cubase SX transport, streaming the audio via lightpipe
feeding Paris with the monitor bus in Paris feeding my DAC-1 . reference
system. I only use the Paris transport to slave the Cubase DAW during the
last phase of the mix when I'm automating tracks and panning in Paris and
then subsequently boundcing down using the Paris mix bus. In order to have
both computers running in sync *without* being controlled by Paris ADAT
sync, (which is most of the time I'm mixing) I would need to use a
Systemlink compatible Steiny product aand have a spdif connection between
the two Steiny machines. I guess, after I finish tracking in Paris, sending
and the tracks from Paris via LAN to WL5 on the Cubase DAW for batch
conversion to .wav, I could then further transfer them from the primary
Cubase DAW to the secondary Cubase DAW via LAN, then get a couple of my
UAD-1 cards authorized for the second DAW.
This shouldn't take over a couple of weeks to set up and stabilize and would
involve mixing on three x DAWs plus another comp running as a standalone FX
processor instead of just two DAWs plus another one running as a standalone
FX processor.
Hell man .......piece of cake.
;o)
(actually, I'm not sure, but I think that I may not be quite crazy enough to
want to deal with this much crap)
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:43e3954e$1@linux...
>
> "All I need is a case, PSU,
> a sound card and Vstack"
>
> If you are referring to Steinberg's V-Stack, you will need a different
solution.
>
> V-Stack has no "Audio in".
> Otherwise it sounds like a workable solution. Very DJ-ish.
> g
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >One possible solution to this would be Systemlink, I think. Use the
acards
> >in a separate DAW to minimize the hit to the PCI bus of the workstation
> >performing playback......at least in theory.
> >
> >I'm pretty much SOL once my UAD resources exceed 40%, no matter what PCI
> >latency I use.......and I've got another DAW just sitting here.......and
> AMD
> >XP 3000 CPU with 2G PC2700 DDR nd a system drive. All I need is a case,
> PSU,
> >a sound card and VStack. I have configured this machine in the past with
> 3 x
> >UAD-1 cards in the PCI slots without issue. Since there ar 6 PCI slots
and
> >one of them was holding my Magma host cards, I doubt if I would nave much
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| Re: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63089 is a reply to message #63083] |
Sun, 15 January 2006 07:06 |
Bill Lorentzen
Messages: 140
Registered: June 2005
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Senior Member |
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econd computer, use my network to transfer some tracks (like
> >the drum submix and bass instruments) to one computer and the rest of the
> >audio to the other computer, run ADAT sync cables from ADAT cards in my
> MECs
> >to the audio cards in the two different comps, then apply the UAD-1 FX to
> >the tracks on both computers which are controlled by ADAT sync from the
> >Paris transport. this would be superior to systemlink, most likely. the
> >downside to this is that during a lot of my mix process, I am just
playing
> >back using the Cubase SX transport, streaming the audio via lightpipe
> >feeding Paris with the monitor bus in Paris feeding my DAC-1 . reference
> >system. I only use the Paris transport to slave the Cubase DAW during the
> >last phase of the mix when I'm automating tracks and panning in Paris and
> >then subsequently boundcing down using the Paris mix bus. In order to
have
> >both computers running in sync *without* being controlled by Paris ADAT
> >sync, (which is most of the time I'm mixing) I would need to use a
> >Systemlink compatible Steiny product aand have a spdif connection between
> >the two Steiny machines. I guess, after I finish tracking in Paris,
sending
> >and the tracks from Paris via LAN to WL5 on the Cubase DAW for batch
> >conversion to .wav, I could then further transfer them from the primary
> >Cubase DAW to the secondary Cubase DAW via LAN, then get a couple of my
> >UAD-1 cards authorized for the second DAW.
> >
> >This shouldn't take over a couple of weeks to set up and stabilize and
would
> >involve mixing on three x DAWs plus another comp running as a standalone
> FX
> >processor instead of just two DAWs plus another one running as a
standalone
> >FX processor.
> >
> >Hell man .......piece of cake.
> >
> >;o)
> >
> >(actually, I'm not sure, but I think that I may not be quite crazy enough
> to
> >want to deal with this much crap)
> >
>........and....since this crackling, which is the whole reason behind
speculating on this insanity, is likely being caused by all 4 UAD-1 cards
and all 3 x RMWE cards being shuttled through one host card on a Magma, I'm
going to pull at least one, and maybe two of the UAD-1 cards out of the
Magma and try to use them in normal PCI slots on the mobo. there are 3 x
slots on this board that don't automatically share with the AGP. My old
Cubase DAW never had this problem. I was running 3 x UAD-1 cards in the mobo
PCI slots and the three RME cards plus one UAD-1 card in the Magma.
I know this makes more sense than any of the other stuff, but it's wayyyy
too simple.
;o)
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e3f3b6@linux...
> I need all of my ADAT optical outputs to be sending to Paris, not back and
> forth between two computers running Cubase. All RME ADAT optical outputs
> would need to be feeding Paris ADAT inputs, thus, when mixing in cubase SX
> only the ADAT outputs would still be monitored through Paris but the two
> Cubase computers would need to be timeline synced to each other and
> controlled by the Steinberg Houston controller. Then at final mixdwon,
bioth
> Cubase computers would need to be slaved to Paris. No ADAT inputs between
> the Cubase computers at all.
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> news:43e3f190$1@linux...
> >
> > Not sure if you are joking or going crazy!
> >
> > Install UAD-1 cards on second computer.
> > Use any app like Cubase to host the plugins.
> > Send audio back and forth with ADAT optical.
> > Link Soundcards with ADAT Clock.
> > Done.
> > No MIDI, No ADAT Sync, No systemlink, etc.
> >
> >
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> > >Hmmmm.....I see what you mean. Seems I've got something here that is a
> bit
> > >better (and beyond) systemlink anyway. Theoretically, I could split off
> > one
> > >of my HDSP cards and a couple of the UAD-1 cards, install them on my
> second
> > >computer, install Cubase SE (or any other PC compatible audio app which
> > has
> > >PDC) on the second computer, use my network to transfer some tracks
(like
> > >the drum submix and bass instruments) to one computer and the rest of
the
> > >audio to the other computer, run ADAT sync cables from ADAT cards in my
> > MECs
> > >to the audio cards in the two different comps, then apply the UAD-1 FX
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| Re: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63090 is a reply to message #63086] |
Sun, 15 January 2006 09:55 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
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/>
to
> > >the tracks on both computers which are controlled by ADAT sync from the
> > >Paris transport. this would be superior to systemlink, most likely. the
> > >downside to this is that during a lot of my mix process, I am just
> playing
> > >back using the Cubase SX transport, streaming the audio via lightpipe
> > >feeding Paris with the monitor bus in Paris feeding my DAC-1 .
reference
> > >system. I only use the Paris transport to slave the Cubase DAW during
the
> > >last phase of the mix when I'm automating tracks and panning in Paris
and
> > >then subsequently boundcing down using the Paris mix bus. In order to
> have
> > >both computers running in sync *without* being controlled by Paris ADAT
> > >sync, (which is most of the time I'm mixing) I would need to use a
> > >Systemlink compatible Steiny product aand have a spdif connection
between
> > >the two Steiny machines. I guess, after I finish tracking in Paris,
> sending
> > >and the tracks from Paris via LAN to WL5 on the Cubase DAW for batch
> > >conversion to .wav, I could then further transfer them from the primary
> > >Cubase DAW to the secondary Cubase DAW via LAN, then get a couple of my
> > >UAD-1 cards authorized for the second DAW.
> > >
> > >This shouldn't take over a couple of weeks to set up and stabilize and
> would
> > >involve mixing on three x DAWs plus another comp running as a
standalone
> > FX
> > >processor instead of just two DAWs plus another one running as a
> standalone
> > >FX processor.
> > >
> > >Hell man .......piece of cake.
> > >
> > >;o)
> > >
> > >(actually, I'm not sure, but I think that I may not be quite crazy
enough
> > to
> > >want to deal with this much crap)
> > >
> >
>
>Wow, do you record a variety of drummers?
"brandon" <a@a.com> wrote:
>
>I seem to always end up with 80-90% OH's and 10-20% spot.
>
>
>
>
>
>
>
>
>
>"Kris" . wrote:
>>
>>I like to bring in the room mics in sparse sections of the tune (maybe
verse,
>>or bridge), and drop them out for the fuller sections like choruses.
>>
>>Another option is to gate them keyed to the snare mic...gives a believable
>>snare ambience, but doesn't muddy up the toms and kick.
>>
>>Cheers,
>>
>>Kris
>>
>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>It sure can tighten things up in a mix.
>>>
>>>
>>
>Sounds like your main computer (henceforth referred to as “The Mother Ship”);
should have a MADI card, feeding the RME MADI Bridge, feeding multiple ADAT
breakout boxes.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I need all of my ADAT optical outputs to be sending to Paris, not back and
>forth between two computers running Cubase. All RME ADAT optical outputs
>would need to be feeding Paris ADAT inputs, thus, when mixing in cubase
SX
>only the ADAT outputs would still be monitored through Paris but the two
>Cubase computers would need to be timeline synced to each other and
>controlled by the Steinberg Houston controller. Then at final mixdwon, bioth
>Cubase computers would need to be slaved to Paris. No ADAT inputs between
>the Cubase computers at all.Where can I find the effects sub system so maybe I can get Paris running on
my computer? The instructions direct you to the myparispro website, but
that does not exist anymore. Can anyone help me with this????????????
I have dell pent 3 1 gig computer with 512 ram
3X eds cards
1 mec
2 8i cards
1 adat card
1 442
2 c-16s
This setup worked perfect with win MEWhen I read about what you are doing I am so happy about my simple setup
with 2 computers, a digital mixer and some outboard pres. The mixer provides
all my routing, headphone, talkback and monitoring and I monitor VSTis on
the second machine, while tracking them to the primary machine, to avoid
latency problems. My standard is what I've learned over the years as a
studio owner and engineer: it has to work properly all the time or it is not
professional.
Give yourself a break, man.
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news
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| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63091 is a reply to message #63083] |
Sun, 15 January 2006 09:03 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
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:43e40d87$1@linux...
>
> Sounds like your main computer (henceforth referred to as "The Mother
> Ship");
> should have a MADI card, feeding the RME MADI Bridge, feeding multiple
> ADAT
> breakout boxes.
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I need all of my ADAT optical outputs to be sending to Paris, not back and
>>forth between two computers running Cubase. All RME ADAT optical outputs
>>would need to be feeding Paris ADAT inputs, thus, when mixing in cubase
> SX
>>only the ADAT outputs would still be monitored through Paris but the two
>>Cubase computers would need to be timeline synced to each other and
>>controlled by the Steinberg Houston controller. Then at final mixdwon,
>>bioth
>>Cubase computers would need to be slaved to Paris. No ADAT inputs between
>>the Cubase computers at all.
>My standard is what I've learned over the years as a
> studio owner and engineer: it has to work properly all the time or it is
not
> professional.
>
> Give yourself a break, man.
>
Hi Bill,
Well.....actually like I said, it's working fine. It's just not doing some
things that I expected. I'm able to access 15 UAD-1 plugins at 40% of the
available resources Any more than that and there is a problem. It may be as
simple as moving a UAD-1 card or *removing* a UAD-1 card. Other than that,
it's rock solid and I have a methodology that is working for me. Also, 15
UAD-1 plugins is a lot. I'm not really complaining about the number, just
the fact that theoretically, I should be able to use 95% of my UAD
resources. In practice, I seldom use 15 UAD plugins in a mix, though those
Pultecs sure come in handy. I probably use the Pultec more than anything
else. Anyway, my earlier rant was speculative, just because I think it's fun
to push this as far as possble, but actually our systems aren't that
different. My digital mixer is Paris. The cue system is a Furman HDS 16
system with remote HRM 16 mixers. This is a very cool and flexible setup. I
track to Paris.I transfer to SX mix back to Paris. It's routed digitally in
a number of ways. I'm used to doing it so it doesn't present any particular
diffuiculties to me. You have a digital mixer and two computers. I have I
have three computers and sync'ed to a house clock one of which functions as
an outboard digital mixer.. No problems there. I've been experimenting with
clock cable runs and have discovered a few limitations there as well, but
it's all good really......just never *perfected*.
;o)
..
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
news:43e4248c$1@linux...
> When I read about what you are doing I am so happy about my simple setup
> with 2 computers, a digital mixer and some outboard pres. The mixer
provides
> all my routing, headphone, talkback and monitoring and I monitor VSTis on
> the second machine, while tracking them to the primary machine, to avoid
> latency problems. My standard is what I've learned over the years as a
> studio owner and engineer: it has to work properly all the time or it is
not
> professional.
>
> Give yourself a break, man.
>
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> news:43e40d87$1@linux...
> >
> > Sounds like your main computer (henceforth referred to as "The Mother
> > Ship");
> > should have a MADI card, feeding the RME MADI Bridge, feeding multiple
> > ADAT
> > breakout boxes.
> >
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>I need all of my ADAT optical outputs to be sending to Paris, not back
and
> >>forth between two computers running Cubase. All RME ADAT optical outputs
> >>would need to be feeding Paris ADAT inputs, thus, when mixing in cubase
> > SX
> >>only the ADAT outputs would still be monitored through Paris but the two
> >>Cubase computers would need to be timeline synced to each other and
> >>controlled by the Steinberg Houston controller. Then at final mixdwon,
> >>bioth
> >>Cubase computers would need to be slaved to Paris. No ADAT inputs
between
> >>the Cubase computers at all.
> >
>
>I suffer in order for us to grow.
;o)
"Will Wilson" <wwilson12@kc.rr.com.com.com> wrote in message
news:43e3813f$1@linux...
>
> LOL LMAO LOL
>
> Thanks DJ,
> It's been a while for a post to have me really laughing, and just
> when I thought I had done it all in the studio you prove me wrong.
> Thanks for sharing the lesson with us.
> -Will
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >....somebody kick me. There was a reason.......not a good enough reason,
> but
> >a reason nonetheless. Unless you've got a major repeater, don't waste
your
> >time. Not worth the grief.
> >
> >I must say though, that if you're into stuff like getting your mix
perfect
> >after hours of tweaking and then when it's *exactly* right because
you've
> >spent all night working on it and then as you move your mouse toward the
> top
> >of the GUI to save the project, you computer locks up and the screen
> >actually goes black, not blue and you start getting this wierd
> >warbling/pulsing tone through your reference monitors.....then by all
means,
> >use a 7 meter WC cable. You could probably reamp this racket and time
> >stretch it to use as a techno loop.
> >
> >;oP
> >
> >
>This is a multi-part message in MIME format.
------=_NextPart_000_0131_01C6292A.EC7B0BD0
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charset="iso-8859-1"
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I'm looking for a reasonably priced Seagate 80GB, 8 MB cache, IDE
with the 5 year warranty. Does anyone know which model number is=20
the right one?
I found this: ST380013A-RK Looks right to me except it's 40 pin...
I thought the new ones were 80 pin? =20
They are hoping to get in around $80.00. =20
Tom
------=_NextPart_000_0131_01C6292A.EC7B0BD0
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charset
|
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|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63092 is a reply to message #63084] |
Sun, 15 January 2006 10:08 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm looking for a reasonably priced =
Seagate 80GB, 8=20
MB cache, IDE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with the 5 year =
warranty. Does anyone=20
know which model number is </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the right one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I found this: ST380013A-RK Looks =
right to me=20
except it's 40 pin...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought the new ones were 80 =
pin? =20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>They are hoping to get </FONT><FONT =
face=3DArial=20
size=3D2>in around $80.00. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV></BODY></HTML>
------=_NextPart_000_0131_01C6292A.EC7B0BD0--Ken-
look a little farther down - you'll see Doug Wellington's http://www.parisfaqs.com/
I think it's in the XP links toward the bottom of the page. I think.
-steve
If it's not, someone will tell us shortly...!
"Ken Smith" <maddrapa@netzero.com> wrote:
>
>Where can I find the effects sub system so maybe I can get Paris running
on
>my computer? The instructions direct you to the myparispro website, but
>that does not exist anymore. Can anyone help me with this????????????
>
>I have dell pent 3 1 gig computer with 512 ram
>3X eds cards
>1 mec
>2 8i cards
>1 adat card
>1 442
>2 c-16s
>This setup worked perfect with win ME10,000rpm,16mb cache, NCQ support!
http://www.wdraptorx.com/photos/thanks
DonI've heard that these start writing audio data before you even hit rec>play.
;o)
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:43e48244$1@linux...
>
> 10,000rpm,16mb cache, NCQ support!
>
> http://www.wdraptorx.com/photos/Hey Guys,
Do to a faulty,but very fast ASUS N-force2 motherboard, I have to repace
it(Paris,Nuendo,LE).
-What is th difference btw,Nforoce3,150,250,&,ultra
-are tehre any conflicts with nforce 3 motherboard and Paris
-Any recommendations?
-Please, any mobos that are PCI reloaction friendly :)
-Note: My Asus A7n8x-deluxe-e, while great for Nuendo & PT, was bot that
great for Paris..Especially when you turn on the SATA controllers...Bad idea..I
finnaly got a Magma chasis. taht seemed to fixsome things..But, then the
Mobo flaked out..
Relacement time !!@#$%A^
Thanks in advance for the help...
LaMontDJ,
I did not mean to sound condescending or like I was putting your system
down. I just had the impression you were having trouble with it. Anyway,
it's your game and you should play any way you want. I just like to share my
successful actions with others in case they can use the tips. Have fun!
BTW I am really interested in your possible mic shoot-out of the Gemini and
the 47. I am thinking about getting a Gemini (when I have some time to
really check it out).
Bill
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e4354c@linux...
> My standard is what I've learned over the years as a
>> studio owner and engineer: it has to work properly all the time or it is
> not
>> professional.
>>
>> Give yourself a break, man.
>>
> Hi Bill,
>
> Well.....actually like I said, it's working fine. It's just not doing some
> things that I expected. I'm able to access 15 UAD-1 plugins at 40% of the
> available resources Any more than that and there is a problem. It may be
> as
> simple as moving a UAD-1 card or *removing* a UAD-1 card. Other than that,
> it's rock solid and I have a methodology that is working for me. Also, 15
> UAD-1 plugins is a lot. I'm not really complaining about the number, just
> the fact that theoretically, I should be able to use 95% of my UAD
> resources. In practice, I seldom use 15 UAD plugins in a mix, though those
> Pultecs sure come in handy. I probably use the Pultec more than anything
> else. Anyway, my earlier rant was speculative, just because I think it's
> fun
> to push this as far as possble, but actually our systems aren't that
> different. My digital mixer is Paris. The cue system is a Furman HDS 16
> system with remote HRM 16 mixers. This is a very cool and flexible setup.
> I
> track to Paris.I transfer to SX mix back to Paris. It's routed digitally
> in
> a number of ways. I'm used to doing it so it doesn't present any
> particular
> diffuiculties to me. You have a digital mixer and two computers. I have I
> have three computers and sync'ed to a house clock one of which functions
> as
> an outboard digital mixer.. No problems there. I've been experimenting
> with
> clock cable runs and have discovered a few limitations there as well, but
> it's all good really......just never *perfected*.
>
> ;o)
> .
>
>
> "Bill Lorentzen" <bill@lorentzen.ws> wrote in message
> news:43e4248c$1@linux...
>> When I read about what you are doing I am so happy about my simple setup
>> with 2 computers, a digital mixer and some outboard pres. The mixer
> provides
>> all my routing, hea
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63093 is a reply to message #63091] |
Sun, 15 January 2006 10:22 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
dphone, talkback and monitoring and I monitor VSTis on
>> the second machine, while tracking them to the primary machine, to avoid
>> latency problems. My standard is what I've learned over the years as a
>> studio owner and engineer: it has to work properly all the time or it is
> not
>> professional.
>>
>> Give yourself a break, man.
>>
>>
>> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
>> news:43e40d87$1@linux...
>> >
>> > Sounds like your main computer (henceforth referred to as "The Mother
>> > Ship");
>> > should have a MADI card, feeding the RME MADI Bridge, feeding multiple
>> > ADAT
>> > breakout boxes.
>> >
>> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >>I need all of my ADAT optical outputs to be sending to Paris, not back
> and
>> >>forth between two computers running Cubase. All RME ADAT optical
>> >>outputs
>> >>would need to be feeding Paris ADAT inputs, thus, when mixing in cubase
>> > SX
>> >>only the ADAT outputs would still be monitored through Paris but the
>> >>two
>> >>Cubase computers would need to be timeline synced to each other and
>> >>controlled by the Steinberg Houston controller. Then at final mixdwon,
>> >>bioth
>> >>Cubase computers would need to be slaved to Paris. No ADAT inputs
> between
>> >>the Cubase computers at all.
>> >
>>
>>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_005E_01C62988.DB284BA0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
The cables are double wired.. not the drive. Sounds like you got the =
right drive.
Seagate ST380013ARK Internal Barracuda 7200 RPM 80 GB Ultra ATA/100 Hard =
Drive
------------------------------------------------------------ -------------=
-------
Technical data
a.. Interface: Ultra ATA/100=20
b.. Internal Transfer Rate: 683 Mbps=20
c.. Maximum External Transfer Rate : 100 Mbps=20
d.. Average Sustained Transfer Rate : >58=20
e.. Average Seek : 8.5 milliseconds=20
f.. Average Latency: 4.16 milliseconds=20
g.. Multisegmented Cache: 8196=20
h.. Spindle Speed: 7200 RPM=20
i.. Bytes per Sector: 512=20
j.. Dimensions: 26.035 millimeters by 101.6 millimeters by =
146.99 millimeters=20
k.. Weight : 0.635 kilograms
=20
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e44b95@linux...
I'm looking for a reasonably priced Seagate 80GB, 8 MB cache, IDE
with the 5 year warranty. Does anyone know which model number is=20
the right one?
I found this: ST380013A-RK Looks right to me except it's 40 pin...
I thought the new ones were 80 pin? =20
They are hoping to get in around $80.00. =20
Tom
------=_NextPart_000_005E_01C62988.DB284BA0
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The cables are double wired.. not the =
drive. Sounds=20
like you got the right drive.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV>
<DIV class=3Dbuying><B class=3Dsans>Seagate ST380013ARK Internal =
Barracuda 7200 RPM=20
80 GB Ultra ATA/100 Hard Drive</B><BR><FONT face=3DArial =
color=3D#990000>
<HR noShade SIZE=3D1>
</FONT></DIV>
<DIV class=3Dbucket><FONT color=3D#cc6600><B class=3Dh1>Technical =
data</B><BR></FONT>
<DIV class=3Dcontent>
<TABLE class=3Damabot_widget cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD><BR clear=3Dall>
<UL>
<LI><B>Interface:</B> Ultra ATA/100=20
<LI><B>Internal Transfer Rate:</B> 683 Mbps=20
<LI><B>Maximum External Transfer Rate :</B> 100 Mbps=20
<LI><B>Average Sustained Transfer Rate :</B> >58=20
<LI><B>Average Seek :</B> 8.5 milliseconds=20
<LI><B>Average Latency:</B> 4.16 milliseconds=20
<LI><B>Multisegmented Cache:</B> 8196=20
<LI><B>Spindle Speed:</B> 7200 RPM=20
<LI><B>Bytes per Sector:</B> 512=20
<LI><B>Dimensions:</B> 26.035 millimeters by 101.6 millimeters =
by 146.99=20
millimeters=20
<LI><B>Weight :</B> 0.635=20
kilograms</LI></UL></TD></TR></TBODY></TABLE></DIV></DIV ></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:43e44b95@linux">news:43e44b95@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'm looking for a reasonably priced =
Seagate 80GB,=20
8 MB cache, IDE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with the 5 year =
warranty. Does anyone=20
know which model number is </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the right one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I found this: ST380013A-RK =
Looks right to=20
me except it's 40 pin...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought the new ones were 80 =
pin? =20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>They are hoping to get </FONT><FONT =
face=3DArial=20
size=3D2>in around $80.00. </FONT></DIV>
<DIV><FONT face=3DArial =
size=3D2>Tom</FONT></DIV></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_005E_01C62988.DB284BA0--And in some cases have been known to start playback even before recording.
It's known as negative latency, or sometimes referred to as earlyency.
Really awesome technology.
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e4ac5c@linux...
> I've heard that these start writing audio data before you even hit
> rec>play.
>
> ;o)
>
> "James McCloskey" <excelsm@hotmail.com> wrote in message
> news:43e48244$1@linux...
>>
>> 10,000rpm,16mb cache, NCQ support!
>>
>> http://www.wdraptorx.com/photos/
>
>This is a multi-part message in MIME format.
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63094 is a reply to message #63092] |
Sun, 15 January 2006 10:12 |
Jamie K
Messages: 1115
Registered: July 2006
|
Senior Member |
|
|
/>
------=_NextPart_000_01B0_01C62999.CE4AC6E0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Aaron thanks for the quick answer! I'm off to the internet to find this =
bad boy.
Newegg is usually where I end up unless you can recommend a better =
place.
Tom
"Aaron Allen" <nospam@not_here.dude> wrote in message =
news:43e4f74e$1@linux...
The cables are double wired.. not the drive. Sounds like you got the =
right drive.
Seagate ST380013ARK Internal Barracuda 7200 RPM 80 GB Ultra ATA/100 =
Hard Drive
------------------------------------------------------------ -------------=
-----
Technical data
a.. Interface: Ultra ATA/100=20
b.. Internal Transfer Rate: 683 Mbps=20
c.. Maximum External Transfer Rate : 100 Mbps=20
d.. Average Sustained Transfer Rate : >58=20
e.. Average Seek : 8.5 milliseconds=20
f.. Average Latency: 4.16 milliseconds=20
g.. Multisegmented Cache: 8196=20
h.. Spindle Speed: 7200 RPM=20
i.. Bytes per Sector: 512=20
j.. Dimensions: 26.035 millimeters by 101.6 millimeters by =
146.99 millimeters=20
k.. Weight : 0.635 kilograms
=20
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e44b95@linux...
I'm looking for a reasonably priced Seagate 80GB, 8 MB cache, IDE
with the 5 year warranty. Does anyone know which model number is=20
the right one?
I found this: ST380013A-RK Looks right to me except it's 40 pin...
I thought the new ones were 80 pin? =20
They are hoping to get in around $80.00. =20
Tom
------=_NextPart_000_01B0_01C62999.CE4AC6E0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Aaron thanks for the quick =
answer! I'm off to=20
the internet to find this bad boy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Newegg is usually where I end up =
unless you=20
can recommend a better place.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Aaron Allen" <<A=20
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>> =
wrote in=20
message <A =
href=3D"news:43e4f74e$1@linux">news:43e4f74e$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>The cables are double wired.. not the =
drive.=20
Sounds like you got the right drive.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV>
<DIV class=3Dbuying><B class=3Dsans>Seagate ST380013ARK Internal =
Barracuda 7200=20
RPM 80 GB Ultra ATA/100 Hard Drive</B><BR><FONT face=3DArial =
color=3D#990000>
<HR noShade SIZE=3D1>
</FONT></DIV>
<DIV class=3Dbucket><FONT color=3D#cc6600><B class=3Dh1>Technical=20
data</B><BR></FONT>
<DIV class=3Dcontent>
<TABLE class=3Damabot_widget cellSpacing=3D0 cellPadding=3D0 =
border=3D0>
<TBODY>
<TR>
<TD><BR clear=3Dall>
<UL>
<LI><B>Interface:</B> Ultra ATA/100=20
<LI><B>Internal Transfer Rate:</B> 683 Mbps=20
<LI><B>Maximum External Transfer Rate :</B> 100 Mbps=20
<LI><B>Average Sustained Transfer Rate :</B> >58=20
<LI><B>Average Seek :</B> 8.5 milliseconds=20
<LI><B>Average Latency:</B> 4.16 milliseconds=20
<LI><B>Multisegmented Cache:</B> 8196=20
<LI><B>Spindle Speed:</B> 7200 RPM=20
<LI><B>Bytes per Sector:</B> 512=20
<LI><B>Dimensions:</B> 26.035 millimeters by 101.6 millimeters =
by=20
146.99 millimeters=20
<LI><B>Weight :</B> 0.635=20
kilograms</LI></UL></TD></TR></TBODY></TABLE></DIV></DIV ></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:43e44b95@linux">news:43e44b95@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'm looking for a reasonably priced =
Seagate=20
80GB, 8 MB cache, IDE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with the 5 year =
warranty. Does=20
anyone know which model number is </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the right one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I found this: ST380013A-RK =
Looks right to=20
me except it's 40 pin...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought the new ones were 80 =
pin? =20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>They are hoping to get </FONT><FONT =
face=3DArial=20
size=3D2>in around $80.00. </FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>Tom</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY ></HTML>
------=_NextPart_000_01B0_01C62999.CE4AC6E0--I just stumbled onto a killer deal for a Mac G4. As I understand very
little about how Macs are set up, I want to make a copy of the system hard
drive. I'm a frekin' newbie with this stuff. But, I want to be able to
make an EXACT copy of the system (boot) drive (onto a new drive), so that if
the "old" drive fails, I can just plug the drive-copy into the IDE chain,
and continue on as though the old drive wasn't actually in the garbage can.
Is this what "cloning" a drive is all about? I found this program called
Super Duper which might fit the bill. Yes?
Thanks!
MRLol, you're both killin' me.
MR
"RZ" <pearlmusic@sbcglobal.net> wrote in message news:43e5016c$1@linux...
> And in some cases have been known to start playback even before recording.
> It's known as negative latency, or sometimes referred to as earlyency.
> Really awesome technology.
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43e4ac5c@linux...
> > I've heard that these start writing audio data before you even hit
> > rec>play.
> >
> > ;o)
> >
> > "James McCloskey" <excelsm@hotmail.com> wrote in message
> > news:43e48244$1@linux...
> >>
> >> 10,000rpm,16mb cache, NCQ support!
> >>
> >> http://www.wdraptorx.com/photos/
> >
> >
>
>Consider yourself e-mailed.
Neil
"Don Nafe" <dnafe@magma.ca> wrote:
>thanks
>
>Don
>
>This line look spretty suspicious:
> c.. Maximum External Transfer Rate : 100 Mbps
The small 'b' means bits, which would make this drive transfer at 12.5 megabytes
per second.
Did this come right from the Seagate site?
All the best,
MikePlease see the FS forum...
--
Best,
Peteplease...please...please - someone must know where/how to get these now that
myparispro is no more.
grazzi,
jj"Mike R." <emarenot@yahoo.com> wrote:
>I just stumbled onto a killer deal for a Mac G4. As I understand very
>little about how Macs are set up, I want to make a copy of the system hard
>drive. I'm a frekin' newbie with this stuff. But, I want to be able to
>make an EXACT copy of the system (boot) drive (onto a new drive), so that
if
>the "old" drive fails, I can just plug the drive-copy into the IDE chain,
>and continue on as though the old drive wasn't actually in the garbage can.
>Is this what "cloning" a drive is all about? I found this program called
>Super Duper which might fit the bill. Yes?
>Thanks!
>MR
>
Super Duper or Carbon Copy Cloner for OSX.
Both work. For OS9.X you can use the Finder.
GeneI should point out that a lot of software that is registered to the computers
i.d. will need to be re-registered, even from a cloned drive.
With certain manufacturers like NI, this is a real pain!
Gene
"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>"Mike R." <emarenot@yahoo.com> wrote:
>>I just stumbled onto a killer deal for a Mac G4. As I understand very
>>little about how Macs are set up, I want to make a copy of the system hard
>>drive. I'm a frekin' newbie with this stuff. But, I want to be able to
>>make an EXACT copy of the system (boot) drive (onto a new drive), so that
>if
>>the "old" drive fails, I can just plug the drive-copy into the IDE chain,
>>and continue on as though the old drive wasn't actually in the garbage
can.
>>Is this what "cloning" a drive is all about? I found this program called
>>Super Duper which might fit the bill. Yes?
>>Thanks!
>>MR
>>
>Super Duper or Carbon Copy Cloner for OSX.
>Both work. For OS9.X you can use the Finder.
>Genehttp://www.synthax.com/cart/agora.cgi
The above is a link to third party skins for Samp and Sequoia.
Peace - Don
On 29 Jan 2006 12:13:55 +1000, "LaMont" <jjdpro@ameritech.net> wrote:
>
>hey Neil,
>
>It's the sound.. I took a project over to a buddys studio just to master
>with his Samplitude. The FX's are better than some of the best out there..
>the editing is faster(if can believe) than SX..All in all, I can really get
>a good representation of my mixes in samplitude.
>I only wish that they wqould upgrade the GUI. They old gray is just not doing
>this great DAW any justices..LAMont
>
>"Neil" <OIUOIU@OIU.com> wrote:
>>
>>OK, so what's so good about it? Serisouly, what are the sound
>>qualities that you like Sam for?
>>
>>Neil
>>
>>
>>"Bill Lorentzen" <bill@lorentzen.ws> wrote:
>>>
>>>>
>>>> Note: A friend of in myarea uses Samplitude 8.X and I have to say, that
>>
>>>> Samplitude
>>>> has to be one thee bes
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63095 is a reply to message #63094] |
Sun, 15 January 2006 11:34 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
t sounding DAW's I've rean across. Blew me away!!
>>>> Lamont
>>>>
>>>You got that right. Although I have owned and used Cubase since 1988, and
>>
>>>despite wanting all the nice things that the Yamaha purchase of Steiny
>will
>>
>>>probably yield, once I tried Sam there was no going back. Damn.
>>>
>>>I hope it really catches on in the US.
>>>
>>>Bill
>>>
>>>>
>>>> "LaMont" <jjdpro@ameritech.net> wrote:
>>>>>
>>>>>Oh Boy.. Have a look..
>>>>>http://www.sonicstate.com/news/shownews.cfm?newsid=2647
>>>>>
>>>>>This looks and sound great!!
>>>>
>>>
>>>
>>send me an email
Don
"Jon Jiles" <me@my.domain> wrote in message news:43e531f0$1@linux...
>
> please...please...please - someone must know where/how to get these now
> that
> myparispro is no more.
>
> grazzi,
> jjThis is a multi-part message in MIME format.
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Newegg is good dude.=20
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e50596@linux...
Aaron thanks for the quick answer! I'm off to the internet to find =
this bad boy.
Newegg is usually where I end up unless you can recommend a better =
place.
Tom
"Aaron Allen" <nospam@not_here.dude> wrote in message =
news:43e4f74e$1@linux...
The cables are double wired.. not the drive. Sounds like you got the =
right drive.
Seagate ST380013ARK Internal Barracuda 7200 RPM 80 GB Ultra ATA/100 =
Hard Drive
------------------------------------------------------------ -------------=
---
Technical data
a.. Interface: Ultra ATA/100=20
b.. Internal Transfer Rate: 683 Mbps=20
c.. Maximum External Transfer Rate : 100 Mbps=20
d.. Average Sustained Transfer Rate : >58=20
e.. Average Seek : 8.5 milliseconds=20
f.. Average Latency: 4.16 milliseconds=20
g.. Multisegmented Cache: 8196=20
h.. Spindle Speed: 7200 RPM=20
i.. Bytes per Sector: 512=20
j.. Dimensions: 26.035 millimeters by 101.6 millimeters by =
146.99 millimeters=20
k.. Weight : 0.635 kilograms
=20
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e44b95@linux...
I'm looking for a reasonably priced Seagate 80GB, 8 MB cache, IDE
with the 5 year warranty. Does anyone know which model number is=20
the right one?
I found this: ST380013A-RK Looks right to me except it's 40 =
pin...
I thought the new ones were 80 pin? =20
They are hoping to get in around $80.00. =20
Tom
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Newegg is good dude. </FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:43e50596@linux">news:43e50596@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Aaron thanks for the quick =
answer! I'm off=20
to the internet to find this bad boy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Newegg is usually where I end up =
unless you=20
can recommend a better place.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Aaron Allen" <<A=20
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>> =
wrote in=20
message <A =
href=3D"news:43e4f74e$1@linux">news:43e4f74e$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>The cables are double wired.. not =
the drive.=20
Sounds like you got the right drive.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV>
<DIV class=3Dbuying><B class=3Dsans>Seagate ST380013ARK Internal =
Barracuda 7200=20
RPM 80 GB Ultra ATA/100 Hard Drive</B><BR><FONT face=3DArial =
color=3D#990000>
<HR noShade SIZE=3D1>
</FONT></DIV>
<DIV class=3Dbucket><FONT color=3D#cc6600><B class=3Dh1>Technical=20
data</B><BR></FONT>
<DIV class=3Dcontent>
<TABLE class=3Damabot_widget cellSpacing=3D0 cellPadding=3D0 =
border=3D0>
<TBODY>
<TR>
<TD><BR clear=3Dall>
<UL>
<LI><B>Interface:</B> Ultra ATA/100=20
<LI><B>Internal Transfer Rate:</B> 683 Mbps=20
<LI><B>Maximum External Transfer Rate :</B> 100 Mbps=20
<LI><B>Average Sustained Transfer Rate :</B> >58=20
<LI><B>Average Seek :</B> 8.5 milliseconds=20
<LI><B>Average Latency:</B> 4.16 milliseconds=20
<LI><B>Multisegmented Cache:</B> 8196=20
<LI><B>Spindle Speed:</B> 7200 RPM=20
<LI><B>Bytes per Sector:</B> 512=20
<LI><B>Dimensions:</B> 26.035 millimeters by 101.6 =
millimeters by=20
146.99 millimeters=20
<LI><B>Weight :</B> 0.635=20
kilograms</LI></UL></TD></TR></TBODY></TABLE></DIV></DIV ></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:43e44b95@linux">news:43e44b95@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'm looking for a reasonably =
priced Seagate=20
80GB, 8 MB cache, IDE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with the 5 year =
warranty. Does=20
anyone know which model number is </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the right one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I found this: ST380013A-RK =
Looks right=20
to me except it's 40 pin...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought the new ones were =
80=20
pin? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>They are hoping to get =
</FONT><FONT=20
face=3DArial size=3D2>in around $80.00. </FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>Tom</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE ></BODY></=
HTML>
------=_NextPart_000_0014_01C629B6.579F9260--This is a multi-part message in MIME format.
------=_NextPart_000_01FD_01C629E0.1AEDC100
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charset="iso-8859-1"
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I found the drive at TigerDirect for $79.99
http://www.tigerdirect.com/applications/searchtools/item-det ails.asp?EdpN=
o=3D586888&Sku=3DS130-1202&SRCCODE=3DPRICEGRABBER&am p;CMP=3DOTC-PRICEGRABBER
plus shipping to MA is about $89.00. That's the best I could find.
Newegg doesn't sell this model AFAICS.
Thanks for the help everyone.
Tom
"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message =
news:43e5208a$1@linux...
This line look spretty suspicious:
> c.. Maximum External Transfer Rate : 100 Mbps
The small 'b' means bits, which would make this drive transfer at 12.5 =
megabytes
per second.
Did this come right from the Seagate site?
All the best,
Mike
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charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I found the drive at TigerDirect for=20
$79.99</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D" http://www.tigerdirect.com/applications/searchtools/item-det ails.=
asp?EdpNo=3D586888&Sku=3DS130-1202&SRCCODE=3 DPRICEGRABBER&CMP=
=3DOTC-PRICEGRABBER">http://www.tigerdirect.com/applications/searchtools/=
item-details.asp?EdpNo=3D586888&Sku=3DS130-1202& amp;SRCCODE=3DPRICEGR=
ABBER&CMP=3DOTC-PRICEGRABBER</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>plus shipping to MA is about =
$89.00. That's=20
the best I could find.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Newegg doesn't sell this model =
AFAICS.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for the help =
everyone.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Mike Audet" <<A=20
=
href=3D"mailto:mike@mikeF-SPAMaudet.com">mike@mikeF-SPAMaudet.com</A>>=
wrote=20
in message <A=20
=
href=3D"news:43e5208a$1@linux">news:43e5208a$1@linux</A>...</DIV><BR>This=
line=20
look spretty =
suspicious:<BR><BR> > &a mp;nbsp; =20
c.. Maximum External Transfer Rate : 100 Mbps<BR><BR><BR>The small 'b' =
means=20
bits, which would make this drive transfer at 12.5 megabytes<BR>per=20
second.<BR><BR>Did this come right from the Seagate site?<BR><BR>All =
the=20
best,<BR><BR>Mike<BR><BR><BR><BR></BLOCKQUOTE></BODY ></HTML>
------=_NextPart_000_01FD_01C629E0.1AEDC100--yes sir. Madi will do simplify things alot.
"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>Sounds like your main computer (henceforth referred to as “The Mother Ship”);
>should have a MADI card, feeding the RME MADI Bridge, feeding multiple ADAT
>breakout boxes.
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I need all of my ADAT optical outputs to be sending to Paris, not back
and
>>forth between two computers running Cubase. All RME ADAT optical outputs
>>would need to be feeding Paris ADAT inputs, thus, when mixing in cubase
>SX
>>only the ADAT outputs would still be monitored through Paris but the two
>>Cubase computers would need to be timeline synced to each other and
>>controlled by the Steinberg Houston controller. Then at final mixdwon,
bioth
>>Cubase computers would need to be slaved to Paris. No ADAT inputs between
>>the Cubase computers at all.
>OK everyone......its me again. It seems like I got Paris working on my XP
computer, but right before paris launches, I get a "Paris.exe error can not
find the cwplugin.dll. Does anyone know what this mean? I hit OK 4 times
and paris launches, but I would like to fix the problem.
KenHello Wayne.
I need an ADAT card and 24bit output card (2 pcs.)
I'm in Croatia (Europe).
Is it black or blue?
How much do you want?? ;-)
Greetings from Croatia!
Suad
"WAYNE DAVIS" <davissoundrecording@verizon.net> wrote in message
news:43e3d7a4@linux...
> I used to frequent these boards back when Chuck still had it.
Unforunately,
> I have since moved on from PARIS. However, I still have 3 EDS cards, a
442,
> (2) MEC's an ADAT Module and (2) each of the 24 bit i/o. I am looking to
> sell them all. If any of you are interested, please e mail me here
> wayneatavericomdotcom Sorry about the phonetics. Anyway, would be cool to
> off load this equipment to you folks still using Paris. Thanks.
>
> Wayne Davis
> Avericom Communications
> 846 Route 73 South
> West Berlin, NJ 08091
>
>that appears to be a cakewalk extension. Remove the associated vst or
dx plugin that can't find the dll and it should go
|
|
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63099 is a reply to message #63095] |
Sun, 15 January 2006 12:48 |
Jamie K
Messages: 1115
Registered: July 2006
|
Senior Member |
|
|
CW" stands
for "Christopher Walken", and what that plugin does, when
activated, is to begin streaming audio clips from the famous
SNL skit, of Will Ferrell playing cowbell, in perfect time to
your track. It also subliminally injects various random quotes
by Christopher Walken from that same skit, such as "I've got a
fever... and the only thing that can cure it, is MORE COWBELL!",
Can really save a bad or marginal track... you should really
keep that one.
:D
John <no@no.com> wrote:
>that appears to be a cakewalk extension. Remove the associated vst or
>dx plugin that can't find the dll and it should go away.
>John
>
>Ken Smith wrote:
>> OK everyone......its me again. It seems like I got Paris working on my
XP
>> computer, but right before paris launches, I get a "Paris.exe error can
not
>> find the cwplugin.dll. Does anyone know what this mean? I hit OK 4 times
>> and paris launches, but I would like to fix the problem.
>>
>> KenI use Pars only as the monitor, I never ecall anyone haveing trouble with
latency in perfomance. I defintely felt this was a problem when I used a
very old version of PT on and old mac. But don't find an issue at all in
Paris. Maybe just send only the Paris mix and not the board mix too, I just
use a little furman headphone amp which is sent signal from the MEC sends
"Dave Geoghegan" <daveg@knowledgextensions.com> wrote:
>
>Hi,
> When I'm tracking a band , I send them back the live output from my mixer
>( not the Paris output ) since I assume there is some latency in the Paris
>system.
