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| Re: Paris and XP [message #58475 is a reply to message #58473] |
Sun, 25 September 2005 15:33   |
Jay
Messages: 5 Registered: September 2005
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Junior Member |
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e option of removing the latching
>>mechanism
>>from the latching switches to make my own non latching variety...
>>
>>Cheers,
>>Kim.
>
>
>I'm installing Paris 3.0 software on a Mac G4 computer and seeking the necessary
Pace Key Authorization.
Over 36 hours ago, I e-mailed all pertinent data (original order number,
key number, original response code as well as the S/N from my EDS 1000 Card
and the new Challenge Code for my new installation on the G4) to support@intdevices.com,
but have heard nothing back. I'm starting to get a little worried. Has anyone
recently obtained their Pace Key Authorization through support@intdevices.com
and, if so, how soon did you hear back from them? Also, is this the only
way to obtain Pace Key authorization? If you've recently obtained Pace Key
authorization for Paris 3.0, could you share with me the process?
Thanks for your help.
Best wishes,
Richard Faylor
RichardFaylor@aol.comDoes anyone know of some room analysis software for a mac?
Dale
jef knight <thestudio@allknightmusic.com> wrote:
>Hey,
>
>I just spent the last 2 months re-building my studio. The original
>layout/design were giving me tons of problems in the low end, and
>nothing seemed to make it better. It's just the problem inherent in a
>smaller room.
>
>So, what I did was knock out a couple of walls (that were part of the
>studio not the house) so I could turn the gear 90 degrees so the room is
>now wider than it is long. I have 4" wedge foam in 6'x2' panels a foot
>apart on the rear wall and just drywall on the front, for the "live
>end/dead end" effect. Sounds great in the mix position but is just a tad
>boomy outside of that.
>
>I used the software SMAART to anylize the room but the traps I'd need
>would take up too much space. The problem is that the boom goes up as
>you get close to the foam wall.
>
>For me an eq won't help because the mix position is fine, so I think <
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| Re: Paris and XP [message #58477 is a reply to message #58475] |
Sun, 25 September 2005 16:46   |
Kim
Messages: 1246 Registered: October 2005
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Senior Member |
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>
>
>
>Mike wrote:
>> Has anyone analyzed their control room and had success with adjustments?
Ive
>> never done this and not sure if its for me.
>>
>> 1) What did you use to analyze it?
>> 2) How did you know what to do to fix problems?
>> 3) What did you do to fix the problems?
>>
>> I guess Im wondering if it is worth it to buy an analyzer like the Rane
RA27
>> or something - or - would I be better off just learning my room as is.
>>
>>I re-authorized PACE through them earlier this year and they got back to me
in about a week. I was a little concerned also, but they came through. The
system will run 7 days without authorization.
"Richard Faylor" <RichardFaylor@aol.com> wrote in message
news:434e7b0e$1@linux...
>
> I'm installing Paris 3.0 software on a Mac G4 computer and seeking the
necessary
> Pace Key Authorization.
>
> Over 36 hours ago, I e-mailed all pertinent data (original order number,
> key number, original response code as well as the S/N from my EDS 1000
Card
> and the new Challenge Code for my new installation on the G4) to
support@intdevices.com,
> but have heard nothing back. I'm starting to get a little worried. Has
anyone
> recently obtained their Pace Key Authorization through
support@intdevices.com
> and, if so, how soon did you hear back from them? Also, is this the only
> way to obtain Pace Key authorization? If you've recently obtained Pace Key
> authorization for Paris 3.0, could you share with me the process?
>
> Thanks for your help.
>
> Best wishes,
> Richard Faylor
> RichardFaylor@aol.comYou might want to pop over to John L Sayers forums and the acoustics forum
at recording.org. and pose your room dimensions and questions. Good people
with good practical advice.
I bought 4 bales of 6 panels of 2'X4' - 3" Roxul RXL40 rigid insulation and
made four floor to ceiling corner absorbers (2'X8') and nine 2'X4' wall
panels as well as a single 6' X 4' wall panels framed in cedar that pretty
well tamed most of the problems but I'm still tweaking
My room is 19'X10'X8' plaster over slats on 2X4 framed walls.
