Home » The PARIS Forums » PARIS: Main » Are you terminating your Word Clock?
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| Re: Are you terminating your Word Clock? [message #55587 is a reply to message #55583] |
Tue, 12 July 2005 10:53   |
Neil
Messages: 1645
Registered: April 2006
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Senior Member |
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>
>>>>
>>>>
>>>>
>>>>
>>>>"Dan B" <daniel_burne@yahooNOSPAM.com> wrote:
>>>>
>>>>
>>>>>Hi,
>>>>>
>>>>>In short - comments on $400-700 multichannel mic pre's - e.g.
>>>>>Focusrite Octopre
>>>>>Focusrite Octopre LE
>>>>>Presonus Digimax LT
>>>>>Presonus MP20
>>>>>Presonus Bluetube
>>>>>Presonus Firepod
>>>>>M-Audio Octane
>>>>>dbx 386
>>>>>
>>>>>
>>>>>In long... Mic pre wise at the moment I have only a Focusrite Platinum
>>
>> Voicemaster
>>
>>>>>and a Soundcraft Spirit Folio Desk. I suspect the desk is the weak link
>>>>
>>>>in
>>>>
>>>>
>>>>>my studio, and so am after some replacement pres. The budget's limited
>>
>> (ideally
>>
>>>>>$600 ish, but may be able to stretch). Ideally it would have 8 channels,
>>>>>but some have suggested I'd be better buying a decent 2 (or 4) channel
>>
>> unit,
>>
>>>>>and using the desk for the rest. That way acoustic guitar could be recorded
>>>>>with 3 mics through decent pres. I'd only need to use the desk pres
for
>>>>
>>>>extra
>>>>
>>>>
>>>>>drum mics beyond the 3 channels (each instrument tracked individually).
>>>>
>>>>It'd
>>>>
>>>>
>>>>>only be worth investing the money in an 8 channel pre if they're going
>>
>> to
>>
>>>>>be a fairly significantly better than those in the desk.
>>>>>
>>>>>Many thanks for any advice / suggestions.
>>>>>
>>>>>BTW, mic wise I'm using AT4033a's as O/Hs / Vocals / acoustic guitar,
>>
>> C418s
>>
>>>>>on toms / snare top, SM57 (underneath snare), D112 kick. I *may* buy
a
>>
>> Rode
>>
>>>>>NTK (valve) for vocals / acoustic guitar.
>>>>
>>>>
>>I have always used 44.1 but have been wondering lately if I am missing out.
Are many Paris only guys using 48 all the time? is the slight difference
worth it if there is going to be file conversion?
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>This is one reason why I'm pretty sure my use of 96kHz will be limited.
I'm
>not sure I could even track 10 sources simultaneously at 96k on my current
>Cubase rig (AMD XP3000 running 2Gigs of PC 2700 DDR with ATA 133 audio
>drive.).
>
>Thanks,
>
>Deej
>
>
>"DT" <dterry@no_spamkeyofd.net> wrote in message
>news:BF090D88.32F0%dterry@no_spamkeyofd.net...
>> I'm still sticking to 44.1/48k as most of my work is composing, arranging,
>> and production - quite difficult to run 96k on projects with large
>> orchestral libraries, samplers and softsynths that already tax my PC to
>it's
>> limit. I do plan, and need to start moving to 96k soon, at least for
>> acoustic recordings. I'm looking into building an Athlon X2 before I
do
>> much with it though. Compatibility is still up in the air for
>motherboards
>> and X2's right now (esp. with UAD-1s).
>>
>> Regards,
>> Dedric
>>
>> On 7/23/05 10:28 PM, in article 42e318fb@linux, "DJ"
>> <animix_spam-this-ahole_@animas.net> wrote:
>>
>> > I'll bet some of you have probably done this already, but I'm been
>curious
>> > for years about the *real deal* with native DAWs at 96kHz vs Paris at
>> > 44.1kHz. I've heard 96kHz recordings done in both Nuendo and ProTools
HD
>but
>> > I've just never been able to get them into some sort of A/B situation
in
>my
>> > own studio. I've got Mytek 96kHz A/D converter here and I've spent
part
>of
>> > the day getting this happening in a situation where I can actually track
>to
>> > SX and achieve a hi rez D/A conversion so I can use my headphone
>monitoring
>> > system in a real life tracking scenario. I've also purchased an RME
>> > Multiface and PCI card which will be integrated into the dual DAW
>situation
>> > I've got going here and will also provide me the capability of doing
>limited
>> > (10 tracks simultaneously) tracking sessions at 96kHz - gotta' be able
>to
>> > advertize this. I'm one of two studios that can't do hi rez and I feel
>like
>> > I need the capability, if for no other reason than to just say that
I
>can.
>> > I've also got DVD authoring capabilities in Wavelab 5.0. I'm real
>curious to
>> > know if it's really *that much better* than Paris at 44.1, both in a
>> > scenario where I am tracking 96kHz and then doing a SRC to 44.1and
>comparing
>> > this to Paris and also just comparing a small mix of a number of
>acoustic
>> > instruments at 96kHz in SX vs the same bunch of instruments in Paris
at
>> > 44.1.
>> >
>> > The Multiface should be here mid week and I'm sure I'll have to do a
bit
>of
>> > IRQ chasing to get my DAW happy with this and the existing pair of HDSP
>> > 9652's.
>> >
>> > I'll keep the group posted about this and if someone else has done/is
>doing
>> > this already, I'd be really interested in hearing your impressions of
>the
>> > comparisons.
>> >
>> > Rick, Dedric, Dave, Gene.........you guys tried this yet?
>> >
>> > Deej
>> >
>> >
>>
>
>Some dude in NSW about 150km south of Syndey is selling my favourite stage
piano for what I consider to be, at most, half of market value, WITH a keyboard
amp and a stand!!
Problem is I already have one of these... ;o) ...and I'm not that cashed
up.
Thing is for various reasons I'm pretty sure these will be collectable in
a decade or so. The manufacturer has decided it's not viable to make them,
and I'm pretty sure in the future these babies will be worth a lot more than
the $4000 I paid for mine new, or indeed the $1000 this guy is selling it
for complete with amp and stand.
I get free fuel, so the question is, do I want to spend the money just to
have a spare, and do I want to spend all next weekend driving up to Sydney
and back...?
Cheers,
Kim.That's a tough one. Can't say I've ever looked at keyboards as a worthwhile
longterm investment, considering the devaluation hit most take. Rarely do I
find a keyboard on ebay selling for more than original retail - usually only
the rare prototype or "5 in existence" boards go up.
Which piano is it (don't worry, it's way too far to drive to Sydney from
Colorado, USA :-)?
I usually ask myself if it would be of as much value to me as whatever else
I would spend the money on.... but I can't say that really helped much. ;-)
Regards,
Dedric
On 7/24/05 9:02 PM, in article 42e4564e$1@linux, "Kim"
<hiddensounds@hotmail.com> wrote:
>
>
> Some dude in NSW about 150km south of Syndey is selling my favourite stage
> piano for what I consider to be, at most, half of market value, WITH a
> keyboard
> amp and a stand!!
>
> Problem is I already have one of these... ;o) ...and I'm not that cashed
> up.
>
> Thing is for various reasons I'm pretty sure these will be collectable in
> a decade or so. The manufacturer has decided it's not viable to make them,
> and I'm pretty sure in the future these babies will be worth a lot more than
> the $4000 I paid for mine new, or indeed the $1000 this guy is selling it
> for complete with amp and stand.
>
> I get free fuel, so the question is, do I want to spend the money just to
> have a spare, and do I want to spend all next weekend driving up to Sydney
> and back...?
>
> Cheers,
> Kim.Used to be a guy down there that played w/such folks as Morgan Cryar. Mark
Pogue... don't know if he is still in Houston or not. Decent player.
Seemed like aa nice guy but that was years ago and I didn't know him real
well.
Dubya Mark Wilson
"Mark McCurdy" <gmmccurdy@hotmail.com> wrote in message
news:42e0eaff@linux...
> Sorry, wayyyy offf topic but does anyone know a guitar player in Houston,
> TX who would be interested in playing in a Praise and Worship band? I need
> one BAD.
>"here's the plan..." Intone A. Powers... "We get the warhead and hold the
world hostage for.... (tympany)"
ahh, you know the rest.
Dubya
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:42e318fb@linux...
> I'll bet some of you have probably done this already, but I'm been curious
> for years about the *real deal* with native DAWs at 96kHz vs Paris at
> 44.1kHz. I've heard 96kHz recordings done in both Nuendo and ProTools HD
> but
> I've just never been able to get them into some sort of A/B situation in
> my
> own studio. I've got Mytek 96kHz A/D converter here and I've spent part
> of
> the day getting this happening in a situation where I can actually track
> to
> SX and achieve a hi rez D/A conversion so I can use my headphone
> monitoring
> system in a real life tracking scenario. I've also purchased an RME
> Multiface and PCI card which will be integrated into the dual DAW
> situation
> I've got going here and will also provide me the capability of doing
> limited
> (10 tracks simultaneously) tracking sessions at 96kHz - gotta' be able to
> advertize this. I'm one of two studios that can't do hi rez and I feel
> like
> I need the capability, if for no other reason than to just say that I can.
> I've also got DVD authoring capabilities in Wavelab 5.0. I'm real curious
> to
> know if it's really *that much better* than Paris at 44.1, both in a
> scenario where I am tracking 96kHz and then doing a SRC to 44.1and
> comparing
> this to Paris and also just comparing a small mix of a number of acoustic
> instruments at 96kHz in SX vs the same bunch of instruments in Paris at
> 44.1.
>
> The Multiface should be here mid week and I'm sure I'll have to do a bit
> of
> IRQ chasing to get my DAW happy with this and the existing pair of HDSP
> 9652's.
>
> I'll keep the group posted about this and if someone else has done/is
> doing
> this already, I'd be really interested in hearing your impressions of the
> comparisons.
>
> Rick, Dedric, Dave, Gene.........you guys tried this yet?
>
> Deej
>
>I think boards rarely go up in the immediate future. Usually the first 10
years is a hard time for a keyboard's price, but after 20 years or so often
they start to hit back. For example I know the Roland Juno keyboards, in
Australia in the early 90's they were going for $350-$400. These days however,
I spent $700 on a Juno-60 just recently, and most people think I got a pretty
good deal with it.
I was talking to a keyboard player on Saturday night who played Wurlizters.
He said he bought his first one in about 87 for $200, then another in 95
for $1600, and one just recently for $2500 or something.
The big question is whether or not a given board will fall into that bracket
where, ten years later, people will realise that it has something that no
other keyboard does, and I have a feeling this one will...
....I sent you an email with specifics of why. :o)
Cheers,
Kim.
DT <dterry@no_spamkeyofd.net> wrote:
>That's a tough one. Can't say I've ever looked at keyboards as a worthwhile
>longterm investment, considering the devaluation hit most take. Rarely
do I
>find a keyboard on ebay selling for more than original retail - usually
only
>the rare prototype or "5 in existence" boards go up.
>
>Which piano is it (don't worry, it's way too far to drive to Sydney from
>Colorado, USA :-)?
>
>I usually ask myself if it would be of as much value to me as whatever else
>I would spend the money on.... but I can't say that really helped much.
;-)
>
>Regards,
>Dedric
>
>On 7/24/05 9:02 PM, in article 42e4564e$1@linux, "Kim"
><hiddensounds@hotmail.com> wrote:
>
>>
>>
>> Some dude in NSW about 150km south of Syndey is selling my favourite stage
>> piano for what I consider to be, at most, half of market value, WITH a
>> keyboard
>> amp and a stand!!
>>
>> Problem is I already have one of these... ;o) ...and I'm not that cashed
>> up.
>>
>> Thing is for various reasons I'm pretty sure these will be collectable
in
>> a decade or so. The manufacturer has decided it's not viable to make them,
>> and I'm pretty sure in the future these babies will be worth a lot more
than
>> the $4000 I paid for mine new, or indeed the $1000 this guy is selling
it
>> for complete with amp and stand.
>>
>> I get free fuel, so the question is, do I want to spend the money just
to
>> have a spare, and do I want to spend all next weekend driving up to Sydney
>> and back...?
>>
>> Cheers,
>> Kim.
>You know you have to have this........or...........
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e4564e$1@linux...
>
>
> Some dude in NSW about 150km south of Syndey is selling my favourite stage
> piano for what I consider to be, at most, half of market value, WITH a
keyboard
> amp and a stand!!
>
> Problem is I already have one of these... ;o) ...and I'm not that cashed
> up.
>
> Thing is for various reasons I'm pretty sure these will be collectable in
> a decade or so. The manufacturer has decided it's not viable to make them,
> and I'm pretty sure in the future these babies will be worth a lot more
than
> the $4000 I paid for mine new, or indeed the $1000 this guy is selling it
> for complete with amp and stand.
>
> I get free fuel, so the question is, do I want to spend the money just to
> have a spare, and do I want to spend all next weekend driving up to Sydney
> and back...?
>
> Cheers,
> Kim."DJ" <animix_spam-this-ahole_@animas.net> wrote:
>You know you have to have this........or...........
>
;oP Hehe... well unfortunately I fear you're right...
....which means an extra month before I can afford to move... erghhh....
Cheers,
Kim............so what? How could a simple thing like needing a new place to live
ever compete with rampant gearlust?
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e46bf5$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >You know you have to have this........or...........
> >
> ;oP Hehe... well unfortunately I fear you're right...
>
> ...which means an extra month before I can afford to move... erghhh....
>
> Cheers,
> Kim."DJ" <animix_spam-this-ahole_@animas.net> wrote:
>..........so what? How could a simple thing like needing a new place to
live
>ever compete with rampant gearlust?
Well it's not that simple you see. I mean sure, I could just live on the
street with all my gear under a tarp, no problem at all...
....but they don't do broadband internet with static IP's to cardboard boxes
in your local park down here, and hence I wouldn't be able to host the newsgroup
any more, and that, of course, would mean not only would I not know what
to buy any more, but I wouldn't get nearly enough encouragement to buy things
that I don't really need, plus I would have nobody to gloat to when I buy
things! ;o)
Hence, while choosing gear above a place to live my seem a simple choice,
in my case there are a few more complications. ;o)
I've just found out that work may have an opportunity for me to finish the
day in Seymour on Friday, which is two hours towards Sydney, and I would
probably be able to finish about 3pm, which means I could be there that night...
....and get back Saturday. :o)
Cheers,
Kim.
Cheers,
Kim.............so that's the plan eh? Sounds like you've worked it
out........remember though, you're paying the same amount for a great big
keyboard, one of which that you already have, that you would be paying for a
Benchmark DAC-1.
You need to be absolutely sure that you're sluttin' around the proper places
mate.
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e47560$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >..........so what? How could a simple thing like needing a new place to
> live
> >ever compete with rampant gearlust?
>
> Well it's not that simple you see. I mean sure, I could just live on the
> street with all my gear under a tarp, no problem at all...
>
> ...but they don't do broadband internet with static IP's to cardboard
boxes
> in your local park down here, and hence I wouldn't be able to host the
newsgroup
> any more, and that, of course, would mean not only would I not know what
> to buy any more, but I wouldn't get nearly enough encouragement to buy
things
> that I don't really need, plus I would have nobody to gloat to when I buy
> things! ;o)
>
> Hence, while choosing gear above a place to live my seem a simple choice,
> in my case there are a few more complications. ;o)
>
> I've just found out that work may have an opportunity for me to finish the
> day in Seymour on Friday, which is two hours towards Sydney, and I would
> probably be able to finish about 3pm, which means I could be there that
night...
>
> ...and get back Saturday. :o)
>
> Cheers,
> Kim.
>
> Cheers,
> Kim."DJ" <animix_spam-this-ahole_@animas.net> wrote:
>....remember though, you're paying the same amount for a great big
>keyboard, one of which that you already have, that you would be paying for
a
>Benchmark DAC-1.
Well aint that the truth! Mind you a DAC-1 is more like $1500 in these parts,
or more even I beleive. I'm told I can get one for a little under $1500 I
think I was told.
And I'm planning to sell the amp and stand which come with the keyboard,
so hopefully I'll only have to outlay $6-700 for the keyboard all up, which
is only half the price of the DAC-1...
....and honestly, you have no idea how much I hate having to set th keyboard
back up after a gig/rehearsal, nor how much I love to play the things. ;o)
Cheers,
Kim.Morgan Cryar... man that is a name I haven't heard in years. :)
"W. Mark Wilson" <wmarkwilson@verizon.net> wrote in message
news:42e46404$1@linux...
> Used to be a guy down there that played w/such folks as Morgan Cryar.
> Mark Pogue... don't know if he is still in Houston or not. Decent player.
> Seemed like aa nice guy but that was years ago and I didn't know him real
> well.
>
> Dubya Mark Wilson
>
> "Mark McCurdy" <gmmccurdy@hotmail.com> wrote in message
> news:42e0eaff@linux...
>> Sorry, wayyyy offf topic but does anyone know a guitar player in Houston,
>> TX who would be interested in playing in a Praise and Worship band? I
>> need one BAD.
>>
>
>Hi,
I'm a long time member here - although more a lurker than anything else. I
still run an rock steady Paris setup on my old PII-350 with Win98SE, and
read the newsgroups daily.
Anyway, I'm involved in a computer support start-up and would love your
feedback on some proposed logos for the new business. The name is GeekMobile
and I've setup a quick poll at the address below. There's no signup of any
kind required. Just 5 logos inside one small gif, and a voting box with
corresponding numbers 1 to 5.
It'll literally take a few seconds to give me your input. So much
appreciated if you do!
Thanks
--
Best,
Pete AlecI believe he is a PARIS user and has posted to this group.
Dubya
"Mark McCurdy" <gmmccurdy@hotmail.com> wrote in message
news:42e4d09d@linux...
> Morgan Cryar... man that is a name I haven't heard in years. :)
>
> "W. Mark Wilson" <wmarkwilson@verizon.net> wrote in message
> news:42e46404$1@linux...
>> Used to be a guy down there that played w/such folks as Morgan Cryar.
>> Mark Pogue... don't know if he is still in Houston or not. Decent
>> player. Seemed like aa nice guy but that was years ago and I didn't know
>> him real well.
>>
>> Dubya Mark Wilson
>>
>> "Mark McCurdy" <gmmccurdy@hotmail.com> wrote in message
>> news:42e0eaff@linux...
>>> Sorry, wayyyy offf topic but does anyone know a guitar player in
>>> Houston, TX who would be interested in playing in a Praise and Worship
>>> band? I need one BAD.
>>>
>>
>>
>
>And the address would be....
http://polls.geekmobile.com.au/
Doh!
"Amuse" <petealec@bigpond.net.au> wrote in message news:42e4e39c@linux...
> Hi,
>
> I'm a long time member here - although more a lurker than anything else. I
> still run an rock steady Paris setup on my old PII-350 with Win98SE, and
> read the newsgroups daily.
>
> Anyway, I'm involved in a computer support start-up and would love your
> feedback on some proposed logos for the new business. The name is
GeekMobile
> and I've setup a quick poll at the address below. There's no signup of any
> kind required. Just 5 logos inside one small gif, and a voting box with
> corresponding numbers 1 to 5.
>
> It'll literally take a few seconds to give me your input. So much
> appreciated if you do!
>
> Thanks
>
> --
> Best,
> Pete Alec
>
>Unfortunatly, there is no clock out on the Mytek stereo DAC.
I would have been thrilled.
I do, however, have a decent Aardvark WC and a second Ardsync DA
distributor.
My next project is to buy Zaolla connectors, which I've found a great
price dealer on eBay; and pair them with Canare cable.
El Miguel
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:42e0fd70@linux...
> Nice, aren't they? You get great converters and a great clock as well.
>
>
> "Miguel Vigil" <nospam@nospam.com> wrote in message
news:42e0f64a$1@linux...
> > FWIW,
> >
> > I recently bought off eBay, a Mytek Stereo DAC 96k and it makes even
mp3s
> > purr...
> >
> >
> > El Miguel
> >
> >
> >
> >
> > "Kim" <hiddensounds@hotmail.com> wrote in message
news:42df078f$1@linux...
> > >
> > > "Miguel Vigil" <nospam@nospam.com> wrote:
> > > >Kim,
> > > >
> > > >Don't you use a MEC i/o or 442?
> > >
> > > Indeed... both in fact, hence for Paris I could use these for my
SPDIF
> > I/O.