>
> However , when I'm overdubbing I have no choice but to mix a paris out
>stream ( the previously recorded tracks ) and the live mixer. I'm doing
drums
>a lot , so the latency issue is important to the performance. I do notice
>if I leave both feeds is I can hear a "phasing" a little bit.
>
> Questions:
> 1) Has anybody ( or how could I?) measure the latency of Paris in this
>situation?
>
> 2) What's the right model for headphone sends here , all paris or paris
>and mixer output?
>
> 3) Should I be moving the overdub tracks slightly in time to adjust
>for the latency in 1) or am I making a mountain out of a molehill here?
>
> Paris On ;)
>
>dave
>
>
>
>Thanks Chris -- I have it on order, so I'll guess I'll find out one
way or the other... Chas.
On Thu, 02 Feb 2006 15:20:51 -0500, Chris Ludwig
<chrisl@adkproaudio.com> wrote:
>Hi Chas,
>You should ask this on the Steinberg wave lab forums.
>The actually developer of the program responds to questions. There are
>threads there already about the new features so it would be best to post
>in one of those.
>www.cubase.net
>
>
>
>Chris
>
>
>Chas. Duncan wrote:
>> Hey Dave -- just curious, is WL4 (or 5 and now 6 for that matter)
>> still able to handle paf's?
>>
>> I was buying the upgrade to 5 when the NAMM show came along and they
>> released 6... Now waiting on that one to show up... Time to get a
>> life I guess...
>>
>> chas.
>>
>>
>> On Wed, 01 Feb 2006 23:55:36 -0700, "Dave(EK Sound)"
>> <audioguy_editout_@shaw.ca> wrote:
>>
>>> Another option if you have WL4+ is to batch convert them.
>>>
>>> David.
>>>
>>> DC wrote:
>>>> Thanks Neil.
>>>>
>>>> I will be seeing him on Monday and will chat about it with him.
>>>> Hopefully, he can output the files in standard wav format and
>>>> bring them over to my room. If not, we may need some help.
>>>>
>>>> DC
>>>>
>>>>
>>>> "Neil" <OIUOIU@OIU.com> wrote:
>>>>
>>>>> "DC" <dc@spammersinhell.org> wrote:
>>>>>
>>>>>> Thanks everybody.
>>>>>>
>>>>>> Is wav the default file format in Cubase?
>>>>> Yeppers, but you can set it (at least SX, dunno about earlier
>>>>> versions) to default to regular .wav or b'cast wav, either one.
>>>>>
>>>>> Now, if he's got it set up as b'cast wav, he can export as
>>>>> regular wav, since that's what you'd need, if he's going to
>>>>> render out each of those tracks separately (or as non-
>>>>> interleaved l/r files ).
>>>>>
>>>>> Don, is he not sure what to do or how to do it? If not, I'll be
>>>>> happy to do it for you - he'd just have to send me the project
>>>>> files & audio folders & files on a CD-R. Lemme know if I can
>>>>> help... be glad to, if needed.
>>>>>
>>>>> Neil
>>>>>
>>>>>
>>>>>
>>>>>> DC
>>>>>>
>>>>>>
>>>>>> EK Sound <spamnot.info@eksoundNO.com> wrote:
>>>>>>
>>>>>>> Non broadcast, non interleaved .wav's can be imported... or PAF/WAV
>>>>>>> Convert can be used on the files.
>>>>>>>
>>>>>>> David.
>>>>>>>
>>>>>>> DC wrote:
>>>>>>>
>>>>>>>
>>>>>>>> Say someone has some tracks in cubase and wants to mix them in
>>>>>>>> Paris (in a different city). Is there an audio file format Cubase
>>>> can
>>>>
>>>>>>>> output that Paris will open?
>>>>>>>>
>>>>>>>> thanks!
>>>>>>>>
>>>>>>>> DC
>>>>>>>>
>>Paris just gets deader every day huh? hehe
Mike Audet wrote:
> Hi Everybody,
>
> Someone named New Venture Services Corp has picked up the myparispro.com
> domain and registered it through December 2006.
>
> I hope Chuck is ok. I noticed that greatidea.com has been down for over
> a month now.
>
> MikeAre any present DAW's compensating for earlyency? If not, one simple
solution may be to move closer to your speakers, according to the
formula 1 ft. = 1 ms. Thus, if earlyency is detected at 3 ms, you
simply sit on top of your console when doing critical monitoring. For
earlyency greater than 3 ms (or is it "less"?) it may be best to have
the speakers placed just behind the listening position, pointing the
other way. Either way -- another triumph of technology... We're lucky
to be living in times like these...
chas.
On Sat, 4 Feb 2006 11:28:19 -0800, "RZ" <pearlmusic@sbcglobal.net>
wrote:
>And in some cases have been known to start playback even before recording.
>It's known as negative latency, or sometimes referred to as earlyency.
>Really awesome technology.
>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>news:43e4ac5c@linux...
>> I've heard that these start writing audio data before you even hit
>> rec>play.
>>
>> ;o)
>>
>> "James McCloskey" <excelsm@hotmail.com> wrote in message
>> news:43e48244$1@linux...
>>>
>>> 10,000rpm,16mb cache, NCQ support!
>>>
>>> http://www.wdraptorx.com/photos/
>>
>>
>Thanks muchly Mike
"Mike R." <emarenot@yahoo.com> wrote in message news:43e614c1@linux...
> Hey Don,
> If I don't want plugs to show up in Paris I simply move the .dll's to
> another folder. If you do this while Paris is running, you have to
> restart
> the application before the changes will be recognized. I generally
> organize
> my plugs into three folders: one folder for plug manuals and notes, one
> for
> plugs I'm not using, and one for plugs I am using. FWIW I hope this
> helps.
> MR
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:43e5ee4e$1@linux...
>> Hi All
>>
>> Dumb Q time again
>>
>> I have a slew of waves plugs I never use...do I just remove (relocate)
>> the
>> .dll's from the waves folder?
>>
>> Does the same go for plugs in the Paris VST folder?
>>
>> Don
>>
>>
>
>where do you put plugins in, in Paris 3?
SteveI'm guessing that the latency with the UAD-1 cards could most easily be
solved by bussing all tracks with UAD-1 plugins to a separate set of
reference monitors placing thems 36 feet behind the mix position, set up a
stereo pair of room mics at the mix position facing backwards towards the
monitors and reamping the UAD tracks.;o)
"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
news:k4dcu19948qosmqpu1l1gagqtkddeda4b1@4ax.com...
>
> Are any present DAW's compensating for earlyency? If not, one simple
> solution may be to move closer to your speakers, according to the
> formula 1 ft. = 1 ms. Thus, if earlyency is detected at 3 ms, you
> simply sit on top of your console when doing critical monitoring. For
> earlyency greater than 3 ms (or is it "less"?) it may be best to have
> the speakers placed just behind the listening position, pointing the
> other way. Either way -- another triumph of technology... We're lucky
> to be living in times like these...
>
> chas.
>
> On Sat, 4 Feb 2006 11:28:19 -0800, "RZ" <pearlmusic@sbcglobal.net>
> wrote:
>
> >And in some cases have been known to start playback even before
recording.
> >It's known as negative latency, or sometimes referred to as earlyency.
> >Really awesome technology.
> >
> >
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> >news:43e4ac5c@linux...
> >> I've heard that these start writing audio data before you even hit
> >> rec>play.
> >>
> >> ;o)
> >>
> >> "James McCloskey" <excelsm@hotmail.com> wrote in message
> >> news:43e48244$1@linux...
> >>>
> >>> 10,000rpm,16mb cache, NCQ support!
> >>>
> >>> http://www.wdraptorx.com/photos/
> >>
> >>
> >
>"WAYNE DAVIS" <davissoundrecording@verizon.net> wrote:
>I used to frequent these boards back when Chuck still had it. Unforunately,
>I have since moved on from PARIS. However, I still have 3 EDS cards, a 442,
>(2) MEC's an ADAT Module and (2) each of the 24 bit i/o. I am looking to
>sell them all. If any of you are interested, please e mail me here
>wayneatavericomdotcom Sorry about the phonetics. Anyway, would be cool to
>off load this equipment to you folks still using Paris. Thanks.
>
>Wayne Davis
>Avericom Communications
>846 Route 73 South
>West Berlin, NJ 08091
>
>Hello Wayne,
I am interested. May I call you? my # (715) 387-6740"James McCloskey" <excelsm@hotmail.com> wrote:
>
>"Steve Cox" <stevec1@charter.net> wrote:
>>
>>I am looking for any Paris Guitar effects plugins (VST)
>>Steve Cox Productions
>>
>
>Hey Steve! Welcome to the group. What operating system are you using?
>
>James
Hello James, OS9.2.2 for the Paris, could you E-mail me?
I stumbled across this post of you replying by accident and am having a heck
of a time figuring this forum out.
I REALLY need to find out how to properly install and use VST plugins.
SteveIt seems to have vanished also.
Seems like after I take this board offline tomorrow there'll be nothing left
of Paris... BWAhahahahaha... ;o)
....that's a joke son... funny funny ha ha. ;o)
Cheers,
Kim.My 12 year old daughter has been plugging away on a beat up old Yamaha and
I'm looking to get her something new in the $200 or less price range
Donfor vsts I make C:\Program Files\Steinberg\VSTPlugins and put them there
because that's where most apps want to install them. If the install
makes a subfolder I copy the dlls up to this folder. Make sure to set
the VST path to this folder in paris.
John
Steve wrote:
> where do you put plugins in, in Paris 3?
> Steveit was up the other day but today it's not so happy
Kim wrote:
> It seems to have vanished also.
>
> Seems like after I take this board offline tomorrow there'll be nothing left
> of Paris... BWAhahahahaha... ;o)
>
> ...that's a joke son... funny funny ha ha. ;o)
>
> Cheers,
> Kim.I have most of the paris utils if anyone needs them i can email them
Kim wrote:
> It seems to have vanished also.
>
> Seems like after I take this board offline tomorrow there'll be nothing left
> of Paris... BWAhahahahaha... ;o)
>
> ...that's a joke son... funny funny ha ha. ;o)
>
> Cheers,
> Kim.John <no@no.com> wrote:
>I have most of the paris utils if anyone needs them i can email them
I was after Rhyme, which I have at home, but I wanted it here on my work
box and haven't got a copy here. I found it in the end on another site though.
Thanks anyhow.
Cheers,
Kim.Unless it is ugly and that turns her off (which is perfectly valid) does the
Yamaha sound OK? One thing I think is important for a beginner is to have an
instrument that is set up really well so it is easy to fret and does not
hurt to play. A lot of new instruments in that price range will not play
well, so if the Yammy is potentially OK, I would spend $50 on getting it set
up really nicely. instead.
"Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
> My 12 year old daughter has been plugging away on a beat up old Yamaha and
> I'm looking to get her something new in the $200 or less price range
>
> Don
>Put them in the same folder as your exixting Paris FX.
They should show up on your next start up
Don
"Steve" <stevec1@charter.net> wrote in message news:43e67d37$1@linux...
>
>I'll be looking into it this week...basically the action is really high so I
don't know what can be done to it...our local repair guy will be able to
answer that for sure
Don
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e6896b@linux...
> Unless it is ugly and that turns her off (which is perfectly valid) does
> the Yamaha sound OK? One thing I think is important for a beginner is to
> have an instrument that is set up really well so it is easy to fret and
> does not hurt to play. A lot of new instruments in that price range will
> not play well, so if the Yammy is potentially OK, I would spend $50 on
> getting it set up really nicely. instead.
>
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
>> My 12 year old daughter has been plugging away on a beat up old Yamaha
>> and I'm looking to get her something new in the $200 or less price range
>>
>> Don
>>
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>Put them in the same folder as your exixting Paris FX.
>
>They should show up on your next start up
>
>Don
>
>That's just my problem... Where in the world is this "FX" folder?Would you
consider letting me call you. I'm at 715-387-6740
Please e-mail me if you don't mind...stevec1@charter.net
>"Steve" <stevec1@charter.net> wrote in message news:43e67d37$1@linux...
>>
>>
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>Put them in the same folder as your exixting Paris FX.
>
>They should show up on your next start up
>
>Don
>
>That's just my problem... Where in the world is this "FX" folder?Would you
consider letting me call you. I'm at 715-387-6740
Please e-mail me if you don't mind...stevec1@charter.net
>"Steve"
<stevec1@charter.net> wrote in message news:43e67d37$1@linux...
>>Please tell me if you don't mind step by step what to do.
BTW it's a Mac G4
>>
>
>I'm not at my rig now but first thing tomorrow morning I'll email you.
Are you using 2.2 or 3.0
And to clarify, what are you trying to install.
Don
"Steve" <stevec1@charter.net> wrote in message news:43e6a339$1@linux...
>
> "Don Nafe" <dnafe@magma.ca> wrote:
>>Put them in the same folder as your exixting Paris FX.
>>
>>They should show up on your next start up
>>
>>Don
>>
>>That's just my problem... Where in the world is this "FX" folder?Would you
> consider letting me call you. I'm at 715-387-6740
> Please e-mail me if you don't mind...stevec1@charter.net
>>"Steve"
> <stevec1@charter.net> wrote in message news:43e67d37$1@linux...
>>>Please tell me if you don't mind step by step what to do.
> BTW it's a Mac G4
>>>
>>
>>
>Paris latencies:
Round trip via insert (EDS "External") through SPDIF I/O = 1 Sample
Round trip via insert (EDS "External") through MEC 24 bit
analog Out to analog In = 60 Samples = 1.36ms/44.1KHz or 1.25ms/48K
Total record and monitor path (Channel In/Stereo Master Out) MEC 24 bit
analog In to analog Out = 66 Samples = 1.5ms/44.1Khz or 1.375ms/48KHz
EDS compressor with no lookahead = 2 Samples
EDS EQ = 0 Samples
You shouldn't have any problems with audible latency at 1.5ms or 1.375ms
Deej
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:43e63060$1@linux...
|
|
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63101 is a reply to message #63093] |
Sun, 15 January 2006 13:18 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
gt; > Paris On ;)
> >
> >dave
> >
> >
> >
> >We went down to Santa Fe over the weekend. Last night we spent the night at
the Abiquiu Inn. this is located on the site of Georgia O'Keefe's home and
studio. It's a beautiful, rustic place and the natural sunlight and
spectcular scenery in and around here and to the north in the area that is
called Ghost Ranch. There was a a director and crew there scouting locations
for shooting some sort of sequel to Lonesome Dove. I used to live in LA and
had some family and friends involved in the movie industry so I hung around
this a bit in the 70's and again in the late 80's/early 90's in Austin when
a lot of movies were being made there. I had forgotten how overly dramatic,
demanding, rude and downright bizarre some folks in this industry feel
entitled to act..
Our dogs didn't like them at all.
;o)Hi Bill,
Your system sounds very nice indeed and I've often thought of moving to a
dedicated digital mixer myself. As long as this old dog continues to hunt,
I'll leep feeding it.
;o)
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
news:43e4c9c9$1@linux...
> DJ,
>
> I did not mean to sound condescending or like I was putting your system
> down. I just had the impression you were having trouble with it. Anyway,
> it's your game and you should play any way you want. I just like to share
my
> successful actions with others in case they can use the tips. Have fun!
>
> BTW I am really interested in your possible mic shoot-out of the Gemini
and
> the 47. I am thinking about getting a Gemini (when I have some time to
> really check it out).
>
> Bill
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43e4354c@linux...
> > My standard is what I've learned over the years as a
> >> studio owner and engineer: it has to work properly all the time or it
is
> > not
> >> professional.
> >>
> >> Give yourself a break, man.
> >>
> > Hi Bill,
> >
> > Well.....actually like I said, it's working fine. It's just not doing
some
> > things that I expected. I'm able to access 15 UAD-1 plugins at 40% of
the
> > available resources Any more than that and there is a problem. It may be
> > as
> > simple as moving a UAD-1 card or *removing* a UAD-1 card. Other than
that,
> > it's rock solid and I have a methodology that is working for me. Also,
15
> > UAD-1 plugins is a lot. I'm not really complaining about the number,
just
> > the fact that theoretically, I should be able to use 95% of my UAD
> > resources. In practice, I seldom use 15 UAD plugins in a mix, though
those
> > Pultecs sure come in handy. I probably use the Pultec more than anything
> > else. Anyway, my earlier rant was speculative, just because I think it's
> > fun
> > to push this as far as possble, but actually our systems aren't that
> > different. My digital mixer is Paris. The cue system is a Furman HDS 16
> > system with remote HRM 16 mixers. This is a very cool and flexible
setup.
> > I
> > track to Paris.I transfer to SX mix back to Paris. It's routed digitally
> > in
> > a number of ways. I'm used to doing it so it doesn't present any
> > particular
> > diffuiculties to me. You have a digital mixer and two computers. I have
I
> > have three computers and sync'ed to a house clock one of which functions
> > as
> > an outboard digital mixer.. No problems there. I've been experimenting
> > with
> > clock cable runs and have discovered a few limitations there as well,
but
> > it's all good really......just never *perfected*.
> >
> > ;o)
> > .
> >
> >
> > "Bill Lorentzen" <bill@lorentzen.ws> wrote in message
> > news:43e4248c$1@linux...
> >> When I read about what you are doing I am so happy about my simple
setup
> >> with 2 computers, a digital mixer and some outboard pres. The mixer
> > provides
> >> all my routing, headphone, talkback and monitoring and I monitor VSTis
on
> >> the second machine, while tracking them to the primary machine, to
avoid
> >> latency problems. My standard is what I've learned over the years as a
> >> studio owner and engineer: it has to work properly all the time or it
is
> > not
> >> professional.
> >>
> >> Give yourself a break, man.
> >>
> >>
> >> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> >> news:43e40d87$1@linux...
> >> >
> >> > Sounds like your main computer (henceforth referred to as "The Mother
> >> > Ship");
> >> > should have a MADI card, feeding the RME MADI Bridge, feeding
multiple
> >> > ADAT
> >> > breakout boxes.
> >> >
> >> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >>I need all of my ADAT optical outputs to be sending to Paris, not
back
> > and
> >> >>forth between two computers running Cubase. All RME ADAT optical
> >> >>outputs
> >> >>would need to be feeding Paris ADAT inputs, thus, when mixing in
cubase
> >> > SX
> >> >>only the ADAT outputs would still be monitored through Paris but the
> >> >>two
> >> >>Cubase computers would need to be timeline synced to each other and
> >> >>controlled by the Steinberg Houston controller. Then at final
mixdwon,
> >> >>bioth
> >> >>Cubase computers would need to be slaved to Paris. No ADAT inputs
> > between
> >> >>the Cubase computers at all.
> >> >
> >>
> >>
> >
> >
>
>Don-
Do you have a friend who's a good guitar player? If you know one, ask if
they'll go with you to a store with lots of used guitars, and have them try
'em out and see if there's a good cheap one. There's often one good cheap
one. If not, well, you haven't lost anything but some time, and perhaps you'll
pick up some pointers.
If you find one, have your daughter try it. If it makes her want to play
and it's easy to play and sounds good, you've got a winner.
I haven't bought a new guitar since 1971. (And that one turned out to be
a lemon...)
-steve
"Don Nafe" <dnafe@magma.ca> wrote:
>I'll be looking into it this week...basically the action is really high
so I
>don't know what can be done to it...our local repair guy will be able to
>answer that for sure
>
>Don
>
>
>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e6896b@linux...
>> Unless it is ugly and that turns her off (which is perfectly valid) does
>> the Yamaha sound OK? One thing I think is important for a beginner is
to
>> have an instrument that is set up really well so it is easy to fret and
>> does not hurt to play. A lot of new instruments in that price range will
>> not play well, so if the Yammy is potentially OK, I would spend $50 on
>> getting it set up really nicely. instead.
>>
>>
>> "Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
>>> My 12 year old daughter has been plugging away on a beat up old Yamaha
>>> and I'm looking to get her something new in the $200 or less price range
>>>
>>> Don
>>>
>>
>>
>
>> Our dogs didn't like them at all.
>
> ;o)
>
Guess that settles it
;-)If you were a little more brokeback they may have treated you better or
given you an award or something.
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e6ba15$1@linux...
> We went down to Santa Fe over the weekend. Last night we spent the night
> at
> the Abiquiu Inn. this is located on the site of Georgia O'Keefe's home and
> studio. It's a beautiful, rustic place and the natural sunlight and
> spectcular scenery in and around here and to the north in the area that is
> called Ghost Ranch. There was a a director and crew there scouting
> locations
> for shooting some sort of sequel to Lonesome Dove. I used to live in LA
> and
> had some family and friends involved in the movie industry so I hung
> around
> this a bit in the 70's and again in the late 80's/early 90's in Austin
> when
> a lot of movies were being made there. I had forgotten how overly
> dramatic,
> demanding, rude and downright bizarre some folks in this industry feel
> entitled to act..
>
> Our dogs didn't like them at all.
>
> ;o)
>
>So I've gone out of town and decided to take a scaled down
version of my rig to do some mixing.
Previous settup:
4 EDS
2 MEC
PARIS 3.0 all clocked with GenX
I've brought with me 1 MEC and planned to use the internal clock.
Hooked everything up and I get error intializing PARIS engine.
No interface connected to master card.I've also gotten a 18/12
error.
In the Paris.cfg file I noticed MasterOutput Card=0.Should the 0
be an actual number(1 maybe)?
Any help?
Guess I should just not mess with the rig when its working.
TIA,
PeteI have an entire Paris system sitting in my garage in the original boxes.
Has the MEC uni and 8 inputs, 8 outputs. Everything in tact, all software...and
a computer with everything installed as well. I shut down my studio about
a year ago and the Paris has been sitting dormant ever since. I'm looking
for a new home for it. Anyone interested or know of someone looking for one?
Thanks... purplebandalero@yahoo.comSteve,
You can put your VST plug-ins in any folder actually. Here's what I
would suggest though. Make an empty folder and name it "VST Plug-Ins".
Put it where ever you want. I put mine in my PARIS 3.0 folder. Start
PARIS and go to the "Project" window. Click on "Settings" and then
select "Set VST Path...". Navigate to and select the folder you made.
Viola! ;>)
TonyI got right in. Must be a hiccup of some sort. I was there earlier this week
as well, I've noted no problems.
Still not working for you?
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43e68644$1@linux...
>
> John <no@no.com> wrote:
>>I have most of the paris utils if anyone needs them i can email them
>
> I was after Rhyme, which I have at home, but I wanted it here on my work
> box and haven't got a copy here. I found it in the end on another site
> though.
> Thanks anyhow.
>
> Cheers,
> Kim.No actually it's working again now.
I noted that www.archive.org also had no updates for a while and thought
the worst.
Must have been a temporary glitch... unless it's blocked at my work. I have
changed locations.
Cheers,
Kim.
"Aaron Allen" <nospam@not_here.dude> wrote:
>I got right in. Must be a hiccup of some sort. I was there earlier this
week
>as well, I've noted no problems.
>Still not working for you?
>
>AA
>
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63103 is a reply to message #63083] |
Sun, 15 January 2006 15:04 |
TCB
Messages: 1261
Registered: July 2007
|
Senior Member |
|
|
s ok. I noticed that greatidea.com has been down for over
>> a month now.
>>
>> MikeWhere were the cheerleaders? In my day there was lots of camera time
spent on the cheerleaders.
The Stones appeared to actually be live which was cool but that had to
be the worst guitar solo in Satisfaction that I have ever heard. hahahaahSince the plugin apps all seem to install to C:\Program
Files\Steinberg\VSTPlugins I suggest making that dir and point to them
to avoid having to find the new path with each vst install.
John
Tony Benson wrote:
> Steve,
>
> You can put your VST plug-ins in any folder actually. Here's what I
> would suggest though. Make an empty folder and name it "VST Plug-Ins".
> Put it where ever you want. I put mine in my PARIS 3.0 folder. Start
> PARIS and go to the "Project" window. Click on "Settings" and then
> select "Set VST Path...". Navigate to and select the folder you made.
> Viola! ;>)
>
> TonySteve' on a MAC by the way...
Don
"John" <no@no.com> wrote in message news:43e73d64@linux...
> Since the plugin apps all seem to install to C:\Program
> Files\Steinberg\VSTPlugins I suggest making that dir and point to them
> to avoid having to find the new path with each vst install.
> John
>
> Tony Benson wrote:
>> Steve,
>>
>> You can put your VST plug-ins in any folder actually. Here's what I would
>> suggest though. Make an empty folder and name it "VST Plug-Ins". Put it
>> where ever you want. I put mine in my PARIS 3.0 folder. Start PARIS and
>> go to the "Project" window. Click on "Settings" and then select "Set VST
>> Path...". Navigate to and select the folder you made. Viola! ;>)
>>
>> TonyHere are some of my picks for the coolest recording gear from 2006 winter
NAMM show.
Alesis io 26 is some bang for the buck on I/Os, check it out. Similar to
the I/O configuration of the Focusrite Pro 26 I/O, their using a T.C. electronic
chips. $599.00 list.
http://www.alesis.com/product.php?id=96
Apogee symphony PCI Express with up to 96 ch. and Ensemble FireWire interface
with 36 ch. of I/O.
http://www.apogeedigital.com/products/
Lexicon MX400 And MX400XL Dual Stereo/Surround Reverb Processors.
You XP guys might be able to add a lexicon unit to your Paris rig???
http://namm.harmony-central.com/WNAMM06/Content/Lexicon/PR/M X400-MX400XL.html
PerSonus FireStudio
http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FireStudio.html
PreSonus FireMax FS 8-ch. light pipe mic pre.
http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ DigiMax-FS.html
PreSonus Fade Port USB/MIDI Controller
http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FaderPort.html
My number one pick has got to be the Focusrite Saffire pro 26 I/O FireWire
interface! 52 I/O, 26 inputs and 26 outputs in a single rack space! You
can daisy chain three of them for a total of 156 I/O!!! that would be 96
I/O ch. of light pipe, 48 in and 48 out! Hey Deej! If you could live with
48 ch. of light pipe in and 48 out, this could free up some PCI slots!
The cost, $699.00 MAP.
The reasons the Focusrite Saffire Pro 26 I/O would work for me. Add the
Gator Case Studio To Go and this would make a great portable recording rig.
It's rumored that Focusrite will implement stand alone mode in the future,
which would turn it in to a stand alone 8 ch. mic pre. It would make a good
16 ch. light pipe computer interface for my Panasonic DA-7 MKII digital mixer
or any other digital mixer and it would add 8 mic pres and SP/DIF. It's
cool that I could quickly move it around for computer to computer simply
by unplugging the FireWire cable. It would be the perfect inter face for
the second computer in the dual computer Paris rig. 16 ch. light pipe, 8
additional ch. of analog I/O, 8 focusrite mic pres, SP/DIF, WC, MIDI I/O
and 2 head phone out puts, for $699.00!!! I think they just knocked off
MOTU.
The one thing that is a bummer is, they didn't include the DSP chip for effects
processing like they did on the original Saffire, but they did include VST
and AU plugins of their effects.
http://namm.harmony-central.com/WNAMM06/Content/Focusrite/PR /Saffire-Pro-26i-o.html
http://www.focusrite.com/
Video
http://namm.harmony-central.com/WNAMM06/
http://www.sonicstate.com/news/wnamm06.cfm
Check out the video for Gator cases studio to go soft case and Pedal Tote,
both vary cool!
http://namm.harmony-central.com/WNAMM06/
Studio To Go, Hard case
http://namm.harmony-central.com/WNAMM05/Content/Gator/PR/GRC -Studio-2-Go.html
JamesJohn <no@no.com> wrote:
>Where were the cheerleaders? In my day there was lots of camera time
>spent on the cheerleaders.
>
>The Stones appeared to actually be live which was cool but that had to
>be the worst guitar solo in Satisfaction that I have ever heard. hahahaah
What do you want from a drug induced fossilized corpse?rick <parnell68@hotmail.com> wrote:
>kinda like my mac. it appears to have bitten the big apple....this
>c
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63106 is a reply to message #63100] |
Sun, 15 January 2006 16:16 |
Chris Wargo
Messages: 45
Registered: November 2005
|
Member |
|
|
ident and am having a
heck
>of a time figuring this forum out.
>I REALLY need to find out how to properly install and use VST plugins.
>Steve
>Looks like the 18/12 is an ADAT issue,but I've only gotten this
1 time.
I didn't bring my GenX clock and I'm wondering if that is my
problem.I figured since I was using just 1 MEC I didn't need it
though most of my projects were clocked with it.
Figured I could open the projects then switch them to internal
clock;maybe I was wrong.I'm trying to open a default project
then opening the other projects,but no worky so far.
Pete
"Pete Ruthenburg" <ruthenburg@insightbb.com> wrote:
>
> So I've gone out of town and decided to take a scaled down
>version of my rig to do some mixing.
> Previous settup:
> 4 EDS
> 2 MEC
> PARIS 3.0 all clocked with GenX
>
>I've brought with me 1 MEC and planned to use the internal clock.
>
>Hooked everything up and I get error intializing PARIS engine.
>No interface connected to master card.I've also gotten a 18/12
>error.
>
>In the Paris.cfg file I noticed MasterOutput Card=0.Should the 0
>be an actual number(1 maybe)?
>
>Any help?
>Guess I should just not mess with the rig when its working.
>
>TIA,
>PeteMichael, I'm interested in the unit, how much are you asking for it?
-Will
"Michael" <purplebandalero@yahoo.com> wrote:
>
>I have an entire Paris system sitting in my garage in the original boxes.
>Has the MEC uni and 8 inputs, 8 outputs. Everything in tact, all software...and
>a computer with everything installed as well. I shut down my studio about
>a year ago and the Paris has been sitting dormant ever since. I'm looking
>for a new home for it. Anyone interested or know of someone looking for
one?
>Thanks... purplebandalero@yahoo.comLet us know - you selling your Truths or are you keeping them?
"Rob Arsenault" <mani2@nbnet.nb.ca> wrote:
>Yea Rich, I went with the Dyn BM6As, should be in next Wednesday. Keep you
>guys posted.
>
>
>"rich" <studiodog_99@yahoo.com> wrote in message news:43e224cd$
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63107 is a reply to message #63106] |
Sun, 15 January 2006 15:37 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
href="mailto:1@linux..." target="_blank">1@linux...
>>
>> Rob - did you settle on the Dyna monitors - EM had a review of them in
the
>> I think it was Dec mag. (the one with the year end awards etc) you might
>> want to take a look at it... I'm still looking but my small budget
>(project
>> studio here) seems to take to the Truths, samsons or alesis. I have a
>friend
>> who has the Events 20/20 but when I check his mixes they are always bass
>> heavy so I'm a bit leary of those...
>>
>>
>> "Rob Arsenault" <mani2@nbnet.nb.ca> wrote:
>> >Manual, what manual???
>> >Opps..!! did I say that out loud?
>> >
>> >
>> >
>> >"John" <no@no.com> wrote in message news:43e0a722$1@linux...
>> >> Isnt' that in the manual? hehe
>> >>
>> >> Rob Arsenault wrote:
>> >> > To move automation points sideways, select em , hold shift and drag
>> em.
>> >> > After 6 years with Paris, discovered this one tonight, go figure.
>> >> >
>> >> > Wonder what else I missed...??
>> >> > Rob A
>> >> >
>> >> >
>> >> >
>> >> >
>> >
>> >
>>
>
>with the cost of shipping today...are you nuts??? ;o)
well here's what been done so far.
1. tested each stick of ram and one (3 times) failed to boot. removed
that from the equation and the rig ran long enough for a new tiger
install plus some drivers and was shut down till the next day. it
wouldn't post.
2. replaced main drive with a new drive and rig still wouldn't post.
(no boot chime)
3. replaced logic board battery and did pm reset several times spaced
about 10 minutes apart. still won't post
4. cpu cooling fan comes on after about 15 seconds and stays on; still
no post.
5. discussed this with the apple repair facility this morning for
about an hour going over all the happenings and the consensus
is...it's one dead mofo.
6. got 20 acres and i'm taking my little buddy hunting out back for
some shooting lessons.
On 7 Feb 2006 02:17:27 +1000, "James McCloskey" <excelsm@hotmail.com>
wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>kinda like my mac. it appears to have bitten the big apple....this
>>could be the happiest day of my life.
>
>Hey Rick! Why don't you just send it to me, I'll send you a hundred bucks
>and you'll be out of your Mac misery!
>
>James
>
>P.S. I'm in MI too.
>>
>>On Sun, 05 Feb 2006 12:28:06 -0500, John <no@no.com> wrote:
>>
>>>Paris just gets deader every day huh? hehe
>>>
>>>Mike Audet wrote:
>>>> Hi Everybody,
>
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63108 is a reply to message #63095] |
Sun, 15 January 2006 19:00 |
emarenot
Messages: 345
Registered: June 2005
|
Senior Member |
|
|
;>>>
>>>> Someone named New Venture Services Corp has picked up the myparispro.com
>>>> domain and registered it through December 2006.
>>>>
>>>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>>>> a month now.
>>>>
>>>> Mike
>>This is a multi-part message in MIME format.
------=_NextPart_000_004D_01C62B10.F63E58B0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Pete,
This happened to me using Paris XP and two
ADAT modules in one MEC. If you can lose an
ADAT module or split them into two MECs it
should be okay.
Tom
"Pete" <ruthenburg@insightbb.com> wrote in message =
news:43e76e53$1@linux...
Looks like the 18/12 is an ADAT issue,but I've only gotten this
1 time.
I didn't bring my GenX clock and I'm wondering if that is my
problem.I figured since I was using just 1 MEC I didn't need it
though most of my projects were clocked with it.
Figured I could open the projects then switch them to internal
clock;maybe I was wrong.I'm trying to open a default project=20
then opening the other projects,but no worky so far.
Pete
"Pete Ruthenburg" <ruthenburg@insightbb.com> wrote:
>
> So I've gone out of town and decided to take a scaled down=20
>version of my rig to do some mixing.
> Previous settup:
> 4 EDS
> 2 MEC
> PARIS 3.0 all clocked with GenX
>
>I've brought with me 1 MEC and planned to use the internal clock.
>
>Hooked everything up and I get error intializing PARIS engine.
>No interface connected to master card.I've also gotten a 18/12
>error.
>
>In the Paris.cfg file I noticed MasterOutput Card=3D0.Should the 0
>be an actual number(1 maybe)?
>
>Any help?
>Guess I should just not mess with the rig when its working.
>
>TIA,
>Pete
------=_NextPart_000_004D_01C62B10.F63E58B0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Pete,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This happened to me using Paris XP and=20
two</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>ADAT modules in one MEC. If you =
can lose=20
an</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>ADAT module or split them into two MECs =
it</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>should be okay.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Pete" <<A=20
=
href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
wrote=20
in message <A=20
=
href=3D"news:43e76e53$1@linux">news:43e76e53$1@linux</A>...</DIV><BR>Look=
s like=20
the 18/12 is an ADAT issue,but I've only gotten this<BR>1 =
time.<BR><BR>I=20
didn't bring my GenX clock and I'm wondering if that is =
my<BR>problem.I=20
figured since I was using just 1 MEC I didn't need it<BR>though most =
of my=20
projects were clocked with it.<BR> Figured I could open the =
projects=20
then switch them to internal<BR>clock;maybe I was wrong.I'm trying to =
open a=20
default project <BR>then opening the other projects,but no worky so=20
far.<BR><BR>Pete<BR><BR>"Pete Ruthenburg" <<A=20
=
href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
=20
wrote:<BR>><BR>> So I've gone out of town and decided to take a =
scaled=20
down <BR>>version of my rig to do some mixing.<BR>> =
Previous=20
=
settup:<BR> > &a mp;nbsp; &nbs=
p; &nbs p; =20
4=20
=
EDS<BR> > &a mp;nbsp; &n=
bsp; &n bsp; =20
2=20
=
MEC<BR> > &a mp;nbsp; &n=
bsp; &n bsp; =20
PARIS 3.0 all clocked with GenX<BR>><BR>>I've brought with me 1 =
MEC and=20
planned to use the internal clock.<BR>><BR>>Hooked everything up =
and I=20
get error intializing PARIS engine.<BR>>No interface connected to =
master=20
card.I've also gotten a 18/12<BR>>error.<BR>><BR>>In the =
Paris.cfg=20
file I noticed MasterOutput Card=3D0.Should the 0<BR>>be an actual =
number(1=20
maybe)?<BR>><BR>>Any help?<BR>>Guess I should just not mess =
with the=20
rig when its=20
working.<BR>><BR>>TIA,<BR>>Pete<BR ></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_004D_01C62B10.F63E58B0--Ddi you ever get the issue fixed?
Phil
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:43df7862$1@linux...
>
> I crashed our upstairs computer's hard drive and lost EVERYTHING!
Including
> my old OS 9 version of Netscape, which was how I accessed this group. We
> use Microsoft Office's Entourage for email, but I can't for the life of me
> figure out how to get this newsgroup into it. Any suggestions?
>
> Thanks!
>
> GanttGreetings from Motown!!!
Since this year Super Bowl was in my home town, i have to say that this past
week has been a Blast!!! Oh yeah, there was a game too.:)
I love the Stones show. They were actually playing live!! As for the solo
at the end, hey that's just the stones. I love it!!
LaMont
John <no@no.com> wrote:
>Where were the cheerleaders? In my day there was lots of camera time
>spent on the cheerleaders.
>
>The Stones appeared to actually be live which was cool but that had to
>be the worst guitar solo in Satisfaction that I have ever heard. hahahaahMake sure you take video of this and send to Apple.
David.
rick wrote:
> 6. got 20 acres and i'm taking my little buddy hunting out back for
> some shooting lessons.
>Hey Don,
Have you checked out the Baby Taylor or the stuff from Daisy Rock yet?
Glad to hear there's another musician coming up. My 15 year old daughter
plays electric and upright bass and is just starting trumpet. My 12 year
old son plays guitar and trombone.
I played the Baby and it's a great guitar for the money.
Hope this helps!
Mark
"Don Nafe" <dnafe@magma.ca> wrote:
>I'll be looking into it this week...basically the action is really high
so I
>don't know what can be done to it...our local repair guy will be able to
>answer that for sure
>
>Don
>
>
>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e6896b@linux...
>> Unless it is ugly and that turns her off (which is perfectly valid) does
>> the Yamaha sound OK? One thing I think is important for a beginner is
to
>> have an instrument that is set up really well so it is easy to fret and
>> does not hurt to play. A lot of new instruments in that price range will
>> not play well, so if the Yammy is potentially OK, I would spend $50 on
>> getting it set up really nicely. instead.
>>
>>
>> "Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
>>> My 12 year old daughter has been plugging away on a beat up old Yamaha
>>> and I'm looking to get her something new in the $200 or less price range
>>>
>>> Don
>>>
>>
>>
>
>I've got 1 ADAT in the mec,but I don't thik this is the
problem.
I installed 1 EDS and it was saying not enough free resources.
I was getting gcCreateControl:ran out of controllers.[0/0}
Still wondering if I had my word clock would I have had these
issues at all;should of remembered to bring the damn thing.
Pete
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Pete,
>This happened to me using Paris XP and two
>ADAT modules in one MEC. If you can lose an
>ADAT module or split them into two MECs it
>should be okay.
>Tom
> "Pete" <ruthenburg@insightbb.com> wrote in message =
>news:43e76e53$1@linux...
>
> Looks like the 18/12 is an ADAT issue,but I've only gotten this
> 1 time.
>
> I didn't bring my GenX clock and I'm wondering if that is my
> problem.I figured since I was using just 1 MEC I didn't need it
> though most of my projects were clocked with it.
> Figured I could open the projects then switch them to internal
> clock;maybe I was wrong.I'm trying to open a default project=20
> then opening the other projects,but no worky so far.
>
> Pete
>
> "Pete Ruthenburg" <ruthenburg@insightbb.com> wrote:
> >
> > So I've gone out of town and decided to take a scaled down=20
> >version of my rig to do some mixing.
> > Previous settup:
> > 4 EDS
> > 2 MEC
> > PARIS 3.0 all clocked with GenX
> >
> >I've brought with me 1 MEC and planned to use the internal clock.
> >
> >Hooked everything up and I get error intializing PARIS engine.
> >No interface connected to master card.I've also gotten a 18/12
> >error.
> >
> >In the Paris.cfg file I noticed MasterOutput Card=3D0.Should the 0
> >be an actual number(1 maybe)?
> >
> >Any help?
> >Guess I should just not mess with the rig when its working.
> >
> >TIA,
> >Pete
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Pete,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>This happened to me using Paris XP and=20
>two</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>ADAT modules in one MEC. If you =
>can lose=20
>an</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>ADAT module or split them into two MECs
=
>
>it</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>should be okay.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Pete" <<A=20
> =
>href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
> wrote=20
> in message <A=20
> =
>href=3D"news:43e76e53$1@linux">news:43e76e53$1@linux</A>...</DIV><BR>Look=
>s like=20
> the 18/12 is an ADAT issue,but I've only gotten this<BR>1 =
>time.<BR><BR>I=20
> didn't bring my GenX clock and I'm wondering if that is =
>my<BR>problem.I=20
> figured since I was using just 1 MEC I didn't need it<BR>though most =
>of my=20
> projects were clocked with it.<BR> Figured I could open the =
>projects=20
> then switch them to internal<BR>clock;maybe I was wrong.I'm trying to
=
>open a=20
> default project <BR>then opening the other projects,but no worky so=20
> far.<BR><BR>Pete<BR><BR>"Pete Ruthenburg" <<A=20
> =
>href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
>=20
> wrote:<BR>><BR>> So I've gone out of town and decided to take a =
>scaled=20
> down <BR>>version of my rig to do some mixing.<BR>> =
>Previous=20
> =
>settup:<BR>> &nbs=
>p; =20
> 4=20
> =
>EDS<BR>> &n=
>bsp; =20
> 2=20
> =
>MEC<BR>> &n=
>bsp; =20
> PARIS 3.0 all clocked with GenX<BR>><BR>>I've brought with me 1 =
>MEC and=20
> planned to use the internal clock.<BR>><BR>>Hooked everything up =
>and I=20
> get error intializing PARIS engine.<BR>>No interface connected to =
>master=20
> card.I've also gotten a 18/12<BR>>error.<BR>><BR>>In the =
>Paris.cfg=20
> file I noticed MasterOutput Card=3D0.Should the 0<BR>>be an actual =
>number(1=20
> maybe)?<BR>><BR>>Any help?<BR>>Guess I should just not mess =
>with the=20
> rig when its=20
>working.<BR>><BR>>TIA,<BR>>Pete<BR></BLOCKQUOTE></BODY ></HTML>
>
>Anyone gotten this message?This is related to my
no interface connected to master card post below.
I installed 1 EDS and got this along with not enough free
resources.The ribbon connectors are still connected to the
other cards so next I'm going to disconnect;thinking that
could be a problem.Paris di boot up,but I got this after the
intialization period.
This is when I really love PARIS.You forget about how nice
it sounds when your in the middle of these scenerios:)
TIA,
Peteforgot to say when I have the 1 EDS installed it intializes,
but after that is when I get the not enough free resources
error.
Thanks Tom,
Pete
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Pete,
>This happened to me using Paris XP and two
>ADAT modules in one MEC. If you can lose an
>ADAT module or split them into two MECs it
>should be okay.
>Tom
> "Pete" <ruthenburg@insightbb.com> wrote in message =
>news:43e76e53$1@linux...
>
> Looks like the 18/12 is an ADAT issue,but I've only gotten this
> 1 time.
>
> I didn't bring my GenX clock and I'm wondering if that is my
> problem.I figured since I was using just 1 MEC I didn't need it
> though most of my projects were clocked with it.
> Figured I could open the projects then switch them to internal
> clock;maybe I was wrong.I'm trying to open a default project=20
> then opening the other projects,but no worky so far.
>
> Pete
>
> "Pete Ruthenburg" <ruthenburg@insightbb.com> wrote:
> >
> > So I've gone out of town and decided to take a scaled down=20
> >version of my rig to do some mixing.
