Home » The PARIS Forums » PARIS: Main » Alright, all you Metalheads, here's a coupla trax for ya
| Alright, all you Metalheads, here's a coupla trax for ya [message #68922] |
Sat, 03 June 2006 21:23  |
Neil
Messages: 1645
Registered: April 2006
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Senior Member |
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r).
>>
>>Sorry for the long post. Thanks for any feedback.
>>
>>
>>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlGot it... replied.... thanks man!
AA
"macle" <Mates9999@cs.com> wrote in message news:44b7eb03@linux...
>
> Aaron, sent you an email!
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
>>Still awaiting the post man to deliver mine.... sniff...
>>AA
>>
>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>>news:44b6745c@linux...
>>> Got the CD's today.
>>>
>>> "macle" <Mates9999@cs.com> wrote in message news:44b180d9$1@linux...
>>>>
>>>> Alright! Thanks a lot DJ, that would be great! Way above and
>>>> beyond.
>>>>
>>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>> >;o).......well..... I'm gonna spread this around a little
>>>> >bit................
>>>> >
>>>> >http://www.ksut.org/underwriters.cfm
>>>> >
>>>> >http://www.kdur.org/
>>>> >
>>>> >http://www.997thepoint.com/
>>>> >
>>>> >It's a small town here with a local liberal arts college with lots of
>>> kids
>>>> >from all over the place........very active music scene.
>>>> >
>>>> >I don't know how successful I'll be, but I have met the program
>>>> >directors
>>>> >for these stations and they all have had various *opportunity hours*
> for
>>>> >local indy projects to get airplay. You guys aren's local, but I am
> and
>>>> I
>>>> >record some of the artists who these guys know, so I'll try to sneak
>>>> >something in under the radar.
>>>> >
>>>> >.o)
>>>> >
>>>> >
>>>> >"macle" <Mates9999@cs.com> wrote in message news:44af3cd6$1@linux...
>>>> >>
>>>> >> Yes you did! Three of 'em! Yeeee-haw, we is rich!
>>>> >>
>>>> >> We don't need no stinkin' label!! :)
>>>> >&
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #68923 is a reply to message #68922] |
Sat, 03 June 2006 23:39  |
Sarah
Messages: 608
Registered: February 2007
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Senior Member |
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gt;
>>>> >> Thanks very much DJ, we really appreciate the support.
>>>> >>
>>>> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>> >> >I think that what I'm hearing was well mixed. I have ordered the
> CD
>>> and
>>>> >> am
>>>> >> >looking forward to hearing the remastered version.
>>>> >> >
>>>> >> >DJ
>>>> >> >
>>>> >> >"macle" <Mates9999@cs.com> wrote in message
>>>> >> >news:44aed727$1@linux...
>>>> >> >>
>>>> >> >> Btw, some people are commenting on the sound (thanks!). Must be
>>>> >> >> listening to the clip I have on the website. Those snippets
>>>> >> >> are before the re-mastering, so (hopefully) the CD will sound
>>>> >> >> better than that.
>>>> >> >>
>>>> >> >> Okay, thanks, sorry to be bogarting the board with this :).
>>>> >> >>
>>>> >> >> "macle" <Mates9999@cs.com> wrote:
>>>> >> >> >
>>>> >> >> >Hey Paris People, how are you!?
>>>> >> >> >
>>>> >> >> >Well, I don't really know who's still here after all this time,
>
>>>> >> >> >but
>>>> I
>>>> >> >just
>>>> >> >> >wanted to let those who may be interested, or were interested
> at
>>> one
>>>> >> >time,
>>>> >> >> >or used to be interesed and still just might be interested, that
>
>>>> >> >> >we
>>>> >> >finally
>>>> >> >> >have a CD for sale of the
>>>> >> >> >songs I posted oh so long ago (all recorded on Paris in my
>>>> >> >> >little home studio).
