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| Re: AD Converters [message #55572 is a reply to message #55555] |
Mon, 11 July 2005 21:11   |
![Deej [3] is currently offline](/theme/PARIS_Forum_Template/images/offline.png "Deej [3] is currently offline")
Deej [3]
Messages: 181
Registered: June 2005
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Senior Member |
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ribbon
> > mic? We tried out the PPA version and liked it, and
> > then found yet another rebadged version from
> >
> > www.shinybox.com
> >
> > We bought a couple, and they are pretty cool, and
> > look better (round grill instead of the wedge, and a
> > nice small ShinyBox logo, and the XLR is mounted on
> > the rear instead of the attached cable. Best yet, he
> > sells them for $165, including the bad and a nice,
> > vertical metal case, too. He also has a modded model
> > with a Cinemag output tranny, and is working on some
> > ribbons mods. I spoke with him on the phones and he
> > seems really cool, too.
> >
> > Anyway, better packaging and a better price :)
>
>I'm a fan of 96 and I consider it the last remaining “Paris Gap”.
I hear subtle improvements at 96 for small ensemble acoustic recordings.
This is only apparent under “high end” recording situations like a good stereo
mic pair on a string quartet or a small folk group. By the time you convert
back to 44.1, any real improvement is modest, but the original 96 masters
are definitely superior.
Where I here a dramatic improvement with 96 (or other high sample rates)
is when I use plugins. HydraTone is way be
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| Re: AD Converters [message #55581 is a reply to message #55580] |
Tue, 12 July 2005 07:50 |
Deej [3]
Messages: 181
Registered: June 2005
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Senior Member |
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t say that I
can.
> > I've also got DVD authoring capabilities in Wavelab 5.0. I'm real
curious to
> > know if it's really *that much better* than Paris at 44.1, both in a
> > scenario where I am tracking 96kHz and then doing a SRC to 44.1and
comparing
> > this to Paris and also just comparing a small mix of a number of
acoustic
> > instruments at 96kHz in SX vs the same bunch of instruments in Paris at
> > 44.1.
> >
> > The Multiface should be here mid week and I'm sure I'll have to do a bit
of
> > IRQ chasing to get my DAW happy with this and the existing pair of HDSP
> > 9652's.
> >
> > I'll keep the group posted about this and if someone else has done/is
doing
> > this already, I'd be really interested in hearing your impressions of
the
> > comparisons.
> >
> > Rick, Dedric, Dave, Gene.........you guys tried this yet?
> >
> > Deej
> >
> >
>.......might do ome cool stuff to a guitar signal. I've alwanted my guitar to
sound like Janis Joplin.
;o)
"justcron" <justcron@hydrorecords.compound> wrote in message
news:42e375f4@linux...
> one more step towards the complete elimination of humans
>
> wonder what a guitar would sound like pushed through it
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:42e343ed@linux...
> > http://www.antarestech.com/products/avox.html
> >
> >
>
>rick <parnell68@hotmail.com> wrote:
>is that all it said?
It was “Pic” Conley who called me, and I have not talked to him about it
since. That error message was all he said. I will try to give him a call
later today to see if he got it worked out.
GeneOk, thanks for all the advice
I'm fairly sure I'm plumping for a SPL Gold Mic (dual channel tube pre, mic
inputs only - c.$500 on special offer. I'll use this, plus the Voicemaster
on acoustic guitar / vox, and for drums (presumably overheads (SPL) and Voicemaster
(kick) would be the best allocation in a multi-mic setup).
That said I'm tempted by a dbx 386 at the same price (which has the additional
benefit of handling line level signals). How does this stack up to the Gold
Mic?
Also, is there any reason (e.g. impedance) you couldn't feed the Gold Mic's
mic level si
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| Re: AD Converters [message #55609 is a reply to message #55581] |
Tue, 12 July 2005 19:44 |
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Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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