DOn
"Mike" <spamthis@alltel.net> wrote in message news:434df705@linux...
> Has anyone analyzed their control room and had success with adjustments?
> Ive never done this and not sure if its for me.
>
> 1) What did you use to analyze it?
> 2) How did you know what to do to fix problems?
> 3) What did you do to fix the problems?
>
> I guess Im wondering if it is worth it to buy an analyzer like the Rane
> RA27 or something - or - would I be better off just learning my room as
> is.
>Kim, try Jaycar Electronics, part no. SP-0732 or SP-0755 for the
momentary, page 86 and 87 of their current catalogue. They look
a bit weird but they work. www.jaycar.com.au >simmo
"Kim" <hiddensounds@hotmail.com
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| Re: Paris and XP [message #58478 is a reply to message #58475] |
Sun, 25 September 2005 16:51   |
Rod Lincoln
Messages: 883 Registered: September 2005
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Senior Member |
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a>> wrote:
>
>
>Yehy, can't seem to see anything there either. This seems to be one of those
>items that you'd think you could get easily, but when you go looking they
>seem near impossible to find.
>
>Thanks for the suggestions... actually I haven't checked out the Roland
>products yet so I'll do that now, but I really wanted to build my own so
>I could do several keyboards on a single unit...
>
>Cheers,
>Kim.
>
>"Mark McDermott" <mark@stateofwail.com> wrote:
>>
>>Hi Kim,
>>
>>Try this link:
>>
>>http://www.digikey.com
>>
>>They have just about everything you could ever need in electronics supplies.
>>
>>Also, Roland makes a couple of very nice foot switches. I don't think you'd
>>be able to customize them very easily but they are very heavy duty pro-quality
>>devices. Try this link:
>>
>> http://www.rolandus.com/products/subcategory.asp?CatID=1& ;SubCatID=4
>>
>>The FS-1 and FS-5L or FS-5U (I own a 5U for my Harmonizer) could do the
>trick.
>>
>>Best of luck!
>>
>>Mark
>>
>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>
>>>
>>>
>>>
>>>I want to build my own footswitch for my keyboards for sustain. My idea
>>was
>>>to have one momentary footswitch which acts like a normal sustain pedal,
>>>and one locking switch for each keyboard, so that if I was to have a big
>>>bass not or key pad which sustains while I add atmospheric bits over the
>>>top, I don't have to hold my foot down... and then hopefully wire it
so
>>>that the momentary switch also momentarily releases the locking switch...
>>> so if I want to change bass notes I just press the momentary momentarily
>>>;o) and play the new bass note and it will still be locked on sustain,
>if
>>>that makes sense.
>>>
>>>Problem is I thought it would be easy to build, but I can't find momentary
>>>footswitches. All I need is some momentary switches like the one pictured
>>>and it will all be easy! I've been googling high and low... I'm ready
>to
>>>import them if I have to.
>>>
>>>Anyone got any clues where I might get such a thing?
>>>
>>>Cheers,
>>>Kim.
>>
>You can call them at 410-902-0091
http://www.intdevices.com/
there's usually somethere to answer the phone and i
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| Re: Paris and XP [message #58480 is a reply to message #58470] |
Sun, 25 September 2005 19:10  |
Aaron Allen
 Messages: 1988 Registered: May 2008
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Senior Member |
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and, if so, how soon did you hear back from them? Also, is this the only
> way to obtain Pace Key authorization? If you've recently obtained Pace Key
> authorization for Paris 3.0, could you share with me the process?
>
> Thanks for your help.
>
> Best wishes,
> Richard Faylor
> RichardFaylor@aol.comHmm... I did already check Jaycar. Didn't see those parts though. Do you
think that big rubber one would be ok for foot use? It certainly seems suitable
size and shape wise, but I'm wondering if the plastic would be up to the
task of being kicked around. It doesn't mention foot use in the description.
Cheers,
Kim.
"simmo" <simmo@bigfoot.com.au> wrote:
>
>Kim, try Jaycar Electronics, part no. SP-0732 or SP-0755 for the
>momentary, page 86 and 8
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