| A funny one [message #85137] |
Thu, 24 May 2007 06:26  |
George Axon
Messages: 14
Registered: July 2005
|
Junior Member |
|
|
br />
start to loose things than gain because there is a limit to everything.
I respect though your oppinion and I agree with 16 bit recordings , thats
what I do, and I surely believe that BrianT is a pioneer in sound sculpting.
Regards,
Dimitrios
"TCB" <nobody@ishere.com> wrote:
>
>But you can't _record_ that. Put another way, if Dimitrios fed the SPDIF
of
>an RME Mutliface (BTW - running down RME gear on sonics is pretty ballsy
>in my opinion. Maybe not the best in the world, but certainly not the worst)
>and ran it through Deej's Benchmark it would sound like the Benchmark. So
>what Dimitrios is hearing is the converter. A perfect DA -> AD loop, with
>infinite sample rate and word length, would create exactly the exact same
>file as the original. So why do it? Clock jitter? You said yourself jitter
>is a record/playback issue. The file doesn't have any jitter, it can't any
>more than tape can have a head misaligned.
>
>Even if the Mytek is used as an effect, if the RME converter is so awful,
>will the Mytek'd file played through it sound better? And how much better
>will the final playback devices be sonically than the RME?
>
>I'm saying this is a bad idea theoretically in that if done
|
|
|
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
