Home » The PARIS Forums » PARIS: Main » Burn Time vs Accuracy
| Burn Time vs Accuracy [message #68840] |
Fri, 02 June 2006 05:37  |
Kateeba
Messages: 76
Registered: August 2005
Location: Hamden, Connecticut
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Member |
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;Just because the original project was in 16 bit doesn't mean you only get
>>16 bits out of it when bouncing at 24 bit.
>>
>>The mix bus, eq and effects all have more than 16 bit resolution, plus
multiple
>>16 bit tracks added together equals more than 16 bits of resultion.
>>
>>Bouncing a 16 bit project at 24 bit does increase resolution. If you look
>>at the files you will see the last 8 bits are not empty.
>>
>>Cheers,
>>Kim.
>>
>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>>
>>>If your running 3.0 set the project window for 16 bit and render. You
can
>>>go the other way too. I've had projects where I found out the client really
>>>wanted 24 bit files, after it was too late. I just render the
Louis Guarino Jr.
www.enchantedvibrations.net
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| Re: Burn Time vs Accuracy [message #68858 is a reply to message #68847] |
Fri, 02 June 2006 12:08  |
TCB
Messages: 1261
Registered: July 2007
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Senior Member |
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t;>>After upping the cache sizes, I have a 64 track project playing
>>>>beautifully.
>>>>Everything feels snappy!
>>>>I can drag windows anywhare whilst playing without a hiccup!
>>>>(Couldn't do that with the '98 box.
>>>>I resized the drive using Acronis.
>>>>All looking good so far.
>>>>Now for the plugins....
>>>>Kim
>>>>
>>>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>>>
>>>>>
>>>>>Did you format the drive using WinXP pre-SP1? I beleive that the installer
>>>>>for WinXP original version has an upper limit on hdd size... I ran
>into
>>>>>this with my 2 x 250Gigs...
>>>>>
>>>>>Cheers,
>>>>>Kim.
>>>>>
>>>>>
>>>>>"Kim W." <no@way> wrote:
>>>>>>
>>>>>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>>>>>
>>>>>>>
>>>>>>>From the looks of your System Devices info vs what you posted there,
>>>you're
>>>>>>Hi again, Kim.
>>>>>>Just about to start fiddling again.
>>>>>>Gotta get my lost 120gb back. Would rather not reformat.
>>>>>>Also I need to arrange the drives so that my removeable (caddy)
>>>>>>drive becomes "E" again. Don't really want to reset filepaths
>>>>>>for all projects.
>>>>>>Will keep you posted.
>>>>>>Kim
>>>>>>
>>>>>>running in the default "ACPI Uniprocessor PC" mode, not standard PC
>mode.
>>>>>>>From my testing and talks with DJ this means that, unfortunately,
the
>>>>PCI
>>>>>>>configuration stuff in the BIOS doesn't actually function, which is
>>
>>>>>>
>>>>>>why you'll
>>>>>>>find discrpencies between what you have configured in the BIOS (Which
>>>>I
>>>>>>assume
>>>>>>>is what you just listed) vs what you see in Windows.
>>>>>>>
>>>>>>>HOWEVER...
>>>>>>>
>>>>>>>I suggest you just keep going. It is possible to switch to Standard
>>PC
>>>>>mode
>>>>>>>without a reinstall, though I have heard it can cause issues (never
>>has
>>>>>>for
>>>>>>>me though). Deej and I are interested to see if you can run your
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| Re: Burn Time vs Accuracy [message #68872 is a reply to message #68870] |
Fri, 02 June 2006 14:54 |
DC
Messages: 722
Registered: July 2005
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Senior Member |
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;>
>>>>>>>>How's it going anyhow? Got it running? Is it stable?
>>>>>>>>
>>>>>>>>Cheers,
>>>>>>>>Kim.
>>>>>>>>
>>>>>>>>"Kim W." <no@way.com> wrote:
>>>>>>>>>
>>>>>>>>>Hi, John.
>>>>>>>>>I can't see the PCI slot numbers on the mobo, (or in the manual),
>>>>>>>>>but here is what I have in the slots starting from the one next
>>>>>>>>>to the AGP slot, and the IRQ assignments in the black boot-up
>>>>>>>>>screen:
>>>>>>>>>
>>>>>>>>>1: Nvidia Quadro PCI irq 11
>>>>>>>>>2: EDS irq 9
>>>>>>>>>3: EDS irq 7
>>>>>>>>>4: EDS irq 5
>>>>>>>>>5: EDS irq 10
>>>>>>>>>
>>>>>>>>>Onboard audio uses irq 12, Firewire controller uses irq 10,
>>>>>>>>>ACPI controller uses irq 9.
>>>>>>>>>
>>>>>>>>>Is this enough info?
>>>>>>>>>
>>>>>>>>>Cheers,
>>>>>>>>>Kim.
>>>>>>>>>
>>>>>>>>>BTW why would my brand new 250 gb ata drive only have been formatted
>>>>>for
>>>>>>>>>130gb during XP install? Only just noticed it.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>John <no@no.com> wrote:
>>>>>>>>>>What slots are each card in. Also, their manual didn't mention
>what
>>>>>>agp
>>>>>>>>>
>>>>>>>>>>uses for irq and whether it shares or not. Can't you tell on boot
>>>>up
>>>>>>>
>>>>>>>>>>when that black resource screen shows what's on what?
>>>>>>>>>>
>>>>>>>>>>It would be good to know if you have 4 or 5 independent IRQs
>>>>>>>>>>2,3,4,1/5,agp
>>>>>>>>>>
>>>>>>>>>>I run my 2 eds cards on the same IRQ 3 on my box.
>>>>>>>>>>
>>>>>>>>>>John
>>>>>>>>>>
>>>>>>>>>>Kim W. wrote:
>>>>>>>>>>> Just returned from "The Dungeon", and am happy to report that
>>>>>>>>>>> all appears to be working.
>>>>>>>>>>> (4 EDS's, 2 Nvidia Qudras).
>>>>>>>>>>> Thus far I have no DX/VST plugins installed.
>>>>>>>>>>> (In the past this is where my installs have come unstuck.)
>>>>>>>>>>> After initial disappointment with the dreaded Crash-on-
>>>>>>>>>>> exit, I remembered about the "minimum install" effects subsystem
>>>>fix,
>>>>>>>>>with
>>>>>>>>>>> wires.
>>>>>>>>>>> Applying this seems to have cured the COE.
>>>>>>>>>>> I'm pretty stoked at the moment, and have ghosted.
>>>>>>>>>>> All slots are full, and there appears to be some sharing going
>>on,(I
>
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| Re: Burn Time vs Accuracy [message #68882 is a reply to message #68880] |
Fri, 02 June 2006 18:48 |
DC
Messages: 722
Registered: July 2005
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Senior Member |
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iceless....
>>>
>>>DC
>>>
>>
>Just curious...
For people who've switched from Paris, did you switch for features or sound
or both or what?
Every so often, I think about switching, and since I'm gearing up
for some new recording, I'm wondering if now's the time
(although, sticking with Paris might be the easiest thing, and my
main goal is to improve my room and tracking and those sorts of
things first).
But I wonder if I'd be stupid to not get with all the advances.
ADC would be nice, midi would be nice, etc. And maybe low end
converters have come a long way, etc.
I heard some stuff done on a Digi 002, and I was knocked out. You
can get a complete Digi 002 system with control surface and a
bunch of software for about $2000 which is cheaper than Paris
was (I got Paris mainly because it was a complete system like
Pro Tools, but way cheaper).
Sorry for the long post. Thanks for any feedback.I just listened to it while on a day trip down into New Mexico. This is some
very good sutff Macle. Among other topics, I think you guys have written the
first song I've ever heard with the topic being a about a menstural
period........and you did it very well. Damn!!! I couldn't believe it. ;o)
I think It's All About You has the makings of being a serious hit song, but
I also think some of the others do too, especially I Want Some of What
You're On. You guys have some great hooks, both musical and lyric and you
get to them quick and nail the listener........asnd then the song stays in
the listener's head.. I listened to the CD straight through 3 times and
didn't hear anything that bored me or that I disliked. /that's the test for
me and IMHO, there aren't any filler/throwaway songs on it.