> > > The soundcard's digital I/O would be more for Wavelab, and/or for
> whatever
> > > else I use the box for. I plan for the machine to have multiple boots,
> and
> > > under one of them it may end up as my jukebox/media centre, hence a
> > digital
> > > output would allow me to run an external DAC in the future for my
casual
> > > listening... ...of course a quality DAC is kinda wasted on MP3's,
but
> > > still. ;o)
> > >
> > > Cheers,
> > > Kim.
> >
> >
>
>While we have the capability to track at 96K via the Nuendo badged RME
8I/O96, I have never seriously tried it. The issue is in monitoring.
At the moment, the older 9652 card we have is pre-DSP and does not
have total mix capability. This would make low latency monitoring
virtually impossible, so I could only do this for sessions where
overdubs or headphones are not used. Once we get the DM2K installed,
I will definitely be giving this a go... kinda curious myself.
David.
DJ wrote:
> I'll bet some of you have probably done this already, but I'm been curious
> for years about the *real deal* with native DAWs at 96kHz vs Paris at
> 44.1kHz. I've heard 96kHz recordings done in both Nuendo and ProTools HD but
> I've just never been able to get them into some sort of A/B situation in my
> own studio. I've got Mytek 96kHz A/D converter here and I've spent part of
> the day getting this happening in a situation where I can actually track to
> SX and achieve a hi rez D/A conversion so I can use my headphone monitoring
> system in a real life tracking scenario. I've also purchased an RME
> Multiface and PCI card which will be integrated into the dual DAW situation
> I've got going here and will also provide me the capability of doing limited
> (10 tracks simultaneously) tracking sessions at 96kHz - gotta' be able to
> advertize this. I'm one of two studios that can't do hi rez and I feel like
> I need the capability, if for no other reason than to just say that I can.
> I've also got DVD authoring capabilities in Wavelab 5.0. I'm real curious to
> know if it's really *that much better* than Paris at 44.1, both in a
> scenario where I am tracking 96kHz and then doing a SRC to 44.1and comparing
> this to Paris and also just comparing a small mix of a number of acoustic
> instruments at 96kHz in SX vs the same bunch of instruments in Paris at
> 44.1.
>
> The Multiface should be here mid week and I'm sure I'll have to do a bit of
> IRQ chasing to get my DAW happy with this and the existing pair of HDSP
> 9652's.
>
> I'll keep the group posted about this and if someone else has done/is doing
> this already, I'd be really interested in hearing your impressions of the
> comparisons.
>
> Rick, Dedric, Dave, Gene.........you guys tried this yet?
>
> Deej
>
>so now tell me what you want. some of the files obviously were a bit
hot and others not even close to overs; others have already had some
limiting so...
shoot me your phone # so we can talk.#3 will more likely get you laid than the others cuz you look just so
dang cute in your car...
On Mon, 25 Jul 2005 23:30:00 +1000, "Amuse" <petealec@bigpond.net.au>
wrote:
>And the address would be....
>
>
>http://polls.geekmobile.com.au/
>
>
>Doh!
>
>
>
>"Amuse" <petealec@bigpond.net.au> wrote in message news:42e4e39c@linux...
>> Hi,
>>
>> I'm a long time member here - although more a lurker than anything else. I
>> still run an rock steady Paris setup on my old PII-350 with Win98SE, and
>> read the newsgroups daily.
>>
>> Anyway, I'm involved in a computer support start-up and would love your
>> feedback on some proposed logos for the new business. The name is
>GeekMobile
>> and I've setup a quick poll at the address below. There's no signup of any
>> kind required. Just 5 logos inside one small gif, and a voting box with
>> corresponding numbers 1 to 5.
>>
>> It'll literally take a few seconds to give me your input. So much
>> appreciated if you do!
>>
>> Thanks
>>
>> --
>> Best,
>> Pete Alec
>>
>>
>lol... yeah!!!
"rick" <parnell68@hotmail.com> wrote in message
news:cb2ae19nqdto1h5s0p0rhab2vumk939irk@4ax.com...
> #3 will more likely get you laid than the others cuz you look just so
> dang cute in your car...
>
> On Mon, 25 Jul 2005 23:30:00 +1000, "Amuse" <petealec@bigpond.net.au>
> wrote:
>
>>And the address would be....
>>
>>
>>http://polls.geekmobile.com.au/
>>
>>
>>Doh!
>>
>>
>>
>>"Amuse" <petealec@bigpond.net.au> wrote in message news:42e4e39c@linux...
>>> Hi,
>>>
>>> I'm a long time member here - although more a lurker than anything else.
>>> I
>>> still run an rock steady Paris setup on my old PII-350 with Win98SE, and
>>> read the newsgroups daily.
>>>
>>> Anyway, I'm involved in a computer support start-up and would love your
>>> feedback on some proposed logos for the new business. The name is
>>GeekMobile
>>> and I've setup a quick poll at the address below. There's no signup of
>>> any
>>> kind required. Just 5 logos inside one small gif, and a voting box with
>>> corresponding numbers 1 to 5.
>>>
>>> It'll literally take a few seconds to give me your input. So much
>>> appreciated if you do!
>>>
>>> Thanks
>>>
>>> --
>>> Best,
>>> Pete Alec
>>>
>>>
>>
>Damn!!!!!!! That was fast. I just mailed it Friday. It usually takes 4-5
days to get mail here from anywhere. Guess it's faster going out?
I'll ring you up later as I'm on my way out the door right now, but
basically.............hear all of that granular distortion?????? Wavelab is
showing over 100k errors per 6 second interval.
You got anything that will cure it?
Talk later.
Cheers,
Deej
"rick" <parnell68@hotmail.com> wrote in message
news:du1ae1dsvqr70p2e8np5abmnp55lr99515@4ax.com...
> so now tell me what you want. some of the files obviously were a bit
> hot and others not even close to overs; others have already had some
> limiting so...
>
> shoot me your phone # so we can talk.Maybe he needs some glasses too? ;) Thanks...
"rick" <parnell68@hotmail.com> wrote in message
news:cb2ae19nqdto1h5s0p0rhab2vumk939irk@4ax.com...
> #3 will more likely get you laid than the others cuz you look just so
> dang cute in your car...
>SInce Jan 2005, has anyone gotten super clock to work on a multi card rig?
I just tried to check it out amd Paris wont start saying there is no interface
connected.
I'd love to hear the difference, as I am using wordclock now.Hey Rick,
I'm 970-375-7081
Give me a call.
Deej
"rick" <parnell68@hotmail.com> wrote in message
news:du1ae1dsvqr70p2e8np5abmnp55lr99515@4ax.com...
> so now tell me what you want. some of the files obviously were a bit
> hot and others not even close to overs; others have already had some
> limiting so...
>
> shoot me your phone # so we can talk.Why the music biz sucks...
http://www.foxnews.com/story/0,2933,163537,00.htmloutrageous that Eliot Spitzer has nothing better to worry about
"DC" <dcicchetti@finkpatrol.com> wrote in message news:42e57f2a$1@linux...
>
> Why the music biz sucks...
>
>
> http://www.foxnews.com/story/0,2933,163537,00.html
>
>Hardly a surprise though. I wonder if all this will make any difference.
"DC" <dcicchetti@finkpatrol.com> wrote:
>
>Why the music biz sucks...
>
>
>http://www.foxnews.com/story/0,2933,163537,00.html
>
>Son't suppose anybody has any experience repairing keyboards? In particular
a friend of mine has a Roland RD-600 where one of the keys doesn't rebound.
I'm sure it must be something simple. I should try a little harder to get
it open and have a look...
Just wondering if anyone knows what causes this. I'm guessing it happens
a lot.
Or, if you don't know how to fix it, and chance you know the right words
to use to describe it to google? ;o)
Cheers,
Kim.10/4 there big guy.
On Mon, 25 Jul 2005 18:07:05 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>Hey Rick,
>
>I'm 970-375-7081
>
>Give me a call.
>
>Deej
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:du1ae1dsvqr70p2e8np5abmnp55lr99515@4ax.com...
>> so now tell me what you want. some of the files obviously were a bit
>> hot and others not even close to overs; others have already had some
>> limiting so...
>>
>> shoot me your phone # so we can talk.
>"girls don't make passes at guys who wear glasses"
On Tue, 26 Jul 2005 07:33:52 +1000, "Amuse" <petealec@bigpond.net.au>
wrote:
>Maybe he needs some glasses too? ;) Thanks...
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:cb2ae19nqdto1h5s0p0rhab2vumk939irk@4ax.com...
>> #3 will more likely get you laid than the others cuz you look just so
>> dang cute in your car...
>>
>damn, you think it's too late to ask for some money to never make a
record? hell, how can that be illegal.
On 26 Jul 2005 10:09:14 +1000, "DC" <dcicchetti@finkpatrol.com> wrote:
>
>Why the music biz sucks...
>
>
>http://www.foxnews.com/story/0,2933,163537,00.html
>Hi Kim, I have an old Roland FP8 that had some serious road usage on it
which I bought for next to nothing. Power supply had cold solder joints, 4
keys weren't working at all and 3 were sticking kind a like you described. I
took it apart and fixed the pwr supply, found a bad ribbon cable connection
that fixed the 4 keys and the 3 sticky keys were due to the felt cushion
that the key rests on when pushed. Turn's out the cushion had pushed aside
therefore exposing the glue that is suppose to keep it in place, when the
key came down, it would stick and take about 2 second to go back. I
re-installed the felt cushion and prob fixed. All that and a good paint job
and I now have a pretty good studio keyboard for giga'ing...!! If the key
stays down, then i'm not sure in this case but it looks like some kind of
counter weight mechanism malfunction.
Good luck and hope this helps bro.
Rob A
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e5f7f9$1@linux...
>
>
> Son't suppose anybody has any experience repairing keyboards? In
> particular
> a friend of mine has a Roland RD-600 where one of the keys doesn't
> rebound.
> I'm sure it must be something simple. I should try a little harder to get
> it open and have a look...
>
> Just wondering if anyone knows what causes this. I'm guessing it happens
> a lot.
>
> Or, if you don't know how to fix it, and chance you know the right words
> to use to describe it to google? ;o)
>
> Cheers,
> Kim."Kim" <hiddensounds@hotmail.com> wrote:
>Or, if you don't know how to fix it, and chance you know the right words
>to use to describe it to google? ;o)
I would try typing in:
RD 600 keyboard repair OR:
RD 600 "sticky key" remedy OR, perhaps:
RD 600 beer spillage
:)"Amuse" <petealec@bigpond.net.au> wrote:
>And the address would be....
>
>
>http://polls.geekmobile.com.au/
I like #1 best for the overall design or look, but the part in
the middle looks like it's saying "G3" instead of "G-with-a-
sideways-'M'". Dunno if that would confuse people.
Next, I like #2 for it's clean lines & ease of reading (I'm
trying to envision it passing by on the "-mobile" itself), but
#3 is probably the catchiest overall - depends if you want to
convey a sense of mirth or professionalism. I think #2 conveys
professionalism with just a touch of mirth (the propeller),
whereas #3 is more mirth. Dunno if the wrench implies only major
problems (IOW, subconciously, what are people going to get from
the wrench - that they should only call you if something's
REALLY screwed up? Because obviously you don't use a wrench
very often on a computer. Not sure... something about the
wrench sends the wrong message).
Finally, I think that no matter which logo you go with, you
should incorporate the "computer support on call" slogan into
it... that sends the message of promptness, rapidity of
response, no appointment needed, etc. I think that saying will
generate more business for you if that's a part of the logo.
Just my $0.02
Neil"justcron" <justcron@hydrorecords.compound> wrote:
>outrageous that Eliot Spitzer has nothing better to worry about
>
>No It's outrageous that this shit has been going on for way tooo
long-Do you like having crap thrown at you all the time?
JM"Jason Miles" <JMiles45@aol.com> wrote in message news:42e63b44$1@linux...
>
> "justcron" <justcron@hydrorecords.compound> wrote:
>>outrageous that Eliot Spitzer has nothing better to worry about
>>
>>No It's outrageous that this shit has been going on for way tooo
> long-Do you like having crap thrown at you all the time?
heh.. what? I thought you were successful? payola holding you back?A friend of mine was recently saying that he wants to put me in
touch with a friend of his who is a music teacher at a local
high school... reason being that his students are more & more
often having the need to record audition pieces for college (if
they're applying for music programs), or sometimes regional
competitions... plus their parents are willing to buy 1-off
CD's of their performances (whether alone in the studio, to
document their progress as time goes by - kinda like a family
photo album, but with music instead of pictures) or in
ensembles at live performaces where remote recording
capabilities would come in handy. The reason he knows this is
that he has two boys that are trumpet players... one of the
kids is a senior in HS and is getting a music scholarship,
the other one is a few years younger, and is more or less
following the same path. He tells me that he & other parents
have purchased CD's of their kids' performances with
bands/orchestras & the recording quality varies widely from one
to another; same thing with audition CD-R's that his older kid
had to do for college, and those of the other kids that he's
heard through other parents playing them for him.
So, the bottom line is - he thinks I could make a ton of money
tapping into this market from high schools all the way down to
middle school kids, even. What do you guys think about this...
is this sort of thing common in your area too? If it is, it
might even be something you might want to check into in your
area for small projects to fill in any down time between larger
projects. Obviously, you'd have to not mind working with kids
(I think before I had a kid of my own, I would have responded
to his suggestion with: "GEEZ, I don't want to work with a
bunch of kids all that often!"), but if that's not a problem,
it might mean some extra dough for you.
BTW, he said one of the biggest sources of income from this
would be where you contract to record a live performance for
free, but you then turn around & sell the CD's you burn off to
the parents for $15 each, or whatever. Kinda like the
photogs do at graduations class picture sittings or other
school events... they contract to shoot EVERYBODY, knowing that
some parents will buy the shots & others won't. The audition
CD's are obviously something that you'd be doing more with
seniors trying to get into college music programs, etc.
Thoughts?
NeilHas anyone run across any time alignment problems after using this app
Thanks
Don>but you then turn around & sell the CD's you burn off to the parents for
$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
I think the idea is a good one. Just give them an hourly rate if a bunch of
them want to get together and bring all their kids in on a
Saturday.........'cause that's what they'll want to do to try to keep the
costs down.
I know a few music teachers here. I would try this except for the fact that
our studio is in a house with dogs bigger than most kids and as sweet as
these dogs are, if one of them accidentally hurt a kid......well, I don't
even want to think about it. We already lost one dog to a studio mishap. If
I had a commercial facility with commercial liability insurance, it would be
a different story. I've talked to a couple of companies about this and when
they hear we've got a couple of 160lb dogs, it gets complicated.
You can lose your *** if you advertise a service in your home and something
bad happens.........and your insurance company comes along and
says.........."yeah, you're covered for this, this, and this...........but
not "that". Something to think about in this litiginnous day and age.
;o}
"Neil" <IOUIU@IU.com> wrote in message news:42e63c51$1@linux...
>
> A friend of mine was recently saying that he wants to put me in
> touch with a friend of his who is a music teacher at a local
> high school... reason being that his students are more & more
> often having the need to record audition pieces for college (if
> they're applying for music programs), or sometimes regional
> competitions... plus their parents are willing to buy 1-off
> CD's of their performances (whether alone in the studio, to
> document their progress as time goes by - kinda like a family
> photo album, but with music instead of pictures) or in
> ensembles at live performaces where remote recording
> capabilities would come in handy. The reason he knows this is
> that he has two boys that are trumpet players... one of the
> kids is a senior in HS and is getting a music scholarship,
> the other one is a few years younger, and is more or less
> following the same path. He tells me that he & other parents
> have purchased CD's of their kids' performances with
> bands/orchestras & the recording quality varies widely from one
> to another; same thing with audition CD-R's that his older kid
> had to do for college, and those of the other kids that he's
> heard through other parents playing them for him.
>
> So, the bottom line is - he thinks I could make a ton of money
> tapping into this market from high schools all the way down to
> middle school kids, even. What do you guys think about this...
> is this sort of thing common in your area too? If it is, it
> might even be something you might want to check into in your
> area for small projects to fill in any down time between larger
> projects. Obviously, you'd have to not mind working with kids
> (I think before I had a kid of my own, I would have responded
> to his suggestion with: "GEEZ, I don't want to work with a
> bunch of kids all that often!"), but if that's not a problem,
> it might mean some extra dough for you.
>
> BTW, he said one of the biggest sources of income from this
> would be where you contract to record a live performance for
> free, but you then turn around & sell the CD's you burn off to
> the parents for $15 each, or whatever. Kinda like the
> photogs do at graduations class picture sittings or other
> school events... they contract to shoot EVERYBODY, knowing that
> some parents will buy the shots & others won't. The audition
> CD's are obviously something that you'd be doing more with
> seniors trying to get into college music programs, etc.
>
> Thoughts?
>
> NeilSorry I should have mentioned going from Wav to PAF
Duh!
Don
"Don Nafe" <dnafe@magma.ca> wrote in message news:42e64182@linux...
> Has anyone run across any time alignment problems after using this app
>
> Thanks
>
> Don
>Hi Rick,
Sorry, I thought from you post that you wanted to call. I'm going to be gone
all day but I'lltry to reach you tonight by p[hone. I've still got your ##
around here. In the meantime........just yell at those songs until they
agree with you/
(damn, that was a really funny one!!! ;o)
Thanks,
Deej
"rick" <parnell68@hotmail.com> wrote in message
news:lcube1he1254r9jvntrcjmh7tcmg50qlhm@4ax.com...
> "girls don't make passes at guys who wear glasses"
>
>
>
> On Tue, 26 Jul 2005 07:33:52 +1000, "Amuse" <petealec@bigpond.net.au>
> wrote:
>
> >Maybe he needs some glasses too? ;) Thanks...
> >
> >"rick" <parnell68@hotmail.com> wrote in message
> >news:cb2ae19nqdto1h5s0p0rhab2vumk939irk@4ax.com...
> >> #3 will more likely get you laid than the others cuz you look just so
> >> dang cute in your car...
> >>
> >
>Anything I should tell y elctrician before he installs a ground in my house?
Turns out that this place (circa 1910) does not have one.
COuld this be my issue with occasional but ugly buzz and hum?what does your home studio and livestock have to do with providing that
service?
sounds like a great opportunity to create something out of what is
traditionally nothing.
the only recommendation I'd have is to make the work product look more
professional than a burned CD-R
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:42e6419d$1@linux...
> >but you then turn around & sell the CD's you burn off to the parents for
> $15 each, or whatever.
>
> And none of these parents or their kids have computers at home and would
> ever hose you by copying the original CD?
>
> I think the idea is a good one. Just give them an hourly rate if a bunch
> of
> them want to get together and bring all their kids in on a
> Saturday.........'cause that's what they'll want to do to try to keep the
> costs down.
>
> I know a few music teachers here. I would try this except for the fact
> that
> our studio is in a house with dogs bigger than most kids and as sweet as
> these dogs are, if one of them accidentally hurt a kid......well, I don't
> even want to think about it. We already lost one dog to a studio mishap.
> If
> I had a commercial facility with commercial liability insurance, it would
> be
> a different story. I've talked to a couple of companies about this and
> when
> they hear we've got a couple of 160lb dogs, it gets complicated.
>
> You can lose your *** if you advertise a service in your home and
> something
> bad happens.........and your insurance company comes along and
> says.........."yeah, you're covered for this, this, and this...........but
> not "that". Something to think about in this litiginnous day and age.
>
> ;o}
>
> "Neil" <IOUIU@IU.com> wrote in message news:42e63c51$1@linux...
>>
>> A friend of mine was recently saying that he wants to put me in
>> touch with a friend of his who is a music teacher at a local
>> high school... reason being that his students are more & more
>> often having the need to record audition pieces for college (if
>> they're applying for music programs), or sometimes regional
>> competitions... plus their parents are willing to buy 1-off
>> CD's of their performances (whether alone in the studio, to
>> document their progress as time goes by - kinda like a family
>> photo album, but with music instead of pictures) or in
>> ensembles at live performaces where remote recording
>> capabilities would come in handy. The reason he knows this is
>> that he has two boys that are trumpet players... one of the
>> kids is a senior in HS and is getting a music scholarship,
>> the other one is a few years younger, and is more or less
>> following the same path. He tells me that he & other parents
>> have purchased CD's of their kids' performances with
>> bands/orchestras & the recording quality varies widely from one
>> to another; same thing with audition CD-R's that his older kid
>> had to do for college, and those of the other kids that he's
>> heard through other parents playing them for him.
>>
>> So, the bottom line is - he thinks I could make a ton of money
>> tapping into this market from high schools all the way down to
>> middle school kids, even. What do you guys think about this...