>>>> >> >> >
>>>> >> >> >Please check out our website:
>>>> >> >> >
>>>> >> >> >http://www.themateswebsite.com/
>>>> >> >> >
>>>> >> >> >Thanks a lot!!!
>>>> >> >> >
>>>> >> >> >
>>>> >> >> >
>>>> >> >> >
>>>> >> >> >
>>>> >> >>
>>>> >> >
>>>> >> >
>>>> >>
>>>> >
>>>> >
>>>>
>>>
>>>
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html
>>
>>
>I went from Paris, (early adopter, 1998) to Nuendo last year.
I pretty much needed to as I am doing video Post and Paris was just making
the process such a hard one.
I'm not dealing with "live" music as such, so the "analogue" sound isn't so
much of a concern to me.
What is, is the convenience of editing and syncing to video, and having a
"Video Window" integrated into the program, also having OMF and AAF project
import is imperative to me.
I loved Paris when I had it, but was always trying to reinvent the wheel
with it, and when V3 didn't really deliver, it became a no-brainer.
--
Martin Harrington
www.lendanear-sound.com
"TCB" <Report message to a moderator
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #68929 is a reply to message #68923] |
Sun, 04 June 2006 08:13 |
Nil
Messages: 245
Registered: March 2007
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Senior Member |
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hat?
>
> Every so often, I think about switching, and since I'm gearing up
> for some new recording, I'm wondering if now's the time
> (although, sticking with Paris might be the easiest thing, and my
> main goal is to improve my room and tracking and those sorts of
> things first).
>
> But I wonder if I'd be stupid to not get with all the advances.
> ADC would be nice, midi would be nice, etc. And maybe low end
> converters have come a long way, etc.
>
> I heard some stuff done on a Digi 002, and I was knocked out. You
> can get a complete Digi 002 system with control surface and a
> bunch of software for about $2000 which is cheaper than Paris
> was (I got Paris mainly because it was a complete system like
> Pro Tools, but way cheaper).
>
> Sorry for the long post. Thanks for any feedback.
>
Hi,
I switched for features. Initially, I was using Logic for midi only and
occasional audio. As Logic was upgraded over the years and faster
computers became available, I used Logic for audio more and more. It is
very convenient having midi and audio in one program and being able to
use all the ne
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #68932 is a reply to message #68929] |
Sun, 04 June 2006 08:33 |
Jamie K
Messages: 1115
Registered: July 2006
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Senior Member |
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a.com> wrote in message
>news:44b5ebfa$1@linux...
>>
>> Hi Parisians,
>> Sorry for being possibly dumb, ignorant and somewhat off-topic.
>> I'm using the Apogee Big Ben as my master clock and Paris locks superbly
>> to it. Now I want to use my ADAT card in PARIS for a number of audio
>transfers
>> between another computer fitted with an RME HDSP9652. Would I need to
use
>> the 9-pin sync on the ADAT card or is it enough to keep both PARIS and
the
>> HDSP9652 connected to the Big Ben?
>>
>> Matt
>
>-A father walks into a bookstore with his young son. The boy is
holding a quarter. Suddenly, the boy starts choking, going blue in the
face. The father realizes the boy has swallowed the quarter and starts
panicking, shouting for help.
A well dressed, attractive and serious looking woman, in a blue
business suit is sitting at a coffee bar reading a newspaper and
sipping a cup of coffee. At the sound of the commotion, she looks up,
puts her coffee cup down, neatly folds the newspaper and places it on
the counter, gets up from her seat and makes her way, unhurried,
across the book store. Reaching the boy, the woman carefully drops his
pants; takes hold of the boy's testicles and starts to squeeze and
twist, gently at first and then ever so firmly.
After a few seconds the boy convulses violently and coughs up the
quarter, which the woman deftly catches in her free hand.
Releasing the boy's testicles, the woman hands the coin to the father
and walks back to her seat in the coffee bar without saying a word.