Nice Stuff.
;o)
"macle" <Mates9999@cs.com> wrote in message news:44b6b51f$1@linux...
>
> Alright, cool!
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Got the CD's today.
> >
> >"macle" <Mates9999@cs.com> wrote in message news:44b180d9$1@linux...
> >>
> >> Alright! Thanks a lot DJ, that woul
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| Re: Burn Time vs Accuracy [message #68885 is a reply to message #68870] |
Fri, 02 June 2006 21:30 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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t; >> >
> >> >> >> >http://www.themateswebsite.com/
> >> >> >> >
> >> >> >> >Thanks a lot!!!
> >> >> >> >
> >> >> >> >
> >> >> >> >
> >> >> >> >
> >> >> >> >
> >> >> >>
> >> >> >
> >> >> >
> >> >>
> >> >
> >> >
> >>
> >
> >
>Woah DJ, that is a great review, thank you very much. It's weird,
but even though I posted most of these up and got lots of great
feedback a while ago, finally putting out this CD, I've got
that same sort of nervous feeling you get when you sort of
stick your neck out there. "It's crap, they hate it!" floats
around in my head. Plus the worry that it's old news (although
not to most of the world out there).
Thanks again. As I keep saying, this board is the best!
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I just listened to it while on a day trip down into New Mexico. This is
some
>very good sutff Macle. Among other topics, I think you guys have written
the
>first song I've ever heard with the topic being a about a menstural
>period........and you did it very well. Damn!!! I couldn't believe it. ;o)
>
>I think It's All About You has the makings of being a serious hit song,
but
>I also think some of the others do too, especially I Want Some of What
>You're On. You guys have some great hooks, both musical and lyric and you
>get to them quick and nail the listener........asnd then the song stays
in
>the listener's head.. I listened to the CD straight through 3 times and
>didn't hear anything that bored me or that I disliked. /that's the test
for
>me and IMHO, there aren't any filler/throwaway songs on it.
>
>Nice Stuff.
>
>;o)
>
>"macle" <Mates9999@cs.com> wrote in message news:44b6b51f$1@linux...
>>
>> Alright, cool!
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >Got the CD's today.
>> >
>> >"macle" <Mates9999@cs.com> wrote in message news:44b180d9$1@linux...
>> >>
>> >> Alright! Thanks a lot DJ, that would be great! Way above and
>> >> beyond.
>> >>
>> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >> >;o).......well..... I'm gonna spread this around a little
>> >> >bit................
>> >> >
>> >> >http://www.ksut.org/underwriters.cfm
>> >> >
>> >> >http://www.kdur.org/
>> >
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| Re: Burn Time vs Accuracy [message #68889 is a reply to message #68888] |
Fri, 02 June 2006 23:13 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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gt;> >> >
>> >> >> >> >Well, I don't really know who's still here after all this time,
>> but
>> >> I
>> >> >> >just
>> >> >> >> >wanted to let those who may be interested, or were interested
at
>> >one
>> >> >> >time,
>> >> >> >> >or used to be interesed and still just might be interested,
that
>> we
>> >> >> >finally
>> >> >> >> >have a CD for sale of the
>> >> >> >> >songs I posted oh so long ago (all recorded on Paris in my
>> >> >> >> >little home studio).
>> >> >> >> >
>> >> >> >> >Please check out our website:
>> >> >> >> >
>> >> >> >> >http://www.themateswebsite.com/
>> >> >> >> >
>> >> >> >> >Thanks a lot!!!
>> >> >> >> >
>> >> >> >> >
>> >> >> >> >
>> >> >> >> >
>> >> >> >> >
>> >> >> >>
>> >> >> >
>> >> >> >
>> >> >>
>> >> >
>> >> >
>> >>
>> >
>> >
>>
>
>Macle,
I've been using Digital Performer together with PARIS. I went with an
additional program for the features, definitely not for the sound. Lately,
I've been tracking in DP with the advantages of having midi, virtual
instruments, advanced editing features, etc.. I will then do a rough mix in
DP applying UAD-1, AU, etc. plugins with full ADC and then "freeze" the
tracks in DP (basically equals rendering with effects in PARIS). Then I
batch convert the 24bit DP sdII files over to 24bit .paf files and bring
into PARIS for final EQ and mixing. I still like the PARIS EQ better than
most plugins. I do try to mix in DP from time to time, but I just can't get
things to sound as good as mixing in PARIS. This is probably my lack of
skill, but I really do find my mixes in DP sound "cramped" and
"one-dimensional" especially with a high track count. I'm sure people can
get great mixes with any decent software though. It comes down to skill I
think. PARIS just seems to be very forgiving to my level of mixing
sucktitude. My two cents.
Tony
"macle" <Mates9999@cs.com> wrote in message news:44b6c031$1@linux...
>
> Just curious...
>
> For people who've switched from Paris, did you switch for features or
> sound
> or both or what?
>
> Every so often, I think about switching, and since I'm gearing up
> for some new recording, I'm wondering if now's the time
> (although, sticking with Paris might be the easiest thing, and my
> main goal is to improve my room and tracking and those sorts of
> things first).
>
> But I wonder if I'd be stupid to not get with all the advances.
> ADC would be nice, midi would be nice, etc. And maybe low end
> converters have come a long way, etc.
>
> I heard some stuff done on a Digi 002, and I was knocked out. You
> can get a complete Digi 002 system with control surface and a
> bunch of software for about $2000 which is cheaper than Paris
> was (I got Paris mainly because it was a complete system like
> Pro Tools, but way cheaper).
>
> Sorry for the long post. Thanks for any feedback.
>
>
>Hi John,
From my experience installing and troubleshooting allot of sound cards
I'd recommend the following for sound quality and reliability.
Fire wire-
Presonus Firepod
Focusrite Saffire LE
USB -
Mackie Spike
There are a few others that would well but these are the ones that I
liked most for sound quality.
If you don't absolutely need it to be fire wire or USB then I'd go for
the EMU PCI cards. Lots of value with their sound cards.
Chris
John wrote:
> Is anyone making high quality sound cards with stereo balanced outs for USB
> or Firewire? ~ $200 range on the street ?
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comNuendo and Sequoia here. I switched for features and workflow mainly.
Delay compensation, quality midi and VSTi, and better editing and production
capabilities in general (post features, etc) have been key for me. Paris'
converters were good at the time, but there are a lot of great options now
in a similar price range that supercede them in varying degrees.
Imho, sound does come down to technique and approach - the capabilities are
there with most DAWs now - it's just a matter of learning the differences
and making them work for you, rather than working against them expecting
something else. Feel free to email me offline if you want since this may
not be of as much interest to Paris users here.
Regards,
Dedric
On 7/13/06 3:50 PM, in article 44b6c031$1@linux, "macle" <Mates9999@cs.com>
wrote:
>
> Just curious...
>
> For people who've switched from Paris, did you switch for features or sound
> or both or what?
>
> Every so often, I think about switching, and since I'm gearing up
> for some new recording, I'm wondering if now's the time
> (although, sticking with Paris might be the easiest thing, and my
> main goal is to improve my room and tracking and those sorts of
> things first).
>
> But I wonder if I'd be stupid to not get with all the advances.
> ADC would be nice, midi would be nice, etc. And maybe low end
> converters have come a long way, etc.
>
> I heard some stuff done on a Digi 002, and I was knocked out. You
> can get a complete Digi 002 system with control surface and a
> bunch of software for about $2000 which is cheaper than Paris
> was (I got Paris mainly because it was a complete system like
> Pro Tools, but way cheaper).
>
> Sorry for the long post. Thanks for any feedback.
>
>
>Still awaiting the post man to deliver mine.... sniff...
AA
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:44b6745c@linux...<
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| Re: Burn Time vs Accuracy [message #68890 is a reply to message #68858] |
Sat, 03 June 2006 03:59 |
Warren
Messages: 15
Registered: August 2005
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Junior Member |
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br />
> Got the CD's today.
>
> "macle" <Mates9999@cs.com> wrote in message news:44b180d9$1@linux...