> > Previous settup:
> > 4 EDS
> > 2 MEC
> > PARIS 3.0 all clocked with GenX
> >
> >I've brought with me 1 MEC and planned to use the internal clock.
> >
> >Hooked everything up and I get error intializing PARIS engine.
> >No interface connected to master card.I've also gotten a 18/12
> >error.
> >
> >In the Paris.cfg file I noticed MasterOutput Card=3D0.Should the 0
> >be an actual number(1 maybe)?
> >
> >Any help?
> >Guess I should just not mess with the rig when its working.
> >
> >TIA,
> >Pete
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Pete,</FONT></DIV>
><DIV><FON
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63110 is a reply to message #63108] |
Sun, 15 January 2006 19:14 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
t;DIV>"Pete" <<A=20
> =
>href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
> wrote=20
> in message <A=20
> =
>href=3D"news:43e76e53$1@linux">news:43e76e53$1@linux</A>...</DIV><BR>Look=
>s like=20
> the 18/12 is an ADAT issue,but I've only gotten this<BR>1 =
>time.<BR><BR>I=20
> didn't bring my GenX clock and I'm wondering if that is =
>my<BR>problem.I=20
> figured since I was using just 1 MEC I didn't need it<BR>though most =
>of my=20
> projects were clocked with it.<BR> Figured I could open the =
>projects=20
> then switch them to internal<BR>clock;maybe I was wrong.I'm trying to
=
>open a=20
> default project <BR>then opening the other projects,but no worky so=20
> far.<BR><BR>Pete<BR><BR>"Pete Ruthenburg" <<A=20
> =
>href=3D"mailto:ruthenburg@insightbb.com">ruthenburg@insightbb.com</A>>=
>=20
> wrote:<BR>><BR>> So I've gone out of town and decided to take a =
>scaled=20
> down <BR>>version of my rig to do some mixing.<BR>> =
>Previous=20
> =
>settup:<BR>> &nbs=
>p; =20
> 4=20
> =
>EDS<BR>> &n=
>bsp; =20
> 2=20
> =
>MEC<BR>> &n=
>bsp; =20
> PARIS 3.0 all clocked with GenX<BR>><BR>>I've brought with me 1 =
>MEC and=20
> planned to use the internal clock.<BR>><BR>>Hooked everything up =
>and I=20
> get error intializing PARIS engine.<BR>>No interface connected to =
>master=20
> card.I've also gotten a 18/12<BR>>error.<BR>><BR>>In the =
>Paris.cfg=20
> file I noticed MasterOutput Card=3D0.Should the 0<BR>>be an actual =
>number(1=20
> maybe)?<BR>><BR>>Any help?<BR>>Guess I should just not mess =
>with the=20
> rig when its=20
>working.<BR>><BR>>TIA,<BR>>Pete<BR></BLOCKQUOTE></BODY ></HTML>
>
>On 2/6/2006 10:34 AM, Pete wrote:
> forgot to say when I have the 1 EDS installed it intializes,
> but after that is when I get the not enough free resources
> error.
Windows or Mac? Did you try a completely fresh install? IOW, let PARIS create its own new Config files, etc?
I had a similar situation here. I have just one EDS card and a 442 on Win XP. System working fine until I installed a new PCI card (unrelated to PARIS) in the computer, and had to rearrange all the PCI cards including the EDI to different slots. Finally found out in the Hardware Manager the computer thought the EDS card was still in the old slot. I uninstalled the card from Hardware Manger, thereby forcing it to realize the new card location, reinstalled PARIS, and all was fine.
Curt
curt <at> curtcass <dot> comDon, check out Seagull guitars...a few stores in Ottawa carry them...Metro
Music being the place I'd recommend. Best to play them all though, since
they all sound (and are set-up) a little different. But, they're solid top
guitars, and sound a whole lot better than you'd expect for the price.
Big thing to consider though is instrument size...a full size drednaught
gtr might be too big for your daughter right now. Nut width will be a big
factor too. Maybe the baby taylor would be a better fit. It'd certainly be
worth her trying it to have something to compare against. I think Steve's
has one...I think they carry Seagull too.
Cheers,
Kris
"Mark McDermott" <mark@stateofwail.com> wrote:
>
>Hey Don,
>
>Have you checked out the Baby Taylor or the stuff from Daisy Rock yet?
>
>Glad to hear there's another musician coming up. My 15 year old daughter
>plays electric and upright bass and is just starting trumpet. My 12 year
>old son plays guitar and trombone.
>
>I played the Baby and it's a great guitar for the money.
>
>Hope this helps!
>
>Mark
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>>I'll be looking into it this week...basically the action is really high
>so I
>>don't know what can be done to it...our local repair guy will be able to
>
>>answer that for sure
>>
>>Don
>>
>>
>>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e6896b@linux...
>>> Unless it is ugly and that turns her off (which is perfectly valid) does
>
>>> the Yamaha sound OK? One thing I think is important for a beginner is
>to
>>> have an instrument that is set up really well so it is easy to fret and
>
>>> does not hurt to play. A lot of new instruments in that price range will
>
>>> not play well, so if the Yammy is potentially OK, I would spend $50 on
>
>>> getting it set up really nicely. instead.
>>>
>>>
>>> "Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
>>>> My 12 year old daughter has been plugging away on a beat up old Yamaha
>
>>>> and I'm looking to get her something new in the $200 or less price range
>>>>
>>>> Don
>>>>
>>>
>>>
>>
>>
>> "Michael" <purplebandalero@yahoo.com> wrote:
>I have an entire Paris system sitting in my garage in the original boxes.
On 2/6/2006 8:42 AM, Will Wilson wrote:
> Michael, I'm interested in the unit, how much are you asking for it?
Yeah, and where are you located?
CurtYes, if Steve were on a PC this would be correct. Since Steve's on a Mac
though he will have no "C:\Program Files" directory (or folder in Mac
speak). Most Mac OS 9.2.2 and older programs that install VST plugs, usually
prompt you for where to put them anyway.
Tony
"John" <no@no.com> wrote in message news:43e73d64@linux...
> Since the plugin apps all seem to install to C:\Program
> Files\Steinberg\VSTPlugins I suggest making that dir and point to them
> to avoid having to find the new path with each vst install.
> John
>
> Tony Benson wrote:
>> Steve,
>>
>> You can put your VST plug-ins in any folder actually. Here's what I would
>> suggest though. Make an empty folder and name it "VST Plug-Ins". Put it
>> where ever you want. I put mine in my PARIS 3.0 folder. Start PARIS and
>> go to the "Project" window. Click on "Settings" and then select "Set VST
>> Path...". Navigate to and select the folder you made. Viola! ;>)
>>
>> TonyAre their live solos really that bad normally? The DVDs I have of them
(Voodoo Lounge and Bridges to Babylon) have nice solos. Are those just
anomollies?
LaMont wrote:
> Greetings from Motown!!!
>
> Since this year Super Bowl was in my home town, i have to say that this past
> week has been a Blast!!! Oh yeah, there was a game too.:)
>
> I love the Stones show. They were actually playing live!! As for the solo
> at the end, hey that's just the stones. I love it!!
> LaMont
>
>
> John <no@no.com> wrote:
>
>>Where were the cheerleaders? In my day there was lots of camera time
>>spent on the cheerleaders.
>>
>>The Stones appeared to actually be live which was cool but that had to
>>be the worst guitar solo in Satisfaction that I have ever heard. hahahaah
>
>Seagulls are nice, just check them closely as some are not. Great price
though.
"Kris" . wrote:
> Don, check out Seagull guitars...a few stores in Ottawa carry them...Metro
> Music being the place I'd recommend. Best to play them all though, since
> they all sound (and are set-up) a little different. But, they're solid top
> guitars, and sound a whole lot better than you'd expect for the price.
>
> Big thing to consider though is instrument size...a full size drednaught
> gtr might be too big for your daughter right now. Nut width will be a big
> factor too. Maybe the baby taylor would be a better fit. It'd certainly be
> worth her trying it to have something to compare against. I think Steve's
> has one...I think they carry Seagull too.
>
> Cheers,
>
> Kris
> "Mark McDermott" <mark@stateofwail.com> wrote:
>
>>Hey Don,
>>
>>Have you checked out the Baby Taylor or the stuff from Daisy Rock yet?
>>
>>Glad to hear there's another musician coming up. My 15 year old daughter
>>plays electric and upright bass and is just starting trumpet. My 12 year
>>old son plays guitar and trombone.
>>
>>I played the Baby and it's a great guitar for the money.
>>
>>Hope this helps!
>>
>>Mark
>>
>>"Don Nafe" <dnafe@magma.ca> wrote:
>>
>>>I'll be looking into it this week...basically the action is really high
>>
>>so I
>>
>>>don't know what can be done to it...our local repair guy will be able to
>>
>>>answer that for sure
>>>
>>>Don
>>>
>>>
>>>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e6896b@linux...
>>>
>>>>Unless it is ugly and that turns her off (which is perfectly valid) does
>>
>>>>the Yamaha sound OK? One thing I think is important for a beginner is
>>
>>to
>>
>>>>have an instrument that is set up really well so it is easy to fret and
>>
>>>>does not hurt to play. A lot of new instruments in that price range will
>>
>>>>not play well, so if the Yammy is potentially OK, I would spend $50 on
>>
>>>>getting it set up really nicely. instead.
>>>>
>>>>
>>>>"Don Nafe" <dnafe@magma.ca> wrote in message news:43e68418$1@linux...
>>>>
>>>>>My 12 year old daughter has been plugging away on a beat up old Yamaha
>>
>>>>>and I'm looking to get her something new in the $200 or less price range
>>>>>
>>>>>Don
>>>>>
>>>>
>>>>
>>>
>On 2/6/2006 9:49 AM, LaMont wrote:
> I love the Stones show. They were actually playing live!! As for the solo
> at the end, hey that's just the stones. I love it!!
> LaMont
Yeah, but only three songs? They coulda done a medley, or shortened the vamping, etc etc, and done more songs in their alloted time. Woulda given more Sprint cellphones more tunes to download.Hi Curt,
On XP here.I've now got 1 EDS ,took out the ADAT card from the
MEC.I'm about to take out the other 8in and 8 out and try that.
Its looking like I'm going to have trouble getting a 1EDS
stripped down MEC running.
When I try and open a default project it says there aren't
enough resources.Guess I might have to do a fresj install.
Thanks,
Pete
Curt Cassingham <mail@mail.com> wrote:
>On 2/6/2006 10:34 AM, Pete wrote:
>
>> forgot to say when I have the 1 EDS installed it intializes,
>> but after that is when I get the not enough free resources
>> error.
>
>Windows or Mac? Did you try a completely fresh install? IOW, let PARIS
create its
>own new Config files, etc?
>
>I had a similar situation here. I have just one EDS card and a 442 on Win
XP. System
>working fine until I installed a new PCI card (unrelated to PARIS) in the
computer,
>and had to rearrange all the PCI cards including the EDI to different slots.
Finally
>found out in the Hardware Manager the computer thought the EDS card was
still in the
>old slot. I uninstalled the card from Hardware Manger, thereby forcing
it to realize
>the new card location, reinstalled PARIS, and all was fine.
>
>Curt
>curt <at> curtcass <dot> comYes, check out Seagull. Excellent for the price.
Cheers,
TC
"Kris" . wrote:
> Don, check out Seagull guitars...Is your EDS card in a PCI slot that is sharing resources with
something else? Check your IRQ's
David.
Pete wrote:
> Hi Curt,
> On XP here.I've now got 1 EDS ,took out the ADAT card from the
> MEC.I'm about to take out the other 8in and 8 out and try that.
> Its looking like I'm going to have trouble getting a 1EDS
> stripped down MEC running.
> When I try and open a default project it says there aren't
> enough resources.Guess I might have to do a fresj install.
>
> Thanks,
> Pete
>
> Curt Cassingham <mail@mail.com> wrote:
>
>>On 2/6/2006 10:34 AM, Pete wrote:
>>
>>
>>>forgot to say when I have the 1 EDS installed it intializes,
>>>but after that is when I get the not enough free resources
>>>error.
>>
>>Windows or Mac? Did you try a completely fresh install? IOW, let PARIS
>
> create its
>
>>own new Config files, etc?
>>
>>I had a similar situation here. I have just one EDS card and a 442 on Win
>
> XP. System
>
>>working fine until I installed a new PCI card (unrelated to PARIS) in the
>
> computer,
>
>>and had to rearrange all the PCI cards including the EDI to different slots.
>
> Finally
>
>>found out in the Hardware Manager the computer thought the EDS card was
>
> still in the
>
>>old slot. I uninstalled the card from Hardware Manger, thereby forcing
>
> it to realize
>
>>the new card location, reinstalled PARIS, and all was fine.
>>
>>Curt
>>curt <at> curtcass <dot> com
>
>Previously:
>> While we're talking to the Mac guru.. dude, how the heck do you back up
>> your emails and archive in Entourage?
For almost all of my major Mac backups, I use Carbon Copy Cloner:
http://www.bombich.com/software/ccc.html
or psync:
http://www.bombich.com/software/files/psync.dmg
With 10.4 (tiger), you can also use the built in "rsync" command, which is
what I typically use on linux computers...
--
-Doug
http://www.parisfaqs.comyou betcha! i did scavenge parts we could test and i'm giving them to
a friends son (most everything but that "special one month only
production logic board) for the use of his as the engineer here has 3
unfinished projects. his mac by the by had also just expired (his
boot drive failed) so i got his up and running and will see if i can
get his med school stuff off it on to another drive.
On Mon, 06 Feb 2006 10:07:37 -0700, EK Sound
<spamnot.info@eksoundNO.com> wrote:
>Make sure you take video of this and send to Apple.
>
>David.
>
>rick wrote:
>
>> 6. got 20 acres and i'm taking my little buddy hunting out back for
>> some shooting lessons.
>>"Kim" <hiddensounds@hotmail.com> wrote in message news:43e06eb7$1@linux...
>
> ..aaaaGAIN????!! ;o)
>
> Always remember... www.archive.org. If you haven't been there, go there
> now. Everybody should know about this thing...
Is there a problem getting to ParisFAQs?
--
-Doug
http://www.parisfaqs.comJohn <no@no.com> wrote:
>Where were the cheerleaders? In my day there was lots of camera time
>spent on the cheerleaders.
>
Didn't see the game myself, but my guess is that they may have been concerned
about possible "wardrobe malfunctions".
Krick <parnell68@hotmail.com> wrote:
>with the cost of shipping today...are you nuts??? ;o)
Ok, I'll pay for the shipping too; )
See below.
>
>well here's what been done so far.
>1. tested each stick of ram and one (3 times) failed to boot. removed
>that from the equation and the rig ran long enough for a new tiger
>install plus some drivers and was shut down till the next day. it
>wouldn't post.
>2. replaced main drive with a new drive and rig still wouldn't post.
>(no boot chime)
>3. replaced logic board battery and did pm reset several times spaced
>about 10 minutes apart. still won't post
>4. cpu cooling fan comes on after about 15 seconds and stays on; still
>no post.
>5. discussed this with the apple repair facility this morning for
>about an hour going over all the happenings and the consensus
>is...it's one dead mofo.
>6. got 20 acres and i'm taking my little buddy hunting out back for
>some shooting lessons.
300 Magnum, .06, 12 ga. 45 acp .44 Magnum would work. I say line um up,
charge people 50 bucks to shoot, there is a lot of people that hate Macs!
If you put this on the internet with your story, I'm sure you could get
quite a few people to show up. Hey, I might even come out for that. You
could turn this in to a media event, Apple would hate to get a black eye
right now. Do a pay for view on the net. Like I said before, you need to
start a web site like "my Mac sucks.com". You could ask for donations for
legal fees on your web site.
I would still contact Apple's legal department and tell them they need to
repair or replace the whole system, or face litigation. You never know!
James
>
>On 7 Feb 2006 02:17:27 +1000, "James McCloskey" <excelsm@hotmail.com>
>wrote:
>
>>
>>rick <parnell68@hotmail.com> wrote:
>>>kinda like my mac. it appears to have bitten the big apple....this
>>>could be the happiest day of my life.
>>
>>Hey Rick! Why don't you just send it to me, I'll send you a hundred bucks
>>and you'll be out of your Mac misery!
>>
>>James
>>
>>P.S. I'm in MI too.
>>>
>>>On Sun, 05 Feb 2006 12:28:06 -0500, John <no@no.com> wrote:
>>>
>>>>Paris just gets deader every day huh? hehe
>>>>
>>>>Mike Audet wrote:
>>>>> Hi Everybody,
>>>>>
>>>>> Someone named New Venture Services Corp has picked up the myparispro.com
>>>>> domain and registered it through December 2006.
>>>>>
>>>>> I hope Chuck is ok. I noticed that greatidea.com has been down for
over
>>>>> a month now.
>>>>>
>>>>> Mike
>>>
>"John" <no@no.co
|
|
|
|
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63113 is a reply to message #63101] |
Sun, 15 January 2006 19:51 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
e folks were truly full
of themselves.
Don't miss the folk art museum in Santa Fe.On 2/6/2006 4:05 PM, Gary Flanigan wrote:
> I lived in Venice Beach in the 70's and early 80's. TV film crews would
> routinly be filming in the neighborhood, and knock on my door asking (telling)
> me to turn down my electric guitar because it was interfering with their
> shoot. My neighbors wishes I would honor, but these folks were truly full
> of themselves.
When "Northern Exposure" was in production and on location in Roslyn, Washington in the winter, they'd ask residents in the neighborhoods they were shooting in not to walk on and/or leave footprints in the snow, on their own properties, so as not to spoil the beauty of a shot. No idea if any of that was specified in their city-issued permits to shoot, etc.
Curt
http://www.curtcass.com/roslyn (but there are no snow-shots on that page!)Thanks for all the suggestions...looks like Artie & Lutherie and Seagull are
what to look for in town
Don
"TC" <tc@spammetodeathyoubastards.org> wrote in message
news:43e7968c@linux...
> Yes, check out Seagull. Excellent for the price.
>
> Cheers,
>
> TC
>
> "Kris" . wrote:
>> Don, check out Seagull guitars...Not sure where they come in price-wise, but the Tanglewood brand
guitars are a decent offshore guitar being distributed by a Canadian
company.
http://www.tanglewoodguitars.com/
You'll probably find them at Steves or L&M.
David.
Don Nafe wrote:
> Thanks for all the suggestions...looks like Artie & Lutherie and Seagull are
> what to look for in town
>
> Don
>
>
> "TC" <tc@spammetodeathyoubastards.org> wrote in message
> news:43e7968c@linux...
>
>>Yes, check out Seagull. Excellent for the price.
>>
>>Cheers,
>>
>>TC
>>
>>"Kris" . wrote:
>>
>>>Don, check out Seagull guitars...
>
>
> http://electronicproducts.com/ShowPage.asp?SECTION=3700& PRIMID=&FileName=xhlap03.apr2006.html
AAHey Doug,
Thanks for the back up tips man! What I'm looking for in this case is to
merely backup the Entourage mail folder.. is there a file (something similar
to outlook/pst files) that I can grab that would be importable later down
the road, should I need it?
Thanks!
AA
"Doug Wellington" <doug@parisfaqs.com> wrote in message
news:43e7a62b@linux...
> Previously:
>>> While we're talking to the Mac guru.. dude, how the heck do you back up
>>> your emails and archive in Entourage?
>
> For almost all of my major Mac backups, I use Carbon Copy Cloner:
>
> http://www.bombich.com/software/ccc.html
>
> or psync:
>
> http://www.bombich.com/software/files/psync.dmg
>
> With 10.4 (tiger), you can also use the built in "rsync" command, which is
> what I typically use on linux computers...
>
> --
> -Doug
>
> http://www.parisfaqs.com
>This is a multi-part message in MIME format.
------=_NextPart_000_00BE_01C62B50.A986A730
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
David,
Does it operate and program manually or is always
software/driver based?
Tom
"EK Sound" <spamnot.info@eksoundNO.com> wrote in message =
news:43e7d443$1@linux...
We have the Midex8 here... seems to work fine. Round trip latency=20
with NU3 is 4mSec.
David.
Tom Bruhl wrote:
> My JL Cooper MSB+ Rev 2 is down for the count.
> I'm not sure it's worth fixing if there's a more powerful
> reasonably priced 8x8 replacement.=20
> =20
> Features I need are to merge at least two midi outs
> into one and ideally three into one input. Split Cubase out to
> 7 destinations.=20
> =20
> Choices I've found:
> =20
> Midi Sport (most expensive)
> http://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8
> =20
> Midex 8
> http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022
> =20
> Sierra
> http://www.adkproaudio.com/viewitem.cfm?id=3D1562
> =20
> Midex looks like it will interface the best with Cubase SX and =
that's my
> Midi package of late.
> =20
> Any reason to try the others?
> =20
> Thanks for your input.
> Tom
------=_NextPart_000_00BE_01C62B50.A986A730
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>David,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Does it operate and program manually or =
is=20
always</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>software/driver based?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"EK Sound" <<A=20
=
href=3D"mailto:spamnot.info@eksoundNO.com">spamnot.info@eksoundNO.com</A>=
>=20
wrote in message <A=20
href=3D"news:43e7d443$1@linux">news:43e7d443$1@linux</A>...</DIV>We =
have the=20
Midex8 here... seems to work fine. Round trip latency <BR>with =
NU3 is=20
4mSec.<BR><BR>David.<BR><BR>Tom Bruhl wrote:<BR><BR>> My JL Cooper =
MSB+ Rev=20
2 is down for the count.<BR>> I'm not sure it's worth fixing if =
there's a=20
more powerful<BR>> reasonably priced 8x8 replacement. =
<BR>> =20
<BR>> Features I need are to merge at least two midi outs<BR>> =
into one=20
and ideally three into one input. Split Cubase out to<BR>> 7=20
destinations. <BR>> <BR>> Choices I've =
found:<BR>> =20
<BR>> Midi Sport (most expensive)<BR>> <A=20
=
href=3D"http://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8">http=
://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8</A><BR>> =
=20
<BR>> Midex 8<BR>> <A=20
=
href=3D" http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022=
"> http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022</A><B=
R>> =20
<BR>> Sierra<BR>> <A=20
=
href=3D"http://www.adkproaudio.com/viewitem.cfm?id=3D1562">http://www.adk=
proaudio.com/viewitem.cfm?id=3D1562</A><BR>> =20
<BR>> Midex looks like it will interface the best with Cubase SX =
and that's=20
my<BR>> Midi package of late.<BR>> <BR>> Any reason to =
try the=20
others?<BR>> <BR>> Thanks for your input.<BR>>=20
Tom</BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_00BE_01C62B50.A986A730--On 2/6/2006 3:23 PM, Aaron Allen wrote:
> http://electronicproducts.com/ShowPage.asp?SECTION=3700& PRIMID=&FileName=xhlap03.apr2006.html
And this:
http://www.hammacher.com/publish/72788.aspOK everybody, listen up! I talked to Chuck today on the phone. He's going
to send me everything. I don't know how soon, but it looks like it WILL
happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
tuned!
I don't want to say too much yet, but I'm working on a foot controller that
will work with the Looperlative and other devices. Once I'm done with that,
I'll get back to the Paris hardware drivers...
--
-Doug
http://www.parisfaqs.com
"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
news:43e62a6c$1@linux...
>
> Hi Everybody,
>
> Someone named New Venture Services Corp has picked up the myparispro.com
> domain and registered it through December 2006.
>
> I hope Chuck is ok. I noticed that greatidea.com has been down for over
> a month now.
>
> Mike"Kim" <hiddensounds@hotmail.com> wrote:
> Good point. Only thing is I can't link to it as the browser only show
> www.parisfaqs.com
> as the url...
Not sure I'm grokking that. What do you mean?
--
-Doug
http://www.parisfaqs.comChecked the IRQs;all is good.When I have 1 EDS installed it
intializes,but then gives me I/O is different than before.Hit ok
it gives me same error,hit ok again then gives me error creating
default project adn a new project will be opened.Then I get
not enough resources and the gcCreateControl error.
If I have all 4 EDS cards in I just get "no interface connected
to master card"when intializing.Still wondering if having my
wordclock connected would fix this.
Thanks,
Pete
EK Sound <spamnot.info@eksoundNO.com> wrote:
>Is your EDS card in a PCI slot that is sharing resources with
>something else? Check your IRQ's
>
>David.
>
>Pete wrote:
>> Hi Curt,
>> On XP here.I've now got 1 EDS ,took out the ADAT card from the
>> MEC.I'm about to take out the other 8in and 8 out and try that.
>> Its looking like I'm going to have trouble getting a 1EDS
>> stripped down MEC running.
>> When I try and open a default project it says there aren't
>> enough resources.Guess I might have to do a fresj install.
>>
>> Thanks,
>> Pete
>>
>> Curt Cassingham <mail@mail.com> wrote:
>>
>>>On 2/6/2006 10:34 AM, Pete wrote:
>>>
>>>
>>>>forgot to say when I have the 1 EDS installed it intializes,
>>>>but after that is when I get the not enough free resources
>>>>error.
>>>
>>>Windows or Mac? Did you try a completely fresh install? IOW, let PARIS
>>
>> create its
>>
>>>own new Config files, etc?
>>>
>>>I had a similar situation here. I have just one EDS card and a 442 on
Win
>>
>> XP. System
>>
>>>working fine until I installed a new PCI card (unrelated to PARIS) in
the
>>
>> computer,
>>
>>>and had to rearrange all the PCI cards including the EDI to different
slots.
>>
>> Finally
>>
>>>found out in the Hardware Manager the computer thought the EDS card was
>>
>> still in the
>>
>>>old slot. I uninstalled the card from Hardware Manger, thereby forcing
>>
>> it to realize
>>
>>>the new card location, reinstalled PARIS, and all was fine.
>>>
>>>Curt
>>>curt <at> curtcass <dot> com
>>
>>Well, upon expending slightly more brain power, it seems the link is:
http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
....but my point was that it never appears in the address bar. You have the
sight, oh what's the name for it... you're using that link think where
the URL in your address bar just says "www.parisfaqs.com" all the time and
never changes at all for any of the pages. There's a name for it and I can't
remember. Obviously the ParisFAQs page though is, in reality, at http://homepage.mac.com/osxlover/ParisFAQs/
somewhere, but you never see that in your address bar. It always just says
http://www.parisfaqs.com and the real address that your browser is actually
at is masked underneath.
That's what I meant anyhow. A little extra brainpower revealed that putting
my mouse over the Windows XP Install Notes link showed the real address in
the status bar at the bottom, hence all was revealed, it was just a little
more difficult than getting to the page and copying the contents of the address
bar once I arrived. If you click the link, the above site name never appears
in the address bar. It still says "http://www.parisfaqs.com". There's a name
for that and I know it but can't recall right now...
Did that make any sense? ;o)
Cheers,
Kim.
"Doug Wellington" <doug@parisfaqs.com> wrote:
>"Kim" <hiddensounds@hotmail.com> wrote:
>> Good point. Only thing is I can't link to it as the browser only show
>> www.parisfaqs.com
>> as the url...
>
>Not sure I'm grokking that. What do you mean?
>
>--
>-Doug
>
>http://www.parisfaqs.com
>
>Try "open link in new windo
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63114 is a reply to message #63103] |
Sun, 15 January 2006 20:08 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
w"
http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
David.
Kim wrote:
> "Doug Wellington" <doug@parisfaqs.com> wrote:
>
>>Is there a problem getting to ParisFAQs?
>
>
> No, just a problem with our ability to remember that you put the notes on
> there as well... ;o)
>
> Good point. Only thing is I can't link to it as the browser only show www.parisfaqs.com
> as the url...
>
> Cheers,
> Kim.AHA!!! And there it is! ;o)
See obviously I stayed up too late watching Buffy last night... ;o)
Cheers,
Kim.
"Dave(EK Sound)" <audioguy_editout_@shaw.ca> wrote:
>Try "open link in new window"
>
>http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
>
>David.
>
>Kim wrote:
>> "Doug Wellington" <doug@parisfaqs.com> wrote:
>>
>>>Is there a problem getting to ParisFAQs?
>>
>>
>> No, just a problem with our ability to remember that you put the notes
on
>> there as well... ;o)
>>
>> Good point. Only thing is I can't link to it as the browser only show
www.parisfaqs.com
>> as the url...
>>
>> Cheers,
>> Kim.Thanks Doug! You and Chuck both rock!
James
"Doug Wellington" <doug@parisfaqs.com> wrote:
>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>to send me everything. I don't know how soon, but it looks like it WILL
>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>tuned!
>
>I don't want to say too much yet, but I'm working on a foot controller that
>will work with the Looperlative and other devices. Once I'm done with that,
>I'll get back to the Paris hardware drivers...
>
>--
>-Doug
>
>http://www.parisfaqs.com
>
>
>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>news:43e62a6c$1@linux...
>>
>> Hi Everybody,
>>
>> Someone named New Venture Services Corp has picked up the myparispro.com
>> domain and registered it through December 2006.
>>
>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>> a month now.
>>
>> Mike
>
>Oh yeah, gotta get me a couple pair of them. And to think some people such
as myself are bitching about the price of a Mac!
James
Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>On 2/6/2006 3:23 PM, Aaron Allen wrote:
>
>> http://electronicproducts.com/ShowPage.asp?SECTION=3700& PRIMID=&FileName=xhlap03.apr2006.html
>
>And this:
>http://www.hammacher.com/publish/72788.aspThat is excellent news Doug.
Hey what about that famed new reverb they had planned? Last I remember it
was like all done except the presets weren't copied over jet...
....I say stuff the presets. ;o)
Was that the one called sexual chocolate? Or was that the compressor?
Oooh, it's all so exCITing!! :o)
Cheers,
Kim.
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Thanks Doug! You and Chuck both rock!
>
>James
>
>"Doug Wellington" <doug@parisfaqs.com> wrote:
>>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>
>>to send me everything. I don't know how soon, but it looks like it WILL
>
>>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>
>>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>
>>tuned!
>>
>>I don't want to say too much yet, but I'm working on a foot controller
that
>
>>will work with the Looperlative and other devices. Once I'm done with
that,
>
>>I'll get back to the Paris hardware drivers...
>>
>>--
>>-Doug
>>
>>http://www.parisfaqs.com
>>
>>
>>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>>news:43e62a6c$1@linux...
>>>
>>> Hi Everybody,
>>>
>>> Someone named New Venture Services Corp has picked up the myparispro.com
>>> domain and registered it through December 2006.
>>>
>>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>>> a month now.
>>>
>>> Mike
>>
>>
>Yeah Doug!
A steak on me. Any time.
DC
"Doug Wellington" <doug@parisfaqs.com> wrote:
>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>to send me everything. I don't know how soon, but it looks like it WILL
>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>tuned!
>
>I don't want to say too much yet, but I'm working on a foot controller that
>will work with the Looperlative and other devices. Once I'm done with that,
>I'll get back to the Paris hardware drivers...
>
>--
>-Doug
>
>http://www.parisfaqs.com
>
>
>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>news:43e62a6c$1@linux...
>>
>> Hi Everybody,
>>
>> Someone named New Venture Services Corp has picked up the myparispro.com
>> domain and registered it through December 2006.
>>
>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>> a month now.
>>
>> Mike
>
>On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I'm guessing that the latency with the UAD-1 cards could most easily be
>solved by bussing all tracks with UAD-1 plugins to a separate set of
>reference monitors placing thems 36 feet behind the mix position, set up a
>stereo pair of room mics at the mix position facing b
|
|
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63116 is a reply to message #63113] |
Sun, 15 January 2006 19:46 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
ygnus_nospam@ctgonline.org> wrote in message =
news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I'm guessing that the latency with the UAD-1 cards could most easily =
be
>solved by bussing all tracks with UAD-1 plugins to a separate set of
>reference monitors placing thems 36 feet behind the mix position, set =
up a
>stereo pair of room mics at the mix position facing backwards towards =
the
>monitors and reamping the UAD tracks.;o)
>
Ahhhh. To be living in DeejWorld....
And after you reamp the UAD trax, would you then pass them through
Paris, out through the auxes into another PC running Nuendo, using
only the adat cables?
pab
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Paul,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wanna see him do it using =
twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Paul Braun" <<A=20
=
href=3D"mailto:cygnus_nospam@ctgonline.org">cygnus_nospam@ctgonline.org</=
A>>=20
wrote in message <A=20
=
href=3D"news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com">news:hu8gu1di238=
8hco55tcq9uq3vin5enai2k@4ax.com</A>...</DIV>On=20
Sun, 5 Feb 2006 14:19:45 -0700, "DJ"<BR><<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote:<BR><BR>>I'm guessing that the latency with the UAD-1 cards =
could=20
most easily be<BR>>solved by bussing all tracks with UAD-1 plugins =
to a=20
separate set of<BR>>reference monitors placing thems 36 feet behind =
the mix=20
position, set up a<BR>>stereo pair of room mics at the mix position =
facing=20
backwards towards the<BR>>monitors and reamping the UAD=20
tracks.;o)<BR>><BR><BR>Ahhhh. To be living in=20
DeejWorld....<BR><BR>And after you reamp the UAD trax, would you then =
pass=20
them through<BR>Paris, out through the auxes into another PC running =
Nuendo,=20
using<BR>only the adat cables?<BR><BR>pab</BLOCKQUOTE></BODY></HTML>
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Give me enough twine and I'll hang myself for sure.
;o)
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e838c2@linux...
Paul,
I wanna see him do it using twine.
Tom
"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message =
news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I'm guessing that the latency with the UAD-1 cards could most =
easily be
>solved by bussing all tracks with UAD-1 plugins to a separate set =
of
>reference monitors placing thems 36 feet behind the mix position, =
set up a
>stereo pair of room mics at the mix position facing backwards =
towards the
>monitors and reamping the UAD tracks.;o)
>
Ahhhh. To be living in DeejWorld....
And after you reamp the UAD trax, would you then pass them through
Paris, out through the auxes into another PC running Nuendo, using
only the adat cables?
pab
------=_NextPart_000_00C3_01C62B74.57500320
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charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Give me enough twine and I'll hang =
myself for=20
sure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;o)</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:43e838c2@linux">news:43e838c2@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Paul,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wanna see him do it using =
twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Paul Braun" <<A=20
=
href=3D"mailto:cygnus_nospam@ctgonline.org">cygnus_nospam@ctgonline.org</=
A>>=20
wrote in message <A=20
=
href=3D"news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com">news:hu8gu1di238=
8hco55tcq9uq3vin5enai2k@4ax.com</A>...</DIV>On=20
Sun, 5 Feb 2006 14:19:45 -0700, "DJ"<BR><<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote:<BR><BR>>I'm guessing that the latency with the UAD-1 cards =
could=20
most easily be<BR>>solved by bussing all tracks with UAD-1 =
plugins to a=20
separate set of<BR>>reference monitors placing thems 36 feet =
behind the=20
mix position, set up a<BR>>stereo pair of room mics at the mix =
position=20
facing backwards towards the<BR>>monitors and reamping the UAD=20
tracks.;o)<BR>><BR><BR>Ahhhh. To be living in=20
DeejWorld....<BR><BR>And after you reamp the UAD trax, would you =
then pass=20
them through<BR>Paris, out through the auxes into another PC running =
Nuendo,=20
using<BR>only the adat=20
cables?<BR><BR>pab</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML >
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Alright, forget the twine.
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:43e84319$1@linux...
Give me enough twine and I'll hang myself for sure.
;o)
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e838c2@linux...
Paul,
I wanna see him do it using twine.
Tom
"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message =
news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I'm guessing that the latency with the UAD-1 cards could most =
easily be
>solved by bussing all tracks with UAD-1 plugins to a separate set =
of
>reference monitors placing thems 36 feet behind the mix position, =
set up a
>stereo pair of room mics at the mix position facing backwards =
towards the
>monitors and reamping the UAD tracks.;o)
>
Ahhhh. To be living in DeejWorld....
And after you reamp the UAD trax, would you then pass them through
Paris, out through the auxes into another PC running Nuendo, using
only the adat cables?
pab
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Alright, forget the twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:43e84319$1@linux">news:43e84319$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Give me enough twine and I'll hang =
myself for=20
sure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;o)</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:43e838c2@linux">news:43e838c2@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Paul,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wanna see him do it using =
twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Paul Braun" <<A=20
=
href=3D"mailto:cygnus_nospam@ctgonline.org">cygnus_nospam@ctgonline.org</=
A>>=20
wrote in message <A=20
=
href=3D"news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com">news:hu8gu1di238=
8hco55tcq9uq3vin5enai2k@4ax.com</A>...</DIV>On=20
Sun, 5 Feb 2006 14:19:45 -0700, "DJ"<BR><<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote:<BR><BR>>I'm guessing that the latency with the UAD-1 =
cards could=20
most easily be<BR>>solved by bussing all tracks with UAD-1 =
plugins to a=20
separate set of<BR>>reference monitors placing thems 36 feet =
behind the=20
mix position, set up a<BR>>stereo pair of room mics at the mix =
position=20
facing backwards towards the<BR>>monitors and reamping the UAD=20
tracks.;o)<BR>><BR><BR>Ahhhh. To be living in=20
DeejWorld....<BR><BR>And after you reamp the UAD trax, would you =
then pass=20
them through<BR>Paris, out through the auxes into another PC =
running=20
Nuendo, using<BR>only the adat=20
cables?<BR><BR>pab</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE ></BODY></HTML>
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You actually can drill holes in one end of two halves of a coconut =
shell, run twine through the holes, knot it so that it can't exit the =
hole when you stretch it tight on both ends and then once it's very =
tight you can pluck it like a broomstick bass. Sounds like shit, but you =
can do it. I'm thinking that perhaps Mogami twine might be sonically =
superior though.
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e8445a$1@linux...
Alright, forget the twine.
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:43e84319$1@linux...
Give me enough twine and I'll hang myself for sure.
;o)
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:43e838c2@linux...
Paul,
I wanna see him do it using twine.
Tom
"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message =
news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I'm guessing that the latency with the UAD-1 cards could most =
easily be
>solved by bussing all tracks with UAD-1 plugins to a separate =
set of
>reference monitors placing thems 36 feet behind the mix =
position, set up a
>stereo pair of room mics at the mix position facing backwards =
towards the
>monitors and reamping the UAD tracks.;o)
>
Ahhhh. To be living in DeejWorld....
And after you reamp the UAD trax, would you then pass them =
through
Paris, out through the auxes into another PC running Nuendo, =
using
only the adat cables?
pab
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>You actually can drill holes in =
one end of=20
two halves of a coconut shell, run twine through the holes, knot it so =
that it=20
can't exit the hole when you stretch it tight on both ends and then once =
it's=20
very tight you can pluck it like a broomstick bass. Sounds like shit, =
but you=20
can do it. I'm thinking that perhaps Mogami twine might be sonically =
superior=20
though.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:43e8445a$1@linux">news:43e8445a$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Alright, forget the =
twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT:
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63117 is a reply to message #63111] |
Sun, 15 January 2006 21:04 |
Chris Wargo
Messages: 45
Registered: November 2005
|
Member |
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0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:43e84319$1@linux">news:43e84319$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Give me enough twine and I'll hang =
myself for=20
sure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;o)</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:43e838c2@linux">news:43e838c2@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Paul,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wanna see him do it using=20
twine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Paul Braun" <<A=20
=
href=3D"mailto:cygnus_nospam@ctgonline.org">cygnus_nospam@ctgonline.org</=
A>>=20
wrote in message <A=20
=
href=3D"news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com">news:hu8gu1di238=
8hco55tcq9uq3vin5enai2k@4ax.com</A>...</DIV>On=20
Sun, 5 Feb 2006 14:19:45 -0700, "DJ"<BR><<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote:<BR><BR>>I'm guessing that the latency with the UAD-1 =
cards=20
could most easily be<BR>>solved by bussing all tracks with =
UAD-1=20
plugins to a separate set of<BR>>reference monitors placing =
thems 36=20
feet behind the mix position, set up a<BR>>stereo pair of =
room mics=20
at the mix position facing backwards towards the<BR>>monitors =
and=20
reamping the UAD tracks.;o)<BR>><BR><BR>Ahhhh. To be =
living in=20
DeejWorld....<BR><BR>And after you reamp the UAD trax, would you =
then=20
pass them through<BR>Paris, out through the auxes into another =
PC=20
running Nuendo, using<BR>only the adat=20
=
cables?<BR><BR>pab</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE ></BLOCKQUOTE></B=
ODY></HTML>
------=_NextPart_000_00EB_01C62B77.AB394E80--Sexual Chocolate was the compressor with 'tude. BigBoy I think was the
superverb name.
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43e823d1@linux...
>
>
> That is excellent news Doug.
>
> Hey what about that famed new reverb they had planned? Last I remember it
> was like all done except the presets weren't copied over jet...
>
> ...I say stuff the presets. ;o)
>
> Was that the one called sexual chocolate? Or was that the compressor?
>
> Oooh, it's all so exCITing!! :o)
>
> Cheers,
> Kim.
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Thanks Doug! You and Chuck both rock!
>>
>>James
>>
>>"Doug Wellington" <doug@parisfaqs.com> wrote:
>>>OK everybody, listen up! I talked to Chuck today on the phone. He's
>>>going
>>
>>>to send me everything. I don't know how soon, but it looks like it WILL
>>
>>>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>>
>>>for download. I also hope to fix the bugs in Eventiter and Nolimit.
>>>Stay<
|
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|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63118 is a reply to message #63117] |
Sun, 15 January 2006 21:20 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
br />
>>
>>>tuned!
>>>
>>>I don't want to say too much yet, but I'm working on a foot controller
> that
>>
>>>will work with the Looperlative and other devices. Once I'm done with
> that,
>>
>>>I'll get back to the Paris hardware drivers...
>>>
>>>--
>>>-Doug
>>>
>>>http://www.parisfaqs.com
>>>
>>>
>>>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>>>news:43e62a6c$1@linux...
>>>>
>>>> Hi Everybody,
>>>>
>>>> Someone named New Venture Services Corp has picked up the
>>>> myparispro.com
>>>> domain and registered it through December 2006.
>>>>
>>>> I hope Chuck is ok. I noticed that greatidea.com has been down for
>>>> over
>>>> a month now.
>>>>
>>>> Mike
>>>
>>>
>>
>Hey James,
Thanks for namm review, however, I don;t think that the Focusrite Firewire
products will kill off the Motu line..Motu's hardware are industry standards
with a long pedigree. As well as, having the reputation as being very reliable
and have great drivers for both Mac & Win platforms.
The true test of any company making hardware i.o unitss the drivers, then
the converters, and so on.. With lame non low latency drivers, all you have
is a converter box..
Right now, Focusrite is still to green for to slam so $$ into their new products.
A safer bet would be to go with the EMU-1820m or Motus 828',RME units even
Mackies 410 unit is HOT!!
Take care,
LaMont
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Here are some of my picks for the coolest recording gear from 2006 winter
>NAMM show.
>
>Alesis io 26 is some bang for the buck on I/Os, check it out. Similar to
>the I/O configuration of the Focusrite Pro 26 I/O, their using a T.C. electronic
>chips. $599.00 list.
>http://www.alesis.com/product.php?id=96
>
>Apogee symphony PCI Express with up to 96 ch. and Ensemble FireWire interface
>with 36 ch. of I/O.
>http://www.apogeedigital.com/products/
>
>Lexicon MX400 And MX400XL Dual Stereo/Surround Reverb Processors.
>You XP guys might be able to add a lexicon unit to your Paris rig???
> http://namm.harmony-central.com/WNAMM06/Content/Lexicon/PR/M X400-MX400XL.html
>
>PerSonus FireStudio
> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FireStudio.html
>
>PreSonus FireMax FS 8-ch. light pipe mic pre.
> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ DigiMax-FS.html
>
>PreSonus Fade Port USB/MIDI Controller
> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FaderPort.html
>
>My number one pick has got to be the Focusrite Saffire pro 26 I/O FireWire
>interface! 52 I/O, 26 inputs and 26 outputs in a single rack space! You
>can daisy chain three of them for a total of 156 I/O!!! that would be 96
>I/O ch. of light pipe, 48 in and 48 out! Hey Deej! If you could live with
>48 ch. of light pipe in and 48 out, this could free up some PCI slots!