As soon as he is sure that his son has suffered no ill effects, the
father rushes over to the woman and starts thanking her saying, "I've
nev
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #68952 is a reply to message #68944] |
Sun, 04 June 2006 16:55 |
Sarah
Messages: 608
Registered: February 2007
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Senior Member |
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other periphs including external firewire
>> and usb. I've begun to suspect my 400w PSU is operating marginally when a
>> moderate to big demand for power hits.
>>
>> So... I'm thinking of getting a 500-600w unit.
>>
>> I've had good luck with Enermax. Heard good on Sparkles. Taking
>> recommendations and thanks in advance.
>>
>> W. Mark Wilson
>>
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.com"Dubya Mark Wilson" <mark.xspam@avidrecording.com> wrote:
>paint pigment.
No, it wasn't ven that - it was the ILLUSION of a different
paint pigment... followed closely by the illusion that v3 was
an upgrade from v2.
:)Late to this thread, but...
I switched for the following reasons, in this order:
1.) Features - by the time I had thought about switching, it was
pretty evident that Paris wasn't going anywhere in this regard.
2.) Workflow - I was lucky in that I didn't seem to run across
some of the errors that I'd seen mnay others here post for help
about, but when I did get the occasional bug rise up & bite me
in the ass, it was a major pain to have to stop what you're
doing, deal with lockups & BSOD's, etc. MIDI also had something
to do with this - I hated the fact that I had to slave Logic
(in my case) to Paris, sync them up, yada, yada, etc, etc.
3.) Compatibility with other processing devices... like VST
plugin's, of which there are a plethora of... much more than
DirectX, for example. Some plugins seemed to work fine with
certain VST wrappers, some didn't - with Cubase, nearly
everything works, unless it's a poorly-coded plug.
4.) Sound - not necessarily a "better" sound, but a more hi-
fidelity sound... I liked the analogue-ishness of Paris, having
started out working on tape, perhaps; but I was looking for
more clarity, higher sample rates, etc. I do miss the Paris
sound to some degree, and it was easy to mix on, but I'm also
happy with what I've got. With the quality of reasonably-priced
convertors escalating rapidly at the time, I saw no reason to
stick with something that was coming to be what I felt was a
one-trick pony in terms of sound.
Neil
"macle" <Mates9999@cs.com> wrote:
>
>Just curious...
>
>For people who've switched from Paris, did you switch for features or sound
>or both or what?
>
>Every so often, I think about switching, and since I'm gearing up
>for some new recording, I'm wondering if now's the time
>(although, sticking with Paris might be the easiest thing, and my
>main goal is to improve my room and tracking and those sorts of
>things first).
>
>But I wonder if I'd be stupid to not get with all the advances.
>ADC would be nice, midi would be nice, etc. And maybe low end
>converters have come a long way, etc.
>
>I heard some stuff done on a Digi 002, and I was knocked out. You
>can get a complete Digi 002 system with control surface and a
>bunch of software for about $2000 which is cheaper than Paris
>was (I got Paris mainly because it was a complete system like
>Pro Tools, but way cheaper).
>
>Sorry for the long post. Thanks for any feedback.
>
>
>But of course
D
"Brian Porick" <brianporick@hotmail.com> wrote in message
news:44bb9991@linux...
> Does "Reaper" come with a "more cowbell" feature?
>
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:44b78103$1@linux...
>> http://www.reaper.fm/
>>
>> There's an interesting discussion going on over at PSW about this DAW,
>> was wondering if anyone's heard of it, tried it, using it
>>
>> http://marsh.prosoundweb.com/index.php/t/9107/
>>
>> Don
>>
>
>Antec Truepower 550 has been good for me.
rod
"Dubya Mark Wilson" <mark.xspam@avidrecording.com> wrote:
>PS. Quiet is also a pivotal factor for me.