>>
>> Alright! Thanks a lot DJ, that would be great! Way above and
>> beyond.
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >;o).......well..... I'm gonna spread this around a little
>> >bit................
>> >
>> >http://www.ksut.org/underwriters.cfm
>> >
>> >http://www.kdur.org/
>> >
>> >http://www.997thepoint.com/
>> >
>> >It's a small town here with a local liberal arts college with lots of
> kids
>> >from all over the place........very active music scene.
>> >
>> >I don't know how successful I'll be, but I have met the program
>> >directors
>> >for these stations and they all have had various *opportunity hours* for
>> >local indy projects to get airplay. You guys aren's local, but I am and
>> I
>> >record some of the artists who these guys know, so I'll try to sneak
>> >something in under the radar.
>> >
>> >.o)
>> >
>> >
>> >"macle" <Mates9999@cs.com> wrote in message news:44af3cd6$1@linux...
>> >>
>> >> Yes you did! Three of 'em! Yeeee-haw, we is rich!
>> >>
>> >> We don't need no stinkin' label!! :)
>> >>
>> >> Thanks very much DJ, we really appreciate the support.
>> >>
>> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >> >I think that what I'm hearing was well mixed. I have ordered the CD
> and
>> >> am
>> >> >looking forward to hearing the remastered version.
>> >> >
>> >> >DJ
>> >> >
>> >> >"macle" <Mates9999@cs.com> wrote in message news:44aed727$1@linux...
>> >> >>
>> >> >> Btw, some people are commenting on the sound (thanks!). Must be
>> >> >> listening to the clip I have on the website. Those snippets
>> >> >> are before the re-mastering, so (hopefully) the CD will sound
>> >> >> better than that.
>> >> >>
>> >> >> Okay, thanks, sorry to be bogarting the board with this :).
>> >> >>
>> >> >> "macle" <Mates9999@cs.com> wrote:
>> >> >> >
>> >> >> >Hey Paris People, how are you!?
>> >> >> >
>> >> >> >Well, I don't really know who's still here after all this time,
>> >> >> >but
>> I
>> >> >just
>> >> >> >wanted to let those who may be interested, or were interested at
> one
>> >> >time,
>> >> >> >or used to be interesed and still just might be interested, that
>> >> >> >we
>> >> >finally
>> >> >> >have a CD for sale of the
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| Re: Burn Time vs Accuracy [message #68894 is a reply to message #68890] |
Sat, 03 June 2006 05:19 |
John [1]
Messages: 2229
Registered: September 2005
|
Senior Member |
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t;>>
>>>>>> "Don Nafe" <dnafe@magma.ca> wrote in message news:44b567c4@linux...
>>>>>>
>>>>>>
>>>>>>
>>>>> --
>>>>> Chris Ludwig
>>>>> ADK
>>>>> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>>>> www.adkproaudio.com <http://www.adkproaudio.com/>
>>>>> (859) 635-5762
>>>>
>>>>
>>> --
>>> Chris Ludwig
>>> ADK
>>> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>> www.adkproaudio.com <http://www.adkproaudio.com/>
>>> (859) 635-5762
>>
>>
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.comI've been doing a little playing around with a new reverb processor tonight
and about the time I wwaent brain dead from readiong the manual and tweaking
the parameters, all of a sudden I realized that This Sucks was really
bouncing around in my headspace. That's another really good one. I'm going
to take one of the CD's over to my buddy who knows Tony Ferguson tomorrow.
We're setting up the expo gig in Park Cities right now. I want to see what
his teenage daughter (high school seniors) and her friends think about this
CD. I think This Sucks may ge a generational anthem..........sort of like
For What It's Worth by Stephen Stills/Buffalo Springfield was for my
generation. Fingerprints is cool.........very catchy musical arrangement for
such a dark topic. You pulled that one off well too.
Cheers,
DJ
"macle" <Mates9999@cs.com> wrote in message news:44b6c6eb$1@linux...
>
> Woah DJ, that is a great review, thank you very much. It's weird,
> but even though I posted most of these up and got lots of great
> feedback a while ago, finally putting out this CD, I've got
> that same sort of nervous feeling you get when you sort of
> stick your neck out there. "It's crap, they hate it!" floats
> around in my head. Plus the worry that it's old news (although
> not to most of the world out there).
>
> Thanks again. As I keep saying, this board is the best!
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I just listened to it while on a day trip down into New Mexico. This is
> some
> >very good sutff Macle. Among other topics, I think you guys have written
> the
> >first song I've ever heard with the topic being a about a menstural
> >period........and you did it very well. Damn!!! I couldn't believe it.
;o)
> >
> >I think It's All About You has the makings of being a serious hit song,
> but
> >I also think some of the others do too, especially I Want Some of What
> >You're On. You guys have some great hooks, both musical and lyric and you
> >get to them quick and nail the listener........asnd then the song stays
> in
> >the listener's head.. I listened to the CD straight through 3 times and
> >didn't hear anything that bored me or that I disliked. /that's the test
> for
> >me and IMHO, there aren't any filler/throwaway songs on it.
> >
> >Nice Stuff.
> >
> >;o)
> >
> >"macle" <Mates9999@cs.com> wrote in message news:44b6b51f$1@linux...
> >>
> >> Alright, cool!
> >>
> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >Got the CD's today.
> >> >
> >> >"macle" <Report message to a moderator
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| Re: Burn Time vs Accuracy [message #68895 is a reply to message #68885] |
Sat, 03 June 2006 05:21 |
Rod Lincoln
Messages: 883
Registered: September 2005
|
Senior Member |
|
|
lto:Mates9999@cs.com" target="_blank">Mates9999@cs.com> wrote in message news:44b180d9$1@linux...
> >> >>
> >> >> Alright! Thanks a lot DJ, that would be great! Way above and
> >> >> beyond.
> >> >>
> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >> >;o).......well..... I'm gonna spread this around a little
> >> >> >bit................
> >> >> >
> >> >> >http://www.ksut.org/underwriters.cfm
> >> >> >
> >> >> >http://www.kdur.org/
> >> >> >
> >> >> >http://www.997thepoint.com/
> >> >> >
> >> >> >It's a small town here with a local liberal arts college with lots
> of
> >> >kids
> >> >> >from all over the place........very active music scene.
> >> >> >
> >> >> >I don't know how successful I'll be, but I have met the program
> >directors
> >> >> >for these stations and they all have had various *opportunity
hours*
> >> for
> >> >> >local indy projects to get airplay. You guys aren's local, but I am
> >and
> >> >> I
> >> >> >record some of the artists who these guys know, so I'll try to
sneak
> >> >> >something in under the radar.
> >> >> >
> >> >> >.o)
> >> >> >
> >> >> >
> >> >> >"macle" <Mates9999@cs.com> wrote in message
news:44af3cd6$1@linux...
> >> >> >>
> >> >> >> Yes you did! Three of 'em! Yeeee-haw, we is rich!
> >> >> >>
> >> >> >> We don't need no stinkin' label!! :)
> >> >> >>
> >> >> >> Thanks very much DJ, we really appreciate the support.
> >> >> >>
> >> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >> >> >I think that what I'm hearing was well mixed. I have ordered the
> CD
> >> >and
> >> >> >> am
> >> >> >> >looking forward to hearing the remastered version.
> >> >> >> >
> >> >> >> >DJ
> >> >> >> >
> >> >> >> >"macle" <Mates9999@cs.com> wrote in message
> >news:44aed727$1@linux...
> >> >> >> >>
> >> >> >> >> Btw, some people are commenting on the sound (thanks!). Must
> be
> >> >> >> >> listening to the clip I have on the website. Those snippets
> >> >> >> >> are before the re-mastering, so (hopefully) the CD will sound
> >> >> >> >> better than that.
> >> >> >> >>
> >> >> >> >> Okay, thanks, sorry to be bogarting the board with this :).
> >> >> >> >>
> >> >> >> >> "macle" <Mates9999@cs.com> wrote:
> >> >> >> >> >
> >> >> >> >> >Hey Paris People, how are you!?