>The cost, $699.00 MAP.
>
>The reasons the Focusrite Saffire Pro 26 I/O would work for me. Add the
>Gator Case Studio To Go and this would make a great portable recording rig.
> It's rumored that Focusrite will implement stand alone mode in the future,
>which would turn it in to a stand alone 8 ch. mic pre. It would make a
good
>16 ch. light pipe computer interface for my Panasonic DA-7 MKII digital
mixer
>or any other digital mixer and it would add 8 mic pres and SP/DIF. It's
>cool that I could quickly move it around for computer to computer simply
>by unplugging the FireWire cable. It would be the perfect inter face for
>the second computer in the dual computer Paris rig. 16 ch. light pipe,
8
>additional ch. of analog I/O, 8 focusrite mic pres, SP/DIF, WC, MIDI I/O
>and 2 head phone out puts, for $699.00!!! I think they just knocked off
>MOTU.
>
>The one thing that is a bummer is, they didn't include the DSP chip for
effects
>processing like they did on the original Saffire, but they did include VST
>and AU plugins of their effects.
>
> http://namm.harmony-central.com/WNAMM06/Content/Focusrite/PR /Saffire-Pro-26i-o.html
>
>http://www.focusrite.com/
>
>Video
>http://namm.harmony-central.com/WNAMM06/
>
>http://www.sonicstate.com/news/wnamm06.cfm
>
>Check out the video for Gator cases studio to go soft case and Pedal Tote,
>both vary cool!
>
>http://namm.harmony-central.com/WNAMM06/
>
>Studio To Go, Hard case
> http://namm.harmony-central.com/WNAMM05/Content/Gator/PR/GRC -Studio-2-Go.html
>
>JamesMotu's Midi Express XT(USB) or serial.. Very tight timing. Also,if can find
a Emagic unitor 8..Very solid timing..
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>My JL Cooper MSB+ Rev 2 is down for the count.
>I'm not sure it's worth fixing if there's a more powerful
>reasonably priced 8x8 replacement.=20
>
>Features I need are to merge at least two midi outs
>into one and ideally three into one input. Split Cubase out to=20
>7 destinations.=20
>
>Choices I've found:
> =20
>Midi Sport (most expensive)
>Report message to a moderator
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63119 is a reply to message #63116] |
Sun, 15 January 2006 21:30 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
//www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8" target="_blank">http://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8
>
>Midex 8
> http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022
>
>Sierra
>http://www.adkproaudio.com/viewitem.cfm?id=3D1562
>
>Midex looks like it will interface the best with Cubase SX and that's my
>Midi package of late.
>
>Any reason to try the others?
>
>Thanks for your input.
>Tom
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>My JL Cooper MSB+ Rev 2 is down for the
=
>
>count.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>I'm not sure it's worth fixing if =
>there's a more=20
>powerful</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>reasonably priced 8x8=20
>replacement. </FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Features I need are to merge at least =
>two midi=20
>outs</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>into one and ideally three into one =
>input. =20
>Split Cubase out to </FONT></DIV>
><DIV><FONT face=3DArial size=3D2>7 destinations.</FONT> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Choices I've found:</FONT></DIV>
><DIV><FONT face=3DArial size=3D2> </FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Midi Sport (most =
>expensive)</FONT></DIV>
><DIV><FONT face=3DArial size=3D2><A=20
>href=3D"http://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8">http=
>://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8</A></FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Midex 8</FONT></DIV>
><DIV><FONT face=3DArial size=3D2><A=20
>href=3D" http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022=
>"> http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=3 D2022</A></=
>FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Sierra</FONT></DIV>
><DIV><FONT face=3DArial size=3D2><A=20
>href=3D"http://www.adkproaudio.com/viewitem.cfm?id=3D1562">http://www.adk=
>proaudio.com/viewitem.cfm?id=3D1562</A></FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Midex looks like it will interface the
=
>best with=20
>Cubase SX and that's my</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Midi package of late.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Any reason to try the =
>others?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Thanks for your input.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV></BODY></HTML>
>
>Hey LaMont! All good points. Of corse the Focusrite would have to work well
and sound good for me to buy it. If that turns out to be the case I might
be buying one. I was going to purchase a MOTU 828 MKII, however the focusrite
would be a much better fit for me. The reports on the original saffire sound
good and monitor latency is suppose to be a non issue, in time we'll have
to see. It sure looks cool though!
I sure learned my lesson when I bought the Lexicon studio 32, I don't jump
in anymore. At least I bought it when they where blowing them out. Another
system without support. I too have a studio of the living dead! Now if
I could just find a Ensoniq DP4+ for a real cheap price, those 16 bits sound
good; )
"LaMOnt" <jjdpro@amerietch.net> wrote:
>
>Hey James,
>
>Thanks for namm review, however, I don;t think that the Focusrite Firewire
>products will kill off the Motu line..Motu's hardware are industry standards
>with a long pedigree. As well as, having the reputation as being very reliable
>and have great drivers for both Mac & Win platforms.
>
>The true test of any company making hardware i.o unitss the drivers, then
>the converters, and so on.. With lame non low latency drivers, all you have
>is a converter box..
>
>Right now, Focusrite is still to green for to slam so $$ into their new
products.
>A safer bet would be to go with the EMU-1820m or Motus 828',RME units even
>Mackies 410 unit is HOT!!
>
>Take care,
>LaMont
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Here are some of my picks for the coolest recording gear from 2006 winter
>>NAMM show.
>>
>>Alesis io 26 is some bang for the buck on I/Os, check it out. Similar
to
>>the I/O configuration of the Focusrite Pro 26 I/O, their using a T.C. electronic
>>chips. $599.00 list.
>>http://www.alesis.com/product.php?id=96
>>
>>Apogee symphony PCI Express with up to 96 ch. and Ensemble FireWire interface
>>with 36 ch. of I/O.
>>http://www.apogeedigital.com/products/
>>
>>Lexicon MX400 And MX400XL Dual Stereo/Surround Reverb Processors.
>>You XP guys might be able to add a lexicon unit to your Paris rig???
>> http://namm.harmony-central.com/WNAMM06/Content/Lexicon/PR/M X400-MX400XL.html
>>
>>PerSonus FireStudio
>> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FireStudio.html
>>
>>PreSonus FireMax FS 8-ch. light pipe mic pre.
>> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ DigiMax-FS.html
>>
>>PreSonus Fade Port USB/MIDI Controller
>> http://namm.harmony-central.com/WNAMM06/Content/PreSonus/PR/ FaderPort.html
>>
>>My number one pick has got to be the Focusrite Saffire pro 26 I/O FireWire
>>interface! 52 I/O, 26 inputs and 26 outputs in a single rack space! You
>>can daisy chain three of them for a total of 156 I/O!!! that would be
96
>>I/O ch. of light pipe, 48 in and 48 out! Hey Deej! If you could live
with
>>48 ch. of light pipe in and 48 out, this could free up some PCI slots!
>
>>The cost, $699.00 MAP.
>>
>>The reasons the Focusrite Saffire Pro 26 I/O would work for me. Add the
>>Gator Case Studio To Go and this would make a great portable recording
rig.
>> It's rumored that Focusrite will implement stand alone mode in the future,
>>which would turn it in to a stand alone 8 ch. mic pre. It would make a
>good
>>16 ch. light pipe computer interface for my Panasonic DA-7 MKII digital
>mixer
>>or any other digital mixer and it would add 8 mic pres and SP/DIF. It's
>>cool that I could quickly move it around for computer to computer simply
>>by unplugging the FireWire cable. It would be the perfect inter face for
>>the second computer in the dual computer Paris rig. 16 ch. light pipe,
>8
>>additional ch. of analog I/O, 8 focusrite mic pres, SP/DIF, WC, MIDI I/O
>>and 2 head phone out puts, for $699.00!!! I think they just knocked off
>>MOTU.
>>
>>The one thing that is a bummer is, they didn't include the DSP chip for
>effects
>>processing like they did on the original Saffire, but they did include
VST
>>and AU plugins of their effects.
>>
>> http://namm.harmony-central.com/WNAMM06/Content/Focusrite/PR /Saffire-Pro-26i-o.html
>>
>>http://www.focusrite.com/
>>
>>Video
>>http://namm.harmony-central.com/WNAMM06/
>>
>>http://www.sonicstate.com/news/wnamm06.cfm
>>
>>Check out the video for Gator cases studio to go soft case and Pedal Tote,
>>both vary cool!
>>
>>http://namm.harmony-central.com/WNAMM06/
>>
>>Studio To Go, Hard case
>> http://namm.harmony-central.com/WNAMM05/Content/Gator/PR/GRC -Studio-2-Go.html
>>
>>James
>"DC" <dc@spammersinjail.com> wrote:
>
>Yeah Doug!
>
>A steak on me. Any time.
>
>DC
>
Hey isn't Doug a vegetarian??? Or was that Parisian??? ; )
James
>
>
>"Doug Wellington" <doug@parisfaqs.com> wrote:
>>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>
>>to send me everything. I don't know how soon, but it looks like it WILL
>
>>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>
>>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>
>>tuned!
>>
>>I don't want to say too much yet, but I'm working on a foot controller
that
>
>>will work with the Looperlative and other devices. Once I'm done with
that,
>
>>I'll get back to the Paris hardware drivers...
>>
>>--
>>-Doug
>>
>>http://www.parisfaqs.com
>>
>>
>>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>>news:43e62a6c$1@linux...
>>>
>>> Hi Everybody,
>>>
>>> Someone named New Venture Services Corp has picked up the myparispro.com
>>> domain and registered it through December 2006.
>>>
>>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>>> a month now.
>>>
>>> Mike
>>
>>
>hehe, i don't know about selling tickets but i have no problem with
the black eye part.
On 7 Feb 2006 08:44:07 +1000, "James McCloskey" <excelsm@hotmail.com>
wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>with the cost of shipping today...are you nuts??? ;o)
>
>Ok, I'll pay for the shipping too; )
>See below.
>>
>>well here's what been done so far.
>>1. tested each stick of ram and one (3 times) failed to boot. removed
>>that from the equation and the rig ran long enough for a new tiger
>>install plus some drivers and was shut down till the next day. it
>>wouldn't post.
>>2. replaced main drive with a new drive and rig still wouldn't post.
>>(no boot chime)
>>3. replaced logic board battery and did pm reset several times spaced
>>about 10 minutes apart. still won't post
>>4. cpu cooling fan comes on after about 15 seconds and stays on; still
>>no post.
>>5. discussed this with the apple repair facility this morning for
>>about an hour going over all the happenings and the consensus
>>is...it's one dead mofo.
>>6. got 20 acres and i'm taking my little buddy hunting out back for
>>some shooting lessons.
>
>300 Magnum, .06, 12 ga. 45 acp .44 Magnum would work. I say line um up,
>charge people 50 bucks to shoot, there is a lot of people that hate Macs!
> If you put this on the internet with your story, I'm sure you could get
>quite a few people to show up. Hey, I might even come out for that. You
>could turn this in to a media event, Apple would hate to get a black eye
>right now. Do a pay for view on the net. Like I said before, you need to
>start a web site like "my Mac sucks.com". You could ask for donations for
>legal fees on your web site.
>
>I would still contact Apple's legal department and tell them they need to
>repair or replace the whole system, or face litigation. You never know!
>
>James
>
>>
>>On 7 Feb 2006 02:17:27 +1000, "James McCloskey" <excelsm@hotmail.com>
>>wrote:
>>
>>>
>>>rick <parnell68@hotmail.com> wrote:
>>>>kinda like my mac. it appears to have bitten the big apple....this
>>>>could be the happiest day of my life.
>>>
>>>Hey Rick! Why don't you just send it to me, I'll send you a hundred bucks
>>>and you'll be out of your Mac misery!
>>>
>>>James
>>>
>>>P.S. I'm in MI too.
>>>>
>>>>On Sun, 05 Feb 2006 12:28:06 -0500, John <no@no.com> wrote:
>>>>
>>>>>Paris just gets deader every day huh? hehe
>>>>>
>>>>>Mike Audet wrote:
>>>>>> Hi Everybody,
>>>>>>
>>>>>> Someone named New Venture Services Corp has picked up the myparispro.com
>>>>>> domain and registered it through December 2006.
>>>>>>
>>>>>> I hope Chuck is ok. I noticed that greatidea.com has been down for
>over
>>>>>> a month now.
>>>>>>
>>>>>> Mike
>>>>
>>way way kewl.
On Mon, 6 Feb 2006 19:08:47 -0700, "Doug Wellington"
<doug@parisfaqs.com> wrote:
>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>to send me everything. I don't know how soon, but it looks like it WILL
>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>tuned!
>
>I don't want to say too much yet, but I'm working on a foot controller that
>will work with the Looperlative and other devices. Once I'm done with that,
>I'll get back to the Paris hardware drivers...and as a very local cell phone of sorts too
On Mon, 6 Feb 2006 23:47:20 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>You actually can drill holes in one end of two halves of a coconut shell, run twine through the holes, knot it so that it can't exit the hole when you stretch it tight on both ends and then once it's very tight you can pluck it like a broomstick bass. Sounds like shit, but you can do it. I'm thinking that perhaps Mogami twine might be sonically superior though.
>
> "Tom Bruhl" <arpegio@comcast.net> wrote in message news:43e8445a$1@linux...
> Alright, forget the twine.
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message news:43e84319$1@linux...
> Give me enough twine and I'll hang myself for sure.
>
> ;o)
>
> "Tom Bruhl" <arpegio@comcast.net> wrote in message news:43e838c2@linux...
> Paul,
> I wanna see him do it using twine.
> Tom
>
>
> "Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
> On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
> <animix_spam-this-ahole_@animas.net> wrote:
>
> >I'm guessing that the latency with the UAD-1 cards could most easily be
> >solved by bussing all tracks with UAD-1 plugins to a separate set of
> >reference monitors placing thems 36 feet behind the mix position, set up a
> >stereo pair of room mics at the mix position facing backwards towards the
> >monitors and reamping the UAD tracks.;o)
> >
>
> Ahhhh. To be living in DeejWorld....
>
> And after you reamp the UAD trax, would you then pass them through
> Paris, out through the auxes into another PC running Nuendo, using
> only the adat cables?
>
> pabAwesome Doug!
Rich
--
'Any 20 year-old who isn't a liberal doesn't have a heart,
and any 40 year-old who isn't a conservative doesn't have a brain.'
- Winston Churchill
"Doug Wellington" <doug@parisfaqs.com> wrote in message
news:43e8025a$1@linux...
> OK everybody, listen up! I talked to Chuck today on the phone. He's
going
> to send me everything. I don't know how soon, but it looks like it WILL
> happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
> for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
> tuned!
>
> I don't want to say too much yet, but I'm working on a foot controller
that
> will work with the Looperlative and other devices. Once I'm done with
that,
> I'll get back to the Paris hardware drivers...
>
> --
> -Doug
>
> http://www.parisfaqs.com
>
>
> "Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
> news:43e62a6c$1@linux...
> >
> > Hi Everybody,
> >
> > Someone named New Venture Services Corp has picked up the myparispro.com
> > domain and registered it through December 2006.
> >
> > I hope Chuck is ok. I noticed that greatidea.com has been down for over
> > a month now.
> >
> > Mike
>
>Hi Don,
I saw a Taylor Big Baby at the songbird Ottawa site...$375 though....
Cheers,
Kris
"Don Nafe" <dnafe@magma.ca> wrote:
>Thanks for all the suggestions...looks like Artie & Lutherie and Seagull
are
>what to look for in town
>
>Don
>
>
>"TC" <tc@spammetodeathyoubastards.org> wrote in message
>news:43e7968c@linux...
>> Yes, check out Seagull. Excellent for the price.
>>
>> Cheers,
>>
>> TC
>>
>> "Kris" . wrote:
>>> Don, check out Seagull guitars...
>
>Is it up yet? hehe
Rich Lamanna wrote:
> Awesome Doug!
>
> Rich
>I posted this to Spectrasonics-users and I'm cross posting it here in case
anyone is interested.
##############################################
##############################################
##############################################
##############################################
This is mostly a direct Eric/Spectra question but I thought I would post
it to the list. There is (yet another probably the billionth or so) flame
war in the free software community about the GPL3. I'm a card carrying libertarian
free software zealot--who, as a punishment for crimes committed in a previous
life, make most of my living running Windows servers--so I've been following
it. For a fairly non-geeky synopsis check out this link.
http://www.theregister.co.uk/2006/02/06/torvalds_gpl_analysi s/
And just in case you think this stuff has nothing to do with you, your websites
probably run Apache, your email mailing lists probably run Mailman, and your
ecommerce shopping cart almost certaily was written using Perl or PHP, all
of which are core free software projects licensed unde
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63120 is a reply to message #63095] |
Sun, 15 January 2006 21:45 |
Deej
Messages: 130
Registered: September 2006
|
Senior Member |
|
|
r the GPL or something
very similar. All of us who use the web or email in any mission critical
way are in some way piggybacking on the free software movement, whether we
know it or not.
Now then, I don't agree with everything Linus says in the current argument
about GPL3, and I think he has a history of being as unwilling to consider
philosophical problems as Richard Stallman (the main man behind the FSF)
is unwilling to consider some practical problems, but one thing Linus said
that struck home with me was that in his opnion the place to fight the DRM
war is with content. Once there is lots of good content out there using some
kind of non-restrictive content license, those licenses will gain some traction
in the real world as an alternative to the usual "dupe this CD for your neighbor
and I'll throw your booty in jail" license we see on CDs now.
All of which dovetails with the fact that I'm planning on releasing some
new music of my own in the fairly near future. I was going to just copyright
it and send it out into the wild via BitTorrent because I've long since given
up on making any money from my music. However, I decided that maybe I could
use this as a way to get some other people to think about these issues by
using a free content license. Those licenses work much like the GPL works
for software, it grants the user the right to listen, copy, and redistribute
as they wish. Some deny commercial use, some don't. Some grant the right
of users to modify the work some don't, and so on.
I'm planning on using a license that does not allow commercial use, and does
allow others to modify the work with the condition that they allow similar
modifications on their derivative work. So my Eric/Spectra question is that
I assume if I'm allowed to sell a song I make with Atmosphere I'm also allowed
to give it away. On the other extreme I assume I'm not allowed to let other
people re-use a bare RMX beat. However, how about a pad I make with an Atmosphere
patch? Or a beat I program using one Spectra shaker sample and the rest from
my own sample library?
I realize I'm asking pretty obscure questions, but one of the reasons I'm
doing this is to specifically "get the licensing right," and that means both
making my decisions about how I license my material _and_ respecting the
licenses I agreed to by using Spectra (and other) products. Since I think
Eric and Co. are especially aware of these sorts of things I thought I would
ask for some guidance here.
Thanks,
TCB
##############################################
##############################################
##############################################
##############################################HI Phil!
What's up? Haven't heard from you in ages. Which issue? I've gotten
Entourage configured to read the newsgroup. The hard drive, however, is
what it is... All the old data are history. I have a firewire drive for
backup now, so hopefully it'll never happen again!
Gantt
On 2/6/06 12:04 PM, in article 43e77bb2@linux, "PhilBadell"
<cpb@givemusic.com> wrote:
> Ddi you ever get the issue fixed?
>
> Phil
>
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> news:43df7862$1@linux...
>>
>> I crashed our upstairs computer's hard drive and lost EVERYTHING!
> Including
>> my old OS 9 version of Netscape, which was how I accessed this group. We
>> use Microsoft Office's Entourage for email, but I can't for the life of me
>> figure out how to get this newsgroup into it. Any suggestions?
>>
>> Thanks!
>>
>> Gantt
>
>Curt,
I live in Kansas City Missouri, USA.
-Will
Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>> "Michael" <purplebandalero@yahoo.com> wrote:
>>I have an entire Paris system sitting in my garage in the original boxes.
>
>On 2/6/2006 8:42 AM, Will Wilson wrote:
>> Michael, I'm interested in the unit, how much are you asking for it?
>
>Yeah, and where are you located?
>
>CurtHi Tom,
No, it appears to be a dedicated computer interface with no
stand-alone capabilities.
David.
Tom Bruhl wrote:
> David,
> Does it operate and program manually or is always
> software/driver based?
> Tom
>
>
> "EK Sound" <spamnot.info@eksoundNO.com
> <mailto:spamnot.info@eksoundNO.com>> wrote in message
> news:43e7d443$1@linux...
> We have the Midex8 here... seems to work fine. Round trip latency
> with NU3 is 4mSec.
>
> David.
>
> Tom Bruhl wrote:
>
> > My JL Cooper MSB+ Rev 2 is down for the count.
> > I'm not sure it's worth fixing if there's a more powerful
> > reasonably priced 8x8 replacement.
> >
> > Features I need are to merge at least two midi outs
> > into one and ideally three into one input. Split Cubase out to
> > 7 destinations.
> >
> > Choices I've found:
> >
> > Midi Sport (most expensive)
> > http://www.musicmall.com/cmp/midiman.htm#MIDI%20Sport%208x8
> >
> > Midex 8
> > http://www.steinberg.de/ProductPage_sbf194.html?Product_ID=2 022
> >
> > Sierra
> > http://www.adkproaudio.com/viewitem.cfm?id=1562
> >
> > Midex looks like it will interface the best with Cubase SX and
> that's my
> > Midi package of late.
> >
> > Any reason to try the others?
> >
> > Thanks for your input.
> > Tom"James McCloskey" <excelsm@hotmail.com> wrote:
> Hey isn't Doug a vegetarian??? Or was that Parisian??? ; )
Confirmed carnivore...
--
-Doug
http://www.parisfaqs.com"Kim" <hiddensounds@hotmail.com> wrote:
> Well, upon expending slightly more brain power, it seems the link is:
>
> http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
>
> ...but my point was that it never appears in the address bar.
Right, I hear ya now mate. It's because the site is "masqueraded" because
of the way the DNS entry points into my web tree. It is *ALWAYS* better to
point people to the main ParisFAQS web page because that "hidden" URL you
refer to above will change*. I know it's not as "convenient" to have to
scroll down to that part of the page, but hey, look at it this way - you
might notice something else on ParisFAQs that you hadn't seen before... ;-)
*I've been building a new site using plone. As soon as I find someone with
a web server that provides zope/cmf/plone, the site will move and that url
won't be valid anymore.
--
-Doug
http://www.parisfaqs.comHi Will,
I'm over in St. Louis and might be looking to sell some PARIS
soon.If you can't get all of what you need from Curt let me
know.
Curt,not trying to hijack your thread or take a sale from you;
I just noticed Will was down the raod from me so if hes looking
for stuff he can't get from you I might have some stuff for him.
Pete
"Will Wilson" <wwilson12@kc.rr.com.com.com> wrote:
>
>Curt,
>I live in Kansas City Missouri, USA.
>-Will
>
>
>Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>>> "Michael" <purplebandalero@yahoo.com> wrote:
>>>I have an entire Paris system sitting in my garage in the original boxes.
>>
>>On 2/6/2006 8:42 AM, Will Wilson wrote:
>>> Michael, I'm interested in the unit, how much are you asking for it?
>>
>>Yeah, and where are you located?
>>
>>Curt
>On 2/7/2006 10:03 AM, Pete Ruthenburg wrote:
> Curt,not trying to hijack your thread or take a sale from you;
> I just noticed Will was down the raod from me so if hes looking
> for stuff he can't get from you I might have some stuff for him.
Will, Pete:
No, go for it. I'm all set here.
Thanks,
CurtHi Everyone,
This is my first time posting and I really could use some help. I just installed
a 2nd EDS card and I am getting this message:
"Your EDS cards are not setup correctly and play back may not be correct"
I followed the directions(pictures) as found in a FAQ document I found on
the Internet. I also oriented all the red strips on the cables toward the
back of the computer as described in the manual. My MEC is plugged into the
card closest to the video card and there are 2 slots vacant between the video
card and first EDS.
Anyone know how to fix this? Thanks for your help.
MichaelOh,my bad.I see the original post didn't come from you.
Pete
Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>On 2/7/2006 10:03 AM, Pete Ruthenburg wrote:
>
>> Curt,not trying to hijack your thread or take a sale from you;
>> I just noticed Will was down the raod from me so if hes looking
>> for stuff he can't get from you I might have some stuff for him.
>
>Will, Pete:
>
>No, go for it. I'm all set here.
>
>Thanks,
>CurtHi Michael and welcome.I've got a 4 EDS 2 MEC rig that I've been
having problems with.I get this not connected properly error
every now and then right now,but I believe they're connected
properly as this system worked previously.
Probabbly going to do a reinstall of the 3.0 software and see
what happens.I'll let you know.
Are you on PC or Mac?WHat version of PARIS?Running XP if your on
PC?
Pete
"Michael" <heartwoodfx@hotmail.com> wrote:
>
>Hi Everyone,
>
>This is my first time posting and I really could use some help. I just installed
>a 2nd EDS card and I am getting this message:
>
>"Your EDS cards are not setup correctly and play back may not be correct"
>
>I followed the directions(pictures) as found in a FAQ document I found on
>the Internet. I also oriented all the red strips on the cables toward the
>back of the computer as described in the manual. My MEC is plugged into
the
>card closest to the video card and there are 2 slots vacant between the
video
>card and first EDS.
>
>Anyone know how to fix this? Thanks for your help.
>
>MichaelWelcome,
Paris Version?
Platform?
OS?
Number and type of interfaces?
How many ribbon cables did you use to interconnect the cards?
David.
Michael wrote:
> Hi Everyone,
>
> This is my first time posting and I really could use some help. I just installed
> a 2nd EDS card and I am getting this message:
>
> "Your EDS cards are not setup correctly and play back may not be correct"
>
> I followed the directions(pictures) as found in a FAQ document I found on
> the Internet. I also oriented all the red strips on the cables toward the
> back of the computer as described in the manual. My MEC is plugged into the
> card closest to the video card and there are 2 slots vacant between the video
> card and first EDS.
>
> Anyone know how to fix this? Thanks for your help.
>
> MichaelSorry for leaving out so many details.
Ver 2.1
PC
Win98se
One MEC
3 ribbon cables 2 long (16 pin?) a one short (8 pin?)
I show Mixer B in the patchbay but it is greyed out when I drag it into the
patchbay area.
Thanks for helping
EK Sound <spamnot.info@eksoundNO.com> wrote:
>Welcome,
>
>Paris Version?
>Platform?
>OS?
>Number and type of interfaces?
>How many ribbon cables did you use to interconnect the cards?
>
>David.
>
>Michael wrote:
>> Hi Everyone,
>>
>> This is my first time posting and I really could use some help. I just
installed
>> a 2nd EDS card and I am getting this message:
>>
>> "Your EDS cards are not setup correctly and play back may not be correct"
>>
>> I followed the directions(pictures) as found in a FAQ document I found
on
>> the Internet. I also oriented all the red strips on the cables toward
the
>> back of the computer as described in the manual. My MEC is plugged into
the
>> card closest to the video card and there are 2 slots vacant between the
video
>> card and first EDS.
>>
>> Anyone know how to fix this? Thanks for your help.
>>
>> MichaelThanks for the welcome, Pete. Sorry about the omissions. I listed everyting
in another reply. Thank you for helping.
Michael
"Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote:
>
>Hi Michael and welcome.I've got a 4 EDS 2 MEC rig that I've been
>having problems with.I get this not connected properly error
>every now and then right now,but I believe they're connected
>properly as this system worked previously.
>
>Probabbly going to do a reinstall of the 3.0 software and see
>what happens.I'll let you know.
>
>Are you on PC or Mac?WHat version of PARIS?Running XP if your on
>PC?
>
>Pete
>
>"Michael" <heartwoodfx@hotmail.com> wrote:
>>
>>Hi Everyone,
>>
>>This is my first time posting and I really could use some help. I just
installed
>>a 2nd EDS card and I am getting this message:
>>
>>"Your EDS cards are not setup correctly and play back may not be correct"
>>
>>I followed the directions(pictures) as found in a FAQ document I found
on
>>the Internet. I also oriented all the red strips on the cables toward the
>>back of the computer as described in the manual. My MEC is plugged into
>the
>>card closest to the video card and there are 2 slots vacant between the
>video
>>card and first EDS.
>>
>>Anyone know how to fix this? Thanks for your help.
>>
>>Michael
>With no interface connected to the second EDS card, you will not be
able to access any of the patch bay modules for Submix B... this is
normal.
It is extremely easy to get the ribbons attached being one pin off,
remove and re-seat the ribbon connectors making sure that the pin
alignment is correct. If the ribbons have not been used in a while,
try pulling them on and off the cards a few times to burnish the
connections. The integrity of the ribbon connections is vital for the
smooth operation of Paris.
David.
Michael wrote:
> Sorry for leaving out so many details.
>
> Ver 2.1
> PC
> Win98se
> One MEC
> 3 ribbon cables 2 long (16 pin?) a one short (8 pin?)
>
> I show Mixer B in the patchbay but it is greyed out when I drag it into the
> patchbay area.
>
> Thanks for helping
>
> EK Sound <spamnot.info@eksoundNO.com> wrote:
>
>>Welcome,
>>
>>Paris Version?
>>Platform?
>>OS?
>>Number and type of interfaces?
>>How many ribbon cables did you use to interconnect the cards?
>>
>>David.
>>
>>Michael wrote:
>>
>>>Hi Everyone,
>>>
>>>This is my first time posting and I really could use some help. I just
>
> installed
>
>>>a 2nd EDS card and I am getting this message:
>>>
>>>"Your EDS cards are not setup correctly and play back may not be correct"
>>>
>>>I followed the directions(pictures) as found in a FAQ document I found
>
> on
>
>>>the Internet. I also oriented all the red strips on the cables toward
>
> the
>
>>>back of the computer as described in the manual. My MEC is plugged into
>
> the
>
>>>card closest to the video card and there are 2 slots vacant between the
>
> video
>
>>>card and first EDS.
>>>
>>>Anyone know how to fix this? Thanks for your help.
>>>
>>>Michael
>
>Thanks, David.
I may have misaligned them...seems easy enough to do given the size. The
red strip facing to the mounting side of the card is correct? I will do it
all again and report the results. I appreciate your help.
Michael
EK Sound <spamnot.info@eksoundNO.com> wrote:
>With no interface connected to the second EDS card, you will not be
>able to access any of the patch bay modules for Submix B... this is
>normal.
>
>It is extremely easy to get the ribbons attached being one pin off,
>remove and re-seat the ribbon connectors making sure that the pin
>alignment is correct. If the ribbons have not been used in a while,
>try pulling them on and off the cards a few times to burnish the
>connections. The integrity of the ribbon connections is vital for the
>smooth operation of Paris.
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63122 is a reply to message #63120] |
Sun, 15 January 2006 21:08 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
.com> wrote:
>>
>>>Welcome,
>>>
>>>Paris Version?
>>>Platform?
>>>OS?
>>>Number and type of interfaces?
>>>How many ribbon cables did you use to interconnect the cards?
>>>
>>>David.
>>>
>>>Michael wrote:
>>>
>>>>Hi Everyone,
>>>>
>>>>This is my first time posting and I really could use some help. I just
>>
>> installed
>>
>>>>a 2nd EDS card and I am getting this message:
>>>>
>>>>"Your EDS cards are not setup correctly and play back may not be correct"
>>>>
>>>>I followed the directions(pictures) as found in a FAQ document I found
>>
>> on
>>
>>>>the Internet. I also oriented all the red strips on the cables toward
>>
>> the
>>
>>>>back of the computer as described in the manual. My MEC is plugged into
>>
>> the
>>
>>>>card closest to the video card and there are 2 slots vacant between the
>>
>> video
>>
>>>>card and first EDS.
>>>>
>>>>Anyone know how to fix this? Thanks for your help.
>>>>
>>>>Michael
>>
>>Honestly it doesn't matter which way the stripe faces as long as they
all face the same way. This refers to the side the stripe is on "at
the connector".
David.
Michael wrote:
> Thanks, David.
>
> I may have misaligned them...seems easy enough to do given the size. The
> red strip facing to the mounting side of the card is correct? I will do it
> all again and report the results. I appreciate your help.
>
> Michael
>
>
>
>
>
> EK Sound <spamnot.info@eksoundNO.com> wrote:
>
>>With no interface connected to the second EDS card, you will not be
>>able to access any of the patch bay modules for Submix B... this is
>>normal.
>>
>>It is extremely easy to get the ribbons attached being one pin off,
>>remove and re-seat the ribbon connectors making sure that the pin
>>alignment is correct. If the ribbons have not been used in a while,
>>try pulling them on and off the cards a few times to burnish the
>>connections. The integrity of the ribbon connections is vital for the
>>smooth operation of Paris.
>>
>>David.
>>
>>Michael wrote:
>>
>>
>>>Sorry for leaving out so many details.
>>>
>>>Ver 2.1
>>>PC
>>>Win98se
>>>One MEC
>>>3 ribbon cables 2 long (16 pin?) a one short (8 pin?)
>>>
>>>I show Mixer B in the patchbay but it is greyed out when I drag it into
>
> the
>
>>>patchbay area.
>>>
>>>Thanks for helping
>>>
>>>EK Sound <spamnot.info@eksoundNO.com> wrote:
>>>
>>>
>>>>Welcome,
>>>>
>>>>Paris Version?
>>>>Platform?
>>>>OS?
>>>>Number and type of interfaces?
>>>>How many ribbon cables did you use to interconnect the cards?
>>>>
>>>>David.
>>>>
>>>>Michael wrote:
>>>>
>>>>
>>>>>Hi Everyone,
>>>>>
>>>>>This is my first time posting and I really could use some help. I just
>>>
>>>installed
>>>
>>>
>>>>>a 2nd EDS card and I am getting this message:
>>>>>
>>>>>"Your EDS cards are not setup correctly and play back may not be correct"
>>>>>
>>>>>I followed the directions(pictures) as found in a FAQ document I found
>>>
>>>on
>>>
>>>
>>>>>the Internet. I also oriented all the red strips on the cables toward
>>>
>>>the
>>>
>>>
>>>>>back of the computer as described in the manual. My MEC is plugged into
>>>
>>>the
>>>
>>>
>>>>>card closest to the video card and there are 2 slots vacant between the
>>>
>>>video
>>>
>>>
>>>>>card and first EDS.
>>>>>
>>>>>Anyone know how to fix this? Thanks for your help.
>>>>>
>>>>>Michael
>>>
>>>
>By the way... the 16 pin ribbons must be "crossed over" each other,
you didn't mention if you had done this or not.
David.
Michael wrote:
> Thanks, David.
>
> I may have misaligned them...seems easy enough to do given the size. The
> red strip facing to the mounting side of the card is correct? I will do it
> all again and report the results. I appreciate your help.
>
> Michael
>David,
You called this one right! I had one ribbon cable one pin off...message gone.
Thanks a lot! I never even considered that as an option. I may not have caught
it for a while.
Michael
EK Sound <spamnot.info@eksoundNO.com> wrote:
>With no interface connected to the second EDS card, you will not be
>able to access any of the patch bay modules for Submix B... this is
>normal.
>
>It is extremely easy to get the ribbons attached being one pin off,
>remove and re-seat the ribbon connectors making sure that the pin
>alignment is correct. If the ribbons have not been used in a while,
>try pulling them on and off the cards a few times to burnish the
>connections. The integrity of the ribbon connections is vital for the
>smooth operation of Paris.
>
>David.
>
>Michael wrote:
>
>> Sorry for leaving out so many details.
>>
>> Ver 2.1
>> PC
>> Win98se
>> One MEC
>> 3 ribbon cables 2 long (16 pin?) a one short (8 pin?)
>>
>> I show Mixer B in the patchbay but it is greyed out when I drag it into
the
>> patchbay area.
>>
>> Thanks for helping
>>
>> EK Sound <spamnot.info@eksoundNO.com> wrote:
>>
>>>Welcome,
>>>
>>>Paris Version?
>>>Platform?
>>>OS?
>>>Number and type of interfaces?
>>>How many ribbon cables did you use to interconnect the cards?
>>>
>>>David.
>>>
>>>Michael wrote:
>>>
>>>>Hi Everyone,
>>>>
>>>>This is my first time posting and I really could use some help. I just
>>
>> installed
>>
>>>>a 2nd EDS card and I am getting this message:
>>>>
>>>>"Your EDS cards are not setup correctly and play back may not be correct"
>>>>
>>>>I followed the directions(pictures) as found in a FAQ document I found
>>
>> on
>>
>>>>the Internet. I also oriented all the red strips on the cables toward
>>
>> the
>>
>>>>back of the computer as described in the manual. My MEC is plugged into
>>
>> the
>>
>>>>card closest to the video card and there are 2 slots vacant between the
>>
>> video
>>
>>>>card and first EDS.
>>>>
>>>>Anyone know how to fix this? Thanks for your help.
>>>>
>>>>Michael
>>
>>I'm in the process of building a new computer, and am in desperate need of
some recomendations. I'm was thinking about going AMD Opteron as a CPU, but
am unsure if the money would be well spent. Would there be any noticeable
differences between the 200 and the 800 series? I'm probably going to go
with a single cpu, perhaps a dual core. The whole thing is becoming very
confusing. Anybody out there have suggestions? Price isn't too much of an
issue, but not total out there.
StephenBeen there, done that! ;-)
Glad I could help.
David.
Michael wrote:
> David,
>
> You called this one right! I had one ribbon cable one pin off...message gone.
> Thanks a lot! I never even considered that as an option. I may not have caught
> it for a while.
>
> Michael
>
> EK Sound <spamnot.info@eksoundNO.com> wrote:
>
>>With no interface connected to the second EDS card, you will not be
>>able to access any of the patch bay modules for Submix B... this is
>>normal.
>>
>>It is extremely easy to get the ribbons attached being one pin off,
>>remove and re-seat the ribbon connectors making sure that the pin
>>alignment is correct. If the ribbons have not been used in a while,
>>try pulling them on and off the cards a few times to burnish the
>>connections. The integrity of the ribbon connections is vital for the
>>smooth operation of Paris.
>>
>>David.
>>
>>Michael wrote:
>>Cool. No biggie anyhow. My brain was just too tired to work out how to get
around it. ;o)
Thanks for all your hard work on that site by the way. In a world of shrinking
Paris resources it's certainly become a centrepeice. :o)
Cheers,
Kim.
"Doug Wellington" <doug@parisfaqs.com> wrote:
>"Kim" <hiddensounds@hotmail.com> wrote:
>> Well, upon expending slightly more brain power, it seems the link is:
>>
>> http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
>>
>> ...but my point was that it never appears in the address bar.
>
>Right, I hear ya now mate. It's because the site is "masqueraded" because
>of the way the DNS entry points into my web tree. It is *ALWAYS* better
to
>point people to the main ParisFAQS web page because that "hidden" URL you
>refer to above will change*. I know it's not as "convenient" to have to
>scroll down to that part of the page, but hey, look at it this way - you
>might notice something else on ParisFAQs that you hadn't seen before...
;-)
>
>*I've been building a new site using plone. As soon as I find someone with
>a web server that provides zope/cmf/plone, the site will move and that url
>won't be valid anymore.
>
>--
>-Doug
>
>http://www.parisfaqs.com
>
>Hi Stephen,
For a single socket CPU system you will be using a Athlon 64 939 pin
CPU. The dual core version of that is the X2 CPU.
For a Opteron dual socket cpu there are the single core chips up to the
254. The dual core Opteron chips start at version 265.
Is this for the Paris? If so it will not work.
If not then it will be easy.
What software and sound card are you using or plan to use?
Do you are you planning on using any UAD and/or TC Power core PCI cards?
Are you doing any sampling/VSTi work or mainly audio mixing and editing?
Feel free to give me a call.
Chris
Stephen Stecyk wrote:
> I'm in the process of building a new computer, and am in desperate need of
> some recomendations. I'm was thinking about going AMD Opteron as a CPU, but
> am unsure if the money would be well spent. Would there be any noticeable
> differences between the 200 and the 800 series? I'm probably going to go
> with a single cpu, perhaps a dual core. The whole thing is becoming very
> confusing. Anybody out there have suggestions? Price isn't too much of an
> issue, but not total out there.
>
> Stephen
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comThis is driving me nuts. I got the Amplitube plugin demo and
installed it. At first use I simply applied it to an already recorded track
and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio for
a session and plugged the guitar
directly in track one and activated Amplitude in the Native
Plugin section. What the heck??? no effect. So we recorded a dry track,
then in playback it's on, but not while we're
recording...
It's very hard for a Hard drivin' guitar player to get into it
with a dry guitar.
How can we make this thing work while we are recording?
Is there some kind of PRE/Post switch somewhere?
The EDS inserts don't act like this...
Please e-mail me if you can a phone number so I can talk to someone... stevec1@charter.net
Steve
recording.
It's very hard for a hardCan't do it in Paris...AFAIK, but you certainly can do it in Nuendo
Martin H
"Steve" <stevec1@charter.net> wrote in message news:43e924b4$1@linux...
>
> This is driving me nuts. I got the Amplitube plugin demo and
> installed it. At first use I simply applied it to an already recorded
> track
> and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio for
> a session and plugged the guitar
> directly in track one and activated Amplitude in the Native
> Plugin section. What the heck??? no effect. So we recorded a dry track,
> then in playback it's on, but not while we're
> recording...
> It's very hard for a Hard drivin' guitar player to get into it
> with a dry guitar.
> How can we make this thing work while we are recording?
> Is there some kind of PRE/Post switch somewhere?
> The EDS inserts don't act like this...
> Please e-mail me if you can a phone number so I can talk to someone...
> stevec1@charter.net
> Steve
>
> recording.
> It's very hard for a hardNative effects in Paris will never work on the way in, only on
playback. Sorry, that's just the way it works. The EDS based effects
work while recording but only on sends (parallel effects), not on
inserts (which would be needed to record the effect).
David.
Steve wrote:
> This is driving me nuts. I got the Amplitube plugin demo and
> installed it. At first use I simply applied it to an already recorded track
> and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio for
> a session and plugged the guitar
> directly in track one and activated Amplitude in the Native
> Plugin section. What the heck??? no effect. So we recorded a dry track,
> then in playback it's on, but not while we're
> recording...
> It's very hard for a Hard drivin' guitar player to get into it
> with a dry guitar.
> How can we make this thing work while we are recording?
> Is there some kind of PRE/Post switch somewhere?
> The EDS inserts don't act like this...
> Please e-mail me if you can a phone number so I can talk to someone... stevec1@charter.net
> Steve
>
> recording.
> It's very hard for a hardEK Sound <askme@nospam.com> wrote:
>Native effects in Paris will never work on the way in, only on
>playback. Sorry, that's just the way it works. The EDS based effects
>work while recording but only on sends (parallel effects), not on
>inserts (which would be needed to record the effect).
>
>David.
>
>Steve wrote:
>> This is driving me nuts. I got the Amplitube plugin demo and
>> installed it. At first use I simply applied it to an already recorded
track
>> and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio
for
>> a session and plugged the guitar
>> directly in track one and activated Amplitude in the Native
>> Plugin section. What the heck??? no effect. So we recorded a dry track,
>> then in playback it's on, but not while we're
>> recording...
>> It's very hard for a Hard drivin' guitar player to get into it
>> with a dry guitar.
>> How can we make this thing work while we are recording?
>> Is there some kind of PRE/Post switch somewhere?
>> The EDS inserts don't act like this...
>> Please e-mail me if you can a phone number so I can talk to someone...
stevec1@charter.net
>> Steve
>>
>> recording.
>> David,
Would you consider calling me? (715) 387-6740 or e-mail me your number and
I'll cal you? I found your response in some random folder and can't figure
out a consistant way of using this forum.
stevec1@charter.netWhere in Paris should Amplitube be installed, so I can use it and here it
while the guitar player is recording?