>
>W
>
>"Dubya Mark Wilson" <mark.xsp
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #68955 is a reply to message #68944] |
Sun, 04 June 2006 17:53 |
Don Nafe
Messages: 1206
Registered: July 2005
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Senior Member |
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ole_@animas.net> wrote:
>Thanks everyone,
>
>This is one that will likely require a phone call due to the complicatedness
>of the DAW(s) and the denseness of the engineer. One *simple* thing I want
>to do is to just route the analog inputs of my Multiface to the digital
>outputs (for interfacing with Paris ADAT inputs)
If I'm reading you right, methinks the easiest way to do this is
not with Totalmix, but by creating a group channel (or series
of group channels) in Cubase, then selecting THOSE to go out
through the digi outs. For example:
Kick, snare, hats etc = get sent to a "drum" group = which
gets output through the digi outs
Guitar tracks A, B, C, etc = get sent through a "guitar" group,
whihc then gets sent out through the same digi outs as the drum
group, but having them on spearate groups means you can control
the relative levels easier, as opposed to having to use
individual channels.
And so on.
Remember, you need to activate different outputs in your "VST
Connections" submenu.
then, route the ADAT inputs
>of the Multiface (which are receiving the return signal from the Paris ADAT
>outs) to the Multiface analog outputs
This i'm not sure about - i'd have to check further.
Also, I would like to be able to track hi rez sessions to
>Cubase and I'm clueless about how to set up a cue mix for
multiple I/O so as to interface it with my Furman HDS-16.
Using the grouping thing that I mentioned above, you can also
send individual groups to different outputs on the Multiface -
(drums to output #'s 1 & 2, guitars to 3 & 4, bass to 5,
cowbell to #6, etc.) then you can interface those with your
Furman pretty easily, I would think.
I don't know if you're going to be able to do all this at once,
though (groups being selected for stereo digi & analog outs at
the same time isn't possible, to my knowledge, but maybe that's
where Totalmix can enter the equation). If you're content to
have the cans in mono, I believe you can create a VST Output
buss (again in: "VST Connections") wherein you'd have the left
side sent to Analog Output #1 and the right side sent to ADAT
out #2, for example, and then pan them center externally. Not
sure if that's what you want or if that even makes sense to do
it that way.
NeilThanks Neil,
I'm going to be out in the boonies all morning. I'll try to get my head
around this later today. I have lost your # I think. If you're up for a call
this afternoon/evening, send me your # in a PM at animix@animas.net and let
me know the best time to call.
Deej
"Neil" <IOUOIU@OIU.com> wrote in message news:44bcde8b$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Thanks everyone,
> >
> >This is one that will likely require a phone call due to the
complicatedness
> >of the DAW(s) and the denseness of the engineer. One *simple* thing I
want
> >to do is to just route the analog inputs of my Multiface to the digital
> >outputs (for interfacing with Paris ADAT inputs)
>
> If I'm reading you right, methinks the easiest way to do this is
> not with Totalmix, but by creating a group channel (or series
> of group channels) in Cubase, then selecting THOSE to go out
> through the digi outs. For example:
>
> Kick, snare, hats etc = get sent to a "drum" group = which
> gets output through the digi outs
>
> Guitar tracks A, B, C, etc = get sent through a "guitar" group,
> whihc then gets sent out through the same digi outs as the drum
> group, but having them on spearate groups means you can control
> the relative levels easier, as opposed to having to use
> individual channels.
>
> And so on.
>
> Remember, you need to activate different outputs in your "VST
> Connections" submenu.
>
> then, route the ADAT inputs
> >of the Multiface (which are receiving the return signal from the Paris
ADAT
> >outs) to the Multiface analog outputs
>
> This i'm not sure about - i'd have to check further.
>
>
> Also, I would like to be able to track hi rez sessions to
> >Cubase and I'm clueless about how to set up a cue mix for
> multiple I/O so as to interface it with my Furman HDS-16.
>
> Using the grouping thing that I mentioned above, you can also
> se
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| Re: Alright, all you Metalheads, here's a coupla trax for ya [message #69180 is a reply to message #68944] |
Sun, 11 June 2006 09:47 |
Miguel Vigil [1]
Messages: 258
Registered: July 2005
|
Senior Member |
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ecorbett@comcast.net" target="_blank">tyronecorbett@comcast.net> wrote in message
news:44c7f6eb$1@linux...