> >> >> >> >> >
> >> >> >> >&g
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| Re: Burn Time vs Accuracy [message #68902 is a reply to message #68890] |
Sat, 03 June 2006 09:15 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
|
|
DM. If all someone is doing is mastering or editing then you really
> shouldn't need the ASIO driver at all.
>
>
> Chris
>
>
> Martin Harrington wrote:
>> Don't quite know how you can justify that statement, Chris..
>> I've been using it for months (V2), with my Delta 1010 card and also my
>> Emu 0404 card and I've never had a problem..
>> Martin Harrington
>>
>> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>> news:44b5a1ed@linux...
>>
>>>HI Don,
>>>Have you tried WDM instead of ASIO in Adobe Audition? Auditions ASIO
>>>support is f*ing awful.
>>>
>>>Chris
>>>
>>>
>>>Don Nafe wrote:
>>>
>>>>Having problems getting any audio from CEPro 2 to Dakota then to
>>>>Paris...no probs with Cubase or WAvelab...checked setting and all seems
>>>>right but obviously it isn't
>>>>
>>>>
>>>>DOn
>>>>
>>>>
>>>>"Don Nafe" <dnafe@magma.ca> wrote in message news:44b567c4@linux...
>>>>
>>>>
>>>>
>>>--
>>>Chris Ludwig
>>>ADK
>>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>>(859) 635-5762
>>
>>
>>
>
> --
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com/>
> (859) 635-5762http://www.reaper.fm/
There's an interesting discussion going on over at PSW about this DAW, was
wondering if anyone's heard of it, tried it, using it
http://marsh.prosoundweb.com/index.php/t/9107/
DonI just scaled back my Paris system to one EDS1000 card and sold a few
interfaces. I switched to Nuendo mainly for features. Things like being
able to Quantize Audio tracks made it worth the switch for me. Amazing how
tight you can make an average drummer sound. :) I purchased the Tascam
FW1884 for my interface and how I survived without motorized faders so long
is beyond me. I also use MIDI in a BIG way and that was another key factor
for the switch. I've used Cubase since my Atari 520ST days so the switch was
pretty painless for me.
Paris rocked in 96 ... 97 ... and it still has one of the best sounds out
there but I think it's time has come and gone. :(
"macle" <Mates9999@cs.com> wrote in message news:44b6c031$1@linux...
>
> Just curious...
>
> For people who've switched from Paris, did you switch for features or
> sound
> or both or what?
>
> Every so often, I think about switching, and since I'm gearing up
> for some new recording, I'm wondering if now's the time
> (although, sticking with Paris might be the easiest thing, and my
> main goal is to improve my room and tracking and those sorts of
> things first).
>
> But I wonder if I'd be stupid to not get with all the advances.
> ADC would be nice, midi would be nice, etc. And maybe low end
> converters have come a long way, etc.
>
> I heard some stuff done on a Digi 002, and I was knocked out. You
> can get a complete Digi 002 system with control surface and a
> bunch of software for about $2000 which is cheaper than Paris
> was (I got Paris mainly because it was a complete system like
> Pro Tools, but way cheaper).
>
> Sorry for the long post. Thanks for any feedback.
>
>
>What exactly does monitoring in mono mean?
Is it panning many stero instruments to center and
listening to the mix from a pair of stereo speakers?
OR
Summing a stereo mix together and listening to the mix thru one
speaker directly in front of you?
How does one go about checking there mix in mono from within PARIS? (QUICKLY)
How about the same question , but from within Cubase?
Thanks!!!!!!!!!
BrandonThis is a multi-part message in MIME format.
------=_NextPart_000_0031_01C6A73A.E78AE8A0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Brandon,
Click the Mono/Stereo button on the mixer near the monitor level pot.
Listen through both speakers. Get tones/levels in mono retaining
clarity then hit the switch to stereo and see how that translates. More
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| Re: Burn Time vs Accuracy [message #68940 is a reply to message #68872] |
Sun, 04 June 2006 09:30 |
TCB
Messages: 1261
Registered: July 2007
|
Senior Member |
|
|
ultisamples can allow
if
> >> >properly controlled. This thing pretty much does it right outta' the
box.
> >> >Almost too good to be true.
> >> >
> >> >DJ
> >> >
> >>
> >
>Yep
;oP
"Aaron Allen" <nospam@not_here.dude> wrote in message news:44bb8725@linux...
> I thought them to be a 5th apart.
> AA
>
> >> >
> >> >Does anyone happen to know what the difference in tones are to create
a
> >> tick
> >> >tock sound? two..three...four..five..steps below the higher note?
> >> >
> >> >thx
> >>
> >
> >
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html
>
>If you are clocking an RME HDSP card from a Paris ADAT card (or in my case
clocking 3 x RME cards from 3 x Paris ADAT cards) and, for convenience sake,
since you want to be able to monitor your HDSP I/O in Wavelab without
launching Paris in order to clock the HDSP cards and you are too f***'in
lazy to make one simple change in a digital patchbay GUI , you decide to
also hook one of the RME cards up directly to a WC feed from your external
clock that is also feeding your 4 x MECs which are then sending this WC sync
from the ADAT modules to the RME interfaces because "since the ADAT modules
are just regenerating the WC that they are receiving from the house clock
this should be the same" you will have loads of fun when both computers
start losing sync, and not only losing sync, but freezing completely,
requiring a hard reboot. Not only will it be fun while it's happening, but
you get the added benefit of having to actually shut down every computer and
digital device in the studio for a little while, then after they have calmed
down a little, start your boot sequence all over. The various devices may
still be pissed off at each other for a while and you may need to try a
couple of times before all of this stuff is willing to shake hands and play
nice.
That's about as simple as I can explain it.
;o)Another good one Rick.
wmw
"rick" <parnell68@hotmail.com> wrote in message
news:gsqmb2hmqpk2jg1qsrmg6147a76mbjoln2@4ax.com...
>
> -A father walks into a bookstore with his young son. The boy is
> holding a quarter. Suddenly, the boy starts choking, going blue in the
> face. The father realizes the boy has swallowed the quarter and starts
> panicking, shouting for help.
> A well dressed, attractive and serious looking woman, in a blue
> business suit is sitting at a coffee bar reading a newspaper and
> sipping a cup of coffee. At the sound of the commotion, she looks up,
> puts her coffee cup down, neatly folds the newspaper and places it on
> the counter, gets up from her seat and makes her way, unhurried,
> across the book store. Reaching the boy, the woman carefully drops his
> pants; takes hold of the boy's testicles and starts to squeeze and
> twist, gently at first and then ever so firmly.
> After a few seconds the boy convulses violently and coughs up the
> quarter, which the woman deftly catches in her free hand.
> Releasing the boy's testicles, the woman hands the coin to the father
> and walks back to her seat in the coffee bar without saying a word.
> As soon as he is sure that his son has suffered no ill effects, the
> father rushes over to the woman and starts thanking her saying, "I've
> never seen anybody do anything like that before, it was fantastic. Are
> you a doctor?"
> "No," the woman replied. "Divorce attorney".Still have:
1 Blue 8-in $225
1 Black ADAT card $225
I Blue MEC $125
1 Black C-16 $75 some scratches but fully functional
2 EDS cards $225 each
3.0 License $125 must be transfered with an EDS cardWhy the shark didn't attack the lawyer????...........professional courtesy.
So you're trapped in a room with a pissed off cobra, a hungry grizzly bear
and a lawyer. You have a gun with two bullets. What do you
do?...............shoot the lawer...............twice.
"rick" <
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| Re: Burn Time vs Accuracy [message #68941 is a reply to message #68885] |
Sun, 04 June 2006 09:44 |
TCB
Messages: 1261
Registered: July 2007
|
Senior Member |
|
|
target="_blank">parnell68@hotmail.com> wrote in message
news:gsqmb2hmqpk2jg1qsrmg6147a76mbjoln2@4ax.com...
>
> -A father walks into a bookstore with his young son. The boy is
> holding a quarter. Suddenly, the boy starts choking, going blue in the
> face. The father realizes the boy has swallowed the quarter and starts
> panicking, shouting for help.