>> is this sort of thing common in your area too? If it is, it
>> might even be something you might want to check into in your
>> area for small projects to fill in any down time between larger
>> projects. Obviously, you'd have to not mind working with kids
>> (I think before I had a kid of my own, I would have responded
>> to his suggestion with: "GEEZ, I don't want to work with a
>> bunch of kids all that often!"), but if that's not a problem,
>> it might mean some extra dough for you.
>>
>> BTW, he said one of the biggest sources of income from this
>> would be where you contract to record a live performance for
>> free, but you then turn around & sell the CD's you burn off to
>> the parents for $15 each, or whatever. Kinda like the
>> photogs do at graduations class picture sittings or other
>> school events... they contract to shoot EVERYBODY, knowing that
>> some parents will buy the shots & others won't. The audition
>> CD's are obviously something that you'd be doing more with
>> seniors trying to get into college music programs, etc.
>>
>> Thoughts?
>>
>> Neil
>
>nevermind, I thought it was about recording performances at an auditorium or
somethin
"justcron" <justcron@hydrorecords.compound> wrote in message
news:42e643b9@linux...
> what does your home studioPound about six 10' ground rods along one side of the foundation and
tie it all together with a nice piece of #6 wire leading to the
breaker panel. One rod will do nothing....
David.
cujo wrote:
> Anything I should tell y elctrician before he installs a ground in my house?
> Turns out that this place (circa 1910) does not have one.
> COuld this be my issue with occasional but ugly buzz and hum?"cujo" <chris@nospamapplemanstudio.com> wrote:
>
>Anything I should tell y elctrician before he installs a ground in my house?
>Turns out that this place (circa 1910) does not have one.
>COuld this be my issue with occasional but ugly buzz and hum?
There is a lot of “science” that can be applied to proper grounding. It can
get very complex and expensive. Good grounding practices not only help with
clicks and buzzes, but can dramatically reduce overall system noise. In a
digital studio this can make a noticeable difference.
Most local electricians don’t know anything about proper grounding for audio,
even if you supply a technical spec sheet.
A few basic concepts:
1. Integrity of the grounding point. – How deep, how oxidized, soil type,
how far from neutral tie down (closer is better).
2. Tight connections at all screw down points. Ideally this should be checked
with a meter, as should the increase in voltage between ground and neutral
as you get farther from the box. You should have a straight run from the
box to your main power in the studio. No bouncing from outlet to outlet before
the studio!
3. How clean is the power supplied from the street? Are you sharing a transformer
tap with multiple homes or businesses? Sometimes an isolation transformer
is needed to solve this.
4. If you have two or more phases are you maintaining reasonably balanced
load across the phases, and do you have all noisy items on a separate phase?
And equally important…are you using proper grounding techniques within the
studio? – Balanced audio connections, star ground, lifting unbalanced cases
from racks, heavy ground source cable.
Some things are obvious like triac light dimmers or florescent lights, but
high resistant (loose) power connections are often equally guilty.
Some electricians understand the “Hospital Standard” which calls for separate
ground lines for each outlet and orange duplex outlets. This is better than
nothing.
Power and ground integrity are often overlooked, even in ‘Pro” studios. Like
good acoustics, it’s not as sexy a full rack of blinking lights.
Gene;o).........well..........knowing my livestock, they would find me even if
my studio was in an auditorium somewhere. In fact, just about every
commercial establishment around here has the resident pooch. Maybe I'm being
overly cautious........but then again, maybe not.
"justcron" <justcron@hydrorecords.compound> wrote in message
news:42e646b0@linux...
> nevermind, I thought it was about recording performances at an auditorium
or
> somethin
>
> "justcron" <justcron@hydrorecords.compound> wrote in message
> news:42e643b9@linux...
> > what does your home studio
>
>The article makes the point that really awful music gets shoved
down the public's throat by a system that is anti-competitve
and corrupt. This hurts all of us. We would not tolerate it
among those who wire our buildings, work on our cars, or give us
colonoscopies, yet we are supposed to accept it as part of the
music biz?
Like hell.
I say fine 'em bigtime AND jail em. The public is NOT as stupid as
many musicians think. They just don't get to hear anything
that isn't promoted in this way.
DC
"Jason Miles" <JMiles45@aol.com> wrote:
>
>"justcron" <justcron@hydrorecords.compound> wrote:
>>outrageous that Eliot Spitzer has nothing better to worry about
>>
>>No It's outrageous that this shit has been going on for way tooo
>long-Do you like having crap thrown at you all the time?
>JMGood stuff Gene.
The only quibble I might have is about star grounding. It really
isn't needed if you do all the things you recommended below. If you
have a low-resistance earth ground, then you need a true IG
(isolated ground) wiring scheme for the studio power. This involves
an actual green wire in the conduit and good quality 3-prong outlets
instead of using the conduit for the ground. Electricians do know
what an IG ground system is, and if you combine it with a low-
resistance path to true earth ground, you do not need to star
ground the studio.
You will need, of course, to properly balance, interface, ground
reference, and isolate as required by your particular equipment.
DC
"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>"cujo" <chris@nospamapplemanstudio.com> wrote:
>>
>>Anything I should tell y elctrician before he installs a ground in my house?
>>Turns out that this place (circa 1910) does not have one.
>>COuld this be my issue with occasional but ugly buzz and hum?
>
>
>There is a lot of “science” that can be applied to proper grounding. It
can
>get very complex and expensive. Good grounding practices not only help with
>clicks and buzzes, but can dramatically reduce overall system noise. In
a
>digital studio this can make a noticeable difference.
>Most local electricians don’t know anything about proper grounding for audio,
>even if you supply a technical spec sheet.
>
>A few basic concepts:
>
>1. Integrity of the grounding point. – How deep, how oxidized, soil type,
>how far from neutral tie down (closer is better).
>2. Tight connections at all screw down points. Ideally this should be checked
>with a meter, as should the increase in voltage between ground and neutral
>as you get farther from the box. You should have a straight run from the
>box to your main power in the studio. No bouncing from outlet to outlet
before
>the studio!
>3. How clean is the power supplied from the street? Are you sharing a transformer
>tap with multiple homes or businesses? Sometimes an isolation transformer
>is needed to solve this.
>4. If you have two or more phases are you maintaining reasonably balanced
>load across the phases, and do you have all noisy items on a separate phase?
>
>And equally important…are you using proper grounding techniques within the
>studio? – Balanced audio connections, star ground, lifting unbalanced cases
>from racks, heavy ground source cable.
>
>Some things are obvious like triac light dimmers or florescent lights, but
>high resistant (loose) power connections are often equally guilty.
>
>Some electricians understand the “Hospital Standard” which calls for separate
>ground lines for each outlet and orange duplex outlets. This is better than
>nothing.
>
>Power and ground integrity are often overlooked, even in ‘Pro” studios.
Like
>good acoustics, it’s not as sexy a full rack of blinking lights.
>Gene
>
>well now you know how I feel about the government.
"DC" <dcicchetti@yourmamas.com> wrote in message news:42e65643$1@linux...
>
> The article makes the point that really awful music gets shoved
> down the public's throat by a system that is anti-competitve
> and corrupt. This hurts all of us. We would not tolerate it
> among those who wire our buildings, work on our cars, or give us
> colonoscopies, yet we are supposed to accept it as part of the
> music biz?
>
> Like hell.
>
> I say fine 'em bigtime AND jail em. The public is NOT as stupid as
> many musicians think. They just don't get to hear anything
> that isn't promoted in this way.
>
> DC
>
>
> "Jason Miles" <JMiles45@aol.com> wrote:
>>
>>"justcron" <justcron@hydrorecords.compound> wrote:
>>>outrageous that Eliot Spitzer has nothing better to worry about
>>>
>>>No It's outrageous that this shit has been going on for way tooo
>>long-Do you like having crap thrown at you all the time?
>>JM
>Hi,
Did any one hear about Paris running in Mac OSX?I remember people doing this when I was in Jr. High and High School on
cassette recorders. They'd usually throw up a couple of those terrible
little "square box" mics and it always sounded hideous. I've got three or
four tapes of Jazz and Concert Band performances from around 1980 and
probably paid $10.00 each for them. I guess I'm a little surprised someone
isn't doing this already.
Tony
"Neil" <IOUIU@IU.com> wrote in message news:42e63c51$1@linux...
>
> A friend of mine was recently saying that he wants to put me in
> touch with a friend of his who is a music teacher at a local
> high school... reason being that his students are more & more
> often having the need to record audition pieces for college (if
> they're applying for music programs), or sometimes regional
> competitions... plus their parents are willing to buy 1-off
> CD's of their performances (whether alone in the studio, to
> document their progress as time goes by - kinda like a family
> photo album, but with music instead of pictures) or in
> ensembles at live performaces where remote recording
> capabilities would come in handy. The reason he knows this is
> that he has two boys that are trumpet players... one of the
> kids is a senior in HS and is getting a music scholarship,
> the other one is a few years younger, and is more or less
> following the same path. He tells me that he & other parents
> have purchased CD's of their kids' performances with
> bands/orchestras & the recording quality varies widely from one
> to another; same thing with audition CD-R's that his older kid
> had to do for college, and those of the other kids that he's
> heard through other parents playing them for him.
>
> So, the bottom line is - he thinks I could make a ton of money
> tapping into this market from high schools all the way down to
> middle school kids, even. What do you guys think about this...
> is this sort of thing common in your area too? If it is, it
> might even be something you might want to check into in your
> area for small projects to fill in any down time between larger
> projects. Obviously, you'd have to not mind working with kids
> (I think before I had a kid of my own, I would have responded
> to his suggestion with: "GEEZ, I don't want to work with a
> bunch of kids all that often!"), but if that's not a problem,
> it might mean some extra dough for you.
>
> BTW, he said one of the biggest sources of income from this
> would be where you contract to record a live performance for
> free, but you then turn around & sell the CD's you burn off to
> the parents for $15 each, or whatever. Kinda like the
> photogs do at graduations class picture sittings or other
> school events... they contract to shoot EVERYBODY, knowing that
> some parents will buy the shots & others won't. The audition
> CD's are obviously something that you'd be doing more with
> seniors trying to get into college music programs, etc.
>
> Thoughts?
>
> Neil"justcron" <justcron@hydrorecords.compound> wrote:
>nevermind, I thought it was about recording performances at an auditorium
or
>somethin
Part of it does have to do with that. As to your comment about
making the CD's look more professional than just a burned CD-R
with a stick-on label, yes, you could always do that... prolly
charge a little more for that sort of thing & take pre-orders
with payment upfront, then mail the CD"s when they come back
from the duplicators. My friend's point was that people are
happily paying for just regular studio-burned versions, and
sometimes with not-so-hot recordings, at that.
Neilsounds like a great side business to be honest. If you can make the
recording process efficient, and sound high quality. could probably bring
in a lot of extra work through the exposure.
Bring a digital camera and snap a few shots for the cover. I wouldn't be
surprised if you could get $20 a pop for it.
"Neil" <OIUOIU@OIU.com> wrote in message news:42e66e37$1@linux...
>
> "justcron" <justcron@hydrorecords.compound> wrote:
>>nevermind, I thought it was about recording performances at an auditorium
> or
>>somethin
>
> Part of it does have to do with that. As to your comment about
> making the CD's look more professional than just a burned CD-R
> with a stick-on label, yes, you could always do that... prolly
> charge a little more for that sort of thing & take pre-orders
> with payment upfront, then mail the CD"s when they come back
> from the duplicators. My friend's point was that people are
> happily paying for just regular studio-burned versions, and
> sometimes with not-so-hot recordings, at that.
>
> Neil"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>but you then turn around & sell the CD's you burn off to the parents for
>$15 each, or whatever.
>
>And none of these parents or their kids have computers at home and would
>ever hose you by copying the original CD?
That's always a possibility, I suppose... perhaps having them
professionally duplicated & packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
NeilNo.....
Please tell me you somehow got it all going......
are you our saviour??
"ulfiyya" <ulfiyya@yahoo.com> wrote:
>
>Hi,
>Did any one hear about Paris running in Mac OSX?The rumor, years ago was that Edmund Pirelli, the guy who wrote the PARIS
code, had a version running on OSX. Is this true? I'll let you know after I
get to the bottom of all that Roswell and Area 51 business, as it will be
the easier mystery to crack. ;>)
Tony
"ulfiyya" <ulfiyya@yahoo.com> wrote in message news:42e6603d$1@linux...
>
> Hi,
> Did any one hear about Paris running in Mac OSX?hey good folks...
I just got a house here in sunny minnesota and I'm relegated to the
basement.
It has had a minor bit of water in a corner or two but that's really
because of the rain situation. I'll get some gutters installed and fix
the grade and that should be that.
I did the old "tape some plastic to the basement floor for a few days"
trick and am pretty confident that I'm not getting any moisture coming
up through the floor.
Oh, the floor is a thinly poured concrete (like, about two inches
thick). It's not very flat and level (house was built in 1915).
I'd like to "build a room" in the corner that is roughly 12 feet by 24
feet. This is just for me to have computers and instruments in, nothing
really crazy.
I'm thinking ahead towards the winter and would like to get some
flooring down so I'm not standing in my socks on the concrete. I've
looked around the web at stuff like R-Foil and what not.
Then I thought I'd go to the one place where I can count on the straight
poop. That's right here.
I'd like to be able to slowly stage the building of a room down there.
Maybe something on the floor first, then some insulation in the rafters
above, then some interior walls, then re-do the insulation on the two
exterior walls. I am of course on a tight tight budget.
Any links or tips or suggestions are greatly appreciated. Point me in
some directtion, warn me against The Big Rip-Off, tell me it'll be
allright, that sort of thing.
Thanks
-jonbergh at gmail dot comi'm also sending a 5th version of the songs in binaural stereo. the
waveforms look weird but the sound is really interesting. you'll see
what i mean when you get them. i should be finished with them
tomorrow and will mail them back on thurs.sup pimp.
coming from someone who has been through floods having lived right on the
frikkin boston harbor in Chelsea, MA... this will be a recurring issue.
rain happens often. someone might say it's merely a '100year flood'
wrong... that shit will happen at least once or twice a year.
Figure out the lowest point in the basement and prepare to install a sump
pump with battery backup. keep an eye on it at least yearly to make sure
it's functioning.
"jon bergh" <jonberghNOSPAM@gmail.com> wrote in message
news:42e67e23$1@linux...
> hey good folks...
> I just got a house here in sunny minnesota and I'm relegated to the
> basement.
>
> It has had a minor bit of water in a corner or two but that's really
> because of the rain situation. I'll get some gutters installed and fix the
> grade and that should be that.
>
> I did the old "tape some plastic to the basement floor for a few days"
> trick and am pretty confident that I'm not getting any moisture coming up
> through the floor.
>
> Oh, the floor is a thinly poured concrete (like, about two inches thick).
> It's not very flat and level (house was built in 1915).
>
> I'd like to "build a room" in the corner that is roughly 12 feet by 24
> feet. This is just for me to have computers and instruments in, nothing
> really crazy.
>
> I'm thinking ahead towards the winter and would like to get some flooring
> down so I'm not standing in my socks on the concrete. I've looked around
> the web at stuff like R-Foil and what not.
>
> Then I thought I'd go to the one place where I can count on the straight
> poop. That's right here.
>
> I'd like to be able to slowly stage the building of a room down there.
> Maybe something on the floor first, then some insulation in the rafters
> above, then some interior walls, then re-do the insulation on the two
> exterior walls. I am of course on a tight tight budget.
>
> Any links or tips or suggestions are greatly appreciated. Point me in some
> directtion, warn me against The Big Rip-Off, tell me it'll be allright,
> that sort of thing.
>
> Thanks
> -jonbergh at gmail dot comi believe that the grounding rod is supposed to ben surrounded with
ferrous sulfate...well some kind of iron shit anyway.
On Tue, 26 Jul 2005 08:49:14 -0600, EK Sound
<spamnot.info@eksoundNO.com> wrote:
>Pound about six 10' ground rods along one side of the foundation and
>tie it all together with a nice piece of #6 wire leading to the
>breaker panel. One rod will do nothing....
>
>David.
>
>cujo wrote:
>> Anything I should tell y elctrician before he installs a ground in my house?
>> Turns out that this place (circa 1910) does not have one.
>> COuld this be my issue with occasional but ugly buzz and hum?no.
On 27 Jul 2005 02:09:33 +1000, "ulfiyya" <ulfiyya@yahoo.com> wrote:
>
>Hi,
>Did any one hear about Paris running in Mac OSX?http://www.dricore.com/en/efaq.htm
you may (or may not though i would) want to pour a layer of self
leveling cement first to true up the floor. 2" thickness shouldn't be
a problem with a second floating floor system to spread out the weight
bearing for any exceptionally heavy gear or...people. the system
above is thinner than a typical 2x? system and can have wood flooring
nailed to it.
as to insulating the joists and walls, remember to leave a small
(1/4") gap between materials and the wall surface and use either rz1
channel or something similar for mounting the wall surface to minimize
the contact (sound transmission) area.
most anything you want can be built cheaper than buying it so assess
you talents and abilities to decide what is to be bought or built by
you.. googling is a great way to find the home built products that
replace the store bought. in fact, many of the store bought (bass
traps etc) can be found by the original designers.
On Tue, 26 Jul 2005 13:15:53 -0500, jon bergh
<jonberghNOSPAM@gmail.com> wrote:
>hey good folks...
>I just got a house here in sunny minnesota and I'm relegated to the
>basement.
>
>It has had a minor bit of water in a corner or two but that's really
>because of the rain situation. I'll get some gutters installed and fix
>the grade and that should be that.
>
>I did the old "tape some plastic to the basement floor for a few days"
>trick and am pretty confident that I'm not getting any moisture coming
>up through the floor.
>
>Oh, the floor is a thinly poured concrete (like, about two inches
>thick). It's not very flat and level (house was built in 1915).
>
>I'd like to "build a room" in the corner that is roughly 12 feet by 24
>feet. This is just for me to have computers and instruments in, nothing
>really crazy.
>
>I'm thinking ahead towards the winter and would like to get some
>flooring down so I'm not standing in my socks on the concrete. I've
>looked around the web at stuff like R-Foil and what not.
>
>Then I thought I'd go to the one place where I can count on the straight
>poop. That's right here.
>
>I'd like to be able to slowly stage the building of a room down there.
>Maybe something on the floor first, then some insulation in the rafters
>above, then some interior walls, then re-do the insulation on the two
>exterior walls. I am of course on a tight tight budget.
>
>Any links or tips or suggestions are greatly appreciated. Point me in
>some directtion, warn me against The Big Rip-Off, tell me it'll be
>allright, that sort of thing.
>
>Thanks
>-jonbergh at gmail dot com"DC" <dcicchetti@zzzzt!.ouch.com> wrote:
>
>Good stuff Gene.
>
>The only quibble I might have is about star grounding. It really
>isn't needed if you do all the things you recommended below. If you
>have a low-resistance earth ground, then you need a true IG
>(isolated ground) wiring scheme for the studio power. This involves
>an actual green wire in the conduit and good quality 3-prong outlets
>instead of using the conduit for the ground. Electricians do know
>what an IG ground system is, and if you combine it with a low-
>resistance path to true earth ground, you do not need to star
>ground the studio.
>
Basically I agree.
But from personal experience, I have always found some improvement from Star
systems. In the case of a well-designed power distribution system, like the
ones we have been talking about, the improvements are very minor and generally
only shown with test equipment. (This is still worth doing for a million
dollar studio).
In problematic rooms, the use of a star system can be dramatic and sometimes
much cheaper than a comprehensive rewire, or transformer decouple.
For those interested in the high tech approach:
The Biddle DLR0200-115E is the proper tool for testing power supply line
resistance integrity.
The Biddle DET2/2 Megger, can read ground resistance to .010ohm and ground
leakage to 0.2mA. Meggers are the critical tool for “real” ground integrity.
The DET2/2 is about $4000.00 but can be rented.
I have never taken on a large studio design/update project without first
knowing what “0” is at the power distribution point.
A studio I built in Sayreville NJ had real earth ground at + 11 volts tested
at the strap point of multiple 11 foot copper ground rods!
Generick <parnell68@hotmail.com> wrote:
>no.
>
>On 27 Jul 2005 02:09:33 +1000, "ulfiyya" <ulfiyya@yahoo.com> wrote:
>
>>
>>Hi,
>>Did any one hear about Paris running in Mac OSX?
yes-alittle man came to me in a dream one night and said "Forget about it">heh.. what? I thought you were successful? payola holding you back?
