| Re: XP lock up with 2.2 [message #65927] |
Wed, 29 March 2006 12:13  |
Ted
Messages: 3
Registered: March 2006
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Junior Member |
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| Re: XP lock up with 2.2 [message #65988 is a reply to message #65952] |
Fri, 31 March 2006 03:24  |
Ed
Messages: 199
Registered: February 2006
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Senior Member |
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/>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>You have almost finished printing a mix
=
>but you=20
>know there's another</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>change to be made. You hit stop =
>in the=20
>transport, Alt-Backspace to</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>delete the mixdown and you make your =
>change. =20
>Go to reprint and</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>an unrelated track is out of =
>line... =20
>This happened three times tonight in three</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>different mixes.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>I've found that if I was last on an =
>Editor window=20
>and a track was highlighted</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>the Alt-Backspace command will undo or
=
>at least=20
>change the placement</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>on that track! You start the mix =
>again and=20
>there's a new timing problem!!!</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>How unprofessional of me.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Am I the only one?,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV></BODY></HTML>
>
>So AA, you guess around 2 samples for the waves too?
"Aaron Allen" <nospam@not_here.dude> wrote:
>> Would 2 samples really make a noticable audible difference in these
>> situations?
>>
>Absolutely.. phase :)
>
>On the phasor plug, I think that to be the same thing. You can ballpark
it,
>but the very nature of it being a phase plug makes it impossible to track
>exact timing, as it's being pushed/pulled.
>
>AA
>
>"Paul" <paul@nospam.com> wrote in message news:444cd609$1@linux...
>>
>> Would 2 samples really make a noticable audible difference in these
>> situations?
>>
>>
>> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>>
>>>EDS GAte=2 samples with no lookahead. To compensate, nudge back 1ms and
>> insert
>>>analog x sampleslide (or something like that, voxengo makes one also)
set
>>>at 78 samples
>>>Rod
>>>"cujo" <chris@nospamapplemanstudio.com> wrote:
>>>>
>>>>
>>>>
>>>>I gots me a question that probably has been answered before.
>>>>What is the latency of the EDS gates with zero lookahead?
>>>>I want to use them on toms on a vey 1980's track, and they really seem
>> to
>>>>kill the fullness of the toms when inserted, even if set not to gate,
so
>>>>I figure I am going to need to nudge ala UAD style.
>>>>
>>>>Oh, while I am at it, anyone know the latency of the waves phasor plug,
>>>I
>>>>can't recall the name off hand, metaflanger perhaps.
>>>>
>>>>Thanks again!
>>>
>>
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
>"Kip" <fender36@cox.net> wrote:
>Forgot, this is the connection I had when project was done, BNC Cable from
Mec A out to Mec B in, then Mec B out to Mec A in.
Now i have BNC From Mec A out to t-adapter on Mec b In thru t-adapter to
Layla (t-adapter) in with terminater all 75ohm
>Let just start with the two mecs, i recorded a project with 2 mecs, when
i
>finished the vocals, i put autotune on it and it was about 20cents off,
so
>i recorded a horn note off a keyboard and put autotune on it was about 20
>cents off, autotune 4.15 does say 48KHz. So i setup Melodyne and Layla on
>Paris PC and to route vocals into Paris just as a reference and the Sample
>Rate was a little Fast at 44khz then Normal and really fast at 48khz.
>"Aaron Allen" <nospam@not_here.dude> wrote:
>>Wwwwwell, I don't know about the Layla for sure so I'll make an assumption
>
>>(that will probably cause my foot to fly into my mouth at some point) but
>
>>I'll take a wild crack at it Kip.
>>
>>Ok, first things first... you must use a BNC cable of quality going from
>
>>your MEC a to MEC b.. 'must do this'. Otherwise MEC b bites it on syncing.
>>
>>From there is where it gets a little cloudy on what you have/are trying
>to
>>accomplish.
>>My assumptions are: That you are 48k across the board on all cards, and
>
>>that the Layla has a S/PDIF input that will accept/slave to external
>>clocking.
>>
>>That being the case, take the S/PDIF out on the MEC a, and push it (with
>a
>>quality RCA cable, of course) to the Layla, set the layla for external
>>clock,. return it to Paris MEC S/PDIF in (routed to place of your choice)
>
>>and you should be good to go man - if I understand what you're trying to
>do
>>correctly.
>>
>>If there is any other hardware, software or purpose in this equation, speak
>
>>now that my foot is poised for entry :)
>>
>>AA
>>
>>
>>"Kip" <fender36@cox.net> wrote in message news:444d4b9e$1@linux...
>>>
>>> Can someone explain how i would hook this up with the BNC cables and
>>> t-adapters
>>> and a terminator.
>>> 2 Mecs and a Layla24/96 Wordclock Sync ??
>>> or with just 2 mecs, do i have to go from mec A out to mec B in
>>> and mec b out to Mec A in with BNC
>>> cause i recorded a whole project at 48KHz and when
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