SteveYou can't. VSTs and DX plugs only work on playback. Sucks huh? So you
basically have to track all your tracks imagining what they will sound
like or render as you go. With guitar it just about useless. Better to
get a tonelab se and record with the sound you want.
Steve wrote:
> Where in Paris should Amplitube be installed, so I can use it and here it
> while the guitar player is recording?
> SteveA better way is to use an amp or pod or some other unit to create a
playable sound, then DI the guitar signal direct through a mic pre.
Yoy can also record the sounds from the amp/pod at the same time for
extra flavour.
David.
John wrote:
> You can't. VSTs and DX plugs only work on playback. Sucks huh? So you
> basically have to track all your tracks imagining what they will sound
> like or render as you go. With guitar it just about useless. Better to
> get a tonelab se and record with the sound you want.
>
>
>
> Steve wrote:
>
>> Where in Paris should Amplitube be installed, so I can use it and here it
>> while the guitar player is recording?
>> SteveHello all. I haven't been around for a while. Still running Paris and loving
it. I'm considering upgrading my Paris computer. Can anyone recommend a MOBO
and processor for a new Paris setup? What are you guys and gals using as the
latest and fastest computers running Paris reliably?
Thanks,
Rich LamannaC'mon, I want Myparispro.
Rich
"John" <no@no.com> wrote in message news:43e8b780$1@linux...
> Is it up yet? hehe
>
> Rich Lamanna wrote:
> > Awesome Doug!
> >
> > Rich
> >Gantt - what method are you using to back up Entourage?
(IE, what files would I need to copy over and how are they reintegrated if
Entourage bites it again ?)
AA
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:C00E2988.8A1%ganttmann@comcast.net...
> HI Phil!
>
> What's up? Haven't heard from you in ages. Which issue? I've gotten
> Entourage configured to read the newsgroup. The hard drive, however, is
> what it is... All the old data are history. I have a firewire drive for
> backup now, so hopefully it'll never happen again!
>
> Gantt
>
>
> On 2/6/06 12:04 PM, in article 43e77bb2@linux, "PhilBadell"
> <cpb@givemusic.com> wrote:
>
>> Ddi you ever get the issue fixed?
>>
>> Phil
>>
>>
>> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
>> news:43df7862$1@linux...
>>>
>>> I crashed our upstairs computer's hard drive and lost EVERYTHING!
>> Including
>>> my old OS 9 version of Netscape, which was how I accessed this group.
>>> We
>>> use Microsoft Office's Entourage for email, but I can't for the life of
>>> me
>>> figure out how to get this newsgroup into it. Any suggestions?
>>>
>>> Thanks!
>>>
>>> Gantt
>>
>>
>HI Rich,
The latest that will work perfect with Paris is probably what your
already using. The only currently manufactured boards that I know of
that might possibly run Paris would be the Asus A8V (not deluxe).
Haven't tried it myself but I think there might be a couple of folks
using them. Also I think some folks might be using the Gigabyte K8N
Ultra 939. On the Intel side of things you might possibly be able to
find a Asus P4C800-E. Avoid the new dual core chips.
Anything that is current will be an experiment as to whether it will
work with EDS cards. Some of the current PCI-e boards with 3 or less PCI
cards should work but are obviously limit the number of EDS cards.
All of the new Mobo s will only be able to run 2000/XP.
The question is if you are only using it for Paris do you really need to
upgrade?
Chris
Rich Lamanna wrote:
> Hello all. I hav
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63124 is a reply to message #63122] |
Sun, 15 January 2006 22:22 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
e Nuendo computer will be mixing and editing.
I was thinking Opteron CPU since a lot of music pros I've been reading about
have had great success with them, but I'm not realy too familiar with them.
Do you know what, if any, benefits that I would see going opteron vs Athlon
64 X2? If I did go with Opeteron, should I go dual core? Do you have any
different suggestions? How about mobos?
Stephen
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:43e91e04$1@linux...
> Hi Stephen,
>
> For a single socket CPU system you will be using a Athlon 64 939 pin CPU.
> The dual core version of that is the X2 CPU.
>
> For a Opteron dual socket cpu there are the single core chips up to the
> 254. The dual core Opteron chips start at version 265.
>
> Is this for the Paris? If so it will not work.
>
> If not then it will be easy.
> What software and sound card are you using or plan to use?
> Do you are you planning on using any UAD and/or TC Power core PCI cards?
> Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>
> Feel free to give me a call.
>
> Chris
>
>
>
>
> Stephen Stecyk wrote:
>> I'm in the process of building a new computer, and am in desperate need
>> of some recomendations. I'm was thinking about going AMD Opteron as a
>> CPU, but am unsure if the money would be well spent. Would there be any
>> noticeable differences between the 200 and the 800 series? I'm probably
>> going to go with a single cpu, perhaps a dual core. The whole thing is
>> becoming very confusing. Anybody out there have suggestions? Price
>> isn't too much of an issue, but not total out there.
>>
>> Stephen
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.comRich,
I don't know what you're using now, but for the last two 1/2 years, I've
been using an ASUS A7V8x mobo with a pair of Matrox G450 video cards (AGP &
PCI) and 3 x EDS 1000 cards. I've used it with Win ME and Win XP with
success (currently using Win ME). It's *very stable* and will support up to
the AMD XP 3200 CPU. It's the most stable solution for Paris I've ever used
and will support a good amount of native plugins if desired. Another very
stable solution is the older mobo's with the SIS chipsets. Aaron Allen has
had very good success with these. I doubt if I'll ever go beyond this 7V8x
mobo. Too many potential issues with the newer crop of mobo's and chipsets.
Right now I'm using an XP 2800 CPU. I guess I could upgrade to the XP 3200,
but I really don't feel the need.
Regards,
Deej
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:43e92fe8$1@linux...
> Hello all. I haven't been around for a while. Still running Paris and
loving
> it. I'm considering upgrading my Paris computer. Can anyone recommend a
MOBO
> and processor for a new Paris setup? What are you guys and gals using as
the
> latest and fastest computers running Paris reliably?
>
> Thanks,
> Rich Lamanna
>
>http://waves.com/content.asp?id=2055 Looks good!!What do you guys & gals
think..I've used this many times. Hook up an amp to get a sound for performance,
but record the DI sound. You can always record the amp as well if you wish.
Then on playback you can adjust the sound to taste.
Cheers,
Kim.
EK Sound <askme@nospam.com> wrote:
>A better way is to use an amp or pod or some other unit to create a
>playable sound, then DI the guitar signal direct through a mic pre.
>Yoy can also record the sounds from the amp/pod at the same time for
>extra flavour.
>
>David.
>
>John wrote:
>> You can't. VSTs and DX plugs only work on playback. Sucks huh? So you
>> basically have to track all your tracks imagining what they will sound
>> like or render as you go. With guitar it just about useless. Better to
>> get a tonelab se and record with the sound you want.
>>
>>
>>
>> Steve wrote:
>>
>>> Where in Paris should Amplitube be installed, so I can use it and here
it
>>> while the guitar player is recording?
>>> SteveThis one might bring me back to using Waves. I'm hoping to give it a test
drive in the next couple of weeks.
Dedric
On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
<jjdpro@ameritech.net> wrote:
>
> http://waves.com/content.asp?id=2055 Looks good!!What do you guys & gals
> think..I just got Wabelab Essentials, and afetr settign up a Montage,
It seems to not see my CD burner.
i don;t see anyting on the Steinberg site about it.
Anyone know what to do?;o)
Better than Alltell around here sometimes.
"rick" <parnell68@hotmail.com> wrote in message
news:jergu1p4u3oc3f944fr2edg883j33h3clf@4ax.com...
> and as a very local cell phone of sorts too
>
> On Mon, 6 Feb 2006 23:47:20 -0700, "DJ"
> <animix_spam-this-ahole_@animas.net> wrote:
>
> >You actually can drill holes in one end of two halves of a coconut
shell, run twine through the holes, knot it so that it can't exit the hole
when you stretch it tight on both ends and then once it's very tight you can
pluck it like a broomstick bass. Sounds like shit, but you can do it. I'm
thinking that perhaps Mogami twine might be sonically superior though.
> >
> > "Tom Bruhl" <arpegio@comcast.net> wrote in message
news:43e8445a$1@linux...
> > Alright, forget the twine.
> >
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e84319$1@linux...
> > Give me enough twine and I'll hang myself for sure.
> >
> > ;o)
> >
> > "Tom Bruhl" <arpegio@comcast.net> wrote in message
news:43e838c2@linux...
> > Paul,
> > I wanna see him do it using twine.
> > Tom
> >
> >
> > "Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message
news:hu8gu1di2388hco55tcq9uq3vin5enai2k@4ax.com...
> > On Sun, 5 Feb 2006 14:19:45 -0700, "DJ"
> > <animix_spam-this-ahole_@animas.net> wrote:
> >
> > >I'm guessing that the latency with the UAD-1 cards could most
easily be
> > >solved by bussing all tracks with UAD-1 plugins to a separate
set of
> > >reference monitors placing thems 36 feet behind the mix
position, set up a
> > >stereo pair of room mics at the mix position facing backwards
towards the
> > >monitors and reamping the UAD tracks.;o)
> > >
> >
> > Ahhhh. To be living in DeejWorld....
> >
> > And after you reamp the UAD trax, would you then pass them
through
> > Paris, out through the auxes into another PC running Nuendo,
using
> > only the adat cables?
> >
> > pab
>http://forum.cubase.net/phpbb2/viewtopic.php?t=100
"Cujo" <CHris@applemanstudio.com> wrote in message news:43e963a3$1@linux...
>
>
> I just got Wabelab Essentials, and afetr settign up a Montage,
> It seems to not see my CD burner.
> i don;t see anyting on the Steinberg site about it.
> Anyone know what to do?
>It better sound totally amazing if it costs what I expect it will. I'm still
pissed at them for wanting $250 to upgrade my Renaiissance Plugs from win 98
to XP (which I never did).
"Dedric Terry" <dterry@keyofd.net> wrote in message
news:C00EB095.D84%dterry@keyofd.net...
> This one might bring me back to using Waves. I'm hoping to give it a test
> drive in the next couple of weeks.
>
> Dedric
>
> On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
> <jjdpro@ameritech.net> wrote:
>
>>
>> http://waves.com/content.asp?id=2055 Looks good!!What do you guys &
>> gals
>> think..
>Or you can monitor Amplitube trough a sequencer on a second computer. Just
record clean, mute it, and lightpipe the signal to Amplitube on the other
computer. When finished, just use the same Amplitude-setting on the clean
track in Paris. Or record the sound directly from computer 2.
Bjorn R
"Kim" <hiddensounds@hotmail.com> wrote in message news:43e96133@linux...
>
>
> I've used this many times. Hook up an amp to get a sound for performance,
> but record the DI sound. You can always record the amp as well if you
wish.
> Then on playback you can adjust the sound to taste.
>
> Cheers,
> Kim.
>
> EK Sound <askme@nospam.com> wrote:
> >A better way is to use an amp or pod or some other unit to create a
> >playable sound, then DI the guitar signal direct through a mic pre.
> >Yoy can also record the sounds from the amp/pod at the same time for
> >extra flavour.
> >
> >David.
> >
> >John wrote:
> >> You can't. VSTs and DX plugs only work on playback. Sucks huh? So
you
>
> >> basically have to track all your tracks imagining what they will sound
>
> >> like or render as you go. With guitar it just about useless. Better to
>
> >> get a tonelab se and record with the sound you want.
> >>
> >>
> >>
> >> Steve wrote:
> >>
> >>> Where in Paris should Amplitube be installed, so I can use it and here
> it
> >>> while the guitar player is recording?
> >>> Steve
>Is $800.00 ridiculous enough for you. I never upgraded my NPPII for the same
reason you didn't. UAD-1 blew them out of the water anyway (IMO)
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e97256@linux...
> It better sound totally amazing if it costs what I expect it will. I'm
still
> pissed at them for wanting $250 to upgrade my Renaiissance Plugs from win
98
> to XP (which I never did).
>
> "Dedric Terry" <dterry@keyofd.net> wrote in message
> news:C00EB095.D84%dterry@keyofd.net...
> > This one might bring me back to using Waves. I'm hoping to give it a
test
> > drive in the next couple of weeks.
> >
> > Dedric
> >
> > On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
> > <jjdpro@ameritech.net> wrote:
> >
> >>
> >> http://waves.com/content.asp?id=2055 Looks good!!What do you guys &
> >> gals
> >> think..
> >
>
>Looks like it might be time to upgrade from my Athlon 2.4GHZ
system... there's a place locally that I can grab a P4 3.4GHZ
CPU & an Asus Asroc-2 mobo for about $280 total. Price seems
reasonable, but I'm used to Athlons & their better performance
characteristics (at least based on anecdotal evidence from
users herein). Anyone see any problems with this possible
new configuration for Native (SX) use?
I'll probably just strip out the Gig of DDR RAM I have & use
that in the new board. Frostside bus speed should be faster
too, since the Epox KHA+ mobo I currently have is about 3 years
old now. Anyone see any downside to this conversion?
NeilTrue. I never upgraded my NPP Gold for the same reason - $250 is steep just
to get a new version number in the info screen (that was just to go from 3.x
to 4.0 on WinXP). The SSL 4000 is $600 street, so that's $200 less
ridiculous, and if they are really amazing, it might be worth it for some.
That said, UA has Neves on the way. Pretty cool. It will be interesting to
see where their prices fall - I'm guessing $250 for the 1073.
On 2/7/06 8:53 PM, in article 43e97346@linux, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
> Is $800.00 ridiculous enough for you. I never upgraded my NPPII for the same
> reason you didn't. UAD-1 blew them out of the water anyway (IMO)
>
> "Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e97256@linux...
>> It better sound totally amazing if it costs what I expect it will. I'm
> still
>> pissed at them for wanting $250 to upgrade my Renaiissance Plugs from win
> 98
>> to XP (which I never did).
>>
>> "Dedric Terry" <dterry@keyofd.net> wrote in message
>> news:C00EB095.D84%dterry@keyofd.net...
>>> This one might bring me back to using Waves. I'm hoping to give it a
> test
>>> drive in the next couple of weeks.
>>>
>>> Dedric
>>>
>>> On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
>>> <jjdpro@ameritech.net> wrote:
>>>
>>>>
>>>> http://waves.com/content.asp?id=2055 Looks good!!What do you guys &
>>>> gals
>>>> think..
>>>
>>
>>
>
>Doug - Many Mondo Thanks!!!
You and Chuck are righteous dudes!!!
Cheers,
Jon
"Doug Wellington" <doug@parisfaqs.com> wrote:
>OK everybody, listen up! I talked to Chuck today on the phone. He's going
>to send me everything. I don't know how soon, but it looks like it WILL
>happen. Once I get everything, I'll be putting the plugs up on ParisFAQs
>for download. I also hope to fix the bugs in Eventiter and Nolimit. Stay
>tuned!
>
>I don't want to say too much yet, but I'm working on a foot controller that
>will work with the Looperlative and other devices. Once I'm done with that,
>I'll get back to the Paris hardware drivers...
>
>--
>-Doug
>
>http://www.parisfaqs.com
>
>
>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
>news:43e62a6c$1@linux...
>>
>> Hi Everybody,
>>
>> Someone named New Venture Services Corp has picked up the myparispro.com
>> domain and registered it through December 2006.
>>
>> I hope Chuck is ok. I noticed that greatidea.com has been down for over
>> a month now.
>>
>> Mike
>
>Same here..I still have that parallel port driver dongle :) If it wa not for
the studio I work in, which purchased the full WUP, I would've not been current
on wave plugs. That being said, I still love the Ren Comp.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Is $800.00 ridiculous enough for you. I never upgraded my NPPII for the
same
>reason you didn't. UAD-1 blew them out of the water anyway (IMO)
>
>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e97256@linux...
>> It better sound totally amazing if it costs what I expect it will. I'm
>still
>> pissed at them for wanting $250 to upgrade my Renaiissance Plugs from
win
>98
>> to XP (which I never did).
>>
>> "Dedric Terry" <dterry@keyofd.net> wrote in message
>> news:C00EB095.D84%dterry@keyofd.net...
>> > This one might bring me back to using Waves. I'm hoping to give it
a
>test
>> > drive in the next couple of weeks.
>> >
>> > Dedric
>> >
>> > On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
>> > <jjdpro@ameritech.net> wrote:
>> >
>> >>
>> >> http://waves.com/content.asp?id=2055 Looks good!!What do you guys
&
>> >> gals
>> >> think..
>> >
>>
>>
>
>The 600 price point sound great. I've heard the online demo, and i can attest
that, by the sound of the demo presentation, they've nailed the SSL 4000..
We have one(SSL 4000 Gplus) in our A room, with E Series Channel strips..The
plugs behaved pretty much like the board, minus the noise :)
Let's face it, Waves had to step it up, or they were going down inthe dust.
With UAD, McDSp(My Favorite), URS, Sony Oxford, as well as many , smaller
named companies like SIR, Audioease, Voxengo, sonilakis, PSP..I coan on and
on.. Waves had to pull a rabbit(out of you know where:) to stay in the game..
well, game on..
Dedric Terry <dterry@keyofd.net> wrote:
>True. I never upgraded my NPP Gold for the same reason - $250 is steep
just
>to get a new version number in the info screen (that was just to go from
3.x
>to 4.0 on WinXP). The SSL 4000 is $600 street, so that's $200 less
>ridiculous, and if they are really amazing, it might be worth it for some.
>
>That said, UA has Neves on the way. Pretty cool. It will be interesting
to
>see where their prices fall - I'm guessing $250 for the 1073.
>
>On 2/7/06 8:53 PM, in article 43e97346@linux, "DJ"
><animix_spam-this-ahole_@animas.net> wrote:
>
>> Is $800.00 ridiculous enough for you. I never upgraded my NPPII for the
same
>> reason you didn't. UAD-1 blew them out of the water anyway (IMO)
>>
>> "Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43e97256@linux...
>>> It better sound totally amazing if it costs what I expect it will. I'm
>> still
>>> pissed at them for wanting $250 to upgrade my Renaiissance Plugs from
win
>> 98
>>> to XP (which I never did).
>>>
>>> "Dedric Terry" <dterry@keyofd.net> wrote in message
>>> news:C00EB095.D84%dterry@keyofd.net...
>>>> This one might bring me back to using Waves. I'm hoping to give it
a
>> test
>>>> drive in the next couple of weeks.
>>>>
>>>> Dedric
>>>>
>>>> On 2/7/06 9:06 PM, in article 43e9603e$1@linux, "Lamont"
>>>> <jjdpro@ameritech.net> wrote:
>>>>
>>>>>
>>>>> http://waves.com/content.asp?id=2055 Looks good!!What do you guys
&
>>>>> gals
>>>>> think..
>>>>
>>>
>>>
>>
>>
>Is your RAM compatible with Intel mobo's? The rest of the situation sounds
fine unless you want to experience pain and build yourself an already
obsolete dual core computer, like I did.
;o)
"Neil" <OIUOIU@.com> wrote in message news:43e97ff2$1@linux...
>
> Looks like it might be time to upgrade from my Athlon 2.4GHZ
> system... there's a place locally that I can grab a P4 3.4GHZ
> CPU & an Asus Asroc-2 mobo for about $280 total. Price seems
> reasonable, but I'm used to Athlons & their better performance
> characteristics (at least based on anecdotal evidence from
> users herein). Anyone see any problems with this possible
> new configuration for Native (SX) use?
>
> I'll probably just strip out the Gig of DDR RAM I have & use
> that in the new board. Frostside bus speed should be faster
> too, since the Epox KHA+ mobo I currently have is about 3 years
> old now. Anyone see any downside to this conversion?
>
> NeilHey Steve! The easy way to use the forum is to use the web version. Go to
http://webnews.parisnewsgroup.com/
See if you can get around better and let us know how your doing.
James
"Steve" <stevec1@charter.net> wrote:
>
>EK Sound <askme@nospam.com> wrote:
>>Native effects in Paris will never work on the way in, only on
>>playback. Sorry, that's just the way it works. The EDS based effects
>>work while recording but only on sends (parallel effects), not on
>>inserts (which would be needed to record the effect).
>>
>>David.
>>
>>Steve wrote:
>>> This is driving me nuts. I got the Amplitube plugin demo and
>>> installed it. At first use I simply applied it to an already recorded
>track
>>> and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio
>for
>>> a session and plugged the guitar
>>> directly in track one and activated Amplitude in the Native
>>> Plugin section. What the heck??? no effect. So we recorded a dry track,
>>> then in playback it's on, but not while we're
>>> recording...
>
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63128 is a reply to message #63124] |
Sun, 15 January 2006 23:10 |
Deej
Messages: 130
Registered: September 2006
|
Senior Member |
|
|
sound card are you using or plan to use?
>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>
>>Feel free to give me a call.
>>
>>Chris
>>
>>
>>
>>
>>Stephen Stecyk wrote:
>>> I'm in the process of building a new computer, and am in desperate need
>of
>>> some recomendations. I'm was thinking about going AMD Opteron as a CPU,
>but
>>> am unsure if the money would be well spent. Would there be any noticeable
>
>>> differences between the 200 and the 800 series? I'm probably going to
>go
>>> with a single cpu, perhaps a dual core. The whole thing is becoming
very
>
>>> confusing. Anybody out there have suggestions? Price isn't too much
>of an
>>> issue, but not total out there.
>>>
>>> Stephen
>>>
>>>
>>
>>--
>>Chris Ludwig
>>
>>ADK Pro Audio
>>(859) 635-5762
>>www.adkproaudio.com
>>chrisl@adkproaudio.com
>Actually, Kim, I'm using a dual Athon just fine. It's just the C16 code that
doesn't like two processors, and I don't have any.
All the best,
Mike
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>No dual processors work with Paris. Indeed as I understand it that's why
>you need to turn Hyperthreading off on P4's... because it's kinda similar
>to dual processors.
>
>The code just doesn't gel with it.
>
>Cheers,
>Kim.
>
>"LaMont" <jjdpro@ameritech.net> wrote:
>>
>>Hi Chris,
>>Question: Why does'nt the Dual Core Processors work with Paris?
>>Reason; My Asus N-force 2 board flaked out. So, I just ordered new Gigbyte
>>mobo(939 socket-N-force3) with Dual core Opteron 165..
>>
>>Thanks
>>
>>Chris Ludwig <chrisl@adkproaudio.com> wrote:
>>>Hi Stephen,
>>>
>>>For a single socket CPU system you will be using a Athlon 64 939 pin
>>>CPU. The dual core version of that is the X2 CPU.
>>>
>>>For a Opteron dual socket cpu there are the single core chips up to the
>>
>>>254. The dual core Opteron chips start at version 265.
>>>
>>>Is this for the Paris? If so it will not work.
>>>
>>>If not then it will be easy.
>>>What software and sound card are you using or plan to use?
>>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>
>>>Feel free to give me a call.
>>>
>>>Chris
>>>
>>>
>>>
>>>
>>>Stephen Stecyk wrote:
>>>> I'm in the process of building a new computer, and am in desperate need
>>of
>>>> some recomendations. I'm was thinking about going AMD Opteron as a
CPU,
>>but
>>>> am unsure if the money would be well spent. Would there be any noticeable
>>
>>>> differences between the 200 and the 800 series? I'm probably going
to
>>go
>>>> with a single cpu, perhaps a dual core. The whole thing is becoming
>very
>>
>>>> confusing. Anybody out there have suggestions? Price isn't too much
>>of an
>>>> issue, but not total out there.
>>>>
>>>> Stephen
>>>>
>>>>
>>>
>>>--
>>>Chris Ludwig
>>>
>>>ADK Pro Audio
>>>(859) 635-5762
>>>www.adkproaudio.com
>>>chrisl@adkproaudio.com
>>
>You are awsome.
I hope it works!
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>http://forum.cubase.net/phpbb2/viewtopic.php?t=100
>
>
>"Cujo" <CHris@applemanstudio.com> wrote in message news:43e963a3$1@linux...
>>
>>
>> I just got Wabelab Essentials, and afetr settign up a Montage,
>> It seems to not see my CD burner.
>> i don;t see anyting on the Steinberg site about it.
>> Anyone know what to do?
>>
>
>Where does one get this and the impulses to go along with it
Inquiring minds want to know
DonHi Stephen,
Ahh Ok good. Glad you not trying to get Paris to run on it.
CPU performance between the same clock speed X2 and Opteron chips is
pretty much neck and neck. The benefits on the dual OPteron machines,
multiple PCI busses, faster memory performance. YOu will also be able to
use up to 16 gigs of ram which is nice. You will also be able to use
dual core Opteron chips in it so you will have 4 cpus.
Nuendo will not be able to use the Lynx and RME at the same time so I'm
not sure what you plan is with that. If you occasionally need to use AES
you would be better of just getting a RME DD4 or DD8 format converter
for that. Also expect Gigastudio to give you some headaches also sense
it doesn't properly support dual cpus. It will work but I would expect
so growing pains. The TC should be fine with this setup.
I would not do the Dual core Opterons is you are using Gigastudio. If
you don't use Giga then go for it is you can afford it. NUendo will use
all four cpus.
The only motherboards for the Opterons worth getting are the TYan s2885
and s2895 models. If you are gonn use duak core cous then you will wanna
get the Zalman 9500 heat sinks. Also only use you memory in groups of 4
i.e., 2 gigs = 4x 512, 4 gigs = 4x 1024 ram. YOu will get NUMA memory
support which give you 10gigs/sec instead of the normal 5 gigs.
Oh and at least a 550 watt EPS power supply. YOu also have to use XP SP2
on the OPterons to get the most out of them for the memory support.
Chris
Stephen Stecyk wrote:
> Hi Chris,
>
> I'm running a single CPU Athlon MP 2800 for my Paris rig, and wanted to
> upgrade my Nuendo machine (presently running 2 Athlon MP 1900).
>
> I have one RME HDSP 5296 in my Nuendo computer, and have plans on getting
> the Lynx AES16 as well. I'm running running one TC Powercore Firewire
> between the two computers, with a PowerCore Unplugged in each. The Nuendo
> computer is running Windows XP pro. I aslo am running GigaStuiodo from the
> Nuendo computer. Primarily, the Nuendo computer will be mixing and editing.
>
> I was thinking Opteron CPU since a lot of music pros I've been reading about
> have had great success with them, but I'm not realy too familiar with them.
> Do you know what, if any, benefits that I would see going opteron vs Athlon
> 64 X2? If I did go with Opeteron, should I go dual core? Do you have any
> different suggestions? How about mobos?
>
> Stephen
>
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:43e91e04$1@linux...
>
>>Hi Stephen,
>>
>>For a single socket CPU system you will be using a Athlon 64 939 pin CPU.
>>The dual core version of that is the X2 CPU.
>>
>>For a Opteron dual socket cpu there are the single core chips up to the
>>254. The dual core Opteron chips start at version 265.
>>
>>Is this for the Paris? If so it will not work.
>>
>>If not then it will be easy.
>>What software and sound card are you using or plan to use?
>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>
>>Feel free to give me a call.
>>
>>Chris
>>
>>
>>
>>
>>Stephen Stecyk wrote:
>>
>>>I'm in the process of building a new computer, and am in desperate need
>>>of some recomendations. I'm was thinking about going AMD Opteron as a
>>>CPU, but am unsure if the money would be well spent. Would there be any
>>>noticeable differences between the 200 and the 800 series? I'm probably
>>>going to go with a single cpu, perhaps a dual core. The whole thing is
>>>becoming very confusing. Anybody out there have suggestions? Price
>>>isn't too much of an issue, but not total out there.
>>>
>>>Stephen
>>
>>--
>>Chris Ludwig
>>
>>ADK Pro Audio
>>(859) 635-5762
>>www.adkproaudio.com
>>chrisl@adkproaudio.com
>
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762HI,
C-16 issues mostly.
If you are using the new board make sure you flash to newest bios as
soon as you get windows installed. Also use the newest Nvidia chipset
drivers from Nvidias web site. You will need to use the AMD X2 processor
driver also.
You should check the new board for any signs of it being a refurb. The
Nforce 3 boards have been out of production for almost a year. Pretty
much vendors are just sell thru left over stock and getting refurbs from
Gigabyte.
Chris
LaMont wrote:
> Hi Chris,
> Question: Why does'nt the Dual Core Processors work with Paris?
> Reason; My Asus N-force 2 board flaked out. So, I just ordered new Gigbyte
> mobo(939 socket-N-force3) with Dual core Opteron 165..
>
> Thanks
>
> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>
>>Hi Stephen,
>>
>>For a single socket CPU system you will be using a Athlon 64 939 pin
>>CPU. The dual core version of that is the X2 CPU.
>>
>>For a Opteron dual socket cpu there are the single core chips up to the
>
>
>>254. The dual core Opteron chips start at version 265.
>>
>>Is this for the Paris? If so it will not work.
>>
>>If not then it will be easy.
>>What software and sound card are you using or plan to use?
>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>
>>Feel free to give me a call.
>>
>>Chris
>>
>>
>>
>>
>>Stephen Stecyk wrote:
>>
>>>I'm in the process of building a new computer, and am in desperate need
>
> of
>
>>>some recomendations. I'm was thinking about going AMD Opteron as a CPU,
>
> but
>
>>>am unsure if the money would be well spent. Would there be any noticeable
>
>
>>>differences between the 200 and the 800 series? I'm probably going to
>
> go
>
>>>with a single cpu, perhaps a dual core. The whole thing is becoming very
>
>
>>>confusing. Anybody out there have suggestions? Price isn't too much
>
> of an
>
>>>issue, but not total out there.
>>>
>>>Stephen
>>>
>>>
>>
>>--
>>Chris Ludwig
>>
>>ADK Pro Audio
>>(859) 635-5762
>>www.adkproaudio.com
>>chrisl@adkproaudio.com
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762I have been using SIR with sample slide.
Solod the verbs sound nice, but I am still not sold on how they fit in the
mix.
I need more impulses too.
Reverbs are definitely one of my weak areas
"Don Nafe" <dnafe@magma.ca> wrote:
>Where does one get this and the impulses to go along with it
>
>Inquiring minds want to know
>
>Don
>
>www.noisevault.com for impulses...I've contributed a few there. They have
a nice selection.
I've used convolution verbs in paris, but used pre-rendered tracks. I totally
forget how I did it though.
Cheers,
Kris
"Cujo" <chris@nospamapplemanstudio.com> wrote:
>
>
>
>I have been using SIR with sample slide.
>Solod the verbs sound nice, but I am still not sold on how they fit in the
>mix.
>I need more impulses too.
>Reverbs are definitely one of my weak areas
>
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>>Where does one get this and the impulses to go along with it
>>
>>Inquiring minds want to know
>>
>>Don
>>
>>Just to let you know, Wavelab will not work with ALL CD burners... if
you have an odd brand you may need to replace it.
David.
Cujo wrote:
> You are awsome.
> I hope it works!
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>
>>http://forum.cubase.net/phpbb2/viewtopic.php?t=100
>>
>>
>>"Cujo" <CHris@applemanstudio.com> wrote in message news:43e963a3$1@linux...
>>
>>>
>>>I just got Wabelab Essentials, and afetr settign up a Montage,
>>>It seems to not see my CD burner.
>>>i don;t see anyting on the Steinberg site about it.
>>>Anyone know what to do?
>>>
>>
>>Necessary next audio card with ASIO support.You.ll use it like hardware guitar
unit with Paris.Open Paris, open Amplitube as stand alone put out&in from
audio card to in&out of Paris hardware, active it in mixer to aux(effect
send-return).Recording guitar in Paris with Amplitube as effect on Aux.Track
recorded will be dry.Then put Amplitube VST to insert on this dry recorded
guitar, tune sound and rest and
render track.
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Hey Steve! The easy way to use the forum is to use the web version. Go
to
> http://webnews.parisnewsgroup.com/
>
>See if you can get around better and let us know how your doing.
>
>James
>
>"Steve" <stevec1@charter.net> wrote:
>>
>>EK Sound <askme@nospam.com> wrote:
>>>Native effects in Paris will never work on the way in, only on
>>>playback. Sorry, that's just the way it works. The EDS based effects
>
>>>work while recording but only on sends (parallel effects), not on
>>>inserts (which would be needed to record the effect).
>>>
>>>David.
>>>
>>>Steve wrote:
>>>> This is driving me nuts. I got the Amplitube plugin demo and
>>>> installed it. At first use I simply applied it to an already recorded
>>track
>>>> and WOW cooo-hoo-hool !! Then I brought a guitar player in the studio
>>for
>>>> a session and plugged the guitar
>>>> directly in track one and activated Amplitude in the Native
>>>> Plugin section. What the heck??? no effect. So we recorded a dry track,
>>>> then in playback it's on, but not while we're
>>>> recording...
>>>> It's very hard for a Hard drivin' guitar player to get into it
>>>> with a dry guitar.
>>>> How can we make this thing work while we are recording?
>>>> Is there some kind of PRE/Post switch somewhere?
>>>> The EDS inserts don't act like this...
>>>> Please e-mail me if you can a phone number so I can talk to someone...
>>stevec1@charter.net
>>>> Steve
>>>>
>>>> recording.
>>>> David,
>>Would you consider calling me? (715) 387-6740 or e-mail me your number
and
>>I'll cal you? I found your response in some random folder and can't figure
>>out a consistant way of using this forum.
>>stevec1@charter.netHi,
This the main info you want to read to help resolve CD burners issues
with Wavelab and CD reading in issues Cubase and Nuendo.
http://www.cubase.net/phpbb2/viewtopic.php?t=9253
Chris
Cujo wrote:
> You are awsome.
> I hope it works!
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> http://forum.cubase.net/phpbb2/viewtopic.php?t=100
>>
>>
>> "Cujo" <CHris@applemanstudio.com> wrote in message news:43e963a3$1@linux...
>>>
>>> I just got Wabelab Essentials, and afetr settign up a Montage,
>>> It seems to not see my CD burner.
>>> i don;t see anyting on the Steinberg site about it.
>>> Anyone know what to do?
>>>
>>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comThanks Chris,
Actually I ordered a Opteron Dual core 165, not a X2-dual core. The Opteron
should work, since it's a 939 socket??
Chris Ludwig <chrisl@adkproaudio.com> wrote:
>HI,
>C-16 issues mostly.
>If you are using the new board make sure you flash to newest bios as
>soon as you get windows installed. Also use the newest Nvidia chipset
>drivers from Nvidias web site. You will need to use the AMD X2 processor
>driver also.
>
>You should check the new board for any signs of it being a refurb. The
>Nforce 3 boards have been out of production for almost a year. Pretty
>much vendors are just sell thru left over stock and getting refurbs from
>Gigabyte.
>
>Chris
>
>
>LaMont wrote:
>
>> Hi Chris,
>> Question: Why does'nt the Dual Core Processors work with Paris?
>> Reason; My Asus N-force 2 board flaked out. So, I just ordered new Gigbyte
>> mobo(939 socket-N-force3) with Dual core Opteron 165..
>>
>> Thanks
>>
>> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>>
>>>Hi Stephen,
>>>
>>>For a single socket CPU system you will be using a Athlon 64 939 pin
>>>CPU. The dual core version of that is the X2 CPU.
>>>
>>>For a Opteron dual socket cpu there are the single core chips up to the
>>
>>
>>>254. The dual core Opteron chips start at version 265.
>>>
>>>Is this for the Paris? If so it will not work.
>>>
>>>If not then it will be easy.
>>>What software and sound card are you using or plan to use?
>>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>
>>>Feel free to give me a call.
>>>
>>>Chris
>>>
>>>
>>>
>>>
>>>Stephen Stecyk wrote:
>>>
>>>>I'm in the process of building a new computer, and am in desperate need
>>
>> of
>>
>>>>some recomendations. I'm was thinking about going AMD Opteron as a CPU,
>>
>> but
>>
>>>>am unsure if the money would be well spent. Would there be any noticeable
>>
>>
>>>>differences between the 200 and the 800 series? I'm probably going to
>>
>> go
>>
>>>>with a single cpu, perhaps a dual core. The whole thing is becoming
very
>>
>>
>>>>confusing. Anybody out there have suggestions? Price isn't too much
>>
>> of an
>>
>>>>issue, but not total out there.
>>>>
>>>>Stephen
>>>>
>>>>
>>>
>>>--
>>>Chris Ludwig
>>>
>>>ADK Pro Audio
>>>(859) 635-5762
>>>www.adkproaudio.com
>>>chrisl@adkproaudio.com
>>
>>
>
>--
>Chris Ludwig
>ADK
>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>www.adkproaudio.com <http://www.adkproaudio.com/>
>(859) 635-5762This was also my method of tracking guitars in PARIS. I love tracking in DP
now though. NI's Amp Combos package is a great sounding set of amps with out
having to spend big money.
Tony
"EK Sound" <askme@nospam.com> wrote in message news:43e92dc0$1@linux...
>A better way is to use an amp or pod or some other unit to create a
>playable sound, then DI the guitar signal direct through a mic pre. Yoy can
>also record the sounds from the amp/pod at the same time for extra flavour.
>
> David.
>
> John wrote:
>> You can't. VSTs and DX plugs only work on playback. Sucks huh? So you
>> basically have to track all your tracks imagining what they will sound
>> like or render as you go. With guitar it just about useless. Better to
>> get a tonelab se and record with the sound you want.
>>
>>
>>
>> Steve wrote:
>>
>>> Where in Paris should Amplitube be installed, so I can use it and here
>>> it
>>> while the guitar player is recording?
>>> SteveAnybody have a Paris Adat card for sale??
SteveHI Lamont,
That chip will work on the 939 mobos but you will still have to make
sure you update the BIOS.
Chris
LaMont wrote:
> Thanks Chris,
> Actually I ordered a Opteron Dual core 165, not a X2-dual core. The Opteron
> should work, since it's a 939 socket??
>
>
>
> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>> HI,
>> C-16 issues mostly.
>> If you are using the new board make sure you flash to newest bios as
>> soon as you get windows installed. Also use the newest Nvidia chipset
>> drivers from Nvidias web site. You will need to use the AMD X2 processor
>
>> driver also.
>>
>> You should check the new board for any signs of it being a refurb. The
>> Nforce 3 boards have been out of production for almost a year. Pretty
>> much vendors are just sell thru left over stock and getting refurbs from
>
>> Gigabyte.
>>
>> Chris
>>
>>
>> LaMont wrote:
>>
>>> Hi Chris,
>>> Question: Why does'nt the Dual Core Processors work with Paris?
>>> Reason; My Asus N-force 2 board flaked out. So, I just ordered new Gigbyte
>>> mobo(939 socket-N-force3) with Dual core Opteron 165..
>>>
>>> Thanks
>>>
>>> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>>>
>>>> Hi Stephen,
>>>>
>>>> For a single socket CPU system you will be using a Athlon 64 939 pin
>>>> CPU. The dual core version of that is the X2 CPU.
>>>>
>>>> For a Opteron dual socket cpu there are the single core chips up to the
>>>
>>>> 254. The dual core Opteron chips start at version 265.
>>>>
>>>> Is this for the Paris? If so it will not work.
>>>>
>>>> If not then it will be easy.
>>>> What software and sound card are you using or plan to use?
>>>> Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>> Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>>
>>>> Feel free to give me a call.
>>>>
>>>> Chris
>>>>
>>>>
>>>>
>>>>
>>>> Stephen Stecyk wrote:
>>>>
>>>>> I'm in the process of building a new computer, and am in desperate need
>>> of
>>>
>>>>> some recomendations. I'm was thinking about going AMD Opteron as a CPU,
>>> but
>>>
>>>>> am unsure if the money would be well spent. Would there be any noticeable
>>>
>>>>> differences between the 200 and the 800 series? I'm probably going to
>>> go
>>>
>>>>> with a single cpu, perhaps a dual core. The whole thing is becoming
> very
>>>
>>>>> confusing. Anybody out there have suggestions? Price isn't too much
>>> of an
>>>
>>>>> issue, but not total out there.
>>>>>
>>>>> Stephen
>>>>>
>>>>>
>>>> --
>>>> Chris Ludwig
>>>>
>>>> ADK Pro Audio
>>>> (859) 635-5762
>>>> www.adkproaudio.com
>>>> chrisl@adkproaudio.com
>>>
>> --
>> Chris Ludwig
>> ADK
>> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>> www.adkproaudio.com <http://www.adkproaudio.com/>
>> (859) 635-5762
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comI use the Gigapulse (part of GigaStudio) that can be used as a stand-alone
convolution reverb with good results (could also use more impulses), but
since it is on another computer creates about 60 ms of latency. I can
listen and tweak
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63135 is a reply to message #63128] |
Mon, 16 January 2006 00:13 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
>> wrote:
>>>>
>>>>> Hi Stephen,
>>>>>
>>>>> For a single socket CPU system you will be using a Athlon 64 939 pin
>>>>> CPU. The dual core version of that is the X2 CPU.
>>>>>
>>>>> For a Opteron dual socket cpu there are the single core chips up to
the
>>>>
>>>>> 254. The dual core Opteron chips start at version 265.
>>>>>
>>>>> Is this for the Paris? If so it will not work.
>>>>>
>>>>> If not then it will be easy.
>>>>> What software and sound card are you using or plan to use?
>>>>> Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>>> Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>>>
>>>>> Feel free to give me a call.
>>>>>
>>>>> Chris
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> Stephen Stecyk wrote:
>>>>>
>>>>>> I'm in the process of building a new computer, and am in desperate
need
>>>> of
>>>>
>>>>>> some recomendations. I'm was thinking about going AMD Opteron as
a CPU,
>>>> but
>>>>
>>>>>> am unsure if the money would be well spent. Would there be any noticeable
>>>>
>>>>>> differences between the 200 and the 800 series? I'm probably going
to
>>>> go
>>>>
>>>>>> with a single cpu, perhaps a dual core. The whole thing is becoming
>> very
>>>>
>>>>>> confusing. Anybody out there have suggestions? Price isn't too much
>>>> of an
>>>>
>>>>>> issue, but not total out there.
>>>>>>
>>>>>> Stephen
>>>>>>
>>>>>>
>>>>> --
>>>>> Chris Ludwig
>>>>>
>>>>> ADK Pro Audio
>>>>> (859) 635-5762
>>>>> www.adkproaudio.com
>>>>> chrisl@adkproaudio.com
>>>>
>>> --
>>> Chris Ludwig
>>> ADK
>>> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>> www.adkproaudio.com <http://www.adkproaudio.com/>
>>> (859) 635-5762
>>
>
>--
>Chris Ludwig
>
>ADK Pro Audio
>(859) 635-5762
>www.adkproaudio.com
>chrisl@adkproaudio.comAh yes, the Cove.
I used to live on Riverside right on the river off the Parkway. Below where the bad landslides were last year. I'm central, close to LGH now.
I also lived in the Cove for a time, it's nice down there.
Cheers,
TC
EK Sound wrote:
> Whereabouts in North Van are you? I grew up in Deep Cove! :-)
>
> David.
>
> TC wrote:
>
>> Curt Cassingham wrote:
>>
>>>>> Anybody have a Paris Adat card for sale??
>>>
>>>
>>>
>>>
>>>> I heave maybe one, but i leave in Holland!
>>>
>>>
>>>
>>>
>>> The same one comes up on eBay from time to time from a seller in Canada:
>>> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=73859 76017
>>>
>>
>>
>> Hey, that'd be me.. I still have that one left. I'll shoot you an
>> email Steve.
>> I'm also looking for some mec front panel plates if anyone has any
>> extras for sale :)
>>
>> Cheers,
>>
>> TC>>What's a good free- or shareware Direct X de-esser plugin?
> http://www.db-audioware.com/
> Not free, but inexpernsive and really goo.......much better than Waves, IMHO.
Looks very promising. Downloading now. Thanks!
CurtHey DJ-
Do you have any of their other plug-ins? Those are great
prices, so I am just curious about the sound quality,
compared to PSP or Kjerhaus or Waves... Thanks,
Chris
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>http://www.db-audioware.com/
>
>Not free, but inexpernsive and really goo.......much better than Waves,
>IMHO.
>
>"Curt Cassingham" <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote in message
>news:43ea4a68$1@linux...