>
> Deej, many thanks for your willingness to assist, but after a long (and I
> do mean long) and hard fought 24 hour battle, I have prevailed. The cause
> of all of my problems was the Memorex DVD/CD burner I installed. It really
> freaked my entire system out! Even after removing it, I found that it had
> corrupted my video driver files as well as having caused a host of other
> issues.
>
> I have not "ghosted" my C:\ drive...scary thought...getting on that after
> I return from LA.
>
> Thanks again!
>
> TyroneI'm sorta' at the point right now with my native DAW that I reached with my
Paris DAW a couple of years ago.........finding the sweet spot so that it
does everything I need, at least withiun the contest of using Paris for
tracking and both DAWs for mixing. The logical next step will be a move to
64 bit and all that goes with it. At this point I may start looking at the
monster Intel Macs or quad socket dual core AMD machines. I just have this
feeling tat when 64 bit comes along, these mosterr boxes are going to be
able to compete with Paris as far as "near zero" latency goes and that 64
bit will enable developers to come up with more realistic sounding mix bus
coding, sort of like the 56 point Paris mix bus. It looks like WWIII is
about to begin so I'm not goping to speculate too much on what's going to
happen in the next 12 months, but if the world is still somewhat
recognizable, "possibly" systems like this may be justifiable/affordable.
The Apogee interfaces for the Mac look like a very nice situation for a
powerful turnkey DAW.
Cheers,
DJ
"Mike Claytor" <claytor@nopsy.utexas.edu> wrote in message
news:44cc3453$1@linux...
>
>
> You weenie! Where's your sense of adventure!
>
> .....and I still wanna know if the right turn signal mod is cool or no!
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> >news:44cbe242$1@linux...
> >> Well, it came yesterday. I opened it up and there is an eitire
minimanual
> >> fust for the installation. It doesn't really look that hard to do but,
> >after
> >> reading the manual and determining that, for my needs, it's parttly
> >overkill
> >> and partly not ready for prime time, I decided to try reloading the
driver
> >> for my Houston controller to see if I could get it's functionality up
> to
> >> speed for controlling VST plugins and now it seems to be doing as it
> >should
> >> so I'm really contemplating whether or not to even screw around with
this
> >> thing and all of the hoops Native Instruments requires the user to jump
> >> through just to register it so that it can function. Basically, for my
> >> purposes, it's just a VST plugin wrapper that would allow control of
> >plugin
> >> parameters once those parameters are mapped to the controller. Since my
> >> Houston controller is working properly now, I'm thinking "what's the
> >point?"
> >> I'm really too busy to jack around with this kind of unnecessary
> >redundancy.
> >>
> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> >> news:44c794f0@linux...
> >> > NI KORE
> >> > http://www.native-instruments.com/index.php?id=kore_us
> >> >
> >> > I've got a line on a system that is returnable, no questions asked.
> >> >
> >> > Forum reports lots of bugs.........as in this thing is such a POS it
> >> should
> >> > have never have even been released. This is precisely why I want to
> try
> >> > it.......Things are going wayyyyy to smopothly around here.
Everything
> >is
> >> > working and I am bored/ feel the need for pain . I'm going to cheat
> >though
> >> > and Ghost my system before I install it so if it hoses everything, I
> can
> >> > punt it and go back to my mundane life as it once was.
> >> >
> >> > It appears to be primarily a controller for VSTi's but I want to use
> it
> >as
> >> a
> >> > plugin controller as my outdated Steiny Houston is buggy as hell with
> >> UAD-1
> >> > plugs and often crashes the system so I am reduced to mousing. The
> >> > literature on this KORE thingy indicates that it can be used to tweak
> >> > parameters on VST plugins but I doubt if it will work the way *I*
want
> >it
> >> to
> >> > because forum members are reporting that it
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