> A well dressed, attractive and serious looking woman, in a blue
> business suit is sitting at a coffee bar reading a newspaper and
> sipping a cup of coffee. At the sound of the commotion, she looks up,
> puts her coffee cup down, neatly folds the newspaper and places it on
> the counter, gets up from her seat and makes her way, unhurried,
> across the book store. Reaching the boy, the woman carefully drops his
> pants; takes hold of the boy's testicles and starts to squeeze and
> twist, gently at first and then ever so firmly.
> After a few seconds the boy convulses violently and coughs up the
> quarter, which the woman deftly catches in her free hand.
> Releasing the boy's testicles, the woman hands the coin to the father
> and walks back to her seat in the coffee bar without saying a word.
> As soon as he is sure that his son has suffered no ill effects, the
> father rushes over to the woman and starts thanking her saying, "I've
> never seen anybody do anything like that before, it was fantastic. Are
> you a doctor?"
> "No," the woman replied. "Divorce attorney".What's black and brown and looks terrific on a lawyer?
A DOBERMAN....
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Why the shark didn't attack the lawyer????...........professional courtesy.
>
>So you're trapped in a room with a pissed off cobra, a hungry grizzly bear
>and a lawyer. You have a gun with two bullets. What do you
>do?...............shoot the lawer...............twice.
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:gsqmb2hmqpk2jg1qsrmg6147a76mbjoln2@4ax.com...
>>
>> -A father walks into a bookstore with his young son. The boy is
>> holding a quarter. Suddenly, the boy starts choking, going blue in the
>> face. The father realizes the boy has swallowed the quarter and starts
>> panicking, shouting for help.
>> A well dressed, attractive and serious looking woman, in a blue
>> business suit is sitting at a coffee bar reading a newspaper and
>> sipping a cup of coffee. At the sound of the commotion, she looks up,
>> puts her coffee cup down, neatly folds the newspaper and places it on
>> the counter, gets up from her seat and makes her way, unhurried,
>> across the book store. Reaching the boy, the woman carefully drops his
>> pants; takes hold of the boy's testicles and starts to squeeze and
>> twist, gently at first and then ever so firmly.
>> After a few seconds the boy convulses violently and coughs up the
>> quarter, which the woman deftly catches in her free hand.
>> Releasing the boy's testicles, the woman hands the coin to the father
>> and walks back to her seat in the coffee bar without saying a word.
>> As soon as he is sure that his son has suffered no ill effects, the
>> father rushes over to the woman and starts thanking her saying, "I've
>> never seen anybody do anything like that before, it was fantastic. Are
>> you a doctor?"
>> "No," the woman replied. "Divorce attorney".
>
>And your point??
:)
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>If you are clocking an RME HDSP card from a Paris ADAT card (or in my case
>clocking 3 x RME cards from 3 x Paris ADAT cards) and, for convenience sake,
>since you want to be able to monitor your HDSP I/O in Wavelab without
>launching Paris in order to clock the HDSP cards and you are too f***'in
>lazy to make one simple change in a digital patchbay GUI , you decide to
>also hook one of the RME cards up directly to a WC feed from your external
>clock that is also feeding your 4 x MECs which are then sending this WC
sync
>from the ADAT modules to the RME interfaces because "since the ADAT modules
>are just regenerating the WC that they are receiving from the house clock
>this should be the same" you will have loads of fun when both computers
>start losing sync, and not only losing sync, but freezing completely,
>requiring a hard reboot. Not only will it be fun while it's happening, but
>you get the added benefit of having to actually shut down every computer
and
>digital device in the studio for a little while, then after they have calmed
>down a little, start your boot sequence all over. The various devices may
>still be pissed off at each other for a while and you may need to try a
>couple of times before all of this stuff is willing to shake hands and play
>nice.
>
>
>That's about as si
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| Re: Burn Time vs Accuracy [message #68964 is a reply to message #68948] |
Mon, 05 June 2006 08:05 |
TCB
Messages: 1261
Registered: July 2007
|
Senior Member |
|
|
>> holding a quarter. Suddenly, the boy starts choking, going blue in the
>> face. The father realizes the boy has swallowed the quarter and starts
>> panicking, shouting for help.
>> A well dressed, attractive and serious looking woman, in a blue
>> business suit is sitting at a coffee bar reading a newspaper and
>> sipping a cup of coffee. At the sound of the commotion, she looks up,
>> puts her coffee cup down, neatly folds the newspaper and places it on
>> the counter, gets up from her seat and makes her way, unhurried,
>> across the book store. Reaching the boy, the woman carefully drops his
>> pants; takes hold of the boy's testicles and starts to squeeze and
>> twist, gently at first and then ever so firmly.
>> After a few seconds the boy convulses violently and coughs up the
>> quarter, which the woman deftly catches in her free hand.
>> Releasing the boy's testicles, the woman hands the coin to the father
>> and walks back to her seat in the coffee bar without saying a word.
>> As soon as he is sure that his son has suffered no ill effects, the
>> father rushes over to the woman and starts thanking her saying, "I've
>> never seen anybody do anything like that before, it was fantastic. Are
>> you a doctor?"
>> "No," the woman replied. "Divorce attorney".
>
>This is a multi-part message in MIME format.
------=_NextPart_000_01B2_01C6AA9F.218BA640
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
ProCo did them for me 10 years ago.
"W. Mark Wilson" <wmarkwilson@integrity.com> wrote in message =
news:44bd6986@linux...
Rapco cuts custom panels with or without connecotors installed.
W
"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message=20
news:44bd2dea$1@linux...
>
> Guys, it's been a number of years and I'm tyring to dust the old =
brain=20
> off,
> but could use some help. I'm looking for "custom" wall plates. =
Example: 3
> XLR and 3 headphone jacks with mounting brackets.
>
> Thanks
>
> Tyrone=20
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_01B2_01C6AA9F.218BA640
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>ProCo did them for me 10 years =
ago.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"W. Mark Wilson" <<A=20
=
href=3D"mailto:wmarkwilson@integrity.com">wmarkwilson@integrity.com</A>&g=
t;=20
wrote in message <A=20
href=3D"news:44bd6986@linux">news:44bd6986@linux</A>...</DIV>Rapco =
cuts custom=20
panels with or without connecotors installed.<BR><BR>W<BR><BR>"Tyrone =
Corbett"=20
<<A=20
=
href=3D"mailto:t
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| Re: Burn Time vs Accuracy..Masterlink? [message #69019 is a reply to message #68983] |
Tue, 06 June 2006 16:07 |
tonehouse
Messages: 184
Registered: July 2006
|
Senior Member |
|
|
>> >Colorado catches me off guard sometimes. It was about 97 degrees here
>> >today........humidity around 10% with light to moderate winds. It didn't
>> >really feel hot to me at all after living in Austin (80%+ humidity and
>90+
>> >degrees) I didn't think about it much. I was out hiking some ridgelines
>and
>> >canyons scouting a route for a pipeline and I forgot to take any water
>> >along. After about an hour and a half I suddenly realized how far I had
>> >wandered from my truck (and my water) and I also realized how dry I was
>and
>> >how dizzy and weak I was starting to feel. that wind just sucked the
>> >moisture right out of me......kicked my butt. I've probably had about
>half
>> >gallon of water over the last hour or so. I doubt I'll even pee
>> >tonight........OK, sorry, too much info.
>> >
>> >;o)
>> >
>> >Deej
>> >
>> >"Dedric Terry" <dterry@keyofd.net> wrote in message
>> >news:C0E2839B.1C9C%dterry@keyofd.net...
>> >> Hey DJ - In Totalmix, click submix mode; then select the channel
>> >destination
>> >> selection (bottom of any channel) to be the digital outputs of the
>> >Multiface
>> >> you want to route to the ADAT - you'll have to do one pair of ADAT outs
>at
>> >a
>> >> time. Set the Totalmix fader levels on the analog input (top row, 1-2,
>> >3-4,
>> >> 5-6, 7-8, etc) channels for those inputs to whatever level you want to
>> >send
>> >> to those digital outs (ctrl-click to set to nominal/0). You probably
>> >won't
>> >> have any other faders up for that submix destination. Repeat for each
>> >> output/submix you want to send that input to (or any other input).