>> All this talk about Waves reminds me to ask:
>>
>> What's a good free- or shareware Direct X de-esser plugin?
>>
>> Curt
>
>I'm reinstalling the PARIS XP routine to see if that fixes the
problems I've been having.
Do I have to uninstall my old version.I selected the uninstall
..exe in the PARIS PRO folder,but it looks like thats just the
fx subsystem.
Will a reinstall affect my FXpansion wrapper or UAd PLUGS?
TIA,
PeteNot to be a pessimist, but I've got the DB de-esser, and it's ok at best.
Better than nothing. My DBX 263 hardware unit blows it away. I paid only
$60 for it, too.
Just a thought.
Mike
Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>All this talk about Waves reminds me to ask:
>
>What's a good free- or shareware Direct X de-esser plugin?
>
>CurtI would remove it... make sure the studio control library in the
system folder is also gone. Then install again, cold booting after
every step. The UAD plugs won't be affected, not sure about the
wrapper though. You will need to point Paris back to the plugin
folder if using VST.
David.
Pete Ruthenburg wrote:
> I'm reinstalling the PARIS XP routine to see if that fixes the
> problems I've been having.
> Do I have to uninstall my old version.I selected the uninstall
> .exe in the PARIS PRO folder,but it looks like thats just the
> fx subsystem.
> Will a reinstall affect my FXpansion wrapper or UAd PLUGS?
>
> TIA,
> PeteThanks, Chris, I'm using an Abit BH6, quite a relic. I updated the bios for
larger drives and have upgraded my CPU, but it is still only running at
1400mhz. That's as fast as it will ever go. I'm behind the times and would
like to take advantage of the newer MOBOs which have firewire built into
them. Things have progressed quite a bit since I built my Paris system. Time
to get on the train.
Rich
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:43e94da7@linux...
> HI Rich,
> The latest that will work perfect with Paris is probably what your
> already using. The only currently manufactured boards that I know of
> that might possibly run Paris would be the Asus A8V (not deluxe).
> Haven't tried it myself but I think there might be a couple of folks
> using them. Also I think some folks might be using the Gigabyte K8N
> Ultra 939. On the Intel side of things you might possibly be able to
> find a Asus P4C800-E. Avoid the new dual core chips.
> Anything that is current will be an experiment as to whether it will
> work with EDS cards. Some of the current PCI-e boards with 3 or less PCI
> cards should work but are obviously limit the number of EDS cards.
> All of the new Mobo s will only be able to run 2000/XP.
>
> The question is if you are only using it for Paris do you really need to
> upgrade?
>
>
> Chris
>
>
> Rich Lamanna wrote:
> > Hello all. I haven't been around for a while. Still running Paris and
loving
> > it. I'm considering upgrading my Paris computer. Can anyone recommend a
MOBO
> > and processor for a new Paris setup? What are you guys and gals using as
the
> > latest and fastest computers running Paris reliably?
> >
> > Thanks,
> > Rich Lamanna
> >
> >
>
> --
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com/>
> (859) 635-5762Hey Gant! I don't know if these will work for you, but you can down load
them and try them out.
On the cheap, try Amazing Slow Downer for Mac
http://www.ronimusic.com/
Maybe Melodyne???
http://www.celemony.com/cms/
Apples SoundTrack maybe???
James
Gantt Kushner <ganttmann@comcast.net> wrote:
>I bought the Waves Transform Bundle to do some pitch shifting and time
>squeezing - actually slowing a couple of tunes down. It does neither very
>well. Does anyone have experience w/ Serato's Pitch'n'Time? Could it slow
>a tune down without creating a bunch of ugly artifacts?
>
>Thanks!
>
>Gantt
>Can you explain a bit more?
BTW; convolution reverbs are not
>intended to work as bus type effects. You will not likely get the sound
to
>sit in a space by only running a portion of the signal through the
>convolution.
>
>RZ
>
><Kris .> wrote in message news:43ea0875$1@linux...
>>
>> www.noisevault.com for impulses...I've contributed a few there. They have
>> a nice selection.
>>
>> I've used convolution verbs in paris, but used pre-rendered tracks. I
>> totally
>> forget how I did it though.
>>
>> Cheers,
>>
>> Kris
>>
>>
>> "Cujo" <chris@nospamapplemanstudio.com> wrote:
>>>
>>>
>>>
>>>I have been using SIR with sample slide.
>>>Solod the verbs sound nice, but I am still not sold on how they fit in
the
>>>mix.
>>>I need more impulses too.
>>>Reverbs are definitely one of my weak areas
>>>
>>>
>>>"Don Nafe" <dnafe@magma.ca> wrote:
>>>>Where does one get this and the impulses to go along with it
>>>>
>>>>Inquiring minds want to know
>>>>
>>>>Don
>>>>
>>>>
>>
>
>Thanks, Deej. I'm looking into the A7V8X as I write this. I don't think I
need to go any faster than 3200mhz. Looks like a decent board. Aaron, if
your out there: got any advice on the boards with the SIS chipsets. I'm
presently running Win ME too Deej. Stability is and issue though. It's not
too happy lately and I'm not quite sure why.
Rich
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43e95c70$1@linux...
> Rich,
>
> I don't know what you're using now, but for the last two 1/2 years, I've
> been using an ASUS A7V8x mobo with a pair of Matrox G450 video cards (AGP
&
> PCI) and 3 x EDS 1000 cards. I've used it with Win ME and Win XP with
> success (currently using Win ME). It's *very stable* and will support up
to
> the AMD XP 3200 CPU. It's the most stable solution for Paris I've ever
used
> and will support a good amount of native plugins if desired. Another very
> stable solution is the older mobo's with the SIS chipsets. Aaron Allen has
> had very good success with these. I doubt if I'll ever go beyond this 7V8x
> mobo. Too many potential issues with the newer crop of mobo's and
chipsets.
> Right now I'm using an XP 2800 CPU. I guess I could upgrade to the XP
3200,
> but I really don't feel the need.
>
> Regards,
>
> Deej
> "Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
> news:43e92fe8$1@linux...
> > Hello all. I haven't been around for a while. Still running Paris and
> loving
> > it. I'm considering upgrading my Paris computer. Can anyone recommend a
> MOBO
> > and processor for a new Paris setup? What are you guys and gals using as
> the
> > latest and fastest computers running Paris reliably?
> >
> > Thanks,
> > Rich Lamanna
> >
> >
>
>I'm assuming I should delete all shared files too?
Pete
EK Sound <askme@nospam.com> wrote:
>I would remove it... make sure the studio control library in the
>system folder is also gone. Then install again, cold booting after
>every step. The UAD plugs won't be affected, not sure about the
>wrapper though. You will need to point Paris back to the plugin
>folder if using VST.
>
>David.
>
>Pete Ruthenburg wrote:
>
>> I'm reinstalling the PARIS XP routine to see if that fixes the
>> problems I've been having.
>> Do I have to uninstall my old version.I selected the uninstall
>> .exe in the PARIS PRO folder,but it looks like thats just the
>> fx subsystem.
>> Will a reinstall affect my FXpansion wrapper or UAd PLUGS?
>>
>> TIA,
>> PeteHi Rich,
The newer SIS chip sets are awful. The one that was used on the AMD XP
based ASUS A7s333 worked well but is way out of production.
Chris
Rich Lamanna wrote:
> Thanks, Deej. I'm looking into the A7V8X as I write this. I don't think I
> need to go any faster than 3200mhz. Looks like a decent board. Aaron, if
> your out there: got any advice on the boards with the SIS chipsets. I'm
> presently running Win ME too Deej. Stability is and issue though. It's not
> too happy lately and I'm not quite sure why.
>
> Rich
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43e95c70$1@linux...
>> Rich,
>>
>> I don't know what you're using now, but for the last two 1/2 years, I've
>> been using an ASUS A7V8x mobo with a pair of Matrox G450 video cards (AGP
> &
>> PCI) and 3 x EDS 1000 cards. I've used it with Win ME and Win XP with
>> success (currently using Win ME). It's *very stable* and will support up
> to
>> the AMD XP 3200 CPU. It's the most stable solution for Paris I've ever
> used
>> and will support a good amount of native plugins if desired. Another very
>> stable solution is the older mobo's with the SIS chipsets. Aaron Allen has
>> had very good success with these. I doubt if I'll ever go beyond this 7V8x
>> mobo. Too many potential issues with the newer crop of mobo's and
> chipsets.
>> Right now I'm using an XP 2800 CPU. I guess I could upgrade to the XP
> 3200,
>> but I really don't feel the need.
>>
>> Regards,
>>
>> Deej
>> "Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
>> news:43e92fe8$1@linux...
>>> Hello all. I haven't been around for a while. Still running Paris and
>> loving
>>> it. I'm considering upgrading my Paris computer. Can anyone recommend a
>> MOBO
>>> and processor for a new Paris setup? What are you guys and gals using as
>> the
>>> latest and fastest computers running Paris reliably?
>>>
>>> Thanks,
>>> Rich Lamanna
>>>
>>>
>>
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comYes, but make sure you back up all your effects presets first, if you
have any. Usually I copy the entire Paris folder to another location
just in case.
David.
Pete Ruthenburg wrote:
> I'm assuming I should delete all shared files too?
>
> Pete
>
> EK Sound <askme@nospam.com> wrote:
>
>>I would remove it... make sure the studio control library in the
>>system folder is also gone. Then install again, cold booting after
>>every step. The UAD plugs won't be affected, not sure about the
>>wrapper though. You will need to point Paris back to the plugin
>>folder if using VST.
>>
>>David.
>>
>>Pete Ruthenburg wrote:
>>
>>
>>>I'm reinstalling the PARIS XP routine to see if that fixes the
>>>problems I've been having.
>>> Do I have to uninstall my old version.I selected the uninstall
>>>.exe in the PARIS PRO folder,but it looks like thats just the
>>>fx subsystem.
>>> Will a reinstall affect my FXpansion wrapper or UAd PLUGS?
>>>
>>>TIA,
>>>Pete
>
>Ditto bro. I am using an old A7S333 based chip, so I'm way way behind the
times on it.
I just never upgraded, don't see the point in rocking a floating boat. In
fact though, I loved the chipset so much I built a windows 2003 server
around the A7s333. If you can find one of these, it rocks. However, make
sure you use quality RAM with it, it's quite picky about that.
AA
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:43ea7c4c$1@linux...
> Hi Rich,
> The newer SIS chip sets are awful. The one that was used on the AMD XP
> based ASUS A7s333 worked well but is way out of production.
> Chris
>
>
> Rich Lamanna wrote:
>> Thanks, Deej. I'm looking into the A7V8X as I write this. I don't think I
>> need to go any faster than 3200mhz. Looks like a decent board. Aaron, if
>> your out there: got any advice on the boards with the SIS chipsets. I'm
>> presently running Win ME too Deej. Stability is and issue though. It's
>> not
>> too happy lately and I'm not quite sure why.
>>
>> Rich
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> news:43e95c70$1@linux...
>>> Rich,
>>>
>>> I don't know what you're using now, but for the last two 1/2 years, I've
>>> been using an ASUS A7V8x mobo with a pair of Matrox G450 video cards
>>> (AGP
>> &
>>> PCI) and 3 x EDS 1000 cards. I've used it with Win ME and Win XP with
>>> success (currently using Win ME). It's *very stable* and will support up
>> to
>>> the AMD XP 3200 CPU. It's the most stable solution for Paris I've ever
>> used
>>> and will support a good amount of native plugins if desired. Another
>>> very
>>> stable solution is the older mobo's with the SIS chipsets. Aaron Allen
>>> has
>>> had very good success with these. I doubt if I'll ever go beyond this
>>> 7V8x
>>> mobo. Too many potential issues with the newer crop of mobo's and
>> chipsets.
>>> Right now I'm using an XP 2800 CPU. I guess I could upgrade to the XP
>> 3200,
>>> but I really don't feel the need.
>>>
>>> Regards,
>>>
>>> Deej
>>> "Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
>>> news:43e92fe8$1@linux...
>>>> Hello all. I haven't been around for a while. Still running Paris and
>>> loving
>>>> it. I'm considering upgrading my Paris computer. Can anyone recommend a
>>> MOBO
>>>> and processor for a new Paris setup? What are you guys and gals using
>>>> as
>>> the
>>>> latest and fastest computers running Paris reliably?
>>>>
>>>> Thanks,
>>>> Rich Lamanna
>>>>
>>>>
>>>
>>
>>
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.comHi Chris,
First of all, thanks so very much for taking the time to enlighten me - it
is GREATLY appreciated.
I checked out the Tyan mobos, and like the looks of the S2895, but am unsure
if that is the way to go due to the 2 PCI-E slots. I am extremely out of
the loop with PCI-E, except to know that it allows for killer graphics. I
assume that PCI-E is not backwards compatible with PCI. I just don't wan't
to be losing out on slots if I don't have to, or have to put everything into
my Magma chassis. Then again, I don't have to install a SCSI320 or Sata
card or USB 2.0 or Firewire Card, so I guess I should count myself lucky. I
guess your're damn if you do, damned if you don't. :)
Stephen
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:43e9fc12$1@linux...
> Hi Stephen,
> Ahh Ok good. Glad you not trying to get Paris to run on it.
> CPU performance between the same clock speed X2 and Opteron chips is
> pretty much neck and neck. The benefits on the dual OPteron machines,
> multiple PCI busses, faster memory performance. YOu will also be able to
> use up to 16 gigs of ram which is nice. You will also be able to use dual
> core Opteron chips in it so you will have 4 cpus.
>
> Nuendo will not be able to use the Lynx and RME at the same time so I'm
> not sure what you plan is with that. If you occasionally need to use AES
> you would be better of just getting a RME DD4 or DD8 format converter for
> that. Also expect Gigastudio to give you some headaches also sense it
> doesn't properly support dual cpus. It will work but I would expect so
> growing pains. The TC should be fine with this setup.
>
> I would not do the Dual core Opterons is you are using Gigastudio. If you
> don't use Giga then go for it is you can afford it. NUendo will use all
> four cpus.
>
> The only motherboards for the Opterons worth getting are the TYan s2885
> and s2895 models. If you are gonn use duak core cous then you will wanna
> get the Zalman 9500 heat sinks. Also only use you memory in groups of 4
> i.e., 2 gigs = 4x 512, 4 gigs = 4x 1024 ram. YOu will get NUMA memory
> support which give you 10gigs/sec instead of the normal 5 gigs.
> Oh and at least a 550 watt EPS power supply. YOu also have to use XP SP2
> on the OPterons to get the most out of them for the memory support.
>
> Chris
>
>
>
> Stephen Stecyk wrote:
>> Hi Chris,
>>
>> I'm running a single CPU Athlon MP 2800 for my Paris rig, and wanted to
>> upgrade my Nuendo machine (presently running 2 Athlon MP 1900).
>>
>> I have one RME HDSP 5296 in my Nuendo computer, and have plans on getting
>> the Lynx AES16 as well. I'm running running one TC Powercore Firewire
>> between the two computers, with a PowerCore Unplugged in each. The
>> Nuendo computer is running Windows XP pro. I aslo am running GigaStuiodo
>> from the Nuendo computer. Primarily, the Nuendo computer will be mixing
>> and editing.
>>
>> I was thinking Opteron CPU since a lot of music pros I've been reading
>> about have had great success with them, but I'm not realy too familiar
>> with them. Do you know what, if any, benefits that I would see going
>> opteron vs Athlon 64 X2? If I did go with Opeteron, should I go dual
>> core? Do you have any different suggestions? How about mobos?
>>
>> Stephen
>>
>>
>> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>> news:43e91e04$1@linux...
>>
>>>Hi Stephen,
>>>
>>>For a single socket CPU system you will be using a Athlon 64 939 pin CPU.
>>>The dual core version of that is the X2 CPU.
>>>
>>>For a Opteron dual socket cpu there are the single core chips up to the
>>>254. The dual core Opteron chips start at version 265.
>>>
>>>Is this for the Paris? If so it will not work.
>>>
>>>If not then it will be easy.
>>>What software and sound card are you using or plan to use?
>>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>
>>>Feel free to give me a call.
>>>
>>>Chris
>>>
>>>
>>>
>>>
>>>Stephen Stecyk wrote:
>>>
>>>>I'm in the process of building a new computer, and am in desperate need
>>>>of some recomendations. I'm was thinking about going AMD Opteron as a
>>>>CPU, but am unsure if the money would be well spent. Would there be any
>>>>noticeable differences between the 200 and the 800 series? I'm probably
>>>>going to go with a single cpu, perhaps a dual core. The whole thing is
>>>>becoming very confusing. Anybody out there have suggestions? Price
>>>>isn't too much of an issue, but not total out there.
>>>>
>>>>Stephen
>>>
>>>--
>>>Chris Ludwig
>>>
>>>ADK Pro Audio
>>>(859) 635-5762
>>>www.adkproaudio.com
>>>chrisl@adkproaudio.com
>>
>>
>>
>
> --
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com/>
> (859) 635-5762I've got all of them. I'd put them in the same ballpark with Waves. I
actually prefer the DB multiband to the Waves multiband.
Deej
"Chris Lang" <yo@yo.yo> wrote in message news:43ea6af1$1@linux...
>
> Hey DJ-
>
> Do you have any of their other plug-ins? Those are great
> prices, so I am just curious about the sound quality,
> compared to PSP or Kjerhaus or Waves... Thanks,
>
> Chris
>
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >http://www.db-audioware.com/
> >
> >Not free, but inexpernsive and really goo.......much better than Waves,
> >IMHO.
> >
> >"Curt Cassingham" <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote in message
> >news:43ea4a68$1@linux...
> >> All this talk about Waves reminds me to ask:
> >>
> >> What's a good free- or shareware Direct X de-esser plugin?
> >>
> >> Curt
> >
> >
>Well, my SPL 9629 blows it away too and the deesser in my RED7 outperforms
it as well, but we're talking plugins vs hardware here. Good hardware's in a
different league. As far as software goes, if I'm needing a deesser, I'll
usually reach for the DB multiband first.
Deej
"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote in message
news:43ea76f8$1@linux...
>
> Not to be a pessimist, but I've got the DB de-esser, and it's ok at best.
> Better than nothing. My DBX 263 hardware unit blows it away. I paid
only
> $60 for it, too.
>
> Just a thought.
>
> Mike
>
>
>
>
> Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
> >All this talk about Waves reminds me to ask:
> >
> >What's a good free- or shareware Direct X de-esser plugin?
> >
> >Curt
>Hi Stephen,
PCI-E is/will be the replacement for PCI. It has a much higher bandwidth
than PCI or PCI-X. YOu'll mainly see high powered devices like video,
audio and drive controllers being used for PCI-E slots. Magma is
releaseing a PCI-E to PCI card for use with the current Magmas. It still
in the testing stages though. Most all sound card and DSP card makers
will see PCI-E version of current stuff and/or new devices all together
by the end of the year.
I would advice getting the version of the boartd without the on board
SCSI if you really need to have SCSI us your card or get one of the new
PCI-E based ones. The on board SATA controller work great.
Chris
Stephen Stecyk wrote:
> Hi Chris,
>
> First of all, thanks so very much for taking the time to enlighten me - it
> is GREATLY appreciated.
>
> I checked out the Tyan mobos, and like the looks of the S2895, but am unsure
> if that is the way to go due to the 2 PCI-E slots. I am extremely out of
> the loop with PCI-E, except to know that it allows for killer graphics. I
> assume that PCI-E is not backwards compatible with PCI. I just don't wan't
> to be losing out on slots if I don't have to, or have to put everything into
> my Magma chassis. Then again, I don't have to install a SCSI320 or Sata
> card or USB 2.0 or Firewire Card, so I guess I should count myself lucky. I
> guess your're damn if you do, damned if you don't. :)
>
> Stephen
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:43e9fc12$1@linux...
>
>>Hi Stephen,
>>Ahh Ok good. Glad you not trying to get Paris to run on it.
>>CPU performance between the same clock speed X2 and Opteron chips is
>>pretty much neck and neck. The benefits on the dual OPteron machines,
>>multiple PCI busses, faster memory performance. YOu will also be able to
>>use up to 16 gigs of ram which is nice. You will also be able to use dual
>>core Opteron chips in it so you will have 4 cpus.
>>
>>Nuendo will not be able to use the Lynx and RME at the same time so I'm
>>not sure what you plan is with that. If you occasionally need to use AES
>>you would be better of just getting a RME DD4 or DD8 format converter for
>>that. Also expect Gigastudio to give you some headaches also sense it
>>doesn't properly support dual cpus. It will work but I would expect so
>>growing pains. The TC should be fine with this setup.
>>
>>I would not do the Dual core Opterons is you are using Gigastudio. If you
>>don't use Giga then go for it is you can afford it. NUendo will use all
>>four cpus.
>>
>>The only motherboards for the Opterons worth getting are the TYan s2885
>>and s2895 models. If you are gonn use duak core cous then you will wanna
>>get the Zalman 9500 heat sinks. Also only use you memory in groups of 4
>>i.e., 2 gigs = 4x 512, 4 gigs = 4x 1024 ram. YOu will get NUMA memory
>>support which give you 10gigs/sec instead o
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63137 is a reply to message #63083] |
Mon, 16 January 2006 03:08 |
Music Lab Sweden
Messages: 12
Registered: January 2006
|
Junior Member |
|
|
>>>
>>>I was thinking Opteron CPU since a lot of music pros I've been reading
>>>about have had great success with them, but I'm not realy too familiar
>>>with them. Do you know what, if any, benefits that I would see going
>>>opteron vs Athlon 64 X2? If I did go with Opeteron, should I go dual
>>>core? Do you have any different suggestions? How about mobos?
>>>
>>>Stephen
>>>
>>>
>>>"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>>>news:43e91e04$1@linux...
>>>
>>>
>>>>Hi Stephen,
>>>>
>>>>For a single socket CPU system you will be using a Athlon 64 939 pin CPU.
>>>>The dual core version of that is the X2 CPU.
>>>>
>>>>For a Opteron dual socket cpu there are the single core chips up to the
>>>>254. The dual core Opteron chips start at version 265.
>>>>
>>>>Is this for the Paris? If so it will not work.
>>>>
>>>>If not then it will be easy.
>>>>What software and sound card are you using or plan to use?
>>>>Do you are you planning on using any UAD and/or TC Power core PCI cards?
>>>>Are you doing any sampling/VSTi work or mainly audio mixing and editing?
>>>>
>>>>Feel free to give me a call.
>>>>
>>>>Chris
>>>>
>>>>
>>>>
>>>>
>>>>Stephen Stecyk wrote:
>>>>
>>>>
>>>>>I'm in the process of building a new computer, and am in desperate need
>>>>>of some recomendations. I'm was thinking about going AMD Opteron as a
>>>>>CPU, but am unsure if the money would be well spent. Would there be any
>>>>>noticeable differences between the 200 and the 800 series? I'm probably
>>>>>going to go with a single cpu, perhaps a dual core. The whole thing is
>>>>>becoming very confusing. Anybody out there have suggestions? Price
>>>>>isn't too much of an issue, but not total out there.
>>>>>
>>>>>Stephen
>>>>
>>>>--
>>>>Chris Ludwig
>>>>
>>>>ADK Pro Audio
>>>>(859) 635-5762
>>>>www.adkproaudio.com
>>>>chrisl@adkproaudio.com
>>>
>>>
>>>
>>--
>>Chris Ludwig
>>ADK
>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>(859) 635-5762
>
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762The theory behind convolution is to sample the exact acoustics of a space
from a specific position. The most natural sounding adjustments are made by
changing mic positions to affect the wet/dry mix. In a console style
effects bus, part of the signal is routed through an all wet signal path and
mixed to taste with the dry signal. To treat convolution the same would be
like taking an instrument in a hall and mixing it with an instrument in a
booth. The reflections will not match.
That said, an impulse from a plate reverb will probably work better on a
bus, because it is much less com
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63144 is a reply to message #63128] |
Mon, 16 January 2006 08:57 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
the 'wet' component of the reverb. There
is no input signal present (i.e. the impulse itself is removed from the impulse
response) there is only reverb/reflections. You can use the wet/dry blend
to simulate how loud you make your room mics relative to your close mics.
Cheers,
Kris
"RZ" <pearlmusic@sbcglobal.net> wrote:
>The theory behind convolution is to sample the exact acoustics of a space
>from a specific position. The most natural sounding adjustments are made
by
>changing mic positions to affect the wet/dry mix. In a console style
>effects bus, part of the signal is routed through an all wet signal path
and
>mixed to taste with the dry signal. To treat convolution the same would
be
>like taking an instrument in a hall and mixing it with an instrument in
a
>booth. The reflections will not match.
>
>That said, an impulse from a plate reverb will probably work better on a
>bus, because it is much less complex (i.e., no early reflections).
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:43ea7802$1@linux...
>>
>>
>> Can you explain a bit more?
>>
>>
>> BTW; convolution reverbs are not
>>>intended to work as bus type effects. You will not likely get the sound
>> to
>>>sit in a space by only running a portion of the signal through the
>>>convolution.
>>>
>>>RZ
>>>
>>><Kris .> wrote in message news:43ea0875$1@linux...
>>>>
>>>> www.noisevault.com for impulses...I've contributed a few there. They
>>>> have
>>>> a nice selection.
>>>>
>>>> I've used convolution verbs in paris, but used pre-rendered tracks.
I
>>
>>>> totally
>>>> forget how I did it though.
>>>>
>>>> Cheers,
>>>>
>>>> Kris
>>>>
>>>>
>>>> "Cujo" <chris@nospamapplemanstudio.com> wrote:
>>>>>
>>>>>
>>>>>
>>>>>I have been using SIR with sample slide.
>>>>>Solod the verbs sound nice, but I am still not sold on how they fit
in
>> the
>>>>>mix.
>>>>>I need more impulses too.
>>>>>Reverbs are definitely one of my weak areas
>>>>>
>>>>>
>>>>>"Don Nafe" <dnafe@magma.ca> wrote:
>>>>>>Where does one get this and the impulses to go along with it
>>>>>>
>>>>>>Inquiring minds want to know
>>>>>>
>>>>>>Don
>>>>>>
>>>>>>
>>>>
>>>
>>>
>
>"RZ" <pearlmusic@sbcglobal.net> wrote:
>The theory behind convolution is to sample the exact acoustics of a space
>from a specific position. The most natural sounding adjustments are made
by
>changing mic positions to affect the wet/dry mix. In a console style
>effects bus, part of the signal is routed through an all wet signal path
and
>mixed to taste with the dry signal. To treat convolution the same would
be
>like taking an instrument in a hall and mixing it with an instrument in
a
>booth. The reflections will not match.
>
With respect to RZ, this explanation of convolution is very different from
my personal experience. I have been using hardware and software convolution
reverbs since the Sony DRE-777 first came out... and Altiverb since it first
came out (the original hardware and original software). Both were designed
for, and work great in bus situations, as do all convolution verbs.
I also have GigaPulse. It is true that GigaPulse is designed to allow manipulation
of mic position (and other parameters) while keeping the input/output mix
fixed (as a recommended option with true acoustic spaces). In theory this
will give a consistent sound stage, and I like using it that way.
But:
This is certainly NOT an appropriate generalization to use when talking about
convolution reverbs.
Gene
PS The 777 still sounds great and can be found on eBay very cheap. It was
originally around $15K.First thing in my inbox this morning.
http://www.glumbert.com/media/rave.html
I'm now cleaning coffee off the querty........errrr.......and I misspelled assassination.......damn!!!! Being
assisinated sounds soooooo fabulous though.
;o)
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43eb62a3@linux...
> First thing in my inbox this morning.
>
> http://www.glumbert.com/media/rave.html
>
> I'm now cleaning coffee off the querty.
>
>"Miguel Vigil" <nospam@nospam.com> wrote:
> I, as a fellow Parisian who is a vegitarian (but not a vegan)
> can confirm that the Duke of Wellington is not afraid to fork
> a cow and has eaten heartily at ristoranti Parisi.
And looking forward to it again the next time I'm in town!
--
-Doug
http://www.parisfaqs.comSteve,
My solution to this is called a Radial Switchbone. One guitar input, two
guitar outputs. I send one output to an amp and track with effects so that
the player can have whatever he wants to hear in his cans. the other output
is routed to preamp and recorded clean. Not necessary for the player to be
hearing this one. Then after recording, I can open whatever (Amplitube,
Nigel......name your poison here) on the uneffected track and use one or
both of them in the mix. Also, the POD XT Pro has a dry channel output.
Quite a bit more $$$ than a switchbone, but with some advantges of it's own.
I think, for the purposes of achieving wretched excess, you could run a
guitar into the Switchbone and split the output of the Switchbone to both a
miced amp and the POD XT Pro, record both the amp and the XT PRO with FX
plus also use the dry channel input out of the XT Pro as well. I think you
could probably also get two Switchbones, run the guitar into one of them,
send the outputs to two more Switchbones which could then be sent to two
amps and two POD XT Pro units so that you could simultaneously record 4
effected sources and two dry sources.
;o)
"Steve" <stevec1@charter.net> wrote in message news:43e92aa7@linux...
>
> Where in Paris should Amplitube be installed, so I can use it and here it
> while the guitar player is recording?
> SteveGood one..........!!!!!
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43eb62a3@linux...
> First thing in my inbox this morning.
>
> http://www.glumbert.com/media/rave.html
>
> I'm now cleaning coffee off the querty.
>
>Sounds rather painful to me! ;>)
Tony
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43eb6376@linux...
> ......errrr.......and I misspelled assassination.......damn!!!! Being
> assisinated sounds soooooo fabulous though.
>
> ;o)
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43eb62a3@linux...
>> First thing in my inbox this morning.
>>
>> http://www.glumbert.com/media/rave.html
>>
>> I'm now cleaning coffee off the querty.
>>
>>
>
>Thanks for the warning...I set my coffee down and swallowed before watching...good
thing too. OH, if your assinated, can I have your SPL stuff, and your Foressell
pre?
;-)
Rod
Rod
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>First thing in my inbox this morning.
>
>http://www.glumbert.com/media/rave.html
>
>I'm now cleaning coffee off the querty.
>
>"Mike Audet" <mike@mikeF-SPAMaudet.com> wrote:
>
>Not to be a pessimist, but I've got the DB de-esser, and it's ok at best.
> Better than nothing. My DBX 263 hardware unit blows it away. I paid only
>$60 for it, too.
A plugin version of the SPL deesser used to be sold as a separate app, then
was sold only as part of VST. I've been looking for this, because, I understand
that their hardware version is great.
>
>Mike
>
>
>
>
>Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>>All this talk about Waves reminds me to ask:
>>
>>What's a good free- or shareware Direct X de-esser plugin?
>>
>>Curt
>That's funny.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>......errrr.......and I misspelled assassination.......damn!!!! Being
>assisinated sounds soooooo fabulous though.
>
>;o)
>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>news:43eb62a3@linux...
>> First thing in my inbox this morning.
>>
>> http://www.glumbert.com/media/rave.html
>>
>> I'm now cleaning coffee off the querty.
>>
>>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>First thing in my inbox this morning.
>
>http://www.glumbert.com/media/rave.html
>
>I'm now cleaning coffee off the querty.
>
>
They been doing that for years here in Dearborn-istan! LOL!INFADEL ! ! @#$%.....Dare you make fun of holy ritual ! Pro Tools Forever
!@#$%
">
> http://www.glumbert.com/media/rave.html
>
> I'm now cleaning coffee off the querty.
>
>The hardware version is, quite simply, transparent and idiot
proof.......thus being an appropriate item to have in the rack of yours
truly. I scored mine on an EBay audtion out of GB for a very reasonable
price. One of the best pruchases I have made in a while. Gets used on
*every* mix.
;o)
"Gary Flanigan" <gary_flanigan@ce9.uscourts.gov> wrote in message
news:43eb9fc1$1@linux...
>
> "Mike Audet" <mike@mikeF-SPAMaudet.com> wrote:
> >
> >Not to be a pessimist, but I've got the DB de-esser, and it's ok at best.
> > Better than nothing. My DBX 263 hardware unit blows it away. I paid
only
> >$60 for it, too.
>
> A plugin version of the SPL deesser used to be sold as a separate app,
then
> was sold only as part of VST. I've been looking for this, because, I
understand
> that their hardware version is great.
> >
> >Mike
> >
> >
> >
> >
> >Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
> >>All this talk about Waves reminds me to ask:
> >>
> >>What's a good free- or shareware Direct X de-esser plugin?
> >>
> >>Curt
> >
>I must have accidentally Deleted a whole Song folder and just
realized it today, it must have happen within the past week.
But before I realized what I did, I cleared the Recycle Bin.
This was a large project of more than 2 months work. Is there
anyway in XP that I can retrieve them. I did a search,I checked
the recycle bin and the folder is no where on any of my Hard
Drives. Is this hopeless?? Thanks, FrankJust make sure you wordclock all that together
;-P
AA
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43eb6f4a@linux...
> Steve,
>
> My solution to this is called a Radial Switchbone. One guitar input, two
> guitar outputs. I send one output to an amp and track with effects so that
> the player can have whatever he wants to hear in his cans. the other
> output
> is routed to preamp and recorded clean. Not necessary for the player to be
> hearing this one. Then after recording, I can open whatever (Amplitube,
> Nigel......name your poison here) on the uneffected track and use one or
> both of them in the mix. Also, the POD XT Pro has a dry channel output.
> Quite a bit more $$$ than a switchbone, but with some advantges of it's
> own.
> I think, for the purposes of achieving wretched excess, you could run a
> guitar into the Switchbone and split the output of the Switchbone to both
> a
> miced amp and the POD XT Pro, record both the amp and the XT PRO with FX
> plus also use the dry channel input out of the XT Pro as well. I think you
> could probably also get two Switchbones, run the guitar into one of them,
> send the outputs to two more Switchbones which could then be sent to two
> amps and two POD XT Pro units so that you could simultaneously record 4
> effected sources and two dry sources.
>
> ;o)
> "Steve" <stevec1@charter.net> wrote in message news:43e92aa7@linux...
>>
>> Where in Paris should Amplitube be installed, so I can use it and here it
>> while the guitar player is recording?
>> Steve
>
>Your only hope is probably data recovery software.
I've used this before (easy recovery pro).
http://www.ontrack.com/
The more that you've written to the drive since though, the harder it will be to recover.
Hope that helps. Somebody else may have some better info here.
Cheers.
TC
Frank wrote:
> I must have accidentally Deleted a whole Song folder and just
> realized it today, it must have happen within the past week.
> But before I realized what I did, I cleared the Recycle Bin.
> This was a large project of more than 2 months work. Is there
> anyway in XP that I can retrieve them. I did a search,I checked
> the recycle bin and the folder is no where on any of my Hard
> Drives. Is this hopeless?? Thanks, FrankHi Wayne!
Sorry about slow response... I'm so busy these days...
my phone is : +385 1 3737465
cellphone : + 385 91 3737465
Greetings!
Suad Cokljat
"Steve" <stevec1@charter.net> wrote in message news:43e67dee$1@linux...
>
> "WAYNE DAVIS" <davissoundrecording@verizon.net> wrote:
> >I used to frequent these boards back when Chuck still had it.
Unforunately,
> >I have since moved on from PARIS. However, I still have 3 EDS cards, a
442,
> >(2) MEC's an ADAT Module and (2) each of the 24 bit i/o. I am looking to
> >sell them all. If any of you are interested, please e mail me here
> >wayneatavericomdotcom Sorry about the phonetics. Anyway, would be cool to
> >off load this equipment to you folks still using Paris. Thanks.
> >
> >Wayne Davis
> >Avericom Communications
> >846 Route 73 South
> >West Berlin, NJ 08091
> >
> >Hello Wayne,
> I am interested. May I call you? my # (715) 387-6740
>Deej,
I'm chuckling because you misspelled "qwerty".
And Rod,
what is the meaning of "assinated"? Because I'm pretty sure that's what a
friend was trying to describe... well, never mind.
Reading these posts always makes me giggle.
CL
>Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:43eb8afb$1@linux...
>
> Thanks for the warning...I set my coffee down and swallowed before
watching...good
> thing too. OH, if your assinated, can I have your SPL stuff, and your
Foressell
> pre?
> ;-)
> Rod
> Rod
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >First thing in my inbox this morning.
> >
> >http://www.glumbert.com/media/rave.html
> >
> >I'm now cleaning coffee off the querty.
> >
> >
>Spitfish is good, especially for a freebie - I concur.
Neil
Curt Cassingham <curtNOSPAM@curtNOSPAMcassNOSPAM.com> wrote:
>Curt asked:
>>>What's a good free- or shareware Direct X de-esser plugin?
>
>Bill L said:
>> Check out the Fish Filets De-esser. It's free.
>
>Here it is! http://www.digitalfishphones.com/main.php?item=2&subItem =5.
Thanks, Bill.Oh jeez, what a hoot, I just read my post. Assinated. Now THAT'S funny
8oP
rod
"Chris Latham" <latham_c@bellsouth.net> wrote:
>Deej,
>I'm chuckling because you misspelled "qwerty".
>
>And Rod,
>what is the meaning of "assinated"? Because I'm pretty sure that's what
a
>friend was trying to describe... well, never mind.
>
>Reading these posts always makes me giggle.
>CL
>
>>Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:43eb8afb$1@linux...
>>
>> Thanks for the warning...I set my coffee down and swallowed before
>watching...good
>> thing too. OH, if your assinated, can I have your SPL stuff, and your
>Foressell
>> pre?
>> ;-)
>> Rod
>> Rod
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >First thing in my inbox this morning.
>> >
>> >http://www.glumbert.com/media/rave.html
>> >
>> >I'm now cleaning coffee off the querty.
>> >
>> >
>>
>
>I'm working on a more organic solution involving hemp twine boiled in
pachouli oil and lodestones encased in kiln-fired cow dung.
Stay tuned.
;o)
"Aaron Allen" <nospam@not_here.dude> wrote in message
news:43ebda2b$1@linux...
> Just make sure you wordclock all that together
> ;-P
>
> AA
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43eb6f4a@linux...
> > Steve,
> >
> > My solution to this is called a Radial Switchbone. One guitar input, two
> > guitar outputs. I send one output to an amp and track with effects so
that
> > the player can have whatever he wants to hear in his cans. the other
> > output
> > is routed to preamp and recorded clean. Not necessary for the player to
be
> > hearing this one. Then after recording, I can open whatever (Amplitube,
> > Nigel......name your poison here) on the uneffected track and use one or
> > both of them in the mix. Also, the POD XT Pro has a dry channel output.
> > Quite a bit more $$$ than a switchbone, but with some advantges of it's
> > own.
> > I think, for the purposes of achieving wretched excess, you could run a
> > guitar into the Switchbone and split the output of the Switchbone to
both
> > a
> > miced amp and the POD XT Pro, record both the amp and the XT PRO with FX
> > plus also use the dry channel input out of the XT Pro as well. I think
you
> > could probably also get two Switchbones, run the guitar into one of
them,
> > send the outputs to two more Switchbones which could then be sent to two
> > amps and two POD XT Pro units so that you could simultaneously record 4
> > effected sources and two dry sources.
> >
> > ;o)
> > "Steve" <stevec1@charter.net> wrote in message news:43e92aa7@linux...
> >>
> >> Where in Paris should Amplitube be installed, so I can use it and here
it
> >> while the guitar player is recording?
> >> Steve
> >
> >
>
>>>And Rod,
>>what is the meaning of "assinated"?...
Did you hear about the woman who backed into an electric fan? Disaster!Gotta question for ya.
I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've noticed
that when I'm monitoring in Paris via my Dakota I get occasional pops.
Any idea what might be causing this
DonI think I'm going with the new Boss RC-50 Loop Station:
http://www.bosscorp.co.jp/products/en/RC-50/index.html
(Gotta wait till it's released here in Oz)
"Jamie K" <Meta@Dimensional.com> wrote in message news:43e2fa30@linux...
>
> I haven't used the Digitech JamMan.
>
> Just looking at the specs: With an additional 2GB CF card it has the
> same max memory of 6ish hours. With the optional pedal you can switch to
> entirely different loops, but I don't know if you can do that on the fly
> without stopping the music. If you can, that would be a big plus.
>
> OTOH the GNX4 can loop stereo tracks, the JamMan is mono.
>
> GNX 4 is about $550, JamMan about $300. You get a lot for the extra $150
> - amp modeling, FX modeling, stereo XLR output, 8 track recorder,
> expression pedal.
>
> But if you already have that stuff covered, if mono is OK, and
> especially if the JamMan switches loops on the fly, it could be a useful
> box.
>
> The JamMan comes with a 128MB CF card, I guess that'd be OK for the
> first week or so. :^) The GNX didn't come with a throw-away dinko card
> like that, so I went right to 2GB.
>
> Cheers,
> -Jamie
> http://www.JamieKrutz.com
>
>
> Amuse wrote:
> > Thanks Jamie, much appreciated. On a side note, how do the looping
functions
> > of the GNX4 compare to the JamMan pedal?
> >
> > "Jamie K" <Meta@Dimensional.com> wrote in message news:43e1611c@linux...
> >> I considered GR1 and decided against it. GR1 had really limited control
> >> hardware. Then I considered GRII when it came out. GRII looks more
usable.
> >>
> >> Looping is one of the things on my list. The GNX4 has looping features
> >> plus an 8 track recorder. I don't know if GRII's "Loop Machine" feature
> >> is better or not. The description is pretty sparse on their web site.
> >>
> >> The GNX4's looping is simple. Hit the record button and off you go.
> >> Countdown is optional. Hit record again and it loops, or hit play and
it
> >> loops but you can record your next part on new tracks (up to 8 tracks,
> >> although any track can be looped over with multiple overdubs so you can
> >> have many more than 8 parts looping).
> >>
> >> It has undo and, if you like, a drum machine (plays back any MIDI file
> >> using internal drum samples). It can quantize the loop point to the
> >> nearest 8th note. What the GNX4 does not do is allow building up
> >> different sections (like verse and chorus) and switching between them
on
> >> the fly. You loop one section and that's it.
> >>
> >> I have the extra pedal for controlling looping, which keeps the main
> >> footswitches free for switching amps and such. Except that it still
> >> requires a bit of dancing on the main footswitches to get to a new song
> >> for clear looping, or on the remote switches to delete the last loop
> >> tracks in order to start over.
> >>
> >> Having never played GR, I have not compared the amp modeling between
> >> GRII and the GNX4.
> >>
> >> Overall I have been happy with the GNX4. I like that it include both
> >> stero XLR and 1/4 stereo outputs and that it can mix guitar, mic and
two
> >> line inputs. I like that it uses robust CF media for recording, looping
> >> and playback, so I don't have to depend on a hard drive at gigs. The
> >> GNX4 includes very playable amp models and the FX are decent. Setup at
a
> >> show is quick and uncomplicated (well, it was until I added a guitar
> >> synth to the rig).
> >>
> >> I have a wish list for the GNX5, which I've discussed with Digitech...
> >>
> >> Cheers,
> >> -Jamie
> >> http://www.JamieKrutz.com
> >>
> >>
> >> Amuse wrote:
> >>> Was it Guitar Rig or Guitar Rig II that you considered? The new
version
> > has
> >>> an integrated audio interface, in a much improved Rig Kontrol. But one
> > of
> >>> the main things that attracted me was the new "Loop Station". I
already
> > have
> >>> a POD but I'm not that into it's sounds when it comes to recording.
> >>>
> >>> I agree, that for live use it's a bit of a drag to rely on a laptop
> > 100%.
> >>> How do the GNX4 amp models sound compared to Guitar Rig II?
> >>>
> >>>
> >>> "Jamie K" <Meta@Dimensional.com> wrote in message
news:43e0b761@linux...
> >>>> Amuse wrote:
> >>>> > Anyone using this?
> >>>> >
> >>>>
> >>>> I considered it. I use other NI software and like it.
> >>>>
> >>>> But it's priced at more than a Digitech GNX4 or Line 6 PODXT Live,
both
> >>>> of which include decent amp modeling, FX modeling, foot control, and
> >>>> integrated audio interface to computers for less than the cost of the
> > NI
> >>>> solution.