There are many different levels of success-I would take soembody paying for
my music to be played in a second because I know it's good. It's the people
paying to get crap played that holds everybody back and doesn't give good
music a chance to get played
You're other comment on the Govt--karl Rove and everybody else will be walking-no
charges, no anything. These people created their own rules and don't give
a shit about us that's for sure
JMinteresting.
everyone knows the music industry is bullshit, but thats the way it is. If
the current channels are destroyed, new ones will pop up to take their
place. I'd love to hear everyones solution to the problem.
I have faith in Fitzgerald, but share your cynical viewpoint.
"jason Miles" <Jmiles456@aol.com> wrote in message news:42e68e47$1@linux...
>
>
>>heh.. what? I thought you were successful? payola holding you back?
>
> There are many different levels of success-I would take soembody paying
> for
> my music to be played in a second because I know it's good. It's the
> people
> paying to get crap played that holds everybody back and doesn't give good
> music a chance to get played
>
> You're other comment on the Govt--karl Rove and everybody else will be
> walking-no
> charges, no anything. These people created their own rules and don't give
> a shit about us that's for sure
> JM
>Don't count on the old gutters and grade solution...get a qualified
contractor in there to determine if that will solve your problem...if it's a
weeping tile/drainage issue it can be quite expensive to deal with but
better now than later when you're basement is flooding.
As for your construction needs, pop over to John L. Sayer's forum
(construction section) and ask away. Good guys with lot's of info.
Don
"jon bergh" <jonberghNOSPAM@gmail.com> wrote in message
news:42e67e23$1@linux...
> hey good folks...
> I just got a house here in sunny minnesota and I'm relegated to the
> basement.
>
> It has had a minor bit of water in a corner or two but that's really
> because of the rain situation. I'll get some gutters installed and fix the
> grade and that should be that.
>
> I did the old "tape some plastic to the basement floor for a few days"
> trick and am pretty confident that I'm not getting any moisture coming up
> through the floor.
>
> Oh, the floor is a thinly poured concrete (like, about two inches thick).
> It's not very flat and level (house was built in 1915).
>
> I'd like to "build a room" in the corner that is roughly 12 feet by 24
> feet. This is just for me to have computers and instruments in, nothing
> really crazy.
>
> I'm thinking ahead towards the winter and would like to get some flooring
> down so I'm not standing in my socks on the concrete. I've looked around
> the web at stuff like R-Foil and what not.
>
> Then I thought I'd go to the one place where I can count on the straight
> poop. That's right here.
>
> I'd like to be able to slowly stage the building of a room down there.
> Maybe something on the floor first, then some insulation in the rafters
> above, then some interior walls, then re-do the insulation on the two
> exterior walls. I am of course on a tight tight budget.
>
> Any links or tips or suggestions are greatly appreciated. Point me in some
> directtion, warn me against The Big Rip-Off, tell me it'll be allright,
> that sort of thing.
>
> Thanks
> -jonbergh at gmail dot comOh my gosh Neil -
How quicky this can become a nightmare. Personally, haha - if you can't
already tell, I would stay away from this stuff just to save my sanity. I
have learned not to return phone calls from parents looking to book time for
their kids. The kids usually aren't that talented (in most cases - I have
ran across a couple), the parents are typically too much to deal with., and
at the end of the day, I will have worked on nothing I would want to listen
to again.
That said, I'm sure someone could make a profit off of this market. Won't be
me. :)
rock on,
-Carl
"Neil" <IOUIU@IU.com> wrote in message news:42e63c51$1@linux...
>
> A friend of mine was recently saying that he wants to put me in
> touch with a friend of his who is a music teacher at a local
> high school... reason being that his students are more & more
> often having the need to record audition pieces for college (if
> they're applying for music programs), or sometimes regional
> competitions... plus their parents are willing to buy 1-off
> CD's of their performances (whether alone in the studio, to
> document their progress as time goes by - kinda like a family
> photo album, but with music instead of pictures) or in
> ensembles at live performaces where remote recording
> capabilities would come in handy. The reason he knows this is
> that he has two boys that are trumpet players... one of the
> kids is a senior in HS and is getting a music scholarship,
> the other one is a few years younger, and is more or less
> following the same path. He tells me that he & other parents
> have purchased CD's of their kids' performances with
> bands/orchestras & the recording quality varies widely from one
> to another; same thing with audition CD-R's that his older kid
> had to do for college, and those of the other kids that he's
> heard through other parents playing them for him.
>
> So, the bottom line is - he thinks I could make a ton of money
> tapping into this market from high schools all the way down to
> middle school kids, even. What do you guys think about this...
> is this sort of thing common in your area too? If it is, it
> might even be something you might want to check into in your
> area for small projects to fill in any down time between larger
> projects. Obviously, you'd have to not mind working with kids
> (I think before I had a kid of my own, I would have responded
> to his suggestion with: "GEEZ, I don't want to work with a
> bunch of kids all that often!"), but if that's not a problem,
> it might mean some extra dough for you.
>
> BTW, he said one of the biggest sources of income from this
> would be where you contract to record a live performance for
> free, but you then turn around & sell the CD's you burn off to
> the parents for $15 each, or whatever. Kinda like the
> photogs do at graduations class picture sittings or other
> school events... they contract to shoot EVERYBODY, knowing that
> some parents will buy the shots & others won't. The audition
> CD's are obviously something that you'd be doing more with
> seniors trying to get into college music programs, etc.
>
> Thoughts?
>
> NeilOne of these days we should have a Boston Paris Users hang.
"justcron" <justcron@hydrorecords.compound> wrote:
>sup pimp.
>
>coming from someone who has been through floods having lived right on the
>frikkin boston harbor in Chelsea, MA... this will be a recurring issue.
>rain happens often. someone might say it's merely a '100year flood'
>wrong... that shit will happen at least once or twice a year.
>
>Figure out the lowest point in the basement and prepare to install a sump
>pump with battery backup. keep an eye on it at least yearly to make sure
>it's functioning.
>
>"jon bergh" <jonberghNOSPAM@gmail.com> wrote in message
>news:42e67e23$1@linux...
>> hey good folks...
>> I just got a house here in sunny minnesota and I'm relegated to the
>> basement.
>>
>> It has had a minor bit of water in a corner or two but that's really
>> because of the rain situation. I'll get some gutters installed and fix
the
>> grade and that should be that.
>>
>> I did the old "tape some plastic to the basement floor for a few days"
>> trick and am pretty confident that I'm not getting any moisture coming
up
>> through the floor.
>>
>> Oh, the floor is a thinly poured concrete (like, about two inches thick).
>> It's not very flat and level (house was built in 1915).
>>
>> I'd like to "build a room" in the corner that is roughly 12 feet by 24
>> feet. This is just for me to have computers and instruments in, nothing
>> really crazy.
>>
>> I'm thinking ahead towards the winter and would like to get some flooring
>> down so I'm not standing in my socks on the concrete. I've looked around
>> the web at stuff like R-Foil and what not.
>>
>> Then I thought I'd go to the one place where I can count on the straight
>> poop. That's right here.
>>
>> I'd like to be able to slowly stage the building of a room down there.
>> Maybe something on the floor first, then some insulation in the rafters
>> above, then some interior walls, then re-do the insulation on the two
>> exterior walls. I am of course on a tight tight budget.
>>
>> Any links or tips or suggestions are greatly appreciated. Point me in
some
>> directtion, warn me against The Big Rip-Off, tell me it'll be allright,
>> that sort of thing.
>>
>> Thanks
>> -jonbergh at gmail dot com
>
>I am looking for something I can do a better premaster CD ref with.
Is there anyting out there that does not cost much that will allow nudging
and slipping of tracks and of start stop times also give the ability to drop
the track #'s where needed.
I'd like a more exact test CD for the mastering guys. Also being able to
use some UAD plugs would be good for quick short run CD's,Mmm, I think that sounds like a different fault. This key doesn't seem to
have any spring back at all. Well, maybe a little. If you lift it up you
can get it to sit in place, but it doesn't have as much spring as it should.
I'm suspicious that whatever causes the key to spring back (a spring perhaps?
;o) is broken, or out of place.
Thanks for your input though. At least, by the sound of it, if I take it
apart it's not like the whole keyboard is going to spring out all over the
floor. ;o) I might go over and pull it apart.
It's not my keyboard, but I was playing it when it broke so I feel obliged
to fix it.
Cheers,
Kim.
"Rob Arsenault" <info@studiomanitou.com> wrote:
>Hi Kim, I have an old Roland FP8 that had some serious road usage on it
>which I bought for next to nothing. Power supply had cold solder joints,
4
>keys weren't working at all and 3 were sticking kind a like you described.
I
>took it apart and fixed the pwr supply, found a bad ribbon cable connection
>that fixed the 4 keys and the 3 sticky keys were due to the felt cushion
>that the key rests on when pushed. Turn's out the cushion had pushed aside
>therefore exposing the glue that is suppose to keep it in place, when the
>key came down, it would stick and take about 2 second to go back. I
>re-installed the felt cushion and prob fixed. All that and a good paint
job
>and I now have a pretty good studio keyboard for giga'ing...!! If the key
>stays down, then i'm not sure in this case but it looks like some kind of
>counter weight mechanism malfunction.
>
>Good luck and hope this helps bro.
>Rob A
>
>
>"Kim" <hiddensounds@hotmail.com> wrote in message news:42e5f7f9$1@linux...
>>
>>
>> Son't suppose anybody has any experience repairing keyboards? In
>> particular
>> a friend of mine has a Roland RD-600 where one of the keys doesn't
>> rebound.
>> I'm sure it must be something simple. I should try a little harder to
get
>> it open and have a look...
>>
>> Just wondering if anyone knows what causes this. I'm guessing it happens
>> a lot.
>>
>> Or, if you don't know how to fix it, and chance you know the right words
>> to use to describe it to google? ;o)
>>
>> Cheers,
>> Kim.
>
>Hi,
Sense the Paris EDS PCI card is not compatible with unless you use a 32
bit Magma chassis there would be no point. The price of this would far
out way the small if any performance gain.
Chris
ulfiyya wrote:
> Hi,
> Did any one hear about Paris running in Mac OSX?
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762Hehe... well I couldn't find much with the first two, except some other
guy also saying he can't find any info either. ;o)
As for beer spillage, it's not so much that the key is "sticking" more that
it just doesn't have any spring back, if you get the difference. As I was
the one playing it at the time, I can say that no beer was spilt on the keys
that night, only down my throat. It is possible that all the beer going down
my throat may have encouraged, say, a "more vigourous" playing style, which
may have had an impact on the sudden appearance of the fault. ;o) Though
I wasn't really bashing it. I mean it's a keyboard. You should be able to
"get into it" I would think.
Apparently not. )o;
Cheers,
Kim.
"Neil" <OIUOIU@OIU.com> wrote:
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>Or, if you don't know how to fix it, and chance you know the right words
>>to use to describe it to google? ;o)
>
>I would try typing in:
>
>RD 600 keyboard repair OR:
>
>RD 600 "sticky key" remedy OR, perhaps:
>
>RD 600 beer spillage
>
>:)Electricity eh?
Now you've got me thinking. I'll bet I could figure out a way to take a
lightning rod and slodering it to a TRS cable and patching it to a Paris AD
routed to a channel insert.. Then from the insert output, running a TRS
cable to a a grounding rod that was driven deep enough to tap the hot
mineral saline water table that runs under this property from the hot
springs spa across the street, then I could get myself a good quality 8
guage copper cable, strip the ends, weld it to one of the brass eyebolts
that are imbedded in the concrete in the pool that hold the little ropes
with floats that section off various areas, then run that wire to one of the
telephone poles across the street and then from that pole, to the telephone
pole on my side of the street, then back to the lightning rod to complete
the insert loop.
I'm thinking this would make a cool plugin for processing an electric guitar
track,sort of earthy and liquid smooth, with an bright top end.?
;oP
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:42e68850$1@linux...
>
> "DC" <dcicchetti@zzzzt!.ouch.com> wrote:
> >
> >Good stuff Gene.
> >
> >The only quibble I might have is about star grounding. It really
> >isn't needed if you do all the things you recommended below. If you
> >have a low-resistance earth ground, then you need a true IG
> >(isolated ground) wiring scheme for the studio power. This involves
> >an actual green wire in the conduit and good quality 3-prong outlets
> >instead of using the conduit for the ground. Electricians do know
> >what an IG ground system is, and if you combine it with a low-
> >resistance path to true earth ground, you do not need to star
> >ground the studio.
> >
>
> Basically I agree.
> But from personal experience, I have always found some improvement from
Star
> systems. In the case of a well-designed power distribution system, like
the
> ones we have been talking about, the improvements are very minor and
generally
> only shown with test equipment. (This is still worth doing for a million
> dollar studio).
> In problematic rooms, the use of a star system can be dramatic and
sometimes
> much cheaper than a comprehensive rewire, or transformer decouple.
>
> For those interested in the high tech approach:
> The Biddle DLR0200-115E is the proper tool for testing power supply line
> resistance integrity.
> The Biddle DET2/2 Megger, can read ground resistance to .010ohm and ground
> leakage to 0.2mA. Meggers are the critical tool for "real" ground
integrity.
> The DET2/2 is about $4000.00 but can be rented.
>
> I have never taken on a large studio design/update project without first
> knowing what "0" is at the power distribution point.
> A studio I built in Sayreville NJ had real earth ground at + 11 volts
tested
> at the strap point of multiple 11 foot copper ground rods!
>
> Gene
>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:42e6e224@linux...
> Electricity eh?
>
> Now you've got me thinking. I'll bet I could figure out a way to take a
> lightning rod and slodering it to a TRS cable and patching it to a Paris
> AD
> routed to a channel insert.. Then from the insert output, running a TRS
> cable to a a grounding rod that was driven deep enough to tap the hot
> mineral saline water table that runs under this property from the hot
> springs spa across the street, then I could get myself a good quality 8
> guage copper cable, strip the ends, weld it to one of the brass eyebolts
> that are imbedded in the concrete in the pool that hold the little ropes
> with floats that section off various areas, then run that wire to one of
> the
> telephone poles across the street and then from that pole, to the
> telephone
> pole on my side of the street, then back to the lightning rod to complete
> the insert loop.
>
> I'm thinking this would make a cool plugin for processing an electric
> guitar
> track,sort of earthy and liquid smooth, with an bright top end.?
>
> ;oP
Time for bed Deej
>
>
>
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> news:42e68850$1@linux...
>>
>> "DC" <dcicchetti@zzzzt!.ouch.com> wrote:
>> >
>> >Good stuff Gene.
>> >
>> >The only quibble I might have is about star grounding. It really
>> >isn't needed if you do all the things you recommended below. If you
>> >have a low-resistance earth ground, then you need a true IG
>> >(isolated ground) wiring scheme for the studio power. This involves
>> >an actual green wire in the conduit and good quality 3-prong outlets
>> >instead of using the conduit for the ground. Electricians do know
>> >what an IG ground system is, and if you combine it with a low-
>> >resistance path to true earth ground, you do not need to star
>> >ground the studio.
>> >
>>
>> Basically I agree.
>> But from personal experience, I have always found some improvement from
> Star
>> systems. In the case of a well-designed power distribution system, like
> the
>> ones we have been talking about, the improvements are very minor and
> generally
>> only shown with test equipment. (This is still worth doing for a million
>> dollar studio).
>> In problematic rooms, the use of a star system can be dramatic and
> sometimes
>> much cheaper than a comprehensive rewire, or transformer decouple.
>>
>> For those interested in the high tech approach:
>> The Biddle DLR0200-115E is the proper tool for testing power supply line
>> resistance integrity.
>> The Biddle DET2/2 Megger, can read ground resistance to .010ohm and
>> ground
>> leakage to 0.2mA. Meggers are the critical tool for "real" ground
> integrity.
>> The DET2/2 is about $4000.00 but can be rented.
>>
>> I have never taken on a large studio design/update project without first
>> knowing what "0" is at the power distribution point.
>> A studio I built in Sayreville NJ had real earth ground at + 11 volts
> tested
>> at the strap point of multiple 11 foot copper ground rods!
>>
>> Gene
>>
>
>Wavelab Essentials
http://www.steinberg.de/ProductPage_sbe034.html?Product_ID=2 442&Langue_ID=4
David.
cujo wrote:
> I am looking for something I can do a better premaster CD ref with.
> Is there anyting out there that does not cost much that will allow nudging
> and slipping of tracks and of start stop times also give the ability to drop
> the track #'s where needed.
> I'd like a more exact test CD for the mastering guys. Also being able to
> use some UAD plugs would be good for quick short run CD's,Too much insertion loss with TRS connectors... use Camlocks.
;-)
David.
DJ wrote:
> Electricity eh?
>
> Now you've got me thinking. I'll bet I could figure out a way to take a
> lightning rod and slodering it to a TRS cable and patching it to a Paris AD
> routed to a channel insert.. Then from the insert output, running a TRS
> cable to a a grounding rod that was driven deep enough to tap the hot
> mineral saline water table that runs under this property from the hot
> springs spa across the street, then I could get myself a good quality 8
> guage copper cable, strip the ends, weld it to one of the brass eyebolts
> that are imbedded in the concrete in the pool that hold the little ropes
> with floats that section off various areas, then run that wire to one of the
> telephone poles across the street and then from that pole, to the telephone
> pole on my side of the street, then back to the lightning rod to complete
> the insert loop.
>
> I'm thinking this would make a cool plugin for processing an electric guitar
> track,sort of earthy and liquid smooth, with an bright top end.?
>
> ;oP
>
>
>
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> news:42e68850$1@linux...
>
>>"DC" <dcicchetti@zzzzt!.ouch.com> wrote:
>>
>>>Good stuff Gene.
>>>
>>>The only quibble I might have is about star grounding. It really
>>>isn't needed if you do all the things you recommended below. If you
>>>have a low-resistance earth ground, then you need a true IG
>>>(isolated ground) wiring scheme for the studio power. This involves
>>>an actual green wire in the conduit and good quality 3-prong outlets
>>>instead of using the conduit for the ground. Electricians do know
>>>what an IG ground system is, and if you combine it with a low-
>>>resistance path to true earth ground, you do not need to star
>>>ground the studio.
>>>
>>
>>Basically I agree.
>>But from personal experience, I have always found some improvement from
>
> Star
>
>>systems. In the case of a well-designed power distribution system, like
>
> the
>
>>ones we have been talking about, the improvements are very minor and
>
> generally
>
>>only shown with test equipment. (This is still worth doing for a million
>>dollar studio).
>>In problematic rooms, the use of a star system can be dramatic and
>
> sometimes
>
>>much cheaper than a comprehensive rewire, or transformer decouple.
>>
>>For those interested in the high tech approach:
>>The Biddle DLR0200-115E is the proper tool for testing power supply line
>>resistance integrity.
>>The Biddle DET2/2 Megger, can read ground resistance to .010ohm and ground
>>leakage to 0.2mA. Meggers are the critical tool for "real" ground
>
> integrity.
>
>>The DET2/2 is about $4000.00 but can be rented.
>>
>>I have never taken on a large studio design/update project without first
>>knowing what "0" is at the power distribution point.
>>A studio I built in Sayreville NJ had real earth ground at + 11 volts
>
> tested
>
>>at the strap point of multiple 11 foot copper ground rods!
>>
>>Gene
>>
>
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Hehe... well I couldn't find much with the first two, except some other
>guy also saying he can't find any info either. ;o)
>
>As for beer spillage, it's not so much that the key is "sticking" more that
>it just doesn't have any spring back, if you get the difference. As I was
>the one playing it at the time, I can say that no beer was spilt on the
keys
>that night, only down my throat. It is possible that all the beer going
down
>my throat may have encouraged, say, a "more vigourous" playing style, which
>may have had an impact on the sudden appearance of the fault. ;o) Though
>I wasn't really bashing it. I mean it's a keyboard. You should be able to
>"get into it" I would think.
>
>Apparently not. )o;
I would just tear the fucker apart & see what's wrong... then
take it from there. Maybe keep it simple & take whatever part
is broken from the topmost key on the keyboard & replace it on
that particular key mechanism... how many times does anyone
ever hit the topmost key, anyway? Once a year? Problem is, then
the repaired key will probably function better than all the
keys within two octaves of it, but at least you wil have fixed
the problem & assuaged your guilt.
NeilYou think I this would work best at -10 or +4?
;o)
"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message
news:42e6eacc@linux...
> Too much insertion loss with TRS connectors... use Camlocks.
> ;-)
>
> David.
>
> DJ wrote:
>
> > Electricity eh?