>> >>
>> >> Repeat this with the Analog outputs (AN1-2 I think would be the analog
>> >outs
>> >> 1 and 2), as the destination in submix mode - now you can set levels
>for
>> >any
>> >> input, or ASIO channel to that output. Bring up the fader levels for
>the
>> >> digital inputs you want to send. Click off submix mode when you are
>done
>> >so
>> >> you don't change these (also store it to a preset).
>> >>
>> >> Hopefully that helps and isn't more confusing.
>> >>
>> >> Regards,
>> >> Dedric
>> >>
>> >> On 7/18/06 6:40 AM, in article 44bcd778@linux, "DJ"
>> >> <animix_spam-this-ahole_@animas.net> wrote:
>> >>
>> >> > Thanks everyone,
>> >> >
>> >> > This is one that will likely require a phone call due to the
>> >complicatedness
>> >> > of the DAW(s) and the denseness of the engineer. One *simple* thing I
>> >want
>> >> > to do is to just route the analog inputs of my Multiface to the
>digital
>> >> > outputs (for interfacing with Paris ADAT inputs) then, route the ADAT
>> >inputs
>> >> > of the Multiface (which are receiving the return signal from the
>Paris
>> >ADAT
>> >> > outs) to the Multiface analog outputs (I'm creating a cue mix here in
>> >Paris
>> >> > using the Multiface I/O like I would the Paris analog I/O). I
>> >accomplished
>> >> > this last night (sorta') but couldn't achieve a suitable signal
>level. I
>> >can
>> >> > do this by creating a routing matrix in Cubase, but this gets another
>> >layer
>> >> > of crap (Cubase) and the buffer settings involved. I just want to use
>> >> > Totalmix for this. Also, I would like to be able to track hi rez
>> >sessions to
>> >> > Cubase and I'm clueless about how to set up a cue mix for multiple
>I/O
>> >so as
>> >> > to interface it with my Furman HDS-16.
>> >> >
>> >> > I think I have all of your numbers here somewhere. Maybe I can figure
>> >out
>> >> > how to put together a conference call
>> >> >
>> >> > ;o)
>> >> >
>> >> >
>> >> >
>> >> > "Neil" <IOUOI@OIU.com> wrote in message news:44bcd2f9$1@linux...
>> >> >>
>> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >> >>> This thing just doesn't make any sense to me at all...........which
>> >means
>> >> >>> it's probably very simple.
>> >> >>
>> >> >> Well, I guess I understand it, more or less... I don't any
>> >> >> difficulty with using it, although I'll agree it's not most
>> >> >> intuitive interface they coud've devised. What are you having
>> >> >> trouble with? I'll try to help.
>> >> >>
>> >> >> Neil
>> >> >
>> >> >
>> >>
>> >
>>
>to remind him of how important water is but also to protect the gear
from spillage when o
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| Re: Burn Time vs Accuracy..Masterlink? [message #69022 is a reply to message #69019] |
Tue, 06 June 2006 16:28 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
>
> >"rick" <parnell68@hotmail.com> wrote in message
> >news:qmsrb2972t74tr35flmc82o6i6409ropbk@4ax.com...
> >> i'm trying to think of the best word to use here...DUMBASS!!!!
> >> phew...i fell much better now...
> >>
> >>
> >>
> >> On Tue, 18 Jul 2006 21:24:39 -0600, "DJ"
> >> <animix_spam-this-ahole_@animas.net> wrote:
> >>
> >> >Thanks Dedric. I just got in and I'm fried so I'll give it a go
tomorrow.
> >> >Colorado catches me off guard sometimes. It was about 97 degrees here
> >> >today........humidity around 10% with light to moderate winds. It
didn't
> >> >really feel hot to me at all after living in Austin (80%+ humidity and
> >90+
> >> >degrees) I didn't think about it much. I was out hiking some
ridgelines
> >and
> >> >canyons scouting a route for a pipeline and I forgot to take any water
> >> >along. After about an hour and a half I suddenly realized how far I
had
> >> >wandered from my truck (and my water) and I also realized how dry I
was
> >and
> >> >how dizzy and weak I was starting to feel. that wind just sucked the
> >> >moisture right out of me......kicked my butt. I've probably had about
> >half
> >> >gallon of water over the last hour or so. I doubt I'll even pee
> >> >tonight........OK, sorry, too much info.
> >> >
> >> >;o)
> >> >
> >> >Deej
> >> >
> >> >"Dedric Terry" <dterry@keyofd.net> wrote in message
> >> >news:C0E2839B.1C9C%dterry@keyofd.net...
> >> >> Hey DJ - In Totalmix, click submix mode; then select the channel
> >> >destination
> >> >> selection (bottom of any channel) to be the digital outputs of the
> >> >Multiface
> >> >> you want to route to the ADAT - you'll have to do one pair of ADAT
outs
> >at
> >> >a
> >> >> time. Set the Totalmix fader levels on the analog input (top row,
1-2,
> >> >3-4,
> >> >> 5-6, 7-8, etc) channels for those inputs to whatever level you want
to
> >> >send
> >> >> to those digital outs (ctrl-click to set to nominal/0). You
probably
> >> >won't
> >> >> have any other faders up for that submix destination. Repeat for
each
> >> >> output/submix you want to send that input to (or any other input).
> >> >>
> >> >> Repeat this with the Analog outputs (AN1-2 I think would be the
analog
> >> >outs
> >> >> 1 and 2), as the destination in submix mode - now you can set levels
> >for
> >> >any
> >> >> input, or ASIO channel to that output. Bring up the fader levels
for
> >the
> >> >> digital inputs you want to send. Click off submix mode when you are
> >done
> >> >so
> >> >> you don't change these (also store it to a preset).
> >> >>
> >> >> Hopefully that helps and isn't more confusing.
> >> >>
> >> >> Regards,
> >> >> Dedric
> >> >>
> >> >> On 7/18/06 6:40 AM, in article 44bcd778@linux, "DJ"
> >> >> <animix_spam-this-ahole_@animas.net> wrote:
> >> >>
> >> >> > Thanks everyone,
> >> >> >
> >> >> > This is one that will likely require a phone call due to the
> >> >complicatedness
> >> >> > of the DAW(s) and the denseness of the engineer. One *simple*
thing I
> >> >want
> >> >> > to do is to just route the analog inputs of my Multiface to the
> >digital
> >> >> > outputs (for interfacing with Paris ADAT inputs) then, route the
ADAT
> >> >inputs
> >> >> > of the Multiface (which are receiving the return signal from the
> >Paris
> >> >ADAT
> >> >> > outs) to the Multiface analog outputs (I'm creating a cue mix here
in
> >> >Paris
> >> >> > using the Multiface I/O like I would the Paris analog I/O). I
> >> >accomplished
> >> >> > this last night (sorta') but couldn't achieve a suitable signal
> >level. I
> >> >can
> >> >> > do this by creating a routing matrix in Cubase, but this gets
another
> >> >layer
> >> >> > of crap (Cubase) and the buffer settings involved. I just want to
use
> >> >> > Totalmix for this. Also, I would like to be able to track hi rez
> >> >sessions to
> >> >> > Cubase and I'm clueless about how to set up a cue mix for multiple
> >I/O
> >> >so as
> >> >> > to interface it with my Furman HDS-16.
> >> >> >
> >> >> > I think I have all of your numbers here somewhere. Maybe I can
figure
> >> >out
> >> >> > how to put together a conference call
> >> >> >
> >> >> > ;o)
> >> >> >
> >> >> >
> >> >> >
> >> >> > "Neil" <IOUOI@OIU.com> wrote in message news:44bcd2f9$1@linux...
> >> >> >>
> >> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >> >>> This thing just doesn't make any sense to me at
all...........which
> >> >means
> >> >> >>> it's probably very simple.
> >> >> >>
> >> >> >> Well, I guess I understand it, more or less... I don't any
> >> >> >> difficulty with using it, although I'll agree it's not most
> >> >> >> intuitive interface they coud've devised. What are you having
> >> >> >> trouble with? I'll try to help.