> >>>>
> >>>> And with the Digitech or Line 6 you don't have to drag your laptop to
a
> >>>> gig.
> >>>>
> >>>> Plus, the GNX4 adds a 6 hour (if you get a 2GB CF card) looping, mp3
> >>>> playing and 8 track recording capability with an integrated mic pre,
> > and
> >>>> the PodXT Live offers digital connection to a Variax.
> >>>>
> >>>> However for studio use, recording and reamping the NI product looks
> > like
> >>>> it would be very useful. Except that I already have Guitar Amp Pro
for
> >>>> that (with Logic). The Digitech and (I think) XT Live also do
reamping
> >>>> via USB.
> >>>>
> >>>> The GNX4 has been great for gigs.
> >>>>
> >>>> Cheers,
> >>>> -Jamie
> >>>> http://www.JamieKrutz.com
> >>>
> >
> >Sounds like a slight word clock issue... if you are playing in Cubase
and monitoring via digital inputs in Paris, then the Dakota has to be
master and Paris has to be set to slave. Run a word clock cable from
the Cubase machine to the master interface on Paris, and set Paris for
word sync.
David.
Don Nafe wrote:
> Gotta question for ya.
>
> I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've noticed
> that when I'm monitoring in Paris via my Dakota I get occasional pops.
>
> Any idea what might be causing this
>
> Don
>
>Try Norton Utilities. The files and folders will likely still be on your hard
drive unless you've written lots of new, additional files to the drive. Windows
just flips a single bit in the directory entry table and the file no longer
appears in directory listings. In most cases, Norton Unerase will allow you
to recover the files.
Good luck!
Mark
"Frank" <FrankS@msn.com> wrote:
>
> I must have accidentally Deleted a whole Song folder and just
>realized it today, it must have happen within the past week.
>But before I realized what I did, I cleared the Recycle Bin.
>This was a large project of more than 2 months work. Is there
>anyway in XP that I can retrieve them. I did a search,I checked
>the recycle bin and the folder is no where on any of my Hard
>Drives. Is this hopeless??
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63145 is a reply to message #63135] |
Mon, 16 January 2006 09:07 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
Thanks, FrankNo word clock on the Dakota...at least as far as I can see...which is not
very far without my glasses
;-)
Don
"EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
> Sounds like a slight word clock issue... if you are playing in Cubase and
> monitoring via digital inputs in Paris, then the Dakota has to be master
> and Paris has to be set to slave. Run a word clock cable from the Cubase
> machine to the master interface on Paris, and set Paris for word sync.
>
> David.
>
> Don Nafe wrote:
>
>> Gotta question for ya.
>>
>> I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've noticed
>> that when I'm monitoring in Paris via my Dakota I get occasional pops.
>>
>> Any idea what might be causing this
>>
>> DonYou're going to need to slave the Dakota (and Cubase SX 1.06) to Paris ADAT.
Somewhere (I forget where-probably the project menu) in Cubase 1.06, there
is an area where you can match the buffer settings of Cubase SX to your
Dakota card buffer settings. I couldn't get it to sync without matching
buffers on both the Cubase app and the Dakota crd control panel. IIRC, the
best setting I found was 512k for both SX and the Dakota. This should work
fine for you as long as you are just playing back midi tracks. Connect a 9
pin serial cable from the Paris ADAT output to the Dakota ADAT sync input,
set the Dakota to sync to ADAT, hit the transport on your C16 and you're
good.
Deej
"Don Nafe" <dnafe@magma.ca> wrote in message news:43ecc3c2$1@linux...
> No word clock on the Dakota...at least as far as I can see...which is not
> very far without my glasses
>
> ;-)
>
>
> Don
>
>
> "EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
> > Sounds like a slight word clock issue... if you are playing in Cubase
and
> > monitoring via digital inputs in Paris, then the Dakota has to be master
> > and Paris has to be set to slave. Run a word clock cable from the
Cubase
> > machine to the master interface on Paris, and set Paris for word sync.
> >
> > David.
> >
> > Don Nafe wrote:
> >
> >> Gotta question for ya.
> >>
> >> I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
noticed
> >> that when I'm monitoring in Paris via my Dakota I get occasional
pops.
> >>
> >> Any idea what might be causing this
> >>
> >> Don
>
>If what DJ suggests doesn't work out... does the Dakota at least have
SPDIF??? You could use the SPDIF line from the Dakota to Paris to
achieve the same thing.
David.
Don Nafe wrote:
> No word clock on the Dakota...at least as far as I can see...which is not
> very far without my glasses
>
> ;-)
>
>
> Don
>
>
> "EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>
>>Sounds like a slight word clock issue... if you are playing in Cubase and
>>monitoring via digital inputs in Paris, then the Dakota has to be master
>>and Paris has to be set to slave. Run a word clock cable from the Cubase
>>machine to the master interface on Paris, and set Paris for word sync.
>>
>>David.
>>
>>Don Nafe wrote:
>>
>>
>>>Gotta question for ya.
>>>
>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've noticed
>>>that when I'm monitoring in Paris via my Dakota I get occasional pops.
>>>
>>>Any idea what might be causing this
>>>
>>>Don
>
>
>Been looking at the Omnirak Presto and a few quiklok desks (would need to
add addl rack space) ... anybody using anything they like?
I'm looking for something that has rollers so I can move it
Space for PC - dual monitors and Near fields
12 rack spaces in on/under the desk to keep it portable (so it can move without
pluging/unpluging from 2 other racks I have
any idea's would be greatly welcomed... what I'm using now is just not working!
also I'm not experienced with woodworking at all so I don't think I can build
it myself…
Thanks!!Looks cool. No downloadable manual yet. I wonder if the three phrase
channels would let you live-switch between song sections?
Let us know how you like it.
Cheers,
-Jamie
http://www.JamieKrutz.com
Amuse wrote:
> I think I'm going with the new Boss RC-50 Loop Station:
> http://www.bosscorp.co.jp/products/en/RC-50/index.html
>
> (Gotta wait till it's released here in Oz)
>
> "Jamie K" <Meta@Dimensional.com> wrote in message news:43e2fa30@linux...
>> I haven't used the Digitech JamMan.
>>
>> Just looking at the specs: With an additional 2GB CF card it has the
>> same max memory of 6ish hours. With the optional pedal you can switch to
>> entirely different loops, but I don't know if you can do that on the fly
>> without stopping the music. If you can, that would be a big plus.
>>
>> OTOH the GNX4 can loop stereo tracks, the JamMan is mono.
>>
>> GNX 4 is about $550, JamMan about $300. You get a lot for the extra $150
>> - amp modeling, FX modeling, stereo XLR output, 8 track recorder,
>> expression pedal.
>>
>> But if you already have that stuff covered, if mono is OK, and
>> especially if the JamMan switches loops on the fly, it could be a useful
>> box.
>>
>> The JamMan comes with a 128MB CF card, I guess that'd be OK for the
>> first week or so. :^) The GNX didn't come with a throw-away dinko card
>> like that, so I went right to 2GB.
>>
>> Cheers,
>> -Jamie
>> http://www.JamieKrutz.com
>>
>>
>> Amuse wrote:
>>> Thanks Jamie, much appreciated. On a side note, how do the looping
> functions
>>> of the GNX4 compare to the JamMan pedal?
>>>
>>> "Jamie K" <Meta@Dimensional.com> wrote in message news:43e1611c@linux...
>>>> I considered GR1 and decided against it. GR1 had really limited control
>>>> hardware. Then I considered GRII when it came out. GRII looks more
> usable.
>>>> Looping is one of the things on my list. The GNX4 has looping features
>>>> plus an 8 track recorder. I don't know if GRII's "Loop Machine" feature
>>>> is better or not. The description is pretty sparse on their web site.
>>>>
>>>> The GNX4's looping is simple. Hit the record button and off you go.
>>>> Countdown is optional. Hit record again and it loops, or hit play and
> it
>>>> loops but you can record your next part on new tracks (up to 8 tracks,
>>>> although any track can be looped over with multiple overdubs so you can
>>>> have many more than 8 parts looping).
>>>>
>>>> It has undo and, if you like, a drum machine (plays back any MIDI file
>>>> using internal drum samples). It can quantize the loop point to the
>>>> nearest 8th note. What the GNX4 does not do is allow building up
>>>> different sections (like verse and chorus) and switching between them
> on
>>>> the fly. You loop one section and that's it.
>>>>
>>>> I have the extra pedal for controlling looping, which keeps the main
>>>> footswitches free for switching amps and such. Except that it still
>>>> requires a bit of dancing on the main footswitches to get to a new song
>>>> for clear looping, or on the remote switches to delete the last loop
>>>> tracks in order to start over.
>>>>
>>>> Having never played GR, I have not compared the amp modeling between
>>>> GRII and the GNX4.
>>>>
>>>> Overall I have been happy with the GNX4. I like that it include both
>>>> stero XLR and 1/4 stereo outputs and that it can mix guitar, mic and
> two
>>>> line inputs. I like that it uses robust CF media for recording, looping
>>>> and playback, so I don't have to depend on a hard drive at gigs. The
>>>> GNX4 includes very playable amp models and the FX are decent. Setup at
> a
>>>> show is quick and uncomplicated (well, it was until I added a guitar
>>>> synth to the rig).
>>>>
>>>> I have a wish list for the GNX5, which I've discussed with Digitech...
>>>>
>>>> Cheers,
>>>> -Jamie
>>>> http://www.JamieKrutz.com
>>>>
>>>>
>>>> Amuse wrote:
>>>>> Was it Guitar Rig or Guitar Rig II that you considered? The new
> version
>>> has
>>>>> an integrated audio interface, in a much improved Rig Kontrol. But one
>>> of
>>>>> the main things that attracted me was the new "Loop Station". I
> already
>>> have
>>>>> a POD but I'm not that into it's sounds when it comes to recording.
>>>>>
>>>>> I agree, that for live use it's a bit of a drag to rely on a laptop
>>> 100%.
>>>>> How do the GNX4 amp models sound compared to Guitar Rig II?
>>>>>
>>>>>
>>>>> "Jamie K" <Meta@Dimensional.com> wrote in message
> news:43e0b761@linux...
>>>>>> Amuse wrote:
>>>>>> > Anyone using this?
>>>>>> >
>>>>>>
>>>>>> I considered it. I use other NI software and like it.
>>>>>>
>>>>>> But it's priced at more than a Digitech GNX4 or Line 6 PODXT Live,
> both
>>>>>> of which include decent amp modeling, FX modeling, foot control, and
>>>>>> integrated audio interface to computers for less than the cost of the
>>> NI
>>>>>> solution.
>>>>>>
>>>>>> And with the Digitech or Line 6 you don't have to drag your laptop to
> a
>>>>>> gig.
>>>>>>
>>>>>> Plus, the GNX4 adds a 6 hour (if you get a 2GB CF card) looping, mp3
>>>>>> playing and 8 track recording capability with an integrated mic pre,
>>> and
>>>>>> the PodXT Live offers digital connection to a Variax.
>>>>>>
>>>>>> However for studio use, recording and reamping the NI product looks
>>> like
>>>>>> it would be very useful. Except that I already have Guitar Amp Pro
> for
>>>>>> that (with Logic). The Digitech and (I think) XT Live also do
> reamping
>>>>>> via USB.
>>>>>>
>>>>>> The GNX4 has been great for gigs.
>>>>>>
>>>>>> Cheers,
>>>>>> -Jamie
>>>>>> http://www.JamieKrutz.com
>>>
>
>Raxxess also makes some nice "Ikea" style furniture...
http://www.raxxess.com/catalog.asp
David.
rich wrote:
> Been looking at the Omnirak Presto and a few quiklok desks (would need to
> add addl rack space) ... anybody using anything they like?
> I'm looking for something that has rollers so I can move it
> Space for PC - dual monitors and Near fields
> 12 rack spaces in on/under the desk to keep it portable (so it can move without
> pluging/unpluging from 2 other racks I have
> any idea's would be greatly welcomed... what I'm using now is just not working!
>
> also I'm not experienced with woodworking at all so I don't think I can build
> it myself…
> Thanks!!Buffers are set to 256 on both
ADAT sync and SPDIF are working fine and the sync is dead on...I'm thinking
I'm just taxing my CPU with these softsynths
Don
"EK Sound" <askme@nospam.com> wrote in message news:43ecc76b@linux...
> If what DJ suggests doesn't work out... does the Dakota at least have
> SPDIF??? You could use the SPDIF line from the Dakota to Paris to achieve
> the same thing.
>
> David.
>
> Don Nafe wrote:
>> No word clock on the Dakota...at least as far as I can see...which is not
>> very far without my glasses
>>
>> ;-)
>>
>>
>> Don
>>
>>
>> "EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>>
>>>Sounds like a slight word clock issue... if you are playing in Cubase and
>>>monitoring via digital inputs in Paris, then the Dakota has to be master
>>>and Paris has to be set to slave. Run a word clock cable from the Cubase
>>>machine to the master interface on Paris, and set Paris for word sync.
>>>
>>>David.
>>>
>>>Don Nafe wrote:
>>>
>>>
>>>>Gotta question for ya.
>>>>
>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>occasional pops.
>>>>
>>>>Any idea what might be causing this
>>>>
>>>>Don
>>
>>Increase the latency of the Dakota card to see if the clicks go away.
David.
Don Nafe wrote:
> Buffers are set to 256 on both
>
> ADAT sync and SPDIF are working fine and the sync is dead on...I'm thinking
> I'm just taxing my CPU with these softsynths
>
> Don
>
>
> "EK Sound" <askme@nospam.com> wrote in message news:43ecc76b@linux...
>
>>If what DJ suggests doesn't work out... does the Dakota at least have
>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to achieve
>>the same thing.
>>
>>David.
>>
>>Don Nafe wrote:
>>
>>>No word clock on the Dakota...at least as far as I can see...which is not
>>>very far without my glasses
>>>
>>>;-)
>>>
>>>
>>>Don
>>>
>>>
>>>"EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>>>
>>>
>>>>Sounds like a slight word clock issue... if you are playing in Cubase and
>>>>monitoring via digital inputs in Paris, then the Dakota has to be master
>>>>and Paris has to be set to slave. Run a word clock cable from the Cubase
>>>>machine to the master interface on Paris, and set Paris for word sync.
>>>>
>>>>David.
>>>>
>>>>Don Nafe wrote:
>>>>
>>>>
>>>>
>>>>>Gotta question for ya.
>>>>>
>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>occasional pops.
>>>>>
>>>>>Any idea what might be causing this
>>>>>
>>>>>Don
>>>
>>>
>This is a multi-part message in MIME format.
------=_NextPart_000_01A7_01C62E3C.B9B65E90
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Let me start by saying I am new to the softsynth world.
FM7 seems to be the program of choice for 6 operator
DX7 sounds. If there is something better please tell me.
I have two hardware TX7s (same guts as a DX7)
and over 1,000 third party/personal patches stored on my Amiga. =20
Is it possible to load patches into the TX7 one 32 patch bank at a time
and upload them to FM7 via MIDI? If so can they then be stored
as banks on my Windows PC?
I get no help from NI since I haven't purchased yet. I haven't found
any manual on the product either. If there's a link to the manual
that would be great also.
Thanks!
Tom
------=_NextPart_000_01A7_01C62E3C.B9B65E90
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Let me start by saying I am new to the =
softsynth=20
world.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>FM7 seems to be the program of choice =
for 6=20
operator</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>DX7 sounds. If there is something =
better=20
please tell me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I have two hardware TX7s (same guts as =
a=20
DX7)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and over 1,000 third=20
party/personal patches stored on my Amiga. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Is it possible to load patches into the =
TX7 one 32=20
patch bank at a time</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and upload them to FM7 via MIDI? =
If so can=20
they then be stored</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>as banks on my Windows PC?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I get no help from NI since I haven't =
purchased=20
yet. I haven't found</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>any manual on the product either. =
If there's=20
a link to the manual</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>that would be great also.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV></BODY></HTML>
------=_NextPart_000_01A7_01C62E3C.B9B65E90--Why does the name Rube Goldberg always pop into my head when reading Deej's
posts? ;>)
Tony
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43eb6f4a@linux...
> Steve,
>
> My solution to this is called a Radial Switchbone. One guitar input, two
> guitar outputs. I send one output to an amp and track with effects so that
> the player can have whatever he wants to hear in his cans. the other
> output
> is routed to preamp and recorded clean. Not necessary for the player to be
> hearing this one. Then after recording, I can open whatever (Amplitube,
> Nigel......name your poison here) on the uneffected track and use one or
> both of them in the mix. Also, the POD XT Pro has a dry channel output.
> Quite a bit more $$$ than a switchbone, but with some advantges of it's
> own.
> I think, for the purposes of achieving wretched excess, you could run a
> guitar into the Switchbone and split the output of the Switchbone to both
> a
> miced amp and the POD XT Pro, record both the amp and the XT PRO with FX
> plus also use the dry channel input out of the XT Pro as well. I think you
> could probably also get two Switchbones, run the guitar into one of them,
> send the outputs to two more Switchbones which could then be sent to two
> amps and two POD XT Pro units so that you could simultaneously record 4
> effected sources and two dry sources.
>
> ;o)
> "Steve" <stevec1@charter.net> wrote in message news:43e92aa7@linux...
>>
>> Where in Paris should Amplitube be installed, so I can use it and here it
>> while the guitar player is recording?
>> Steve
>
>What he said... If your sync is tight but playback of VSTi's out of
Cubase is glitchy it's likely you're exceeding capacity of that
system. The engines are buckling, Captain. Set latency low for
playing/tracking VSTi's, and set latency high for playback... Also,
I'd render one or more of those VSTi tracks out of Cubase and drag 'em
into Paris as audio files... That's "Export Audio" out of Cubase --
with the track you want soloed, and markers set to top and end... Snap
that audio file into your Paris editor on the right bar and you're
good to go... If you need to make changes later, get back in Cubase,
edit, alter, whatever, export and so on... I once imagined a system
where I could play whatever number of VSTi's I might want out of
Cubase in sync with Paris, but I found that I always ended up wanting
them over in Paris as audio files when it came time to mix anyway. I
still like reaching for a fader, and I think there's something going
on with the Paris mix mojo, when it comes to pulling everything
together and making it all seem "real"...
Whew -- long note for me -- coffee's workin' good today.
good luck with it -- Chas.
On Fri, 10 Feb 2006 10:18:43 -0700, EK Sound <askme@nospam.com> wrote:
>Increase the latency of the Dakota card to see if the clicks go away.
>
>David.
>
>Don Nafe wrote:
>
>> Buffers are set to 256 on both
>>
>> ADAT sync and SPDIF are working fine and the sync is dead on...I'm thinking
>> I'm just taxing my CPU with these softsynths
>>
>> Don
>>
>>
>> "EK Sound" <askme@nospam.com> wrote in message news:43ecc76b@linux...
>>
>>>If what DJ suggests doesn't work out... does the Dakota at least have
>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to achieve
>>>the same thing.
>>>
>>>David.
>>>
>>>Don Nafe wrote:
>>>
>>>>No word clock on the Dakota...at least as far as I can see...which is not
>>>>very far without my glasses
>>>>
>>>>;-)
>>>>
>>>>
>>>>Don
>>>>
>>>>
>>>>"EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>>>>
>>>>
>>>>>Sounds like a slight word clock issue... if you are playing in Cubase and
>>>>>monitoring via digital inputs in Paris, then the Dakota has to be master
>>>>>and Paris has to be set to slave. Run a word clock cable from the Cubase
>>>>>machine to the master interface on Paris, and set Paris for word sync.
>>>>>
>>>>>David.
>>>>>
>>>>>Don Nafe wrote:
>>>>>
>>>>>
>>>>>
>>>>>>Gotta question for ya.
>>>>>>
>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>>occasional pops.
>>>>>>
>>>>>>Any idea what might be causing this
>>>>>>
>>>>>>Don
>>>>
>>>>
>>Hey Tom, should work fine. Here are some bits from the FM7 manual:
"The FM7 can accept System Exclusive Data (preset parameters) from
Ymaha's DX7 DX7II and DX200 synthesizers and convert the sound to its
own parameter format. In standalone mode FM7 automatically receives any
MIDI SysEx data in the recognized formats...single presets go into the
edit buffer and need to be stored manually while banks go into the
currently select bank of 32 presets. Another way is to load the SysEx
data from a file..."
I love NI's synths. Hate the registration system.
Cheers,
-Jamie
http://www.JamieKrutz.com
Tom Bruhl wrote:
> Let me start by saying I am new to the softsynth world.
> FM7 seems to be the program of choice for 6 operator
> DX7 sounds. If there is something better please tell me.
>
> I have two hardware TX7s (same guts as a DX7)
> and over 1,000 third party/personal patches stored on my Amiga.
> Is it possible to load patches into the TX7 one 32 patch bank at a time
> and upload them to FM7 via MIDI? If so can they then be stored
> as banks on my Windows PC?
>
> I get no help from NI since I haven't purchased yet. I haven't found
> any manual on the product either. If there's a link to the manual
> that would be great also.
> Thanks!
> Tom
>
>Hi all,
Here's a review of my new amp. Boy is it nice.
http://dcguitarjournal.blogspot.com/
DCThanks all
Don
"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
news:7pkpu1l87ae0cv6fus3hheqd5odm89ue74@4ax.com...
>
>
> What he said... If your sync is tight but playback of VSTi's out of
> Cubase is glitchy it's likely you're exceeding capacity of that
> system. The engines are buckling, Captain. Set latency low for
> playing/tracking VSTi's, and set latency high for playback... Also,
> I'd render one or more of those VSTi tracks out of Cubase and drag 'em
> into Paris as audio files... That's "Export Audio" out of Cubase --
> with the track you want soloed, and markers set to top and end... Snap
> that audio file into your Paris editor on the right bar and you're
> good to go... If you need to make changes later, get back in Cubase,
> edit, alter, whatever, export and so on... I once imagined a system
> where I could play whatever number of VSTi's I might want out of
> Cubase in sync with Paris, but I found that I always ended up wanting
> them over in Paris as audio files when it came time to mix anyway. I
> still like reaching for a fader, and I think there's something going
> on with the Paris mix mojo, when it comes to pulling everything
> together and making it all seem "real"...
>
> Whew -- long note for me -- coffee's workin' good today.
>
> good luck with it -- Chas.
>
> On Fri, 10 Feb 2006 10:18:43 -0700, EK Sound <askme@nospam.com> wrote:
>
>>Increase the latency of the Dakota card to see if the clicks go away.
>>
>>David.
>>
>>Don Nafe wrote:
>>
>>> Buffers are set to 256 on both
>>>
>>> ADAT sync and SPDIF are working fine and the sync is dead on...I'm
>>> thinking
>>> I'm just taxing my CPU with these softsynths
>>>
>>> Don
>>>
>>>
>>> "EK Sound" <askme@nospam.com> wrote in message news:43ecc76b@linux...
>>>
>>>>If what DJ suggests doesn't work out... does the Dakota at least have
>>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to
>>>>achieve
>>>>the same thing.
>>>>
>>>>David.
>>>>
>>>>Don Nafe wrote:
>>>>
>>>>>No word clock on the Dakota...at least as far as I can see...which is
>>>>>not
>>>>>very far without my glasses
>>>>>
>>>>>;-)
>>>>>
>>>>>
>>>>>Don
>>>>>
>>>>>
>>>>>"EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>>>>>
>>>>>
>>>>>>Sounds like a slight word clock issue... if you are playing in Cubase
>>>>>>and
>>>>>>monitoring via digital inputs in Paris, then the Dakota has to be
>>>>>>master
>>>>>>and Paris has to be set to slave. Run a word clock cable from the
>>>>>>Cubase
>>>>>>machine to the master interface on Paris, and set Paris for word sync.
>>>>>>
>>>>>>David.
>>>>>>
>>>>>>Don Nafe wrote:
>>>>>>
>>>>>>
>>>>>>
>>>>>>>Gotta question for ya.
>>>>>>>
>>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>>>occasional pops.
>>>>>>>
>>>>>>>Any idea what might be causing this
>>>>>>>
>>>>>>>Don
>>>>>
>>>>>
>>>
>we use Rdisk
Mark McDermott wrote:
> Try Norton Utilities. The files and folders will likely still be on your hard
> drive unless you've written lots of new, additional files to the drive. Windows
> just flips a single bit in the directory entry table and the file no longer
> appears in directory listings. In most cases, Norton Unerase will allow you
> to recover the files.
>
> Good luck!
>
> Mark
>
> "Frank" <FrankS@msn.com> wrote:
>
>> I must have accidentally Deleted a whole Song folder and just
>>realized it today, it must have happen within the past week.
>>But before I realized what I did, I cleared the Recycle Bin.
>>This was a large project of more than 2 months work. Is there
>>anyway in XP that I can retrieve them. I did a search,I checked
>>the recycle bin and the folder is no where on any of my Hard
>>Drives. Is this hopeless?? Thanks, Frank
>
>they need a longer web page....jeez
DC wrote:
> Hi all,
>
> Here's a review of my new amp. Boy is it nice.
>
> http://dcguitarjournal.blogspot.com/
>
> DC
>This is a multi-part message in MIME format.
------=_NextPart_000_038B_01C62E4B.6775DC00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Thanks Jamie. Is it Pace?
I wonder why they don't include TX7 in their literature?
I think it's identical to a DX7 minus the keyboard?...
Maybe it will be a problem for me. =20
I'm trying so hard to get rid of my Amiga but it
just won't let me. The best price I've got on
FM7 is $269.00 Anybody have their go to sites
fo a lesser expensive option?
Tom
"Jamie K" <Meta@Dimensional.com> wrote in message =
news:43ecdfe8@linux...
Hey Tom, should work fine. Here are some bits from the FM7 manual:
"The FM7 can accept System Exclusive Data (preset parameters) from=20
Ymaha's DX7 DX7II and DX200 synthesizers and convert the sound to its=20
own parameter format. In standalone mode FM7 automatically receives =
any=20
MIDI SysEx data in the recognized formats...single presets go into the =
edit buffer and need to be stored manually while banks go into the=20
currently select bank of 32 presets. Another way is to load the SysEx=20
data from a file..."
I love NI's synths. Hate the registration system.
Cheers,
-Jamie
http://www.JamieKrutz.com
Tom Bruhl wrote:
> Let me start by saying I am new to the softsynth world.
> FM7 seems to be the program of choice for 6 operator
> DX7 sounds. If there is something better please tell me.
> =20
> I have two hardware TX7s (same guts as a DX7)
> and over 1,000 third party/personal patches stored on my Amiga.=20
> Is it possible to load patches into the TX7 one 32 patch bank at a =
time
> and upload them to FM7 via MIDI? If so can they then be stored
> as banks on my Windows PC?
> =20
> I get no help from NI since I haven't purchased yet. I haven't =
found
> any manual on the product either. If there's a link to the manual
> that would be great also.
> Thanks!
> Tom
> =20
>
------=_NextPart_000_038B_01C62E4B.6775DC00
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Jamie. Is it =
Pace?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I wonder why they don't include TX7 in =
their=20
literature?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I think it's identical to a =
DX7 minus the=20
keyboard?...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe it will be a problem for =
me. =20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I'm trying so </FONT><FONT face=3DArial =
size=3D2>hard=20
to get rid of my Amiga but it</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>just won't let me. The best price =
I've got=20
on</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>FM7 is $269.00 Anybody have their =
go to=20
sites</FO
|
|
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63151 is a reply to message #63145] |
Mon, 16 January 2006 08:49 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
/DX7-EDIT.html" target="_blank"> http://www.lostgallifreyan.pwp.blueyonder.co.uk/DX7-EDIT/HTM L%20Guide/DX7-EDIT.html
http://www.fm-alive.com/DX%20Manager.aspx
Chris
Tom Bruhl wrote:
> Let me start by saying I am new to the softsynth world.
> FM7 seems to be the program of choice for 6 operator
> DX7 sounds. If there is something better please tell me.
>
> I have two hardware TX7s (same guts as a DX7)
> and over 1,000 third party/personal patches stored on my Amiga.
> Is it possible to load patches into the TX7 one 32 patch bank at a time
> and upload them to FM7 via MIDI? If so can they then be stored
> as banks on my Windows PC?
>
> I get no help from NI since I haven't purchased yet. I haven't found
> any manual on the product either. If there's a link to the manual
> that would be great also.
> Thanks!
> Tom
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762Bought a pair of these dirt cheap at the local thrift store, but one has no
low end. Is it worth it to get it fixed? I read somewhere that they might
be a lower-power version of the NS-10 - anyone know about these?Tom Bruhl wrote:
> Thanks Jamie. Is it Pace?
Don't know, but it creates a number for each system based on system
components. Unfortunately, one included component is the system hard
drive. Probably THE most likely component to fail or be changed out.
I have a lot of NI instruments. I lost a system drive. This has been a
hellish week getting them all reinstalled and re-registered.
Email tech support was slow. Luckily they have phone support. Phone
support was about 75% accurate in what they told me to do. I was
probably the same in what I did. Consequently it took hours to get the
system where I could use the instruments again. By far the longest
ordeal of any of the software I had to reinstall.
A big plus is that NI allows you to use both a laptop and desktop system
on each license. Problem is figuring out which is which when it comes
time to use their online system to remove a license so you can
re-register with the new configuration. Their policy is that if you
remove an authorization you can NEVER use that computer again. Better
not get it wrong.
The only way to get it right is to run a program, look at a 36 or so
digit number and see if it matches, visually, with the already
registered number. For each plugin. For the ones that include that
program, which isn't all of them.
The numbers that change are buried in the middle.
Then you have to navigate the online system, stepping through redundant
pages, for each plugin. Then, after reinstalling, you have to download
and reapply all the updates.
Bottom line, after hours of phone time and installation time I almost
have them all working again. Still have to get one recalcitrant plugin
to install and one large sample library that for some reason won't read
off a DVDR, (and I have two copies of the DVDR - both fail - weird). And
some of the plugins don't yet see their sample libraries.
Other than those hassles, I love the NI instruments.
They did tell me they are working on improving the registration system
so it actually tells you which reg is for your laptop and which is for
your desktop. That would help.
I think a dongle-based system would be a bigger improvement.
> I wonder why they don't include TX7 in their literature?
> I think it's identical to a DX7 minus the keyboard?...
> Maybe it will be a problem for me.
No worries. A TX7 is indeed a DX7 minus the keyboard.
> I'm trying so hard to get rid of my Amiga but it
> just won't let me. The best price I've got on
> FM7 is $269.00 Anybody have their go to sites
> fo a lesser expensive option?
I still have two Amiga 3000 towers.
NI Komplete may be a better deal, IF you have use for the other instruments.
Cheers,
-Jamie
http://www.JamieKrutz.com
> Tom
>
>
>
>
> "Jamie K" <Meta@Dimensional.com <mailto:Meta@Dimensional.com>> wrote
> in message news:43ecdfe8@linux...
>
> Hey Tom, should work fine. Here are some bits from the FM7 manual:
>
> "The FM7 can accept System Exclusive Data (preset parameters) from
> Ymaha's DX7 DX7II and DX200 synthesizers and convert the sound to its
> own parameter format. In standalone mode FM7 automatically receives any
> MIDI SysEx data in the recognized formats...single presets go into the
> edit buffer and need to be stored manually while banks go into the
> currently select bank of 32 presets. Another way is to load the SysEx
> data from a file..."
>
> I love NI's synths. Hate the registration system.
>
> Cheers,
> -Jamie
> http://www.JamieKrutz.com
>
>
> Tom Bruhl wrote:
> > Let me start by saying I am new to the softsynth world.
> > FM7 seems to be the program of choice for 6 operator
> > DX7 sounds. If there is something better please tell me.
> >
> > I have two hardware TX7s (same guts as a DX7)
> > and over 1,000 third party/personal patches stored on my Amiga.
> > Is it possible to load patches into the TX7 one 32 patch bank at
> a time
> > and upload them to FM7 via MIDI? If so can they then be stored
> > as banks on my Windows PC?
> >
> > I get no help from NI since I haven't purchased yet. I haven't found
> > any manual on the product either. If there's a link to the manual
> > that would be great also.
> > Thanks!
> > Tom
> >
> > http://www.emu.com/support/files/download3.asp?Centric=653&a mp;Platform=1&File=274
"Jørn ØYstein Johansen" <jojohansen@online.no> wrote in message
news:43ed3fc6$1@linux...
> Anyone who know where I can find Paris 3.0 ?
>
>I've heard great things about the EMU card as far as fidelity goes. I've
also heard some bad things about it as far as the digital protocall goes.
Seems it doesn't somehow adhere to the ADAT spec so if you're planning to
interface it digitally with Paris via ADAT, there might be issues. It
doesn't have an ADAT sync input so clocking it could be an issue unless you
were clocking both the EMU card and Paris to an external clock. The MAudio
ought to be pretty strack as far as being compatible with whatever spec you
want to use. It's a bit more $$$, but I'm very pleased with the RME stuff
and I have also used the LynxOne. If you don't need a whole lot of I/O and
sample rates above 48k, the LynxOne is an excellent choice. I have actually
clocked Paris from a LynxOne and I have also daisy chained a LynxOne from a
Paris system with no problems. Lynx and RME both make great stuff.
Deej
"Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
> Looking to pickup a soundcard for another computer/sequencer rig.
> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any opinions
> or suggestions?
> Thanks,
> Edna
>
>This is a multi-part message in MIME format.
------=_NextPart_000_000C_01C62E9A.19144D40
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Chris,
This might get me by for a while and at the right price! I'd rather =
spend
fresh money on fresh sounds.
Thank you very much.
Tom
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message =
news:43ed4c76$1@linux...
Hey Tom,
If you just want to replace the Amiga editor and still use your =
hardware=20
then see if either of these will work for you.
Found them on www.synthzone.com
=
http://www.lostgallifreyan.pwp.blueyonder.co.uk/DX7-EDIT/HTM L%20Guide/DX7=
-EDIT.html
http://www.fm-alive.com/DX%20Manager.aspx
Chris
Tom Bruhl wrote:
> Let me start by saying I am new to the softsynth world.
> FM7 seems to be the program of choice for 6 operator
> DX7 sounds. If there is something better please tell me.
> =20
> I have two hardware TX7s (same guts as a DX7)
> and over 1,000 third party/personal patches stored on my Amiga.=20
> Is it possible to load patches into the TX7 one 32 patch bank at a =
time
> and upload them to FM7 via MIDI? If so can they then be stored
> as banks on my Windows PC?
> =20
> I get no help from NI since I haven't purchased yet. I haven't =
found
> any manual on the product either. If there's a link to the manual
> that would be great also.
> Thanks!
> Tom
> =20
> =20
--=20
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762
------=_NextPart_000_000C_01C62E9A.19144D40
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This might get me by for a while and at =
the right=20
price! I'd rather spend</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>fresh money on fresh =
sounds.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Thank you very much.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Ludwig" <<A=20
href=3D"mailto:chrisl@adkproaudio.com">chrisl@adkproaudio.com</A>> =
wrote in=20
message <A =
href=3D"news:43ed4c76$1@linux">news:43ed4c76$1@linux</A>...</DIV>Hey=20
Tom,<BR><BR>If you just want to replace the Amiga editor and still use =
your=20
hardware <BR>then see if either of these will work for you.<BR>Found =
them on=20
<A =
href=3D"http://www.synthzone.com">www.synthzone.com</A><BR><BR><BR><A=20
=
href=3D" http://www.lostgallifreyan.pwp.blueyonder.co.uk/DX7-EDIT/HTM L%20G=
uide/DX7-EDIT.html">http://www.lostgallifreyan.pwp.blueyonder.co.uk/DX7-E=
DIT/HTML%20Guide/DX7-EDIT.html</A><BR><BR><A=20
=
href=3D"http://www.fm-alive.com/DX%20Manager.aspx">http://www.fm-alive.co=
m/DX%20Manager.aspx</A><BR><BR><BR>Chris<BR><BR><BR>Tom=20
Bruhl wrote:<BR>> Let me start by saying I am new to the softsynth=20
world.<BR>> FM7 seems to be the program of choice for 6 =
operator<BR>>=20
DX7 sounds. If there is something better please tell =
me.<BR>> =20
<BR>> I have two hardware TX7s (same guts as a DX7)<BR>> and =
over 1,000=20
third party/personal patches stored on my Amiga. <BR>> Is it =
possible to=20
load patches into the TX7 one 32 patch bank at a time<BR>> and =
upload them=20
to FM7 via MIDI? If so can they then be stored<BR>> as banks =
on my=20
Windows PC?<BR>> <BR>> I get no help from NI since I =
haven't=20
purchased yet. I haven't found<BR>> any manual on the product =
either. If there's a link to the manual<BR>> that would be =
great=20
also.<BR>> Thanks!<BR>> Tom<BR>> <BR>> =
<BR><BR>--=20
<BR>Chris Ludwig<BR>ADK<BR><A=20
href=3D"mailto:chrisl@adkproaudio.com">chrisl@adkproaudio.com</A> =
<<A=20
=
href=3D"mailto:chrisl@adkproaudio.com">mailto:chrisl@adkproaudio.com</A>&=
gt;<BR><A=20
href=3D"http://www.adkproaudio.com">www.adkproaudio.com</A> <<A=20
=
href=3D"http://www.adkproaudio.com/">http://www.adkproaudio.com/</A>><=
BR>(859)=20
635-5762</BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_000C_01C62E9A.19144D40--Dang, there must be some laying 'round here somewhere...
"Dale" <dalebradleycello@yahoo.com> wrote:
>
>No "misguided eschatology?" How dull.... :-)
>
>
>"DC" <dc@spammersinhell.org> wrote:
>>
>>Hi all,
>>
>>Here's a review of my new amp. Boy is it nice.
>>
>>http://dcguitarjournal.blogspot.com/
>>
>>DC
>>
>NIce job Italy!!!! the dove and the flame...niiiiiiiice.i wonder if they have a cliff note version?
On Fri, 10 Feb 2006 13:49:30 -0500, John <no@no.com> wrote:
>they need a longer web page....jeez
>
>DC wrote:
>> Hi all,
>>
>> Here's a review of my new amp. Boy is it nice.
>>
>> http://dcguitarjournal.blogspot.com/
>>
>> DC
>>Just one thing: unless you are actually synching ADAT tape transports I
don't think you need the 9 pin sync for the digital data - it is adequately
represented in the stream.
Bill
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43ed5d14$1@linux...
> I've heard great things about the EMU card as far as fidelity goes. I've
> also heard some bad things about it as far as the digital protocall goes.
> Seems it doesn't somehow adhere to the ADAT spec so if you're planning to
> interface it digitally with Paris via ADAT, there might be issues. It
> doesn't have an ADAT sync input so clocking it could be an issue unless
> you
> were clocking both the EMU card and Paris to an external clock. The MAudio
> ought to be pretty strack as far as being compatible with whatever spec
> you
> want to use. It's a bit more $$$, but I'm very pleased with the RME stuff
> and I have also used the LynxOne. If you don't need a whole lot of I/O and
> sample rates above 48k, the LynxOne is an excellent choice. I have
> actually
> clocked Paris from a LynxOne and I have also daisy chained a LynxOne from
> a
> Paris system with no problems. Lynx and RME both make great stuff.
>
> Deej
>
> "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
>> Looking to pickup a soundcard for another computer/sequencer rig.
>> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
>> opinions
>> or suggestions?
>> Thanks,
>> Edna
>>
>>
>
>Hi All. I am considering trying something I never done before. I have my
Paris in one PC with just one EDS and a MEC. I am building a separate PC
and it will also have 1 EDS card and separate MEC. I want to keep them as
separate units, but I want them to talk to each other... meaning 32 channels
(16 channels each). I know I can put the 2 EDS cards in one PC, but I want
to keep them separate.
I never done this before and I need some advice. Since each PC/EDS/MEC will
be separate... each will have their own dual monitor.. what do I need to do
for both to work together.. (meaning 32 tracks/channels). I believe I need
to put a BNC cable between both EDS cards... but is that all I need to do?
Actually, I am not even sure this will work.. of course if I hit play, and I
have 32 channels (16 on each PC)... will my main EDS know the other 16
channels? Perhaps I am asking too much or not enough information? I am on
Win2000 (both PC's). Yes, the Paris XP driver works fine with Win2000....
any help or advice?Adequately represented in the stream? I plan to s/pdif from the sequencer
computer to the PARIS computer. I have never done any digital transfers
before, so am not sure what sync issues may arise. Are you saying the
digital data will provide its own sync?
Thanks,
Edna
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
news:43ede2d8$1@linux...
> Just one thing: unless you are actually synching ADAT tape transports I
> don't think you need the 9 pin sync for the digital data - it is
adequately
> represented in the stream.
>
> Bill
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43ed5d14$1@linux...
> > I've heard great things about the EMU card as far as fidelity goes. I've
> > also heard some bad things about it as far as the digital protocall
goes.
> > Seems it doesn't somehow adhere to the ADAT spec so if you're planning
to
> > interface it digitally with Paris via ADAT, there might be issues. It
> > doesn't have an ADAT sync input so clocking it could be an issue unless
> > you
> > were clocking both the EMU card and Paris to an external clock. The
MAudio
> > ought to be pretty strack as far as being compatible with whatever spec
> > you
> > want to use. It's a bit more $$$, but I'm very pleased with the RME
stuff
> > and I have also used the LynxOne. If you don't need a whole lot of I/O
and
> > sample rates above 48k, the LynxOne is an excellent choice. I have
> > actually
> > clocked Paris from a LynxOne and I have also daisy chained a LynxOne
from
> > a
> > Paris system with no problems. Lynx and RME both make great stuff.
> >
> > Deej
> >
> > "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
> >> Looking to pickup a soundcard for another computer/sequencer rig.
> >> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
> >> opinions
> >> or suggestions?
> >> Thanks,
> >> Edna
> >>
> >>
> >
> >
>
>Thanks DJ, I will check out the Lynx. These other 2 cards can be gotten for
less than a C. Well, except for the 1212 which touts as having the same
converters as the PT HD(-120 db).
But I dont want any sync issues.
E
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43ed5d14$1@linux...
> I've heard great things about the EMU card as far as fidelity goes. I've
> also heard some bad things about it as far as the digital protocall goes.
> Seems it doesn't somehow adhere to the ADAT spec so if you're planning to
> interface it digitally with Paris via ADAT, there might be issues. It
> doesn't have an ADAT sync input so clocking it could be an issue unless
you
> were clocking both the EMU card and Paris to an external clock. The MAudio
> ought to be pretty strack as far as being compatible with whatever spec
you
> want to use. It's a bit more $$$, but I'm very pleased with the RME stuff
> and I have also used the LynxOne. If you don't need a whole lot of I/O and
> sample rates above 48k, the LynxOne is an excellent choice. I have
actually
> clocked Paris from a LynxOne and I have also daisy chained a LynxOne from
a
> Paris system with no problems. Lynx and RME both make great stuff.
>
> Deej
>
> "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
> > Looking to pickup a soundcard for another computer/sequencer rig.
> > Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
opinions
> > or suggestions?
> > Thanks,
> > Edna
> >
> >
>
>> >what is the meaning of "assinated"?
It probably involves Mr. U-No-Hoo and a neighbor's horse...
....I'm pretty sure Amy and the dogs will not partycipate.
:p ... i'm staying home - el miguel
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:43ec2307@linux...
>
> Oh jeez, what a hoot, I just read my post. Assinated. Now THAT'S funny
> 8oP
> rod
>
> "Chris Latham" <latham_c@bellsouth.net> wrote:
> >Deej,
> >I'm chuckling because you misspelled "qwerty".
> >
> >And Rod,
> >what is the meaning of "assinated"? Because I'm pretty sure that's what
> a
> >friend was trying to describe... well, never mind.
> >
> >Reading these posts always makes me giggle.
> >CL
> >
> >>Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
> >news:43eb8afb$1@linux...