> >
> > Now you've got me thinking. I'll bet I could figure out a way to take a
> > lightning rod and slodering it to a TRS cable and patching it to a
Paris AD
> > routed to a channel insert.. Then from the insert output, running a TRS
> > cable to a a grounding rod that was driven deep enough to tap the hot
> > mineral saline water table that runs under this property from the hot
> > springs spa across the street, then I could get myself a good quality 8
> > guage copper cable, strip the ends, weld it to one of the brass eyebolts
> > that are imbedded in the concrete in the pool that hold the little
ropes
> > with floats that section off various areas, then run that wire to one of
the
> > telephone poles across the street and then from that pole, to the
telephone
> > pole on my side of the street, then back to the lightning rod to
complete
> > the insert loop.
> >
> > I'm thinking this would make a cool plugin for processing an electric
guitar
> > track,sort of earthy and liquid smooth, with an bright top end.?
> >
> > ;oP
> >
> >
> >
> >
> > "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> > news:42e68850$1@linux...
> >
> >>"DC" <dcicchetti@zzzzt!.ouch.com> wrote:
> >>
> >>>Good stuff Gene.
> >>>
> >>>The only quibble I might have is about star grounding. It really
> >>>isn't needed if you do all the things you recommended below. If you
> >>>have a low-resistance earth ground, then you need a true IG
> >>>(isolated ground) wiring scheme for the studio power. This involves
> >>>an actual green wire in the conduit and good quality 3-prong outlets
> >>>instead of using the conduit for the ground. Electricians do know
> >>>what an IG ground system is, and if you combine it with a low-
> >>>resistance path to true earth ground, you do not need to star
> >>>ground the studio.
> >>>
> >>
> >>Basically I agree.
> >>But from personal experience, I have always found some improvement from
> >
> > Star
> >
> >>systems. In the case of a well-designed power distribution system, like
> >
> > the
> >
> >>ones we have been talking about, the improvements are very minor and
> >
> > generally
> >
> >>only shown with test equipment. (This is still worth doing for a million
> >>dollar studio).
> >>In problematic rooms, the use of a star system can be dramatic and
> >
> > sometimes
> >
> >>much cheaper than a comprehensive rewire, or transformer decouple.
> >>
> >>For those interested in the high tech approach:
> >>The Biddle DLR0200-115E is the proper tool for testing power supply line
> >>resistance integrity.
> >>The Biddle DET2/2 Megger, can read ground resistance to .010ohm and
ground
> >>leakage to 0.2mA. Meggers are the critical tool for "real" ground
> >
> > integrity.
> >
> >>The DET2/2 is about $4000.00 but can be rented.
> >>
> >>I have never taken on a large studio design/update project without first
> >>knowing what "0" is at the power distribution point.
> >>A studio I built in Sayreville NJ had real earth ground at + 11 volts
> >
> > tested
> >
> >>at the strap point of multiple 11 foot copper ground rods!
> >>
> >>Gene
> >>
> >
> >
> >Sound Forge v.8? It's got CD Architect, and also accepts both
Direct-X & VST plugins now.
Worth checking out, at least.
Neil
"cujo" <chris@applemanstudio.com> wrote:
>
>
>I am looking for something I can do a better premaster CD ref with.
>Is there anyting out there that does not cost much that will allow nudging
>and slipping of tracks and of start stop times also give the ability to
drop
>the track #'s where needed.
>I'd like a more exact test CD for the mastering guys. Also being able to
>use some UAD plugs would be good for quick short run CD's,"justcron" <justcron@hydrorecords.compound> wrote:
>sounds like a great side business to be honest. If you can make the
>recording process efficient, and sound high quality. could probably bring
>in a lot of extra work through the exposure.
>
>Bring a digital camera and snap a few shots for the cover. I wouldn't
be
>surprised if you could get $20 a pop for it.
Good idea on the digipix... sound quality wouln't be a
problem.. slap up a couple of Earthworks mics for live
performances & run through a clean pair of mic pre's into a
laptop running SX... Bada-Bing.
Something to think about... I'll let you know if I do it.
Neil
>
>"Neil" <OIUOIU@OIU.com> wrote in message news:42e66e37$1@linux...
>>
>> "justcron" <justcron@hydrorecords.compound> wrote:
>>>nevermind, I thought it was about recording performances at an auditorium
>> or
>>>somethin
>>
>> Part of it does have to do with that. As to your comment about
>> making the CD's look more professional than just a burned CD-R
>> with a stick-on label, yes, you could always do that... prolly
>> charge a little more for that sort of thing & take pre-orders
>> with payment upfront, then mail the CD"s when they come back
>> from the duplicators. My friend's point was that people are
>> happily paying for just regular studio-burned versions, and
>> sometimes with not-so-hot recordings, at that.
>>
>> Neil
>
>"Carl Amburn" <carlamburn@NOSPAMhotmail.com> wrote:
>Oh my gosh Neil -
>
>How quicky this can become a nightmare. Personally, haha - if you can't
>already tell, I would stay away from this stuff just to save my sanity.
I
>have learned not to return phone calls from parents looking to book time
for
>their kids. The kids usually aren't that talented (in most cases - I have
>ran across a couple), the parents are typically too much to deal with.,
and
>at the end of the day, I will have worked on nothing I would want to listen
>to again.
Well, Devil's Advocate position: how much stuff have we all
worked on that we don't want to listen to... and how much of
that have we had issues with payment on because it's some young
rockers in a band that don't have much/any money. With parents
footing the bill it's a differen story to some extent - they
(hopefully) can at least cough up timely or in-advance payment
for it.
Other side of the coin is as you say... could be a horrific
nightmare if that were your core business.
NeilI think all this just gives further proof to the fact (what
we've known all along) that the public gets force-fed their
music... this is nothing new, and the majors will find some way
around this, just like they found their way around the direct
payola, and indie-promoter schemes.
As for Rove, et. al., if Jason's right, and no one comes up on
charges, I'm abdicating my citizenship and moving to
Australia... Kim, you got an extra room I can rent? lol
Neil
"justcron" <justcron@hydrorecords.compound> wrote:
>interesting.
>
>everyone knows the music industry is bullshit, but thats the way it is.
If
>the current channels are destroyed, new ones will pop up to take their
>place. I'd love to hear everyones solution to the problem.
>
>I have faith in Fitzgerald, but share your cynical viewpoint.
>
>
>"jason Miles" <Jmiles456@aol.com> wrote in message news:42e68e47$1@linux...
>>
>>
>>>heh.. what? I thought you were successful? payola holding you back?
>>
>> There are many different levels of success-I would take soembody paying
>> for
>> my music to be played in a second because I know it's good. It's the
>> people
>> paying to get crap played that holds everybody back and doesn't give good
>> music a chance to get played
>>
>> You're other comment on the Govt--karl Rove and everybody else will be
>> walking-no
>> charges, no anything. These people created their own rules and don't give
>> a shit about us that's for sure
>> JM
>>
>
>Not a rumor, but a direct claim by Edmund in a Sunday chat a couple of
years ago. But he also said hardware drivers did NOT exist.
Cheers,
-Jamie K
http://www.JamieKrutz.com
Tony Benson wrote:
> The rumor, years ago was that Edmund Pirelli, the guy who wrote the PARIS
> code, had a version running on OSX. Is this true? I'll let you know after I
> get to the bottom of all that Roswell and Area 51 business, as it will be
> the easier mystery to crack. ;>)
>
> Tony
>
>
>
> "ulfiyya" <ulfiyya@yahoo.com> wrote in message news:42e6603d$1@linux...
>
>>Hi,
>>Did any one hear about Paris running in Mac OSX?
>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Electricity eh?
>
>Now you've got me thinking. I'll bet I could figure out a way to take a
>lightning rod and slodering it to a TRS cable and patching it to a Paris
AD
>routed to a channel insert.. Then from the insert output, running a TRS
>cable to a a grounding rod that was driven deep enough to tap the hot
>mineral saline water table that runs under this property from the hot
>springs spa across the street, then I could get myself a good quality 8
>guage copper cable, strip the ends, weld it to one of the brass eyebolts
>that are imbedded in the concrete in the pool that hold the little ropes
>with floats that section off various areas, then run that wire to one of
the
>telephone poles across the street and then from that pole, to the telephone
>pole on my side of the street, then back to the lightning rod to complete
>the insert loop.
>
>I'm thinking this would make a cool plugin for processing an electric guitar
>track,sort of earthy and liquid smooth, with an bright top end.?
>
>;oP
>
I think your Megger is out of calibration.
gIsn't a simple 3'x3' plate about 6 feet down the best thing?
Better than multiple rods or any of this other stuff... not as
easy to install as just pounding few rods in, but isn't that
the best thing?
Neil
"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>"DC" <dcicchetti@zzzzt!.ouch.com> wrote:
>>
>>Good stuff Gene.
>>
>>The only quibble I might have is about star grounding. It really
>>isn't needed if you do all the things you recommended below. If you
>>have a low-resistance earth ground, then you need a true IG
>>(isolated ground) wiring scheme for the studio power. This involves
>>an actual green wire in the conduit and good quality 3-prong outlets
>>instead of using the conduit for the ground. Electricians do know
>>what an IG ground system is, and if you combine it with a low-
>>resistance path to true earth ground, you do not need to star
>>ground the studio.
>>
>
>Basically I agree.
>But from personal experience, I have always found some improvement from
Star
>systems. In the case of a well-designed power distribution system, like
the
>ones we have been talking about, the improvements are very minor and generally
>only shown with test equipment. (This is still worth doing for a million
>dollar studio).
>In problematic rooms, the use of a star system can be dramatic and sometimes
>much cheaper than a comprehensive rewire, or transformer decouple.
>
>For those interested in the high tech approach:
>The Biddle DLR0200-115E is the proper tool for testing power supply line
>resistance integrity.
>The Biddle DET2/2 Megger, can read ground resistance to .010ohm and ground
>leakage to 0.2mA. Meggers are the critical tool for “real” ground integrity.
>The DET2/2 is about $4000.00 but can be rented.
>
>I have never taken on a large studio design/update project without first
>knowing what “0” is at the power distribution point.
>A studio I built in Sayreville NJ had real earth ground at + 11 volts tested
>at the strap point of multiple 11 foot copper ground rods!
>
>Gene
>"Neil" <OIUOIU@OIU.com> wrote:
>Maybe keep it simple & take whatever part
>is broken from the topmost key on the keyboard & replace it on
>that particular key mechanism...
Now that's thinkin'! ;o)
Right now the damaged key is middle D, so it's right in the firing line,
but you would think by pulling it apart I could move it to an end key...
or at very very least move it to a lesser used D.
I spoke to my friend just before and he's keen to rip it open next time I'm
there, so that sound like a plan. :o)
Cheers,
Kim.:o)........nothing ventured.....etc.
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:42e7096d$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Electricity eh?
> >
> >Now you've got me thinking. I'll bet I could figure out a way to take a
> >lightning rod and slodering it to a TRS cable and patching it to a Paris
> AD
> >routed to a channel insert.. Then from the insert output, running a TRS
> >cable to a a grounding rod that was driven deep enough to tap the hot
> >mineral saline water table that runs under this property from the hot
> >springs spa across the street, then I could get myself a good quality 8
> >guage copper cable, strip the ends, weld it to one of the brass eyebolts
> >that are imbedded in the concrete in the pool that hold the little ropes
> >with floats that section off various areas, then run that wire to one of
> the
> >telephone poles across the street and then from that pole, to the
telephone
> >pole on my side of the street, then back to the lightning rod to complete
> >the insert loop.
> >
> >I'm thinking this would make a cool plugin for processing an electric
guitar
> >track,sort of earthy and liquid smooth, with an bright top end.?
> >
> >;oP
> >
>
> I think your Megger is out of calibration.
> g"Neil" <OIUOIU@OIU.com> wrote:
>
>Isn't a simple 3'x3' plate about 6 feet down the best thing?
>Better than multiple rods or any of this other stuff... not as
>easy to install as just pounding few rods in, but isn't that
>the best thing?
>
>Neil
>
I’ve heard that as well, but I was told that a deep rod is better because
changing soil layers can have very different abilities to conduct current.
Sandy soil gives a poor ground. A long rod is more likely to pass through
a variety of strata and “catch” good soil conduction. It’s Earth fishing.
g"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>"Neil" <OIUOIU@OIU.com> wrote:
>>
>>Isn't a simple 3'x3' plate about 6 feet down the best thing?
>>Better than multiple rods or any of this other stuff... not as
>>easy to install as just pounding few rods in, but isn't that
>>the best thing?
>>
>>Neil
>>
>
>I’ve heard that as well, but I was told that a deep rod is better because
>changing soil layers can have very different abilities to conduct current.
>Sandy soil gives a poor ground. A long rod is more likely to pass through
>a variety of strata and “catch” good soil conduction. It’s Earth fishing.
Good point, and makes complete sense... so maybe the best thing
is actually a 3'x3' plate set at an angle from about 4' down to
6' down?!?!?!
NeilI sadly learned about this through a couple of dj roommates I had for a
while. They clued me in on the 'magic' american express traveler's checks
that they got with whatever new song someone was trying to push.
"jason Miles" <Jmiles456@aol.com> wrote in message news:42e68e47$1@linux...
>
>
> >heh.. what? I thought you were successful? payola holding you back?
>
> There are many different levels of success-I would take soembody paying
for
> my music to be played in a second because I know it's good. It's the
people
> paying to get crap played that holds everybody back and doesn't give good
> music a chance to get played
>
> You're other comment on the Govt--karl Rove and everybody else will be
walking-no
> charges, no anything. These people created their own rules and don't give
> a shit about us that's for sure
> JM
>"Neil" <OIUOIU@OIU.com> wrote:
>As for Rove, et. al., if Jason's right, and no one comes up on
>charges, I'm abdicating my citizenship and moving to
>Australia... Kim, you got an extra room I can rent? lol
Hehe... well at the rate I'm spending my savings on "cheap" keyboards I'm
not going to be able to afford a place myself even! ;o)
But you're welcome to set up a tent next to the one I'll probably be living
in by then. ;o)
Cheers,
Kim.thanx for the magic brownies to help me continue my journey to spread
the truth...whoosh..
On 27 Jul 2005 05:21:51 +1000, "Jason Miles" <Jmiles45@aol.com> wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>no.
>>
>>On 27 Jul 2005 02:09:33 +1000, "ulfiyya" <ulfiyya@yahoo.com> wrote:
>>
>>>
>>>Hi,
>>>Did any one hear about Paris running in Mac OSX?
>
>yes-alittle man came to me in a dream one night and said "Forget about it"i don't know nuthin' bout no big picture stuff but, i know my brain
couldn't handle NOT hearing the same 18 songs every hour on the hour
every day for the rest of my life
ain't shit gonna happen to rove.. if anybody got a stained
dress...that may get things moving cuz that's all america really seem
to care about...oops
On 27 Jul 2005 13:47:46 +1000, "Neil" <OIUOIU@OIU.com> wrote:
>
>I think all this just gives further proof to the fact (what
>we've known all along) that the public gets force-fed their
>music... this is nothing new, and the majors will find some way
>around this, just like they found their way around the direct
>payola, and indie-promoter schemes.
>
>As for Rove, et. al., if Jason's right, and no one comes up on
>charges, I'm abdicating my citizenship and moving to
>Australia... Kim, you got an extra room I can rent? lol
>
>Neil
>
>
>"justcron" <justcron@hydrorecords.compound> wrote:
>>interesting.
>>
>>everyone knows the music industry is bullshit, but thats the way it is.
> If
>>the current channels are destroyed, new ones will pop up to take their
>>place. I'd love to hear everyones solution to the problem.
>>
>>I have faith in Fitzgerald, but share your cynical viewpoint.
>>
>>
>>"jason Miles" <Jmiles456@aol.com> wrote in message news:42e68e47$1@linux...
>>>
>>>
>>>>heh.. what? I thought you were successful? payola holding you back?
>>>
>>> There are many different levels of success-I would take soembody paying
>
>>> for
>>> my music to be played in a second because I know it's good. It's the
>>> people
>>> paying to get crap played that holds everybody back and doesn't give good
>>> music a chance to get played
>>>
>>> You're other comment on the Govt--karl Rove and everybody else will be
>
>>> walking-no
>>> charges, no anything. These people created their own rules and don't give
>>> a shit about us that's for sure
>>> JM
>>>
>>
>>Those look great but I still can't tell if you can put all the stereo tracks
in a line and slide em around to change the length of time between tunes.
Think of how it is done in sonic solutions.
"Neil" <OIUOIU@OIU.com> wrote:
>
>Sound Forge v.8? It's got CD Architect, and also accepts both
>Direct-X & VST plugins now.
>
>Worth checking out, at least.
>
>Neil
>
>
>"cujo" <chris@applemanstudio.com> wrote:
>>
>>
>>I am looking for something I can do a better premaster CD ref with.
>>Is there anyting out there that does not cost much that will allow nudging
>>and slipping of tracks and of start stop times also give the ability to
>drop
>>the track #'s where needed.
>>I'd like a more exact test CD for the mastering guys. Also being able to
>>use some UAD plugs would be good for quick short run CD's,
>I've been searching for past post for anyone succesfull
using Dakota adat sync and Paris with Cubase SX (ver2.0)
Can anyone point me in the right direction as far as settings
that work.
My rig:
1 Paris system win98se
2 MEC w/ adat cards
1 PC w/ xp pro and Dakota PCI running Cubase 2.0
TIA,
APYes, in CD Architect you can do this, and also adjust levels
of individual songs, insert plugins, do fades, etc.
Neil
"cujo" <C@C.com> wrote:
>
>Those look great but I still can't tell if you can put all the stereo tracks
>in a line and slide em around to change the length of time between tunes.
>Think of how it is done in sonic solutions.
>
>
>"Neil" <OIUOIU@OIU.com> wrote:
>>
>>Sound Forge v.8? It's got CD Architect, and also accepts both
>>Direct-X & VST plugins now.
>>
>>Worth checking out, at least.
>>
>>Neil
>>
>>
>>"cujo" <chris@applemanstudio.com> wrote:
>>>
>>>
>>>I am looking for something I can do a better premaster CD ref with.
>>>Is there anyting out there that does not cost much that will allow nudging
>>>and slipping of tracks and of start stop times also give the ability to
>>drop
>>>the track #'s where needed.
>>>I'd like a more exact test CD for the mastering guys. Also being able
to
>>>use some UAD plugs would be good for quick short run CD's,
>>Sunny?! Minnesota?! You must have just moved. :)
I live in Barnum and except for the last month, it's been all rain. It has
been exceptionally nice for the last month, but give it time. Hopefully
summer lasts a bit beyond August, and not straight into winter temps. :)
"jon bergh" <jonberghNOSPAM@gmail.com> wrote in message
news:42e67e23$1@linux...
> hey good folks...
> I just got a house here in sunny minnesota and I'm relegated to the
> basement.
>
> It has had a minor bit of water in a corner or two but that's really
> because of the rain situation. I'll get some gutters installed and fix the
> grade and that should be that.
>
> I did the old "tape some plastic to the basement floor for a few days"
> trick and am pretty confident that I'm not getting any moisture coming up
> through the floor.
>
> Oh, the floor is a thinly poured concrete (like, about two inches thick).
> It's not very flat and level (house was built in 1915).
>
> I'd like to "build a room" in the corner that is roughly 12 feet by 24
> feet. This is just for me to have computers and instruments in, nothing
> really crazy.
>
> I'm thinking ahead towards the winter and would like to get some flooring
> down so I'm not standing in my socks on the concrete. I've looked around
> the web at stuff like R-Foil and what not.
>
> Then I thought I'd go to the one place where I can count on the straight
> poop. That's right here.
>
> I'd like to be able to slowly stage the building of a room down there.
> Maybe something on the floor first, then some insulation in the rafters
> above, then some interior walls, then re-do the insulation on the two
> exterior walls. I am of course on a tight tight budget.
>
> Any links or tips or suggestions are greatly appreciated. Point me in some
> directtion, warn me against The Big Rip-Off, tell me it'll be allright,
> that sort of thing.
>
> Thanks
> -jonbergh at gmail dot comHi Neil,
I've been doing this for some time now. I came across the idea while
talking to the local high schools about being an assistant instructor.
It's a great side line gig that pays, hmm, well, okay. I'v gotten
anywhere between 100 - 200 depending on the "status" of the client. (the
retail slogan "some people want to pay $5 and some people want to pay
$10" is a good rule with this type of gig).
The upside is that I've found myself a little C. Aguillara and am doing
demo's with her doing stuff I've written. Who knows!