> >> >> >>
> >> >> >> Neil
> >> >> >
&
|
|
|
|
| Re: Burn Time vs Accuracy..Masterlink? [message #69026 is a reply to message #69022] |
Tue, 06 June 2006 20:31 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
e it has a space above it and make sure your sound proof cabinet
>>is well ventilated (which pretty much negates the sound
>>proofing..........and why do you need to sound proof preamps??.........oh
>>well, anyway.......;O) .
>>
>>Deej
>>
>>
>>"Brandon" <a@a.com> wrote in message news:44be65e6$1@linux...
>>>
>>> Basically, I was going to put all my rackmount gear in a sound proof
>>cabinet
>>> that will be built in to my console.(2- dual channel mic pres, 2- MECS,
2-
>>> RNC's, and what ever else I may add into the equation later)
>>> I need to be able to access the patch points on each device without
>>getting
>>> on my knees and pulling it all out of the cabinet. So, I was going to
>>mount
>>> a patchbay on the side of the cabinet that I can access externally for
>>convienence.
>>>
>>> thx,
>>> b
>>>
>>>
>>>
>>> "Brandon" <a@a.com> wrote:
>>> >
>>> >When I build my new console I will need to insert a patchbay into my
>>chain.
>>> >I have heard some people complain that patchbays severly decrease
>>quality.
>>> >Opinions on that?
>>> >Also, suggestions on good patchbays with XLR inputs and balanced 1/4
>>ouputs?
>>> >
>>> >Thanks,
>>> >b
>>>
>>
>May I ask what you have done then to make sure your analog PARIS inputs
don't screw your signal path? Mod? Ties? Hardwired?
Dubya
"EK Sound" <askme@nospam.com> wrote in message news:44be7b9b@linux...
> The connection quality is far less with a TRS (longframe or standard for
> that matter) jack than with an XLR. The XLR has a good solid connection,
> whereas the 1/4" jacks can move (rotate) with vibration.Pete-
I feel compelled to tell you that your hi-res website looks very cool, with
lots of stuff moving around and all, but the text at the bottom seems to
be cut off, since the last line reads:
"I think almost every single song on"
On the other hand, if you don't have Sarah's CD, well, you're missing out.
It's very very good...
Of course, I'll have to get yours now to compare...!
-steve
Amuse <petealec@bigpond.net.au> wrote:
>And if the terrorists do win, console yourself with a copy my
>all-Paris-recorded-mixed-mastered-by-Sakis project entitled 'Being' ;)
>
>http://www.petealec.com
>
>Peace,
>Pete
>
>Sarah wrote:
>> The Homeland Security office has informed me that there are still
some
>> members of this newsgroup that have not obtained a copy of the CD "Wayward"
>> by Sarahtonin. As you know, to be best prepared for a terrorist attack,
one
>> needs to have plenty of bottled water, canned food, duct tape, and at
least
>> one copy of Sarahtonin's "Wayward".
>>
>> Remember, if you don't buy "Wayward," the terrorists win.
>>
>> OK, so coincidentally, if at least three people don't get one off
the
>> website before the end of the month, Sarah doesn't break even on the card
>> processing fees. :)
>>
>> www.sarahtonin.com/wayward.htm
>>
>> Thank you for your attention to this matter,
>>
>> Sarah Jane Burke, RN <------------- :)
>>
>> (I'm a registered nurse now . . . so y'all have to listen to me.)
>>
>>
>PS -
Pete-the next page I checked, Bio, was likewise cut off at the bottom. The
next one I checked, links, froze Firefox to the point that I had to force
quite the program!
Something's goofy.
Firefox 1.0.7, iMac G3 OS 10.2.8
-steve
"steve the artguy" <artguy@longtimenosee.net> wrote:
>
>Pete-
>
>I feel compelled to tell you that your hi-res website looks very cool, with
>lots of stuff moving around and all, but the text at the bottom seems to
>be cut off, since the last line reads:
>
>"I think almost every single song on"
>
>On the other hand, if you don't have Sarah's CD, well, you're missing out.
>It's very very good...
>
>Of course, I'll have to get yours now to compare...!
>
>-steve
>
>Amuse <petealec@bigpond.net.au> wrote:
>>And if the terrorists do win, console yourself with a copy my
>>all-Paris-recorded-mixed-mastered-by-Sakis project entitled 'Being' ;)
>>
>>http://www.petealec.com
>>
>>Peace,
>>Pete
>>
>>Sarah wrote:
>>> The Homeland Security office has informed me that there are still
>some
>>> members of this newsgroup that have not obtained a copy of the CD "Wayward"
>
>>> by Sarahtonin. As you know, to be best prepared for a terrorist attack,
>one
>>> needs to have plenty of bottled water, canned food, duct tape, and at
>least
>>> one copy of Sarahtonin's "Wayward".
>>>
>>> Remember, if you don't buy "Wayward," the terrorists win.
>>>
>>> OK, so coincidentally, if at least three people don't get one off
>the
>>> website before the end of the month, Sarah doesn't break even on the
card
>
>>> processing fees. :)
>>>
>>> www.sarahtonin.com/wayward.htm
>>>
>>> Thank you for your attention to this matter,
>>>
>>> Sarah Jane Burke, RN <------------- :)
>>>
>>> (I'm a registered nurse now . . . so y'all have to listen to me.)
>>>
>>>
>>
>Twas OK with IE.
--
Martin Harrington
www.lendanear-sound.com
"steve the artguy" <artguy@longtimenosee.net> wrote in message
news:44bf36d7$1@linux...
>
> PS -
> Pete-the next page I checked, Bio, was likewise cut off at the bottom. The
> next one I checked, links, froze Firefox to the point that I had to force
> quite the program!
>
> Something's goofy.
>
> Firefox 1.0.7, iMac G3 OS 10.2.8
>
> -steve
>
> "steve the artguy" <artguy@longtimenosee.net> wrote:
>>
>>Pete-
>>
>>I feel compelled to tell you that your hi-res website looks very cool,
>>with
>>lots of stuff moving around and all, but the text at the bottom seems to
>>be cut off, since the last line reads:
>>
>>"I think almost every single song on"
>>
>>On the other hand, if you don't have Sarah's CD, well, you're missing out.
>>It's very very good...
>>
>>Of course, I'll have to get yours now to compare...!
>>
>>-steve
>>
>>Amuse <petealec@bigpond.net.au> wrote:
>>>And if the terrorists do win, console yourself with a copy my
>>>all-Paris-recorded-mixed-mastered-by-Sakis project entitled 'Being' ;)
>>>
>>>http://www.petealec.com
>>>
>>>Peace,
>>>Pete
>>>
>>>Sarah wrote:
>>>> The Homeland Security office has informed me that there are still
>>some
>>>> members of this newsgroup that have not obtained a copy of the CD
>>>> "Wayward"
>>
>>>> by Sarahtonin. As you know, to be best prepared for a terrorist
>>>> attack,
>>one
>>>> needs to have plenty of bottled water, canned food, duct tape, and at
>>least
>>>> one copy of Sarahtonin's "Wayward".
>>>>
>>>> Remember, if you don't buy "Wayward," the terrorists win.
>>>>
>>>> OK, so coincidentally, if at least three people don't get one off
>>the
>>>> website before the end of the month, Sarah doesn't break even on the
> card
>>
>>>> processing fees. :)
>>>>
>>>> www.sarahtonin.com/wayward.htm
>>>>
>>>> Thank you for your attention to this matter,
>>>>
>>>> Sarah Jane Burke, RN <------------- :)
>>>>
>>>> (I'm a registered nurse now . . . so y'all have to listen to me.)
>>>>
>>>>
>>>
>>
>how diabolicle...i see what you have done. i bet she said something
like "the time has come love muffin that you spend your remaining time
in the studio buying more gear"...sir, you are truely wicked
clever...props to you.
On Wed, 19 Jul 2006 13:18:15 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>......errrrrr.......well......uhhhh.......
>
>;oP
>
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:t51tb25eebqsf0p6t6eip91lmg3b1icmat@4ax.com...
>> and of course your had enough sense not to tell your near widow of
>> your little faux pax???