> >>
> >> Thanks for the warning...I set my coffee down and swallowed before
> >watching...good
> >> thing too. OH, if your assinated, can I have your SPL stuff, and your
> >Foressell
> >> pre?
> >> ;-)
> >> Rod
> >> Rod
> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >First thing in my inbox this morning.
> >> >
> >> >http://www.glumbert.com/media/rave.html
> >> >
> >> >I'm now cleaning coffee off the querty.
> >> >
> >> >
> >>
> >
> >
>I just paid near $60 for a spanking NOS a7s333, which I would have linked to
but the link died.
El Boca Blabby
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:43eb27d8@linux...
> El Miguel................ Shhhhhhhhh :-)
>
> Rich
>
> --
> 'Any 20 year-old who isn't a liberal doesn't have a heart,
> and any 40 year-old who isn't a conservative doesn't have a brain.'
>
> - Winston Churchill
>
> "Miguel Vigil" <nospam@nospam.com> wrote in message news:43eabe10@linux...
> >
>
http://search.ebay.com/search/search.dll?cgiurl=http%3A%2F%2 Fcgi.ebay.com%2F
> >
>
ws%2F&MfcISAPICommand=GetResult&query=a7s333&cat egoryid=&ht=1&st=2&category5
> > =42012&SortProperty=MetaEndSort&BasicSearch=&fro m=R2&catref=C3
> >
> >
> > There are a couple of factory refurbs on ebay right now, starting at
> $20.00.
> >
> >
> > El Miguel
> >
> >
> > "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> > news:43ea7c4c$1@linux...
> > > Hi Rich,
> > > The newer SIS chip sets are awful. The one that was used on the AMD XP
> > > based ASUS A7s333 worked well but is way out of production.
> > > Chris
> > >
> > >
> > > Rich Lamanna wrote:
> > > > Thanks, Deej. I'm looking into the A7V8X as I write this. I don't
> think
> > I
> > > > need to go any faster than 3200mhz. Looks like a decent board.
Aaron,
> if
> > > > your out there: got any advice on the boards with the SIS chipsets.
> I'm
> > > > presently running Win ME too Deej. Stability is and issue though.
It's
> > not
> > > > too happy lately and I'm not quite sure why.
> > > >
> > > > Rich
> > > >
> > > > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> > > > news:43e95c70$1@linux...
> > > >> Rich,
> > > >>
> > > >> I don't know what you're using now, but for the last two 1/2 years,
> > I've
> > > >> been using an ASUS A7V8x mobo with a pair of Matrox G450 video
cards
> > (AGP
> > > > &
> > > >> PCI) and 3 x EDS 1000 cards. I've used it with Win ME and Win XP
with
> > > >> success (currently using Win ME). It's *very stable* and will
support
> > up
> > > > to
> > > >> the AMD XP 3200 CPU. It's the most stable solution for Paris I've
> ever
> > > > used
> > > >> and will support a good amount of native plugins if desired.
Another
> > very
> > > >> stable solution is the older mobo's with the SIS chipsets. Aaron
> Allen
> > has
> > > >> had very good success with these. I doubt if I'll ever go beyond
this
> > 7V8x
> > > >> mobo. Too many potential issues with the newer crop of mobo's and
> > > > chipsets.
> > > >> Right now I'm using an XP 2800 CPU. I guess I could upgrade to the
XP
> > > > 3200,
> > > >> but I really don't feel the need.
> > > >>
> > > >> Regards,
> > > >>
> > > >> Deej
> > > >> "Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
> > > >> news:43e92fe8$1@linux...
> > > >>> Hello all. I haven't been around for a while. Still running Paris
> and
> > > >> loving
> > > >>> it. I'm considering upgrading my Paris computer. Can anyone
> recommend
> > a
> > > >> MOBO
> > > >>> and processor for a new Paris setup? What are you guys and gals
> using
> > as
> > > >> the
> > > >>> latest and fastest computers running Paris reliably?
> > > >>>
> > > >>> Thanks,
> > > >>> Rich Lamanna
> > > >>>
> > > >>>
> > > >>
> > > >
> > > >
> > >
> > > --
> > > Chris Ludwig
> > >
> > > ADK Pro Audio
> > > (859) 635-5762
> > > www.adkproaudio.com
> > > chrisl@adkproaudio.com
> >
> >
>
>Folks-
I was just alerted to this. Apparently 'round the clock mp3s of old Filmore
and Winterland concerts by everyone who ever played there.
Really.
Just heard some Mothers of Invention and Stevie Wonder from '70 and 73. This
is great stuff.
http://www.wolfgangsvault.com/
-steve
oh, and if you're so inclined, they'll sell you the handbills, posters, whatever,
for an arm and a legWhat I meant is that the lightpipe cables would carry the sync and you would
not need the 9 pin. If you are going spdif then you should have no concern
about the ADAT 9 pin whatsoever.
Bill
"Edna" <edna@texomaonline.com> wrote in message news:43edfe5f@linux...
> Adequately represented in the stream? I plan to s/pdif from the sequencer
> computer to the PARIS computer. I have never done any digital transfers
> before, so am not sure what sync issues may arise. Are you saying the
> digital data will provide its own sync?
> Thanks,
> Edna
> "Bill Lorentzen" <bill@lorentzen.ws> wrote in message
> news:43ede2d8$1@linux...
>> Just one thing: unless you are actually synching ADAT tape transports I
>> don't think you need the 9 pin sync for the digital data - it is
> adequately
>> represented in the stream.
>>
>> Bill
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> news:43ed5d14$1@linux...
>> > I've heard great things about the EMU card as far as fidelity goes.
>> > I've
>> > also heard some bad things about it as far as the digital protocall
> goes.
>> > Seems it doesn't somehow adhere to the ADAT spec so if you're planning
> to
>> > interface it digitally with Paris via ADAT, there might be issues. It
>> > doesn't have an ADAT sync input so clocking it could be an issue unless
>> > you
>> > were clocking both the EMU card and Paris to an external clock. The
> MAudio
>> > ought to be pretty strack as far as being compatible with whatever spec
>> > you
>> > want to use. It's a bit more $$$, but I'm very pleased with the RME
> stuff
>> > and I have also used the LynxOne. If you don't need a whole lot of I/O
> and
>> > sample rates above 48k, the LynxOne is an excellent choice. I have
>> > actually
>> > clocked Paris from a LynxOne and I have also daisy chained a LynxOne
> from
>> > a
>> > Paris system with no problems. Lynx and RME both make great stuff.
>> >
>> > Deej
>> >
>> > "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
>> >> Looking to pickup a soundcard for another computer/sequencer rig.
>> >> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
>> >> opinions
>> >> or suggestions?
>> >> Thanks,
>> >> Edna
>> >>
>> >>
>> >
>> >
>>
>>
>
>Bill,
ADAT sync carries it's own clock signal irregardless of whether is it
timeline locked via the 9 pin serial cable. I have heard that the signal
that is imbedded in the bitstream of the ADAT output (using a fibre optic
cable sending 8 channels) of the EMU card may not be reliable.
This was being discussed on the RME website a while back so consider the
source I guess.
Regards,
Deej
"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
news:43ede2d8$1@linux...
> Just one thing: unless you are actually synching ADAT tape transports I
> don't think you need the 9 pin sync for the digital data - it is
adequately
> represented in the stream.
>
> Bill
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:43ed5d14$1@linux...
> > I've heard great things about the EMU card as far as fidelity goes. I've
> > also heard some bad things about it as far as the digital protocall
goes.
> > Seems it doesn't somehow adhere to the ADAT spec so if you're planning
to
> > interface it digitally with Paris via ADAT, there might be issues. It
> > doesn't have an ADAT sync input so clocking it could be an issue unless
> > you
> > were clocking both the EMU card and Paris to an external clock. The
MAudio
> > ought to be pretty strack as far as being compatible with whatever spec
> > you
> > want to use. It's a bit more $$$, but I'm very pleased with the RME
stuff
> > and I have also used the LynxOne. If you don't need a whole lot of I/O
and
> > sample rates above 48k, the LynxOne is an excellent choice. I have
> > actually
> > clocked Paris from a LynxOne and I have also daisy chained a LynxOne
from
> > a
> > Paris system with no problems. Lynx and RME both make great stuff.
> >
> > Deej
> >
> > "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
> >> Looking to pickup a soundcard for another computer/sequencer rig.
> >> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
> >> opinions
> >> or suggestions?
> >> Thanks,
> >> Edna
> >>
> >>
> >
> >
>
>DC, you haf=ve Charlie Chrisitan listed in your Lines. Do you play his
lines?
Bill
"DC" <dc@spammersinhell.org> wrote in message news:43ece0ac$1@linux...
>
> Hi all,
>
> Here's a review of my new amp. Boy is it nice.
>
> http://dcguitarjournal.blogspot.com/
>
> DC
>Edna,
SPDIF carries it's own imbedded clock signal. You can, in theory, set Paris
to receive *digital* clock in the Paris control panel, and it *should* sync
to the spdif output of another device which is feeding it's signal to the
Paris spdif input. This won't lock up the timelines of two DAWs, (only ADAT
or midi sync will do this) but if you're just inputting audio into PARIS via
spdif, it *should* prevent timing errors like clicks and pops.
Deej
na" <edna@texomaonline.com> wrote in message news:43edfe5f@linux...
> Adequately represented in the stream? I plan to s/pdif from the sequencer
> computer to the PARIS computer. I have never done any digital transfers
> before, so am not sure what sync issues may arise. Are you saying the
> digital data will provide its own sync?
> Thanks,
> Edna
> "Bill Lorentzen" <bill@lorentzen.ws> wrote in message
> news:43ede2d8$1@linux...
> > Just one thing: unless you are actually synching ADAT tape transports I
> > don't think you need the 9 pin sync for the digital data - it is
> adequately
> > represented in the stream.
> >
> > Bill
> >
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> > news:43ed5d14$1@linux...
> > > I've heard great things about the EMU card as far as fidelity goes.
I've
> > > also heard some bad things about it as far as the digital protocall
> goes.
> > > Seems it doesn't somehow adhere to the ADAT spec so if you're planning
> to
> > > interface it digitally with Paris via ADAT, there might be issues. It
> > > doesn't have an ADAT sync input so clocking it could be an issue
unless
> > > you
> > > were clocking both the EMU card and Paris to an external clock. The
> MAudio
> > > ought to be pretty strack as far as being compatible with whatever
spec
> > > you
> > > want to use. It's a bit more $$$, but I'm very pleased with the RME
> stuff
> > > and I have also used the LynxOne. If you don't need a whole lot of I/O
> and
> > > sample rates above 48k, the LynxOne is an excellent choice. I have
> > > actually
> > > clocked Paris from a LynxOne and I have also daisy chained a LynxOne
> from
> > > a
> > > Paris system with no problems. Lynx and RME both make great stuff.
> > >
> > > Deej
> > >
> > > "Edna" <edna@texomaonline.com> wrote in message news:43ed36ce@linux...
> > >> Looking to pickup a soundcard for another computer/sequencer rig.
> > >> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
> > >> opinions
> > >> or suggestions?
> > >> Thanks,
> > >> Edna
> > >>
> > >>
> > >
> > >
> >
> >
>
>I haven't been watching.........what happened???.......are they burning
birds?
"rick" <parnell68@hotmail.com> wrote in message
news:aufru1dgq68fnnokp7lndmvkc8hg642ues@4ax.com...
> NIce job Italy!!!! the dove and the flame...niiiiiiiice.Thanks Bill
I would also like to be able to have the visti computer start playingwhen I
start PARIS recording(or vice versa), since I am bringing the
instrumentation in piecemeal.
"Bill Lo
|
|
|
|
| Re: OT: Not Since Paris, There Has been no Pro (Mid) DSPDAW [message #63169 is a reply to message #63151] |
Mon, 16 January 2006 11:33 |
LaMont
Messages: 828
Registered: October 2005
|
Senior Member |
|
|
does the Dakota at least have
>>>>>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to
>>>>>>>achieve
>>>>>>>the same thing.
>>>>>>>
>>>>>>>David.
>>>>>>>
>>>>>>>Don Nafe wrote:
>>>>>>>
>>>>>>>>No word clock on the Dakota...at least as far as I can see...which
>> is
>>>>>>>>not
>>>>>>>>very far without my glasses
>>>>>>>>
>>>>>>>>;-)
>>>>>>>>
>>>>>>>>
>>>>>>>>Don
>>>>>>>>
>>>>>>>>
>>>>>>>>"EK Sound" <askme@nospam.com> wrote in message news:43ecb7fe@linux...
>>>>>>>>
>>>>>>>>
>>>>>>>>>Sounds like a slight word clock issue... if you are playing in
>>>>>>>>>Cubase
>>
>>>>>>>>>and
>>>>>>>>>monitoring via digital inputs in Paris, then the Dakota has to be
>>
>>>>>>>>>master
>>>>>>>>>and Paris has to be set to slave. Run a word clock cable from the
>>
>>>>>>>>>Cubase
>>>>>>>>>machine to the master interface on Paris, and set Paris for word
>>>>>>>>>sync.
>>>>>>>>>
>>>>>>>>>David.
>>>>>>>>>
>>>>>>>>>Don Nafe wrote:
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>>Gotta question for ya.
>>>>>>>>>>
>>>>>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>>>>>>occasional pops.
>>>>>>>>>>
>>>>>>>>>>Any idea what might be causing this
>>>>>>>>>>
>>>>>>>>>>Don
>>>>>>>>
>>>>>>>>
>>>>>>
>>>>
>>>
>>>
>>
>
>Hey Kim
1.8 gig Pentium with a gig of ram on XP completely stripped of all non
essential crap.
I get pops at 256 &128 - anything less and it's noise over the synth sound.
I have on loan Absynth, Hypersonic, Korg legacy collection, Kontact, Halion,
NI - Pro53 / B4 / FM7 / Battery as well as Reaktor (I believe)
Latest project is with Absynth - two midi tracks - one sound and Battey -
three midi tracks - one patch - pops occur randomly i.e. no midi
correllation to pops
Don
"Kim.W." <no@way.> wrote in message news:43ef5690$1@linux...
>
> Hmmm.
> Sorry, Don.
> Without knowing more about your Cubase System, I am at a loss.
> I have no problem running a bunch of softsynths with a buffer setting of
> 64, on a 2.4ghz P4. The XP install is fairly clean.
> (no antivirus/firewall or background stuff).
> I did notice that the midi timing went caput when
> sending to an external synth, and almost felt like CPU overload. I never
> noticed popping with the VSTi's, though.
> What is the VSTi you are using, and, dare I ask, how fast is your
> processor? I am only an occasional lurker here, so I do not know
> who is using what.
> Kim
>
>
> "Don Nafe" <dnafe@magma.ca> wrote:
>>I took it to it's lowest setting and the noise became worse (32 I believe)
>
>>...presently back at 256 but still getting the occasional pop.
>>
>>Right now I have two midi tracks...one soft synth and every 60 seconds or
> so
>>"pop" I can always render to audio but that too is a pain
>>
>>I don't notice anything with audio tracks so I'm thinking this is a soft
>
>>synth resource thing
>>
>>Don
>>
>>
>>
>>"Kim W." <no@way> wrote in message news:43ef4753$1@linux...
>>>
>>> Hi,Don
>>> Don't bother trying to adjust settings within Cubase, as the
>>> buffer/latency
>>> settings are locked
>>> once Cubase nabs the soundcard driver.)
>>> If you have a Dakota, (as have I), you'll find the buffer size settings
> in
>>> the "System" tab in the Dakota control panel which you can access in the
>>> Windows system tray. Try the highest setting first, and see if this
>>> cures
>>> your problem.
>>> Regards,
>>> Kim
>>>
>>> "Don Nafe" <dnafe@magma.ca> wrote:
>>>>Ok
>>> ay I'll bite...where does one set the latency ?
>>>>
>>>>Don
>>>>
>>>>
>>>>"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
>>>>news:7pkpu1l87ae0cv6fus3hheqd5odm89ue74@4ax.com...
>>>>>
>>>>>
>>>>> What he said... If your sync is tight but playback of VSTi's out of
>>>>> Cubase is glitchy it's likely you're exceeding capacity of that
>>>>> system. The engines are buckling, Captain. Set latency low for
>>>>> playing/tracking VSTi's, and set latency high for playback... Also,
>>>>> I'd render one or more of those VSTi tracks out of Cubase and drag 'em
>>>>> into Paris as audio files... That's "Export Audio" out of Cubase --
>>>>> with the track you want soloed, and markers set to top and end... Snap
>>>>> that audio file into your Paris editor on the right bar and you're
>>>>> good to go... If you need to make changes later, get back in Cubase,
>>>>> edit, alter, whatever, export and so on... I once imagined a system
>>>>> where I could play whatever number of VSTi's I might want out of
>>>>> Cubase in sync with Paris, but I found that I always ended up wanting
>>>>> them over in Paris as audio files when it came time to mix anyway.
> I
>>>>> still like reaching for a fader, and I think there's something going
>>>>> on with the Paris mix mojo, when it comes to pulling everything
>>>>> together and making it all seem "real"...
>>>>>
>>>>> Whew -- long note for me -- coffee's workin' good today.
>>>>>
>>>>> good luck with it -- Chas.
>>>>>
>>>>> On Fri, 10 Feb 2006 10:18:43 -0700, EK Sound <askme@nospam.com> wrote:
>>>>>
>>>>>>Increase the latency of the Dakota card to see if the clicks go away.
>>>>>>
>>>>>>David.
>>>>>>
>>>>>>Don Nafe wrote:
>>>>>>
>>>>>>> Buffers are set to 256 on both
>>>>>>>
>>>>>>> ADAT sync and SPDIF are working fine and the sync is dead on...I'm
>>>>>>> thinking
>>>>>>> I'm just taxing my CPU with these softsynths
>>>>>>>
>>>>>>> Don
>>>>>>>
>>>>>>>
>>>>>>> "EK Sound" <askme@nospam.com> wrote in message
>>>>>>> news:43ecc76b@linux...
>>>>>>>
>>>>>>>>If what DJ suggests doesn't work out... does the Dakota at least
>>>>>>>>have
>>>>>>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to
>>>>>>>>achieve
>>>>>>>>the same thing.
>>>>>>>>
>>>>>>>>David.
>>>>>>>>
>>>>>>>>Don Nafe wrote:
>>>>>>>>
>>>>>>>>>No word clock on the Dakota...at least as far as I can see...which
>>> is
>>>>>>>>>not
>>>>>>>>>very far without my glasses
>>>>>>>>>
>>>>>>>>>;-)
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>Don
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>"EK Sound" <askme@nospam.com> wrote in message
>>>>>>>>>news:43ecb7fe@linux...
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>>Sounds like a slight word clock issue... if you are playing in
>>>>>>>>>>Cubase
>>>
>>>>>>>>>>and
>>>>>>>>>>monitoring via digital inputs in Paris, then the Dakota has to be
>>>
>>>>>>>>>>master
>>>>>>>>>>and Paris has to be set to slave. Run a word clock cable from the
>>>
>>>>>>>>>>Cubase
>>>>>>>>>>machine to the master interface on Paris, and set Paris for word
>
>>>>>>>>>>sync.
>>>>>>>>>>
>>>>>>>>>>David.
>>>>>>>>>>
>>>>>>>>>>Don Nafe wrote:
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>>Gotta question for ya.
>>>>>>>>>>>
>>>>>>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>>>>>>>occasional pops.
>>>>>>>>>>>
>>>>>>>>>>>Any idea what might be causing this
>>>>>>>>>>>
>>>>>>>>>>>Don
>>>>>>>>>
>>>>>>>>>
>>>>>>>
>>>>>
>>>>
>>>>
>>>
>>
>>
>In Cubase SX 1.06, it is definitely *not* locked. There is a place in one of
the menu pages where buffer settings can be manually set to match the buffer
settings of the Dakota card and this needs to be done for things to work
properly. I remember this distinctly. This is what I used to have to do when
I was using a Dakota/Montana combo with Cubase SX 1.06 or I could not get
reliable timeline sync between Cubse and Paris.. This ability to manually
set buffers from within Cubase SX to match buffer settings in the control
panel of the audio hardware was not implemented in v2.0..........and believe
me, I tried. I even used beta drivers from Froniter in hopes that the Dakota
Driver would work properly in the Cubase SX 2.0 environment. It didn't work
and this is why I now have RME cards in my DAW. I have heard that there is
now a working Dakota driver for Cubase SX 2x-3x, but I'm too deep into the
RME stuff to think about going back at this point.
Deej
"Kim W." <no@way> wrote in message news:43ef4753$1@linux...
>
> Hi,Don
> Don't bother trying to adjust settings within Cubase, as the
buffer/latency
> settings are locked
> once Cubase nabs the soundcard driver.)
> If you have a Dakota, (as have I), you'll find the buffer size settings in
> the "System" tab in the Dakota control panel which you can access in the
> Windows system tray. Try the highest setting first, and see if this cures
> your problem.
> Regards,
> Kim
>
> "Don Nafe" <dnafe@magma.ca> wrote:
> >Ok
> ay I'll bite...where does one set the latency ?
> >
> >Don
> >
> >
> >"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
> >news:7pkpu1l87ae0cv6fus3hheqd5odm89ue74@4ax.com...
> >>
> >>
> >> What he said... If your sync is tight but playback of VSTi's out of
> >> Cubase is glitchy it's likely you're exceeding capacity of that
> >> system. The engines are buckling, Captain. Set latency low for
> >> playing/tracking VSTi's, and set latency high for playback... Also,
> >> I'd render one or more of those VSTi tracks out of Cubase and drag 'em
> >> into Paris as audio files... That's "Export Audio" out of Cubase --
> >> with the track you want soloed, and markers set to top and end... Snap
> >> that audio file into your Paris editor on the right bar and you're
> >> good to go... If you need to make changes later, get back in Cubase,
> >> edit, alter, whatever, export and so on... I once imagined a system
> >> where I could play whatever number of VSTi's I might want out of
> >> Cubase in sync with Paris, but I found that I always ended up wanting
> >> them over in Paris as audio files when it came time to mix anyway. I
> >> still like reaching for a fader, and I think there's something going
> >> on with the Paris mix mojo, when it comes to pulling everything
> >> together and making it all seem "real"...
> >>
> >> Whew -- long note for me -- coffee's workin' good today.
> >>
> >> good luck with it -- Chas.
> >>
> >> On Fri, 10 Feb 2006 10:18:43 -0700, EK Sound <askme@nospam.com> wrote:
> >>
> >>>Increase the latency of the Dakota card to see if the clicks go away.
> >>>
> >>>David.
> >>>
> >>>Don Nafe wrote:
> >>>
> >>>> Buffers are set to 256 on both
> >>>>
> >>>> ADAT sync and SPDIF are working fine and the sync is dead on...I'm
> >>>> thinking
> >>>> I'm just taxing my CPU with these softsynths
> >>>>
> >>>> Don
> >>>>
> >>>>
> >>>> "EK Sound" <askme@nospam.com> wrote in message news:43ecc76b@linux...
> >>>>
> >>>>>If what DJ suggests doesn't work out... does the Dakota at least have
> >>>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to
> >>>>>achieve
> >>>>>the same thing.
> >>>>>
> >>>>>David.
> >>>>>
> >>>>>Don Nafe wrote:
> >>>>>
> >>>>>>No word clock on the Dakota...at least as far as I can see...which
> is
> >>>>>>not
> >>>>>>very far without my glasses
> >>>>>>
> >>>>>>;-)
> >>>>>>
> >>>>>>
> >>>>>>Don
> >>>>>>
> >>>>>>
> >>>>>>"EK Sound" <askme@nospam.com> wrote in message
news:43ecb7fe@linux...
> >>>>>>
> >>>>>>
> >>>>>>>Sounds like a slight word clock issue... if you are playing in
Cubase
>
> >>>>>>>and
> >>>>>>>monitoring via digital inputs in Paris, then the Dakota has to be
>
> >>>>>>>master
> >>>>>>>and Paris has to be set to slave. Run a word clock cable from the
>
> >>>>>>>Cubase
> >>>>>>>machine to the master interface on Paris, and set Paris for word
sync.
> >>>>>>>
> >>>>>>>David.
> >>>>>>>
> >>>>>>>Don Nafe wrote:
> >>>>>>>
> >>>>>>>
> >>>>>>>
> >>>>>>>>Gotta question for ya.
> >>>>>>>>
> >>>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
> >>>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
> >>>>>>>>occasional pops.
> >>>>>>>>
> >>>>>>>>Any idea what might be causing this
> >>>>>>>>
> >>>>>>>>Don
> >>>>>>
> >>>>>>
> >>>>
> >>
> >
> >
>Well good.......I had visualized something horrendous after reading a story
a while back about a guy who had thrown a live mouse into a trash fire and
the (now burning) mouse ran out of the fire and back under the guy's house,
eventually burning it down (served the asshole right)
;o(
"rick" <parnell68@hotmail.com> wrote in message
news:t92uu19loaqq9um65cd21ak3amj23g11km@4ax.com...
> nope, the dove was formed by about 20 people on ropes climbing a mesh
> wall (kinda like rock face ballet stuff) and formed a dove at the end
> of their performance. and the flame was the olympic torch
> lighting...though roast dove does sound pretty good.
>
> On Sat, 11 Feb 2006 12:49:42 -0700, "DJ"
> <animix_spam-this-ahole_@animas.net> wrote:
>
> >I haven't been watching.........what happened???.......are they burning
> >birds?
> >
> >"rick" <parnell68@hotmail.com> wrote in message
> >news:aufru1dgq68fnnokp7lndmvkc8hg642ues@4ax.com...
> >> NIce job Italy!!!! the dove and the flame...niiiiiiiice.
> >
>THanks Kim...missed ya all dayYeh, not sure what happenned there. Machine shut itself off. I think there's
something funny going down with the UPS at this new place, and that it may
be causing some funny power issues which cause the server to do weirdness.
It's happenned a couple of times since I've moved.
Sorry it took so long to get us back up. I was away all weekend and didn't
check when I got home. Wasn't till I went to work today and went "DOH!".
;o)
I'm doing a backup of posts to the backup server now just to be sure...
Cheers,
Kim.
Jeff hoover <jkhoover@excite.com> wrote:
>THanks Kim...missed ya all dayAll cool dude. I just hung and checked some time in listening to Tommy
Emmanuel. What a talented cat.
Thanks for keeping the boat on the water bro.
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43f03359$1@linux...
>
>
> Yeh, not sure what happenned there. Machine shut itself off. I think
> there's
> something funny going down with the UPS at this new place, and that it may
> be causing some funny power issues which cause the server to do weirdness.
> It's happenned a couple of times since I've moved.
>
> Sorry it took so long to get us back up. I was away all weekend and didn't
> check when I got home. Wasn't till I went to work today and went "DOH!".
> ;o)
>
> I'm doing a backup of posts to the backup server now just to be sure...
>
> Cheers,
> Kim.
>
> Jeff hoover <jkhoover@excite.com> wrote:
>>THanks Kim...missed ya all day
>I'm increasing the backup schedule just in case something goes wrong. There's
a spare server here ready to go, but I've been backing up manually. I'm just
setting it up to do an automatic backup every couple of days, so worst case
scenario we only lose a day or two's posts.
The server scared me there by not wanting to start up. I had to pull the
power and wait a minute. Definately some power wierdness of some kind I think.
Something's not playing ball.
Tommy is one amazing player. I haven't heard much of him over hear of late
actually. He used to appear quite often on Hey Hey It's Saturday, a saturday
night variety show over here, but that got canned quite a few years ago now
and I've heard little of him since. No doubt he's still impressing people
somewhere though. Sounds like it's over your way. ;-)
Cheers,
Kim.
"Aaron Allen" <nospam@not_here.dude> wrote:
>All cool dude. I just hung and checked some time in listening to Tommy
>Emmanuel. What a talented cat.
>Thanks for keeping the boat on the water bro.
>AA
>
>
>"Kim" <hiddensounds@hotmail.com> wrote in message news:43f03359$1@linux...
>>
>>
>> Yeh, not sure what happenned there. Machine shut itself off. I think
>> there's
>> something funny going down with the UPS at this new place, and that it
may
>> be causing some funny power issues which cause the server to do weirdness.
>> It's happenned a couple of times since I've moved.
>>
>> Sorry it took so long to get us back up. I was away all weekend and didn't
>> check when I got home. Wasn't till I went to work today and went "DOH!".
>> ;o)
>>
>> I'm doing a backup of posts to the backup server now just to be sure...
>>
>> Cheers,
>> Kim.
>>
>> Jeff hoover <jkhoover@excite.com> wrote:
>>>THanks Kim...missed ya all day
>>
>
>Hmmm.........didn't miss much. I've had the flu since Thursday PM. Hit me
like a frieght train. I've been sooooo out of it. I wonder if I posted
anything over the weekend. If I did, I wonder what I posted.
;o}
"Kim" <hiddensounds@hotmail.com> wrote in message news:43f03950$1@linux...
>
>
> I'm increasing the backup schedule just in case something goes wrong.
There's
> a spare server here ready to go, but I've been backing up manually. I'm
just
> setting it up to do an automatic backup every couple of days, so worst
case
> scenario we only lose a day or two's posts.
>
> The server scared me there by not wanting to start up. I had to pull the
> power and wait a minute. Definately some power wierdness of some kind I
think.
> Something's not playing ball.
>
> Tommy is one amazing player. I haven't heard much of him over hear of late
> actually. He used to appear quite often on Hey Hey It's Saturday, a
saturday
> night variety show over here, but that got canned quite a few years ago
now
> and I've heard little of him since. No doubt he's still impressing people
> somewhere though. Sounds like it's over your way. ;-)
>
> Cheers,
> Kim.
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
> >All cool dude. I just hung and checked some time in listening to Tommy
> >Emmanuel. What a talented cat.
> >Thanks for keeping the boat on the water bro.
> >AA
> >
> >
> >"Kim" <hiddensounds@hotmail.com> wrote in message
news:43f03359$1@linux...
> >>
> >>
> >> Yeh, not sure what happenned there. Machine shut itself off. I think
> >> there's
> >> something funny going down with the UPS at this new place, and that it
> may
> >> be causing some funny power issues which cause the server to do
weirdness.
> >> It's happenned a couple of times since I've moved.
> >>
> >> Sorry it took so long to get us back up. I was away all weekend and
didn't
> >> check when I got home. Wasn't till I went to work today and went
"DOH!".
> >> ;o)
> >>
> >> I'm doing a backup of posts to the backup server now just to be sure...
> >>
> >> Cheers,
> >> Kim.
> >>
> >> Jeff hoover <jkhoover@excite.com> wrote:
> >>>THanks Kim...missed ya all day
> >>
> >
> >
>Hey deej,
Just wanted to let you know the DAC1 has been working great. Thanks for
the consult...Now to improve the input
;-p
Jeff
DJ wrote:
> Hmmm.........didn't miss much. I've had the flu since Thursday PM. Hit me
> like a frieght train. I've been sooooo out of it. I wonder if I posted
> anything over the weekend. If I did, I wonder what I posted.
>
> ;o}
>
> "Kim" <hiddensounds@hotmail.com> wrote in message news:43f03950$1@linux...
>
>>
>>I'm increasing the backup schedule just in case something goes wrong.
>
> There's
>
>>a spare server here ready to go, but I've been backing up manually. I'm
>
> just
>
>>setting it up to do an automatic backup every couple of days, so worst
>
> case
>
>>scenario we only lose a day or two's posts.
>>
>>The server scared me there by not wanting to start up. I had to pull the
>>power and wait a minute. Definately some power wierdness of some kind I
>
> think.
>
>>Something's not playing ball.
>>
>>Tommy is one amazing player. I haven't heard much of him over hear of late
>>actually. He used to appear quite often on Hey Hey It's Saturday, a
>
> saturday
>
>>night variety show over here, but that got canned quite a few years ago
>
> now
>
>>and I've heard little of him since. No doubt he's still impressing people
>>somewhere though. Sounds like it's over your way. ;-)
>>
>>Cheers,
>>Kim.
>>
>>"Aaron Allen" <nospam@not_here.dude> wrote:
>>
>>>All cool dude. I just hung and checked some time in listening to Tommy
>>>Emmanuel. What a talented cat.
>>>Thanks for keeping the boat on the water bro.
>>>AA
>>>
>>>
>>>"Kim" <hiddensounds@hotmail.com> wrote in message
>
> news:43f03359$1@linux...
>
>>>>
>>>>Yeh, not sure what happenned there. Machine shut itself off. I think
>>>>there's
>>>>something funny going down with the UPS at this new place, and that it
>>
>>may
>>
>>>>be causing some funny power issues which cause the server to do
>
> weirdness.
>
>>>>It's happenned a couple of times since I've moved.
>>>>
>>>>Sorry it took so long to get us back up. I was away all weekend and
>
> didn't
>
>>>>check when I got home. Wasn't till I went to work today and went
>
> "DOH!".
>
>>>>;o)
>>>>
>>>>I'm doing a backup of posts to the backup server now just to be sure...
>>>>
>>>>Cheers,
>>>>Kim.
>>>>
>>>>Jeff hoover <jkhoover@excite.com> wrote:
>>>>
>>>>>THanks Kim...missed ya all day
>>>>
>>>
>
>Picked up a new Gigabyte mobo with an Athlon 64 3000+ (combo
deal, came packaged together in the same box, so compatibility
issues can't be the case here), and I can't get the BIOS to save
CPU overclocking settings. Anyone know this kinda stuff really
well that might be able to help me out?
I've tried both entering it manually at boot-up, and also the
EZTune windows utility that comes with the board, but neither
one has worked. Settings don't get saved & it still runs at 2.1
GHZ instead of the 3 GHZ equivalent that should be able to get
out of this CPU.
I used the same DDR RAM sticks that I had in my old mobo...
this couldn't be the problem, could it? I know this board can
take PC 3200, but the RAM I currently have in there is a bit
older - maybe 2700 (not sure - would have to verify that).
The RAM shouldn't place any limits on whether or not I can
overclock this puppy, should it?
It's a Gigabyte GA-K8U mobo with a ULi M1689 Chipset, running
on Win XP Home, two sticks of 512k DDR DIMM's. XP is up-to-date
except for I have not installed Service Pack 2 (actually, tried
to install it yesterday when I first noticed it came out, but
had to boot into "safe" mode & revert back to the state prior
to the install, since Windows wouldn't boot up normally after
installing it).
NeilHey guys,
Check out this Nashville up & comer's website. These are some artist demos
we did about three months ago. Her music page has some downloadable "hi
rez" mp3s. And not only is she an attractive gal, she was very sweet and
personable, too.
www.charlabethcorn.com
CLPretty slim for a VSTi machine... try upping the setting on the Dakota
from 256 to 512. You do realise that if you have any of the VSTi's
showing in the Instrument window, they draw CPU power even if there
are no MIDI tracks running at all. Try activating only ONE VSTi at a
time.
David.
Don Nafe wrote:
> Hey Kim
>
> 1.8 gig Pentium with a gig of ram on XP completely stripped of all non
> essential crap.
>
> I get pops at 256 &128 - anything less and it's noise over the synth sound.
>
> I have on loan Absynth, Hypersonic, Korg legacy collection, Kontact, Halion,
> NI - Pro53 / B4 / FM7 / Battery as well as Reaktor (I believe)
>
> Latest project is with Absynth - two midi tracks - one sound and Battey -
> three midi tracks - one patch - pops occur randomly i.e. no midi
> correllation to pops
>
> Don
>
>
> "Kim.W." <no@way.> wrote in message news:43ef5690$1@linux...
>
>>Hmmm.
>>Sorry, Don.
>>Without knowing more about your Cubase System, I am at a loss.
>>I have no problem running a bunch of softsynths with a buffer setting of
>>64, on a 2.4ghz P4. The XP install is fairly clean.
>>(no antivirus/firewall or background stuff).
>>I did notice that the midi timing went caput when
>>sending to an external synth, and almost felt like CPU overload. I never
>>noticed popping with the VSTi's, though.
>>What is the VSTi you are using, and, dare I ask, how fast is your
>>processor? I am only an occasional lurker here, so I do not know
>>who is using what.
>>Kim
>>
>>
>>"Don Nafe" <dnafe@magma.ca> wrote:
>>
>>>I took it to it's lowest setting and the noise became worse (32 I believe)
>>
>>>...presently back at 256 but still getting the occasional pop.
>>>
>>>Right now I have two midi tracks...one soft synth and every 60 seconds or
>>
>>so
>>
>>>"pop" I can always render to audio but that too is a pain
>>>
>>>I don't notice anything with audio tracks so I'm thinking this is a soft
>>
>>>synth resource thing
>>>
>>>Don
>>>
>>>
>>>
>>>"Kim W." <no@way> wrote in message news:43ef4753$1@linux...
>>>
>>>>Hi,Don
>>>>Don't bother trying to adjust settings within Cubase, as the
>>>>buffer/latency
>>>>settings are locked
>>>>once Cubase nabs the soundcard driver.)
>>>>If you have a Dakota, (as have I), you'll find the buffer size settings
>>
>>in
>>
>>>>the "System" tab in the Dakota control panel which you can access in the
>>>>Windows system tray. Try the highest setting first, and see if this
>>>>cures
>>>>your problem.
>>>>Regards,
>>>>Kim
>>>>
>>>>"Don Nafe" <dnafe@magma.ca> wrote:
>>>>
>>>>>Ok
>>>>
>>>>ay I'll bite...where does one set the latency ?
>>>>
>>>>>Don
>>>>>
>>>>>
>>>>>"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
>>>>>news:7pkpu1l87ae0cv6fus3hheqd5odm89ue74@4ax.com...
>>>>>
>>>>>>
>>>>>>What he said... If your sync is tight but playback of VSTi's out of
>>>>>>Cubase is glitchy it's likely you're exceeding capacity of that
>>>>>>system. The engines are buckling, Captain. Set latency low for
>>>>>>playing/tracking VSTi's, and set latency high for playback... Also,
>>>>>>I'd render one or more of those VSTi tracks out of Cubase and drag 'em
>>>>>>into Paris as audio files... That's "Export Audio" out of Cubase --
>>>>>>with the track you want soloed, and markers set to top and end... Snap
>>>>>>that audio file into your Paris editor on the right bar and you're
>>>>>>good to go... If you need to make changes later, get back in Cubase,
>>>>>>edit, alter, whatever, export and so on... I once imagined a system
>>>>>>where I could play whatever number of VSTi's I might want out of
>>>>>>Cubase in sync with Paris, but I found that I always ended up wanting
>>>>>>them over in Paris as audio files when it came time to mix anyway.
>>
>>I
>>
>>>>>>still like reaching for a fader, and I think there's something going
>>>>>>on with the Paris mix mojo, when it comes to pulling everything
>>>>>>together and making it all seem "real"...
>>>>>>
>>>>>>Whew -- long note for me -- coffee's workin' good today.
>>>>>>
>>>>>>good luck with it -- Chas.
>>>>>>
>>>>>>On Fri, 10 Feb 2006 10:18:43 -0700, EK Sound <askme@nospam.com> wrote:
>>>>>>
>>>>>>
>>>>>>>Increase the latency of the Dakota card to see if the clicks go away.
>>>>>>>
>>>>>>>David.
>>>>>>>
>>>>>>>Don Nafe wrote:
>>>>>>>
>>>>>>>
>>>>>>>>Buffers are set to 256 on both
>>>>>>>>
>>>>>>>>ADAT sync and SPDIF are working fine and the sync is dead on...I'm
>>>>>>>>thinking
>>>>>>>>I'm just taxing my CPU with these softsynths
>>>>>>>>
>>>>>>>>Don
>>>>>>>>
>>>>>>>>
>>>>>>>>"EK Sound" <askme@nospam.com> wrote in message
>>>>>>>>news:43ecc76b@linux...
>>>>>>>>
>>>>>>>>
>>>>>>>>>If what DJ suggests doesn't work out... does the Dakota at least
>>>>>>>>>have
>>>>>>>>>SPDIF??? You could use the SPDIF line from the Dakota to Paris to
>>>>>>>>>achieve
>>>>>>>>>the same thing.
>>>>>>>>>
>>>>>>>>>David.
>>>>>>>>>
>>>>>>>>>Don Nafe wrote:
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>>No word clock on the Dakota...at least as far as I can see...which
>>>>
>>>>is
>>>>
>>>>>>>>>>not
>>>>>>>>>>very far without my glasses
>>>>>>>>>>
>>>>>>>>>>;-)
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>Don
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>"EK Sound" <askme@nospam.com> wrote in message
>>>>>>>>>>news:43ecb7fe@linux...
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>>Sounds like a slight word clock issue... if you are playing in
>>>>>>>>>>>Cubase
>>>>
>>>>>>>>>>>and
>>>>>>>>>>>monitoring via digital inputs in Paris, then the Dakota has to be
>>>>
>>>>>>>>>>>master
>>>>>>>>>>>and Paris has to be set to slave. Run a word clock cable from the
>>>>
>>>>>>>>>>>Cubase
>>>>>>>>>>>machine to the master interface on Paris, and set Paris for word
>>
>>>>>>>>>>>sync.
>>>>>>>>>>>
>>>>>>>>>>>David.
>>>>>>>>>>>
>>>>>>>>>>>Don Nafe wrote:
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>>>Gotta question for ya.
>>>>>>>>>>>>
>>>>>>>>>>>>I just got Cubase 1.06 from a friend who upgraded to 3.0 and I've
>>>>>>>>>>>>noticed that when I'm monitoring in Paris via my Dakota I get
>>>>>>>>>>>>occasional pops.
>>>>>>>>>>>>
>>>>>>>>>>>>Any idea what might be causing this
>>>>>>>>>>>>
>>>>>>>>>>>>Don
>>>>>>>>>>
>>>>>>>>>>
>>>>>
>>>
>
>Good work Chris!!!
Lamont
"Chris Latham" <latham_c@bellsouth.net> wrote:
>Hey guys,
>
>Check out this Nashville up & comer's website. These are some artist demos
>we did about three months ago. Her music page has some downloadable "hi
>rez" mp3s. And not only is she an attractive gal, she was very sweet and
>personable, too.
>
>www.charlabethcorn.com
>
>CL
>
>At one point in my life I learned about half a dozen Charlie Christian solos
note for note. I could translate practically zero of it into anything useful,
other that that CC was a supremely melodic thinker and player. I couldn't
figure out much of anything about the way he was thinking about putting things
together. I'm sure a better player could, but I sure couldn't.
TC
"Bill Lorentzen" <bill@lorentzen.ws> wrote:
>DC, you haf=ve Charlie Chrisitan listed in your Lines. Do you play his
>lines?
>
>Bill
>
>"DC" <dc@spammersinhell.org> wrote in message news:43ece0ac$1@linux...
>>
>> Hi all,
>>
>> Here's a review of my new amp. Boy is it nice.
>>
>> http://dcguitarjournal.blogspot.com/
>>
>> DC
>>
>
>Music sounds very very nice. You might want to mention to Charla that a) her
web site almost made me seasick it was moving so much and b) lots of people
with credit cards and drinking problems (who buy CDs and go to clubs) don't
use browsers with all kinds of dynamic html and pop-ups enabled.
Some day the entire interet will be myspace pages and people like me will
go back to using quill pens.
TCB
"Chris Latham" <latham_c@bellsouth.net> wrote:
>Hey guys,
>
>Check out this Nashville up & comer's website. These are some artist demos
>we did about three months ago. Her music page has some downloadable "hi
>rez" mp3s. And not only is she an attractive gal, she was very sweet and
>personable, too.
>
>www.charlabethcorn.com
>
>CL
>
>Nice work Chris. I'm liking it.
;o)
"Chris Latham" <latham_c@bellsouth.net> wrote in message
news:43f09c24@linux...
> Hey guys,
>
> Check out this Nashville up & comer's website. These are some artist
demos
> we did about three months ago. Her music page has some downloadable "hi
> rez" mp3s. And not only is she an attractive gal, she was very sweet and
> personable, too.
>
> www.charlabethcorn.com
>
> CL
>
>Chris, I'm feeling this...nice work man!
TyroneWhen I was about
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