Cheers,
jef
Neil wrote:
>A friend of mine was recently saying that he wants to put me in
>touch with a friend of his who is a music teacher at a local
>high school... reason being that his students are more & more
>often having the need to record audition pieces for college (if
>they're applying for music programs), or sometimes regional
>competitions... plus their parents are willing to buy 1-off
>CD's of their performances (whether alone in the studio, to
>document their progress as time goes by - kinda like a family
>photo album, but with music instead of pictures) or in
>ensembles at live performaces where remote recording
>capabilities would come in handy. The reason he knows this is
>that he has two boys that are trumpet players... one of the
>kids is a senior in HS and is getting a music scholarship,
>the other one is a few years younger, and is more or less
>following the same path. He tells me that he & other parents
>have purchased CD's of their kids' performances with
>bands/orchestras & the recording quality varies widely from one
>to another; same thing with audition CD-R's that his older kid
>had to do for college, and those of the other kids that he's
>heard through other parents playing them for him.
>
>So, the bottom line is - he thinks I could make a ton of money
>tapping into this market from high schools all the way down to
>middle school kids, even. What do you guys think about this...
>is this sort of thing common in your area too? If it is, it
>might even be something you might want to check into in your
>area for small projects to fill in any down time between larger
>projects. Obviously, you'd have to not mind working with kids
>(I think before I had a kid of my own, I would have responded
>to his suggestion with: "GEEZ, I don't want to work with a
>bunch of kids all that often!"), but if that's not a problem,
>it might mean some extra dough for you.
>
>BTW, he said one of the biggest sources of income from this
>would be where you contract to record a live performance for
>free, but you then turn around & sell the CD's you burn off to
>the parents for $15 each, or whatever. Kinda like the
>photogs do at graduations class picture sittings or other
>school events... they contract to shoot EVERYBODY, knowing that
>some parents will buy the shots & others won't. The audition
>CD's are obviously something that you'd be doing more with
>seniors trying to get into college music programs, etc.
>
>Thoughts?
>
>Neil
>
>This is a multi-part message in MIME format.
--------------050702050607000908080208
Content-Type: text/plain; charset=us-ascii; format=flowed
Content-Transfer-Encoding: 7bit
I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time setting
up some stock graphics templates. This way you spend very little time
and get some reasonably pro looking packages. Part of the reason I get
great refferals is because my packages look, IMHO, pretty cool.
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.
Cheers,
jef
Neil wrote:
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>
>
>>>but you then turn around & sell the CD's you burn off to the parents for
>>>
>>>
>>$15 each, or whatever.
>>
>>And none of these parents or their kids have computers at home and would
>>ever hose you by copying the original CD?
>>
>>
>
>That's always a possibility, I suppose... perhaps having them
>professionally duplicated & packaged is the key - they can
>burn 'em, but they can't see their kids' name in print with nice
>graphics on the "credits" section if they just burn 'em on their
>own. I think part of it is an ego thing: "look what my kid did!".
>
>Neil
>
>
>
--------------050702050607000908080208
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
<title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time
setting up some stock graphics templates. This way you spend very
little time and get some reasonably pro looking packages. Part of the
reason I get great refferals is because my packages look, IMHO, pretty
cool.<br>
<br>
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.<br>
<br>
Cheers,<br>
<br>
jef<br>
<br>
<br>
<br>
Neil wrote:<br>
<blockquote cite="mid42e66ee8$1@linux" type="cite">
<pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a> wrote:
</pre>
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">but you then turn around & sell the CD's you burn off to the parents for
</pre>
</blockquote>
<pre wrap="">$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
</pre>
</blockquote>
<pre wrap=""><!---->
That's always a possibility, I suppose... perhaps having them
professionally duplicated & packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
Neil
</pre>
</blockquote>
<br>
</body>
</html>
--------------050702050607000908080208--What are some decent CD printer options?
"Jef Knight" <"Jef Knight"> wrote:
>
>I'm probably preachin' to the choir on this one, but the trick to this
>is getting a reasonably priced CD printer and spending some time setting
>up some stock graphics templates. This way you spend very little time
>and get some reasonably pro looking packages. Part of the reason I get
>great refferals is because my packages look, IMHO, pretty cool.
>
>I'm a fairly accomplished graphics artist, so if you're thinking of
>doing this and you arn't a graphics guy, email me and I can probably
>help you out.
>
>Cheers,
>
>jef
>
>
>
>Neil wrote:
>
>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>
>>
>>>>but you then turn around & sell the CD's you burn off to the parents
for
>>>>
>>>>
>>>$15 each, or whatever.
>>>
>>>And none of these parents or their kids have computers at home and would
>>>ever hose you by copying the original CD?
>>>
>>>
>>
>>That's always a possibility, I suppose... perhaps having them
>>professionally duplicated & packaged is the key - they can
>>burn 'em, but they can't see their kids' name in print with nice
>>graphics on the "credits" section if they just burn 'em on their
>>own. I think part of it is an ego thing: "look what my kid did!".
>>
>>Neil
>>
>>
>>
>
>
>
><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
><html>
><head>
> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
> <title></title>
></head>
><body bgcolor="#ffffff" text="#000000">
>I'm probably preachin' to the choir on this one, but the trick to this
>is getting a reasonably priced CD printer and spending some time
>setting up some stock graphics templates. This way you spend very
>little time and get some reasonably pro looking packages. Part of the
>reason I get great refferals is because my packages look, IMHO, pretty
>cool.<br>
><br>
>I'm a fairly accomplished graphics artist, so if you're thinking of
>doing this and you arn't a graphics guy, email me and I can probably
>help you out.<br>
><br>
>Cheers,<br>
><br>
>jef<br>
><br>
><br>
><br>
>Neil wrote:<br>
><blockquote cite="mid42e66ee8$1@linux" type="cite">
> <pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a>
>wrote:
> </pre>
> <blockquote type="cite">
> <blockquote type="cite">
> <pre wrap="">but you then turn around & sell the CD's you burn off
to the
>parents for
> </pre>
> </blockquote>
> <pre wrap="">$15 each, or whatever.
>
>And none of these parents or their kids have computers at home and would
>ever hose you by copying the original CD?
> </pre>
> </blockquote>
> <pre wrap=""><!---->
>That's always a possibility, I suppose... perhaps having them
>professionally duplicated & packaged is the key - they can
>burn 'em, but they can't see their kids' name in print with nice
>graphics on the "credits" section if they just burn 'em on their
>own. I think part of it is an ego thing: "look what my kid did!".
>
>Neil
>
> </pre>
></blockquote>
><br>
></body>
></html>
>Samplitude
"Neil" <OIUOIU@OIU.com> wrote:
>
>Sound Forge v.8? It's got CD Architect, and also accepts both
>Direct-X & VST plugins now.
>
>Worth checking out, at least.
>
>Neil
>
>
>"cujo" <chris@applemanstudio.com> wrote:
>>
>>
>>I am looking for something I can do a better premaster CD ref with.
>>Is there anyting out there that does not cost much that will allow nudging
>>and slipping of tracks and of start stop times also give the ability to
>drop
>>the track #'s where needed.
>>I'd like a more exact test CD for the mastering guys. Also being able to
>>use some UAD plugs would be good for quick short run CD's,
>Then water it on a daily basis.. ;-)
David.
Neil wrote:
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>>"Neil" <OIUOIU@OIU.com> wrote:
>>
>>>Isn't a simple 3'x3' plate about 6 feet down the best thing?
>>>Better than multiple rods or any of this other stuff... not as
>>>easy to install as just pounding few rods in, but isn't that
>>>the best thing?
>>>
>>>Neil
>>>
>>
>>I’ve heard that as well, but I was told that a deep rod is better because
>>changing soil layers can have very different abilities to conduct current.
>>Sandy soil gives a poor ground. A long rod is more likely to pass through
>>a variety of strata and “catch” good soil conduction. It’s Earth fishing.
>
>
> Good point, and makes complete sense... so maybe the best thing
> is actually a 3'x3' plate set at an angle from about 4' down to
> 6' down?!?!?!
>
> NeilMontage window in Wavelab will do this.
David.
cujo wrote:
> Those look great but I still can't tell if you can put all the stereo tracks
> in a line and slide em around to change the length of time between tunes.
> Think of how it is done in sonic solutions.
>
>
> "Neil" <OIUOIU@OIU.com> wrote:
>
>>Sound Forge v.8? It's got CD Architect, and also accepts both
>>Direct-X & VST plugins now.
>>
>>Worth checking out, at least.
>>
>>Neil
>>
>>
>>"cujo" <chris@applemanstudio.com> wrote:
>>
>>>
>>>I am looking for something I can do a better premaster CD ref with.
>>>Is there anyting out there that does not cost much that will allow nudging
>>>and slipping of tracks and of start stop times also give the ability to
>>
>>drop
>>
>>>the track #'s where needed.
>>>I'd like a more exact test CD for the mastering guys. Also being able to
>>>use some UAD plugs would be good for quick short run CD's,
>>Wavelab Essentials is $99 at Musicians Friend. I think that falls
under the "cheapy" description! ;-)
David.
EK Sound wrote:
> Montage window in Wavelab will do this.
>
> David.
>
> cujo wrote:
>
>> Those look great but I still can't tell if you can put all the stereo
>> tracks
>> in a line and slide em around to change the length of time between tunes.
>> Think of how it is done in sonic solutions.
>>
>>
>> "Neil" <OIUOIU@OIU.com> wrote:
>>
>>> Sound Forge v.8? It's got CD Architect, and also accepts both
>>> Direct-X & VST plugins now.
>>>
>>> Worth checking out, at least.
>>>
>>> Neil
>>>
>>>
>>> "cujo" <chris@applemanstudio.com> wrote:
>>>
>>>>
>>>> I am looking for something I can do a better premaster CD ref with.
>>>> Is there anyting out there that does not cost much that will allow
>>>> nudging
>>>> and slipping of tracks and of start stop times also give the ability to
>>>
>>>
>>> drop
>>>
>>>> the track #'s where needed.
>>>> I'd like a more exact test CD for the mastering guys. Also being
>>>> able to
>>>> use some UAD plugs would be good for quick short run CD's,
>>>
>>>Jef,
Whats your e-mail?0
respect
Nappy
"Jef Knight" <"Jef Knight"> wrote:
>
>I'm probably preachin' to the choir on this one, but the trick to this
>is getting a reasonably priced CD printer and spending some time setting
>up some stock graphics templates. This way you spend very little time
>and get some reasonably pro looking packages. Part of the reason I get
>great refferals is because my packages look, IMHO, pretty cool.
>
>I'm a fairly accomplished graphics artist, so if you're thinking of
>doing this and you arn't a graphics guy, email me and I can probably
>help you out.
>
>Cheers,
>
>jef
>
>
>
>Neil wrote:
>
>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>
>>
>>>>but you then turn around & sell the CD's you burn off to the parents
for
>>>>
>>>>
>>>$15 each, or whatever.
>>>
>>>And none of these parents or their kids have computers at home and would
>>>ever hose you by copying the original CD?
>>>
>>>
>>
>>That's always a possibility, I suppose... perhaps having them
>>professionally duplicated & packaged is the key - they can
>>burn 'em, but they can't see their kids' name in print with nice
>>graphics on the "credits" section if they just burn 'em on their
>>own. I think part of it is an ego thing: "look what my kid did!".
>>
>>Neil
>>
>>
>>
>
>
>
><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
><html>
><head>
> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
> <title></title>
></head>
><body bgcolor="#ffffff" text="#000000">
>I'm probably preachin' to the choir on this one, but the trick to this
>is getting a reasonably priced CD printer and spending some time
>setting up some stock graphics templates. This way you spend very
>little time and get some reasonably pro looking packages. Part of the
>reason I get great refferals is because my packages look, IMHO, pretty
>cool.<br>
><br>
>I'm a fairly accomplished graphics artist, so if you're thinking of
>doing this and you arn't a graphics guy, email me and I can probably
>help you out.<br>
><br>
>Cheers,<br>
><br>
>jef<br>
><br>
><br>
><br>
>Neil wrote:<br>
><blockquote cite="mid42e66ee8$1@linux" type="cite">
> <pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a>
>wrote:
> </pre>
> <blockquote type="cite">
> <blockquote type="cite">
> <pre wrap="">but you then turn around & sell the CD's you burn
off to the
>parents for
> </pre>
> </blockquote>
> <pre wrap="">$15 each, or whatever.
>
>And none of these parents or their kids have computers at home and would
>ever hose you by copying the original CD?
> </pre>
> </blockquote>
> <pre wrap=""><!---->
>That's always a possibility, I suppose... perhaps having them
>professionally duplicated & packaged is the key - they can
>burn 'em, but they can't see their kids' name in print with nice
>graphics on the "credits" section if they just burn 'em on their
>own. I think part of it is an ego thing: "look what my kid did!".
>
>Neil
>
> </pre>
></blockquote>
><br>
></body>
></html>
>"Jason Miles" <Jmiles45@aol.com> wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>no.
>>
>>On 27 Jul 2005 02:09:33 +1000, "ulfiyya" <ulfiyya@yahoo.com> wrote:
>>
>>>
>>>Hi,
>>>Did any one hear about Paris running in Mac OSX?
>
>yes-alittle man came to me in a dream one night and said "Forget about it"
>
Was he on a flaming pie?For my last studio, we had the longest ground stake
we could find brazed onto a 4x6 fool plate and buried
that, than added a couple of bags of copper sulfate
and watered it regularly. Worked great...
EK Sound <spamnot.info@eksoundNO.com> wrote:
>Then water it on a daily basis.. ;-)
>
>David.
>
>Neil wrote:
>> "gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>>
>>>"Neil" <OIUOIU@OIU.com> wrote:
>>>
>>>>Isn't a simple 3'x3' plate about 6 feet down the best thing?
>>>>Better than multiple rods or any of this other stuff... not as
>>>>easy to install as just pounding few rods in, but isn't that
>>>>the best thing?
>>>>
>>>>Neil
>>>>
>>>
>>>I’ve heard that as well, but I was told that a deep rod is better because
>>>changing soil layers can have very different abilities to conduct current.
>>>Sandy soil gives a poor ground. A long rod is more likely to pass through
>>>a variety of strata and “catch” good soil conduction. It’s Earth fishing.
>>
>>
>> Good point, and makes complete sense... so maybe the best thing
>> is actually a 3'x3' plate set at an angle from about 4' down to
>> 6' down?!?!?!
>>
>> NeilAndy,
For me, Paris stopped syncing to the Dakota card when I upgraded from SX
v1.6 to v2.0. I believe the reason for this to be that the Dakota drivers do
not somehow automatically follow the buffer settings in Cubase SX 2.0 or
vice versa. When I was working with a Dakota/Montana combo in SX v1.6 the
sync was perfect because I could go into the SX project window and manually
set the buffers for SX to match the Dakota buffers in the hardware control
panel. This functionality was not carried forward in SX 2.0. I sold my
Dakota/Montana, bought a pair of RME HDSP9652's and they have been flawless
with SX v2.0 thru my current v3.0.1.
Regards,
Deej
"Andy Pow" <digitalwavestudios@hotmail.com> wrote in message
news:42e787e7$1@linux...
>
> I've been searching for past post for anyone succesfull
> using Dakota adat sync and Paris with Cubase SX (ver2.0)
> Can anyone point me in the right direction as far as settings
> that work.
>
> My rig:
> 1 Paris system win98se
> 2 MEC w/ adat cards
> 1 PC w/ xp pro and Dakota PCI running Cubase 2.0
>
> TIA,
> APThis is a multi-part message in MIME format.
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Hey
you can get me at
thestudio at allknightmusic dot com
Nappy wrote:
>Jef,
>Whats your e-mail?0
>
>respect
>Nappy
>
>
>"Jef Knight" <"Jef Knight"> wrote:
>
>
>>I'm probably preachin' to the choir on this one, but the trick to this
>>is getting a reasonably priced CD printer and spending some time setting
>>
>>
>
>
>
>>up some stock graphics templates. This way you spend very little time
>>and get some reasonably pro looking packages. Part of the reason I get
>>great refferals is because my packages look, IMHO, pretty cool.
>>
>>I'm a fairly accomplished graphics artist, so if you're thinking of
>>doing this and you arn't a graphics guy, email me and I can probably
>>help you out.
>>
>>Cheers,
>>
>>jef
>>
>>
>>
>>Neil wrote:
>>
>>
>>
>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>
>>>
>>>
>>>
>>>>>but you then turn around & sell the CD's you burn off to the parents
>>>>>
>>>>>
>for
>
>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>$15 each, or whatever.
>>>>
>>>>And none of these parents or their kids have computers at home and would
>>>>ever hose you by copying the original CD?
>>>>
>>>>
>>>>
>>>>
>>>That's always a possibility, I suppose... perhaps having them
>>>professionally duplicated & packaged is the key - they can
>>>burn 'em, but they can't see their kids' name in print with nice
>>>graphics on the "credits" section if they just burn 'em on their
>>>own. I think part of it is an ego thing: "look what my kid did!".
>>>
>>>Neil
>>>
>>>
>>>
>>>
>>>
>>
>><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
>><html>
>><head>
>> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
>> <title></title>
>></head>
>><body bgcolor="#ffffff" text="#000000">
>>I'm probably preachin' to the choir on this one, but the trick to this
>>is getting a reasonably priced CD printer and spending some time
>>setting up some stock graphics templates. This way you spend very
>>little time and get some reasonably pro looking packages. Part of the
>>reason I get great refferals is because my packages look, IMHO, pretty
>>cool.<br>
>><br>
>>I'm a fairly accomplished graphics artist, so if you're thinking of
>>doing this and you arn't a graphics guy, email me and I can probably
>>help you out.<br>
>><br>
>>Cheers,<br>
>><br>
>>jef<br>
>><br>
>><br>
>><br>
>>Neil wrote:<br>
>><blockquote cite="mid42e66ee8$1@linux" type="cite">
>> <pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a>
>>wrote:
>> </pre>
>> <blockquote type="cite">
>> <blockquote type="cite">
>> <pre wrap="">but you then turn around & sell the CD's you burn
>>
>>
>off to the
>
>
>>parents for
>> </pre>
>> </blockquote>
>> <pre wrap="">$15 each, or whatever.
>>
>>And none of these parents or their kids have computers at home and would
>>ever hose you by copying the original CD?
>> </pre>
>> </blockquote>
>> <pre wrap=""><!---->
>>That's always a possibility, I suppose... perhaps having them
>>professionally duplicated & packaged is the key - they can
>>burn 'em, but they can't see their kids' name in print with nice
>>graphics on the "credits" section if they just burn 'em on their
>>own. I think part of it is an ego thing: "look what my kid did!".
>>
>>Neil
>>
>> </pre>
>></blockquote>
>><br>
>></body>
>></html>
>>
>>
>>
>
>
>
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<html>
<head>
<meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
<title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
Hey<br>
<br>
you can get me at<br>
<br>
thestudio at allknightmusic dot com<br>
<br>
Nappy wrote:
<blockquote cite="mid42e7ab88$1@linux" type="cite">
<pre wrap="">Jef,
Whats your e-mail?0
respect
Nappy
"Jef Knight" <"Jef Knight"> wrote:
</pre>
<blockquote type="cite">
<pre wrap="">I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time setting
</pre>
</blockquote>
<pre wrap=""><!---->
</pre>
<blockquote type="cite">
<pre wrap="">up some stock graphics templates. This way you spend very little time
and get some reasonably pro looking packages. Part of the reason I get
great refferals is because my packages look, IMHO, pretty cool.
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.
Cheers,
jef
Neil wrote:
</pre>
<blockquote type="cite">
<pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a> wrote:
</pre>
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">but you then turn around & sell the CD's you burn off to the parents
</pre>
</blockquote>
</blockquote>
</blockquote>
</blockquote>
<pre wrap=""><!---->for
</pre>
<blockquote type="cite">
<blockquote type="cite">
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">
</pre>
</blockquote>
<pre wrap="">$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
</pre>
</blockquote>
<pre wrap="">That's always a possibility, I suppose... perhaps having them
professionally duplicated & packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
Neil
</pre>
</blockquote>
<pre wrap="">
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
<title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time
setting up some stock graphics templates. This way you spend very
little time and get some reasonably pro looking packages. Part of the
reason I get great refferals is because my packages look, IMHO, pretty
cool.<br>
<br>
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.<br>
<br>
Cheers,<br>
<br>
jef<br>
<br>
<br>
<br>
Neil wrote:<br>
<blockquote cite="mid42e66ee8$1@linux" type="cite">
<pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href=<a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net">"mailto:animix_spam-this-ahole_@animas.net"</a>>&lt;animix_spam-this-ahole_@animas.net&gt;</a>
wrote:
</pre>
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">but you then turn around &amp; sell the CD's you burn
</pre>
</blockquote>
<pre wrap=""><!---->off to the
</pre>
<blockquote type="cite">
<pre wrap="">parents for
</pre>
</blockquote>
<pre wrap="">$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
</pre>
</blockquote>
<pre wrap=""><!---->
That's always a possibility, I suppose... perhaps having them
professionally duplicated &amp; packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
Neil
</pre>
</blockquote>
<br>
</body>
</html>
</pre>
</blockquote>
<pre wrap=""><!---->
</pre>
</blockquote>
<br>
</body>
</html>
--------------070609070408050403010605--This is a multi-part message in MIME format.