>>
>> On Wed, 19 Jul 2006 09:44:14 -0600, "DJ"
>> <animix_spam-this-ahole_@animas.net> wrote:
>>
>> >That would be the operative word
>> >
>> >;o)
>> >
>> >"rick" <parnell68@hotmail.com> wrote in message
>> >news:qmsrb2972t74tr35flmc82o6i6409ropbk@4ax.com...
>> >> i'm trying to think of the best word to use here...DUMBASS!!!!
>> >> phew...i fell much better now...
>> >>
>> >>
>> >>
>> >> On Tue, 18 Jul 2006 21:24:39 -0600, "DJ"
>> >> <animix_spam-this-ahole_@animas.net> wrote:
>> >>
>> >> >Thanks Dedric. I just got in and I'm fried so I'll give it a go
>tomorrow.
>> >> >Colorado catches me off guard sometimes. It was about 97 degrees here
>> >> >today........humidity around 10% with light to moderate winds. It
>didn't
>> >> >really feel hot to me at all after living in Austin (80%+ humidity and
>> >90+
>> >> >degrees) I didn't think about it much. I was out hiking some
>ridgelines
>> >and
>> >> >canyons scouting a route for a pipeline and I forgot to take any water
>> >> >along. After about an hour and a half I suddenly realized how far I
>had
>> >> >wandered from my truck (and my water) and I also realized how dry I
>was
>> >and
>> >> >how dizzy and weak I was starting to feel. that wind just sucked the
>> >> >moisture right out of me......kicked my butt. I've probably had about
>> >half
>> >> >gallon of water over the last hour or so. I doubt I'll even pee
>> >> >tonight........OK, sorry, too much info.
>> >> >
>> >> >;o)
>> >> >
>> >> >Deej
>> >> >
>> >> >"Dedric Terry" <dterry@keyofd.net> wrote in message
>> >> >news:C0E2839B.1C9C%dterry@keyofd.net...
>> >> >> Hey DJ - In Totalmix, click submix mode; then select the channel
>> >> >destination
>> >> >> selection (bottom of any channel) to be the digital outputs of the
>> >> >Multiface
>> >> >> you want to route to the ADAT - you'll have to do one pair of ADAT
>outs
>> >at
>> >> >a
>> >> >> time. Set the Totalmix fader levels on the analog input (top row,
>1-2,
>> >> >3-4,
>> >> >> 5-6, 7-8, etc) channels for those inputs to whatever level you want
>to
>> >> >send
>> >> >> to those digital outs (ctrl-click to set to nominal/0). You
>probably
>> >> >won't
>> >> >> have any other faders up for that submix destination. Repeat for
>each
>> >> >> output/submix you want to send that input to (or any other input).
>> >> >>
>> >> >> Repeat this with the Analog outputs (AN1-2 I think would be the
>analog
>> >> >outs
>> >> >> 1 and 2), as the destination in submix mode - now you can set levels
>> >for
>> >> >any
>> >> >> input, or ASIO channel to that output. Bring up the fader levels
>for
>> >the
>> >> >> digital inputs you want to send. Click off submix mode when you are
>> >done
>> >> >so
>> >> >> you don't change these (also store it to a preset).
>> >> >>
>> >> >> Hopefully that helps and isn't more confusing.
>> >> >>
>> >> >> Regards,
>> >> >> Dedric
>> >> >>
>> >> >> On 7/18/06 6:40 AM, in article 44bcd778@linux, "DJ"
>> >> >> <animix_spam-this-ahole_@animas.net> wrote:
>> >> >>
>> >> >> > Thanks everyone,
>> >> >> >
>> >> >> > This is one that will likely require a phone call due to the
>> >> >complicatedness
>> >> >> > of the DAW(s) and the denseness of the engineer. One *simple*
>thing I
>> >> >want
>> >> >> > to do is to just route the analog inputs of my Multiface to the
>> >digital
>> >> >> > outputs (for interfacing with Paris ADAT inputs) then, route the
>ADAT
>> >> >inputs
>> >> >> > of the Multiface (which are receiving the return signal from the
>> >Paris
>> >> >ADAT
>> >> >> > outs) to the Multiface analog outputs (I'm creating a cue mix here
>in
>> >> >Paris
>> >> >> > using the Multiface I/O like I would the Paris analog I/O). I
>> >> >accomplished
>> >> >> > this last night (sorta') but couldn't achieve a suitable signal
>> >level. I
>> >> >can
>> >> >> > do this by creating a routing matrix in Cubase, but this gets
>another
>> >> >layer
>> >> >> > of crap (Cubase) and the buffer settings involved. I just want to
>use
>> >> >> > Totalmix for this. Also, I would like to be able to track hi rez
>> >> >sessions to
>> >> >> > Cubase and I'm clueless about how to set up a cue mix for multiple
>> >I/O
>> >> >so as
>> >> >> > to interface it with my Furman HDS-16.
>> >> >> >
>> >> >> > I think I have all of your numbers here somewhere. Maybe I can
>figure
>> >> >out
>> >> >> > how to put together a conference call
>> >> >> >
>> >> >> > ;o)
>> >> >> >
>> >> >> >
>> >> >> >
>> >> >> > "Neil" <IOUOI@OIU.com> wrote in message news:44bcd2f9$1@linux...
>> >> >> >>
>> >> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >> >> >>> This thing just doesn't make any sense to me at
>all...........which
>> >> >means
>> >> >> >>> it's probably very simple.
>> >> >> >>
>> >> >> >> Well, I guess I understand it, more or less... I don't any
>> >> >> >> difficulty with using it, although I'll agree it's not most
>> >> >> >> intuitive interface they coud've devised. What are you having
>> >> >> >> trouble with? I'll try to help.
>> >> >> >>
>> >> >> >> Neil
>> >> >> >
>> >> >> >
>> >> >>
>> >> >
>> >>
>> >
>>
>Hey Steve, I got your order, thanks heaps!
The site works ok for me in firefox, it's not that intuitive though I
admit, bit of an experiment in Flash ;) Are you aware that the Angel
and Bat icons to the left of the screen are scroll controls?
Best,
Pete
p.s. your CD will mail tomorrow!
steve the artguy wrote:
> PS -
> Pete-the next page I checked, Bio, was likewise cut off at the bottom. The
> next one I checked, links, froze Firefox to the point that I had to force
> quite the program!
>
> Something's goofy.
>
> Firefox 1.0.7, iMac G3 OS 10.2.8
>
> -steve
>
> "steve the artguy" <artguy@longtimenosee.net> wrote:
>> Pete-
>>
>> I feel compelled to tell you that your hi-res website looks very cool, with
>> lots of stuff moving around and all, but the text at the bottom seems to
>> be cut off, since the last line reads:
>>
>> "I think almost every single song on"
>>
>> On the other hand, if you don't have Sarah's CD, well, you're missing out.
>> It's very very good...
>>
>> Of course, I'll have to get yours now to compare...!
>>
>> -steve
>>
>> Amuse <petealec@bigpond.net.au> wrote:
>>> And if the terrorists do win, console yourself with a copy my
>>> all-Paris-recorded-mixed-mastered-by-Sakis project entitled 'Being' ;)
>>>
>>> http://www.petealec.com
>>>
>>> Peace,
>>> Pete
>>>
>>> Sarah wrote:
>>>> The Homeland Security office has informed me that there are still
>> some
>>>> members of this newsgroup that have not obtained a copy of the CD "Wayward"
>>>> by Sarahtonin. As you know, to be best prepared for a terrorist attack,
>> one
>>>> needs to have plenty of bottled water, canned food, duct tape, and at
>> least
>>>> one copy of Sarahtonin's "Wayward".
>>>>
>>>> Remember, if you don't buy "Wayward," the terrorists win.
>>>>
>>>> OK, so coincidentally, if at least three people don't get one off
>> the
>>>> website before the end of the month, Sarah doesn't break even on the
> card
>>>> processing fees. :)
>>>>
>>>> www.sarahtonin.com/wayward.htm
>>>>
>>>> Thank you for your attention to this matter,
>>>>
>>>> Sarah Jane Burke, RN <------------- :)
>>>>
>>>> (I'm a registered nurse now . . . so y
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