--------------070704090702090201010100
Content-Type: text/plain; charset=us-ascii; format=flowed
Content-Transfer-Encoding: 7bit
here's a link to a site that has some good ones
http://www.cddimensions.com/
cheers
jef
cujo wrote:
>What are some decent CD printer options?
>
>
>"Jef Knight" <"Jef Knight"> wrote:
>
>
>>I'm probably preachin' to the choir on this one, but the trick to this
>>is getting a reasonably priced CD printer and spending some time setting
>>
>>
>
>
>
>>up some stock graphics templates. This way you spend very little time
>>and get some reasonably pro looking packages. Part of the reason I get
>>great refferals is because my packages look, IMHO, pretty cool.
>>
>>I'm a fairly accomplished graphics artist, so if you're thinking of
>>doing this and you arn't a graphics guy, email me and I can probably
>>help you out.
>>
>>Cheers,
>>
>>jef
>>
>>
>>
>>Neil wrote:
>>
>>
>>
>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>
>>>
>>>
>>>
>>>>>but you then turn around & sell the CD's you burn off to the parents
>>>>>
>>>>>
>for
>
>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>$15 each, or whatever.
>>>>
>>>>And none of these parents or their kids have computers at home and would
>>>>ever hose you by copying the original CD?
>>>>
>>>>
>>>>
>>>>
>>>That's always a possibility, I suppose... perhaps having them
>>>professionally duplicated & packaged is the key - they can
>>>burn 'em, but they can't see their kids' name in print with nice
>>>graphics on the "credits" section if they just burn 'em on their
>>>own. I think part of it is an ego thing: "look what my kid did!".
>>>
>>>Neil
>>>
>>>
>>>
>>>
>>>
>>
>><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
>><html>
>><head>
>> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
>> <title></title>
>></head>
>><body bgcolor="#ffffff" text="#000000">
>>I'm probably preachin' to the choir on this one, but the trick to this
>>is getting a reasonably priced CD printer and spending some time
>>setting up some stock graphics templates. This way you spend very
>>little time and get some reasonably pro looking packages. Part of the
>>reason I get great refferals is because my packages look, IMHO, pretty
>>cool.<br>
>><br>
>>I'm a fairly accomplished graphics artist, so if you're thinking of
>>doing this and you arn't a graphics guy, email me and I can probably
>>help you out.<br>
>><br>
>>Cheers,<br>
>><br>
>>jef<br>
>><br>
>><br>
>><br>
>>Neil wrote:<br>
>><blockquote cite="mid42e66ee8$1@linux" type="cite">
>> <pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a>
>>wrote:
>> </pre>
>> <blockquote type="cite">
>> <blockquote type="cite">
>> <pre wrap="">but you then turn around & sell the CD's you burn off
>>
>>
>to the
>
>
>>parents for
>> </pre>
>> </blockquote>
>> <pre wrap="">$15 each, or whatever.
>>
>>And none of these parents or their kids have computers at home and would
>>ever hose you by copying the original CD?
>> </pre>
>> </blockquote>
>> <pre wrap=""><!---->
>>That's always a possibility, I suppose... perhaps having them
>>professionally duplicated & packaged is the key - they can
>>burn 'em, but they can't see their kids' name in print with nice
>>graphics on the "credits" section if they just burn 'em on their
>>own. I think part of it is an ego thing: "look what my kid did!".
>>
>>Neil
>>
>> </pre>
>></blockquote>
>><br>
>></body>
>></html>
>>
>>
>>
--------------070704090702090201010100
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Content-Transfer-Encoding: 7bit
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
<title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
here's a link to a site that has some good ones<br>
<br>
<a href="http://www.cddimensions.com/">http://www.cddimensions.com/</a><br>
<br>
cheers<br>
<br>
jef<br>
<br>
<br>
<br>
cujo wrote:<br>
<blockquote cite="mid42e793ba$1@linux" type="cite">
<pre wrap="">What are some decent CD printer options?
"Jef Knight" <"Jef Knight"> wrote:
</pre>
<blockquote type="cite">
<pre wrap="">I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time setting
</pre>
</blockquote>
<pre wrap=""><!---->
</pre>
<blockquote type="cite">
<pre wrap="">up some stock graphics templates. This way you spend very little time
and get some reasonably pro looking packages. Part of the reason I get
great refferals is because my packages look, IMHO, pretty cool.
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.
Cheers,
jef
Neil wrote:
</pre>
<blockquote type="cite">
<pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a> wrote:
</pre>
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">but you then turn around & sell the CD's you burn off to the parents
</pre>
</blockquote>
</blockquote>
</blockquote>
</blockquote>
<pre wrap=""><!---->for
</pre>
<blockquote type="cite">
<blockquote type="cite">
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">
</pre>
</blockquote>
<pre wrap="">$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
</pre>
</blockquote>
<pre wrap="">That's always a possibility, I suppose... perhaps having them
professionally duplicated & packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
Neil
</pre>
</blockquote>
<pre wrap="">
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
<title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
I'm probably preachin' to the choir on this one, but the trick to this
is getting a reasonably priced CD printer and spending some time
setting up some stock graphics templates. This way you spend very
little time and get some reasonably pro looking packages. Part of the
reason I get great refferals is because my packages look, IMHO, pretty
cool.<br>
<br>
I'm a fairly accomplished graphics artist, so if you're thinking of
doing this and you arn't a graphics guy, email me and I can probably
help you out.<br>
<br>
Cheers,<br>
<br>
jef<br>
<br>
<br>
<br>
Neil wrote:<br>
<blockquote cite="mid42e66ee8$1@linux" type="cite">
<pre wrap="">"DJ" <a class="moz-txt-link-rfc2396E" href=<a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net">"mailto:animix_spam-this-ahole_@animas.net"</a>><a class="moz-txt-link-rfc2396E" href="mailto:animix_spam-this-ahole_@animas.net"><animix_spam-this-ahole_@animas.net></a></a>
wrote:
</pre>
<blockquote type="cite">
<blockquote type="cite">
<pre wrap="">but you then turn around & sell the CD's you burn off
</pre>
</blockquote>
<pre wrap=""><!---->to the
</pre>
<blockquote type="cite">
<pre wrap="">parents for
</pre>
</blockquote>
<pre wrap="">$15 each, or whatever.
And none of these parents or their kids have computers at home and would
ever hose you by copying the original CD?
</pre>
</blockquote>
<pre wrap=""><!---->
That's always a possibility, I suppose... perhaps having them
professionally duplicated & packaged is the key - they can
burn 'em, but they can't see their kids' name in print with nice
graphics on the "credits" section if they just burn 'em on their
own. I think part of it is an ego thing: "look what my kid did!".
Neil
</pre>
</blockquote>
<br>
</body>
</html>
</pre>
</blockquote>
</blockquote>
<br>
</body>
</html>
--------------070704090702090201010100--mailed em today.
On Wed, 27 Jul 2005 10:20:02 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>Andy,
>
>For me, Paris stopped syncing to the Dakota card when I upgraded from SX
>v1.6 to v2.0. I believe the reason for this to be that the Dakota drivers do
>not somehow automatically follow the buffer settings in Cubase SX 2.0 or
>vice versa. When I was working with a Dakota/Montana combo in SX v1.6 the
>sync was perfect because I could go into the SX project window and manually
>set the buffers for SX to match the Dakota buffers in the hardware control
>panel. This functionality was not carried forward in SX 2.0. I sold my
>Dakota/Montana, bought a pair of RME HDSP9652's and they have been flawless
>with SX v2.0 thru my current v3.0.1.
>
>Regards,
>
>Deej
>
>"Andy Pow" <digitalwavestudios@hotmail.com> wrote in message
>news:42e787e7$1@linux...
>>
>> I've been searching for past post for anyone succesfull
>> using Dakota adat sync and Paris with Cubase SX (ver2.0)
>> Can anyone point me in the right direction as far as settings
>> that work.
>>
>> My rig:
>> 1 Paris system win98se
>> 2 MEC w/ adat cards
>> 1 PC w/ xp pro and Dakota PCI running Cubase 2.0
>>
>> TIA,
>> AP
>This is a multi-part message in MIME format.
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Cujo,
I didn't know you were in this area?!
Tom
"coo" <chris@nospamapplemanstudio.com> wrote in message =
news:42e6b24a$1@linux...
One of these days we should have a Boston Paris Users hang.
"justcron" <justcron@hydrorecords.compound> wrote:
>sup pimp.
>
>coming from someone who has been through floods having lived right on =
the
>frikkin boston harbor in Chelsea, MA... this will be a recurring =
issue.
>rain happens often. someone might say it's merely a '100year flood'=20
>wrong... that shit will happen at least once or twice a year.
>
>Figure out the lowest point in the basement and prepare to install a =
sump
>pump with battery backup. keep an eye on it at least yearly to make =
sure
>it's functioning.
>
>"jon bergh" <jonberghNOSPAM@gmail.com> wrote in message=20
>news:42e67e23$1@linux...
>> hey good folks...
>> I just got a house here in sunny minnesota and I'm relegated to the =
>> basement.
>>
>> It has had a minor bit of water in a corner or two but that's =
really=20
>> because of the rain situation. I'll get some gutters installed and =
fix
the=20
>> grade and that should be that.
>>
>> I did the old "tape some plastic to the basement floor for a few =
days"
>> trick and am pretty confident that I'm not getting any moisture =
coming
up=20
>> through the floor.
>>
>> Oh, the floor is a thinly poured concrete (like, about two inches =
thick).
>> It's not very flat and level (house was built in 1915).
>>
>> I'd like to "build a room" in the corner that is roughly 12 feet by =
24
>> feet. This is just for me to have computers and instruments in, =
nothing
>> really crazy.
>>
>> I'm thinking ahead towards the winter and would like to get some =
flooring
>> down so I'm not standing in my socks on the concrete. I've looked =
around
>> the web at stuff like R-Foil and what not.
>>
>> Then I thought I'd go to the one place where I can count on the =
straight
>> poop. That's right here.
>>
>> I'd like to be able to slowly stage the building of a room down =
there.
>> Maybe something on the floor first, then some insulation in the =
rafters
>> above, then some interior walls, then re-do the insulation on the =
two
>> exterior walls. I am of course on a tight tight budget.
>>
>> Any links or tips or suggestions are greatly appreciated. Point me =
in
some=20
>> directtion, warn me against The Big Rip-Off, tell me it'll be =
allright,
>> that sort of thing.
>>
>> Thanks
>> -jonbergh at gmail dot com=20
>
>
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charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cujo,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I didn't know you were in this =
area?!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"coo" <<A=20
=
href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
..com</A>>=20
wrote in message <A=20
=
href=3D"news:42e6b24a$1@linux">news:42e6b24a$1@linux</A>...</DIV><BR><BR>=
One of=20
these days we should have a Boston Paris Users =
hang.<BR><BR><BR>"justcron"=20
<<A=20
=
href=3D"mailto:justcron@hydrorecords.compound">justcron@hydrorecords.comp=
ound</A>>=20
wrote:<BR>>sup pimp.<BR>><BR>>coming from someone who has =
been=20
through floods having lived right on the<BR><BR>>frikkin boston =
harbor in=20
Chelsea, MA... this will be a recurring issue.<BR><BR>>rain happens =
often. someone might say it's merely a '100year flood' =
<BR>>wrong...=20
that shit will happen at least once or twice a =
year.<BR>><BR>>Figure out=20
the lowest point in the basement and prepare to install a =
sump<BR><BR>>pump=20
with battery backup. keep an eye on it at least yearly to make=20
sure<BR><BR>>it's functioning.<BR>><BR>>"jon bergh" <<A=20
=
href=3D"mailto:jonberghNOSPAM@gmail.com">jonberghNOSPAM@gmail.com</A>>=
wrote=20
in message <BR>>news:42e67e23$1@linux...<BR>>> hey good=20
folks...<BR>>> I just got a house here in sunny minnesota and =
I'm=20
relegated to the <BR>>> basement.<BR>>><BR>>> It has =
had a=20
minor bit of water in a corner or two but that's really <BR>>> =
because=20
of the rain situation. I'll get some gutters installed and fix<BR>the=20
<BR>>> grade and that should be that.<BR>>><BR>>> I =
did the=20
old "tape some plastic to the basement floor for a few =
days"<BR><BR>>>=20
trick and am pretty confident that I'm not getting any moisture =
coming<BR>up=20
<BR>>> through the floor.<BR>>><BR>>> Oh, the floor =
is a=20
thinly poured concrete (like, about two inches thick).<BR><BR>>> =
It's=20
not very flat and level (house was built in =
1915).<BR>>><BR>>> I'd=20
like to "build a room" in the corner that is roughly 12 feet by=20
24<BR><BR>>> feet. This is just for me to have computers and =
instruments=20
in, nothing<BR><BR>>> really crazy.<BR>>><BR>>> I'm =
thinking=20
ahead towards the winter and would like to get some =
flooring<BR><BR>>>=20
down so I'm not standing in my socks on the concrete. I've looked=20
around<BR><BR>>> the web at stuff like R-Foil and what=20
not.<BR>>><BR>>> Then I thought I'd go to the one place =
where I=20
can count on the straight<BR><BR>>> poop. That's right=20
here.<BR>>><BR>>> I'd like to be able to slowly stage the =
building=20
of a room down there.<BR><BR>>> Maybe something on the floor =
first, then=20
some insulation in the rafters<BR><BR>>> above, then some =
interior=20
walls, then re-do the insulation on the two<BR><BR>>> exterior =
walls. I=20
am of course on a tight tight budget.<BR>>><BR>>> Any =
links or=20
tips or suggestions are greatly appreciated. Point me in<BR>some =
<BR>>>=20
directtion, warn me against The Big Rip-Off, tell me it'll be=20
allright,<BR><BR>>> that sort of thing.<BR>>><BR>>>=20
Thanks<BR>>> -jonbergh at gmail dot com=20
<BR>><BR>><BR></BLOCKQUOTE></BODY></HTML >
------=_NextPart_000_0087_01C592BE.6D941530--I'm just wondering if any Paris users are session dobro
players. Any advice is appreciated.
George Axoncujo, couple things I feel the need to chime in on.
First , make sure its a licensed contractor(electrical license)
The grounding electrode systems' main purpose is to limit the voltage on
the equipment tied to it when a high voltage source(e.g. lightning,orthe
primary line on pole comes in contact with a secondary line etc.)
If lightning hits your meter enclosure or whatever everything is tied
together and stays at the same potential including you if you are grounded
at the time.
Code requires a grounding electrode to be at 25 ohms to earth . If not, a
second electrode must be installed. That is the most you can make an
electrician do for you unless you pay more$$.
More than two electrodes in parallel will lower the resistance to earth.
If you have city water with a metal pipe that also must be tied to the
neutral at THE SERVICE DISCONNECT ENCLOSURE.
alll interior metal pipe is required to be bonded to the electrode system
also .
From my experience the best electrode systems are the concrete encased
type(#4 or #2 bare copper encased in the foundation floor) they always
perform better , the concrete is a large contact area and is usually damp
year round. not very practical for a service revamp though.
The star ground design for outlets is superior to chained . the reason
being noise injected from one source is limited to that branch of the star
rather than at every outlet in the daisy chain.
Use of insulated equipment grounds is better also.(gene I agree)
insulated equipment grounds prevent unwanted impedance variations back to
the main bonding point. make sure the equipment ground is insulated and not
bare copper(like 2 wire romex)or it might split at any point it touches
metal.Gotta use I.G. outlets also or the same thing will happen at a metal
box.
You can do everything right and still have power quality issues. Not
having the neutral earthed is a major no no. good luck.
p.s. I am a licensed electrical contractor in business for 23 years, 33
years experience .wish I could do the job , the traveling electrician :-)
"cujo" <chris@nospamapplemanstudio.com> wrote in message
news:42e642fb$1@linux...
>
> Anything I should tell y elctrician before he installs a ground in my
house?
> Turns out that this place (circa 1910) does not have one.
> COuld this be my issue with occasional but ugly buzz and humWow... that's way too complicated. So what you're saying is that
roll of tin foil I wadded up & buried, with a 22-ga zip cord
from a broken coffee table lamp attached, isn't going to cut it?
:D
"Alex Plasko" <alex.plasko@snet.net> wrote:
>cujo, couple things I feel the need to chime in on.
>First , make sure its a licensed contractor(electrical license)
>The grounding electrode systems' main purpose is to limit the voltage on
>the equipment tied to it when a high voltage source(e.g. lightning,orthe
>primary line on pole comes in contact with a secondary line etc.)
> If lightning hits your meter enclosure or whatever everything is tied
>together and stays at the same potential including you if you are grounded
>at the time.
>Code requires a grounding electrode to be at 25 ohms to earth . If not,
a
>second electrode must be installed. That is the most you can make an
>electrician do for you unless you pay more$$.
> More than two electrodes in parallel will lower the resistance to earth.
> If you have city water with a metal pipe that also must be tied to the
>neutral at THE SERVICE DISCONNECT ENCLOSURE.
>alll interior metal pipe is required to be bonded to the electrode system
>also .
>From my experience the best electrode systems are the concrete encased
>type(#4 or #2 bare copper encased in the foundation floor) they always
>perform better , the concrete is a large contact area and is usually damp
>year round. not very practical for a service revamp though.
>The star ground design for outlets is superior to chained . the reason
>being noise injected from one source is limited to that branch of the star
>rather than at every outlet in the daisy chain.
> Use of insulated equipment grounds is better also.(gene I agree)
>insulated equipment grounds prevent unwanted impedance variations back
to
>the main bonding point. make sure the equipment ground is insulated and
not
>bare copper(like 2 wire romex)or it might split at any point it touches
>metal.Gotta use I.G. outlets also or the same thing will happen at a metal
>box.
> You can do everything right and still have power quality issues. Not
>having the neutral earthed is a major no no. good luck.
>p.s. I am a licensed electrical contractor in business for 23 years, 33
>years experience .wish I could do the job , the traveling electrician
:-)
>
>
>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:42e642fb$1@linux...
>>
>> Anything I should tell y elctrician before he installs a ground in my
>house?
>> Turns out that this place (circa 1910) does not have one.
>> COuld this be my issue with occasional but ugly buzz and hum
>
>I wanna' help. I could probably dream up some additional variations for
routing things around while we had the top popped.
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e71191$1@linux...
>
> "Neil" <OIUOIU@OIU.com> wrote:
> >Maybe keep it simple & take whatever part
> >is broken from the topmost key on the keyboard & replace it on
> >that particular key mechanism...
>
> Now that's thinkin'! ;o)
>
> Right now the damaged key is middle D, so it's right in the firing line,
> but you would think by pulling it apart I could move it to an end key...
> or at very very least move it to a lesser used D.
>
> I spoke to my friend just before and he's keen to rip it open next time
I'm
> there, so that sound like a plan. :o)
>
> Cheers,
> Kim.George,
check your e-mail.
Deej
"George Axon" <georgeaxon@rogers.com> wrote in message
news:42e7e987$1@linux...
>
> I'm just wondering if any Paris users are session dobro
> players. Any advice is appreciated.
>
> George AxonThanks Neil. Very cool to get constructive criticism like that. We'll take
it into account for sure!
"Neil" <IOUOIU@OIU.com> wrote in message news:42e635b1$1@linux...
>
> "Amuse" <petealec@bigpond.net.au> wrote:
> >And the address would be....
> >
> >
> >http://polls.geekmobile.com.au/
> I like #1 best for the overall design or look, but the part in
> the middle looks like it's saying "G3" instead of "G-with-a-
> sideways-'M'". Dunno if that would confuse people.
>
> Next, I like #2 for it's clean lines & ease of reading (I'm
> trying to envision it passing by on the "-mobile" itself), but
> #3 is probably the catchiest overall - depends if you want to
> convey a sense of mirth or professionalism. I think #2 conveys
> professionalism with just a touch of mirth (the propeller),
> whereas #3 is more mirth. Dunno if the wrench implies only major
> problems (IOW, subconciously, what are people going to get from
> the wrench - that they should only call you if something's
> REALLY screwed up? Because obviously you don't use a wrench
> very often on a computer. Not sure... something about the
> wrench sends the wrong message).
>
> Finally, I think that no matter which logo you go with, you
> should incorporate the "computer support on call" slogan into
> it... that sends the message of promptness, rapidity of
> response, no appointment needed, etc. I think that saying will
> generate more business for you if that's a part of the logo.
>
> Just my $0.02
>
> NeilDeej.
Thanks for sending that but it was a windows media file which instead of
playing
took me to a microsoft site saying the file was protected. Perhaps you could
make
it into an mp3? I'm anxious to hear!! (I'm on a mac - maybe that's why)
George
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>George,
>
>check your e-mail.
>
>Deej
>
>"George Axon" <georgeaxon@rogers.com> wrote in message
>news:42e7e987$1@linux...
>>
>> I'm just wondering if any Paris users are session dobro
>> players. Any advice is appreciated.
>>
>> George Axon
>
>OK........check again.
;o)
"George Axon" <georgeaxon@rogers.com> wrote in message
news:42e81574$1@linux...
>
> Deej.
>
> Thanks for sending that but it was a windows media file which instead of
> playing
> took me to a microsoft site saying the file was protected. Perhaps you
could
> make
> it into an mp3? I'm anxious to hear!! (I'm on a mac - maybe that's why)
>
> George
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >George,
> >
> >check your e-mail.
> >
> >Deej
> >
> >"George Axon" <georgeaxon@rogers.com> wrote in message
> >news:42e7e987$1@linux...
> >>
> >> I'm just wondering if any Paris users are session dobro
> >> players. Any advice is appreciated.
> >>
> >> George Axon
> >
> >
>I just dug down a foot and soldered a wire to the fin on the UFO that's buried
in my back yard. ;0)
But seriously, I've got an 8'copper ground rod with #4 stranded connecting
it to the box.
My brother, who has been a city electrician all his life, suggests that I
drive 2 more stakes and make a triangle, making sure that each stake is 16'
away from the other, wire them together and then to the box.
He says this is how they ground some of the big radio antennas. They also
use a gravel sump to keep 'em wet.
Mike "Zzzzzzzzzzzzapppppp" Claytor
:0)
"Neil" <OIUOIU@OIU.com> wrote:
>
>Wow... that's way too complicated. So what you're saying is that
>roll of tin foil I wadded up & buried, with a 22-ga zip cord
>from a broken coffee table lamp attached, isn't going to cut it?
>
>:D
>
>
>"Alex Plasko" <alex.plasko@snet.net> wrote:
>>cujo, couple things I feel the need to chime in on.
>>First , make sure its a licensed contractor(electrical license)
>>The grounding electrode systems' main purpose is to limit the voltage
on
>>the equipment tied to it when a high voltage source(e.g. lightning,orthe
>>primary line on pole comes in contact with a secondary line etc.)
>> If lightning hits your meter enclosure or whatever everything is tied
>>together and stays at the same potential including you if you are grounded
>>at the time.
>>Code requires a grounding electrode to be at 25 ohms to earth . If not,
>a
>>second electrode must be installed. That is the most you can make an
>>electrician do for you unless you pay more$$.
>> More than two electrodes in parallel will lower the resistance to earth.
>> If you have city water with a metal pipe that also must be tied to the
>>neutral at THE SERVICE DISCONNECT ENCLOSURE.
>>alll interior metal pipe is required to be bonded to the electrode system
>>also .
>>From my experience the best electrode systems are the concrete encased
>>type(#4 or #2 bare copper encased in the foundation floor) they always
>>perform better , the concrete is a large contact area and is usually damp
>>year round. not very practical for a service revamp though.
>>The star ground design for outlets is superior to chained . the reason
>>being noise injected from one source is limited to that branch of the star
>>rather than at every outlet in the daisy chain.
>> Use of insulated equipment grounds is better also.(gene I agree)
>>insulated equipment grounds prevent unwanted impedance variations back
>to
>>the main bonding point. make sure the equipment ground is insulated and
>not
>>bare copper(like 2 wire romex)or it might split at any point it touches
>>metal.Gotta use I.G. outlets also or the same thing will happen at a
metal
>>box.
>> You can do everything right and still have power quality issues. Not
>>having the neutral earthed is a major no no. good luck.
>>p.s. I am a licensed electrical contractor in business for 23 years, 33
>>years experience .wish I could do the job , the traveling electrician
> :-)
>>
>>
>>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>>news:42e642fb$1@linux...
>>>
>>> Anything I should tell y elctrician before he installs a ground in my
>>house?
>>> Turns out that this place (circa 1910) does not have one.
>>> COuld this be my issue with occasional but ugly buzz and hum
>>
>>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I wanna' help. I could probably dream up some additional variations for
>routing things around while we had the top popped.
You would no doubt have to figure out a way to have each key
trigger it's own dedicated Buchla module, each of which would
then route through it's own channel on several Behringer mixers
ganged together, which would then be summed via a series of
y-adapters into your Ampeg combo, then rerouted back into the
original piano's line amp section to mix with the original
sound - somewhow you'd figure out a way to do this without
creating a feedback loop (which would probably involve using a
UAD-1 card somehow), but right at that point all the Behringers
would simultaneously catch fire & ruin everything.
:D
>"Kim" <hiddensounds@hotmail.com> wrote in message news:42e71191$1@linux...
>>
>> "Neil" <OIUOIU@OIU.com> wrote:
>> >Maybe keep it simple & take whatever part
>> >is broken from the topmost key on the keyboard & replace it on
>> >that particular key mechanism...
>>
>> Now that's thinkin'! ;o)
>>
>> Right now the damaged key is middle D, so it's right in the firing line,
>> but you would think by pulling it apart I could move it to an end key...
>> or at very very least move it to a lesser used D.
>>
>> I spoke to my friend just before and he's keen to rip it open next time
>I'm
>> there, so that sound like a plan. :o)
>>
>> Cheers,
>> Kim.
>
>Or howabout buryin' a '56 Buick in yer back yard with a wire attached to the
engine block? Bury it right under where yer dawg's always pee.
yessir, that'll work.
"Neil" <OIUOIU@OIU.com> wrote:
>
>Wow... that's way too complicated. So what you're saying is that
>roll of tin foil I wadded up & buried, with a 22-ga zip cord
>from a broken coffee table lamp attached, isn't going to cut it?
>
>:D
>
>
>"Alex Plasko" <alex.plasko@snet.net> wrote:
>>cujo, couple things I feel the need to chime in on.
>>First , make sure its a licensed contractor(electrical license)
>>The grounding electrode systems' main purpose is to limit the voltage
on
>>the equipment tied to it when a high voltage source(e.g. lightning,orthe
>>primary line on pole comes in contact with a secondary line etc.)
>> If lightning hits your meter enclosure or whatever everything is tied
>>together and stays at the same potential including you if you are grounded
>>at the time.
>>Code requires a grounding electrode to be at 25 ohms to earth . If not,
>a
>>second electrode must be installed. That is the most you can make an
>>electrician do for you unless you pay more$$.
>> More than two electrodes in parallel will lower the resistance to earth.
>> If you have city water with a metal pipe that also must be tied to the
>>neutral at THE SERVICE DISCONNECT ENCLOSURE.
>>alll interior metal pipe is required to be bonded to the electrode system
>>also .
>>From my experience the best electrode systems are the concrete encased
>>type(#4 or #2 bare copper encased in the foundation floor) they always
>>perform better , the concrete is a large contact area and is usually damp
>>year round. not very practical for a service revamp though.
>>The star ground design for outlets is superior to chained . the reason
>>being noise injected from one source is limited to that branch of the star
>>rather than at every outlet in the daisy chain.
>> Use of insulated equipment grounds is better also.(gene I agree)
>>insulated equipment grounds prevent unwanted impedance variations back
>to
>>the main bonding point. make sure the equipment ground is insulated and
>not
>>bare copper(like 2 wire romex)or it might split at any point it touches
>>metal.Gotta use I.G. outlets also or the same thing will happen at a
metal
>>box.
>> You can do everything right and still have power quality issues. Not
>>having the neutral earthed is a major no no. good luck.
>>p.s. I am a licensed electrical contractor in business for 23 years, 33
>>years experience .wish I could do the job , the traveling electrician
> :-)
>>
>>
>>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>>news:42e642fb$1@linux...
>>>
>>> Anything I should tell y elctrician before he installs a ground in my
>>house?
>>> Turns out that this place (circa 1910) does not have one.
>>> COuld this be my issue with occasional but ugly buzz and hum
>>
>>
>What? No DAC-1? No lightpipe?
Surely we can hook a Magma up to it somehow too... ;o)
"Neil" <OIUOIU@OIU.com> wrote:
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I wanna' help. I could probably dream up some additional variations for
>>routing things around while we had the top popped.
>
>You would no doubt have to figure out a way to have each key
>trigger it's own dedicated Buchla module, each of which would
>then route through it's own channel on several Behringer mixers
>ganged together, which would then be summed via a series of
>y-adapters into your Ampeg combo, then rerouted back into the
>original piano's line amp section to mix with the original
>sound - somewhow you'd figure out a way to do this without
>creating a feedback loop (which would probably involve using a
>UAD-1 card somehow), but right at that point all the Behringers
>would simultaneously catch fire & ruin everything.
>
>:D
>
>
>>"Kim" <hiddensounds@hotmail.com> wrote in message news:42e71191$1@linux...
>>>
>>> "Neil" <OIUOIU@OIU.com> wrote:
>>> >Maybe keep it simple & take whatever part
>>> >is broken from the topmost key on the keyboard & replace it on
>>> >that particular key mechanism...
>>>
>>> Now that's thinkin'! ;o)
>>>
>>> Right now the damaged key is middle D, so it's right in the firing line,
>>> but you would think by pulling it apart I could move it to an end key...
>>> or at very very least move it to a lesser used D.
>>>
>>> I spoke to my friend just before and he's keen to rip it open next time
>>I'm
>>> there, so that sound like a plan. :o)
>>>
>>> Cheers,
>>> Kim.
>>
>>
>Was playing my ol' (well, 4 years is a long time these days) Kawai MP-9000,
which has the fantastic feature of real wooden keys for a proper piano feel.
And I heard a little bit of a noise when playing one of the F#'s, and the
F next to it. Closer examination showed that the F# has apparently, being
wood, decided to warp, and is rubbing against the F next door. Still plays
alright, for now...
A call to the service centre tells me that it will cost probably between
$100 and $300 to fix it, just for labour. Mind you I called Kawai and they're
willing to sell me a new F# key if I can put it in myself...
....where's that screwdriver?
Cheers,
Kim.Cuj, it definately doesn't fall into the very cheapy category but it's well
worth the results and money saved after several masterings. I'm talking
about the Alesis Masterlink, ML-9600. I am very impressed with mine. It does
just about everything, very powerful DSP with editing, fading, compression,
eq, limiting, gain, normalizing, etc.. capabilities. I've mastered some
great sounding cd's. Highly recommended.
Ciao,
RichI think it would actually be pretty easy to get a hammer and a pair of
pliers and create inverse reactive current from unilateral phase detractors
on the upend of the cardinal granmeters. Then, if we encase the hydrocoptic
marzilvane with either prefamulited amulite or basic tremy pipe (found in
any hardware store) we could effectively reduce sinusoidal side fumbling.
This will allow the modial reluctance of the flux capacitors to properly
align to the sperving bearing of the retro encabulator. Flourescent score
motion then flows freely deplenerating magneto reluctance and logarithmic
capacitive duractance. Remember, you cannot block the panendermic
semi-boloid slots of the stator when making this modification. Special care
must also be employed when working on the panametric ambifacia lunar
wainshaft where it meets the girdle spring of the fam.
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e82434$1@linux...
>
>
> What? No DAC-1? No lightpipe?
>
> Surely we can hook a Magma up to it somehow too... ;o)
>
> "Neil" <OIUOIU@OIU.com> wrote:
> >
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>I wanna' help. I could probably dream up some additional variations for
> >>routing things around while we had the top popped.
> >
> >You would no doubt have to figure out a way to have each key
> >trigger it's own dedicated Buchla module, each of which would
> >then route through it's own channel on several Behringer mixers
> >ganged together, which would then be summed via a series of
> >y-adapters into your Ampeg combo, then rerouted back into the
> >original piano's line amp section to mix with the original
> >sound - somewhow you'd figure out a way to do this without
> >creating a feedback loop (which would probably involve using a
> >UAD-1 card somehow), but right at that point all the Behringers
> >would simultaneously catch fire & ruin everything.
> >
> >:D
> >
> >
> >>"Kim" <hiddensounds@hotmail.com> wrote in message
news:42e71191$1@linux...
> >>>
> >>> "Neil" <OIUOIU@OIU.com> wrote:
> >>> >Maybe keep it simple & take whatever part
> >>> >is broken from the topmost key on the keyboard & replace it on
> >>> >that particular key mechanism...
> >>>
> >>> Now that's thinkin'! ;o)
> >>>
> >>> Right now the damaged key is middle D, so it's right in the firing
line,
> >>> but you would think by pulling it apart I could move it to an end
key...
> >>> or at very very least move it to a lesser used D.
> >>>
> >>> I spoke to my friend just before and he's keen to rip it open next
time
> >>I'm
> >>> there, so that sound like a plan. :o)
> >>>
> >>> Cheers,
> >>> Kim.
> >>
> >>
> >
>I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
living in my Magma with the host card using PCI 4 sharing IRQ 4, two Matrox
G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, 3, 5
of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in one of
my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
loaded for the HDSP PCI card and it immediately migrated to IRQ 4, sharing
happily with the other two HDSP cards. I *never* had this easy a time
installing hardware with my SBS expansion chassis.
Go figure.
;o)This is a multi-part message in MIME format.
------=_NextPart_000_000C_01C59307.F97A1970
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
It's the little things in life Deej.
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:42e85652@linux...
I got my RME Multiface in there today. I've already got 2 x HDSP =
9652's
living in my Magma with the host card using PCI 4 sharing IRQ 4, two =
Matrox
G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, =
3, 5
of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in =
one of
my Magma backplane PCI slots, buttoned it up, booted my DAW, the =
driver
loaded for the HDSP PCI card and it immediately migrated to IRQ 4, =
sharing
happily with the other two HDSP cards. I *never* had this easy a time
installing hardware with my SBS expansion chassis.
Go figure.
;o)
------=_NextPart_000_000C_01C59307.F97A1970
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It's the little things in life =
Deej.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:42e85652@linux">news:42e85652@linux</A>...</DIV>I got my =
RME=20
Multiface in there today. I've already got 2 x HDSP 9652's<BR>living =
in my=20
Magma with the host card using PCI 4 sharing IRQ 4, two =
Matrox<BR>G450's in=20
the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, 3, =
5<BR>of my=20
mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in one =
of<BR>my=20
Magma backplane PCI slots, buttoned it up, booted my DAW, the =
driver<BR>loaded=20
for the HDSP PCI card and it immediately migrated to IRQ 4, =
sharing<BR>happily=20
with the other two HDSP cards. I *never* had this easy a =
time<BR>installing=20
hardware with my SBS expansion chassis.<BR><BR>Go=20
figure.<BR><BR>;o)<BR><BR></BLOCKQUOTE></BODY></HTML >
------=_NextPart_000_000C_01C59307.F97A1970--Cough, Cough...
David. ;-)
DJ wrote:
> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
> living in my Magma with the host card using PCI 4 sharing IRQ 4, two Matrox
> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, 3, 5
> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in one of
> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
> loaded for the HDSP PCI card and it immediately migrated to IRQ 4, sharing
> happily with the other two HDSP cards. I *never* had this easy a time
> installing hardware with my SBS expansion chassis.
>
> Go figure.
>
> ;o)
>
>I recently had an electrician rewire my two studio rooms, each on its own
breaker. He also installed three 8ft grounding rods. Hum problem gone. My
house circa 1957, needs lots of improvements.
Craig M
in article 42e81c4d$1@linux, Mike Claytor at claytor@nospam.com wrote on
7/27/05 7:44 PM:
>
> I just dug down a foot and soldered a wire to the fin on the UFO that's buried
> in my back yard. ;0)
>
> But seriously, I've got an 8'copper ground rod with #4 stranded connecting
> it to the box.
>
> My brother, who has been a city electrician all his life, suggests that I
> drive 2 more stakes and make a triangle, making sure that each stake is 16'
> away from the other, wire them together and then to the box.
>
> He says this is how they ground some of the big radio antennas. They also
> use a gravel sump to keep 'em wet.
>
> Mike "Zzzzzzzzzzzzapppppp" Claytor
>
> :0)
>
>
>
> "Neil" <OIUOIU@OIU.com> wrote:
>>
>> Wow... that's way too complicated. So what you're saying is that
>> roll of tin foil I wadded up & buried, with a 22-ga zip cord
>> from a broken coffee table lamp attached, isn't going to cut it?
>>
>> :D
>>
>>
>> "Alex Plasko" <alex.plasko@snet.net> wrote:
>>> cujo, couple things I feel the need to chime in on.
>>> First , make sure its a licensed contractor(electrical license)
>>> The grounding electrode systems' main purpose is to limit the voltage
> on
>>> the equipment tied to it when a high voltage source(e.g. lightning,orthe
>>> primary line on pole comes in contact with a secondary line etc.)
>>> If lightning hits your meter enclosure or whatever everything is tied
>>> together and stays at the same potential including you if you are grounded
>>> at the time.
>>> Code requires a grounding electrode to be at 25 ohms to earth . If not,
>> a
>>> second electrode must be installed. That is the most you can make an
>>> electrician do for you unless you pay more$$.
>>> More than two electrodes in parallel will lower the resistance to earth.
>>> If you have city water with a metal pipe that also must be tied to the
>>> neutral at THE SERVICE DISCONNECT ENCLOSURE.
>>> alll interior metal pipe is required to be bonded to the electrode system
>>> also .
>>> From my experience the best electrode systems are the concrete encased
>>> type(#4 or #2 bare copper encased in the foundation floor) they always
>>> perform better , the concrete is a large contact area and is usually damp
>>> year round. not very practical for a service revamp though.
>>> The star ground design for outlets is superior to chained . the reason
>>> being noise injected from one source is limited to that branch of the star
>>> rather than at every outlet in the daisy chain.
>>> Use of insulated equipment grounds is better also.(gene I agree)
>>> insulated equipment grounds prevent unwanted impedance variations back
>> to
>>> the main bonding point. make sure the equipment ground is insulated and
>> not
>>> bare copper(like 2 wire romex)or it might split at any point it touches
>>> metal.Gotta use I.G. outlets also or the same thing will happen at a
> metal
>>> box.
>>> You can do everything right and still have power quality issues. Not
>>> having the neutral earthed is a major no no. good luck.
>>> p.s. I am a licensed electrical contractor in business for 23 years, 33
>>> years experience .wish I could do the job , the traveling electrician
>
>> :-)
>>>
>>>
>>> "cujo" <chris@nospamapplemanstudio.com> wrote in message
>>> news:42e642fb$1@linux...
>>>>
>>>> Anything I should tell y elctrician before he installs a ground in my
>>> house?
>>>> Turns out that this place (circa 1910) does not have one.
>>>> COuld this be my issue with occasional but ugly buzz and hum
>>>
>>>
>>
>I've been using the PAFWAV converter for years for taking 24 bit mixes out
of Paris into Sound Forge. It's a wonderful utility. I don't understand
why you would go the other way (WAV to PAF) since Paris does that for you.
RZ
"Don Nafe" <dnafe@magma.ca> wrote in message news:42e641c3@linux...
> Sorry I should have mentioned going from Wav to PAF
>
> Duh!
>
> Don
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e64182@linux...
> > Has anyone run across any time alignment problems after using this app
> >
> > Thanks
> >
> > Don
> >
>
>okay dr. simplestein, now put your glasses on.
On Wed, 27 Jul 2005 21:52:37 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>living in my Magma with the host card using PCI 4 sharing IRQ 4, two Matrox
>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, 3, 5
>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in one of
>my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>loaded for the HDSP PCI card and it immediately migrated to IRQ 4, sharing
>happily with the other two HDSP cards. I *never* had this easy a time
>installing hardware with my SBS expansion chassis.
>
>Go figure.
>
>;o)
>seems hard to believe that after 4 years one key would warp. i would
think that it's just out of alignment. if it is warped, why not
remove and reshape it?
On 28 Jul 2005 10:24:36 +1000, "Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Was playing my ol' (well, 4 years is a long time these days) Kawai MP-9000,
>which has the fantastic feature of real wooden keys for a proper piano feel.
>
>And I heard a little bit of a noise when playing one of the F#'s, and the
>F next to it. Closer examination showed that the F# has apparently, being
>wood, decided to warp, and is rubbing against the F next door. Still plays
>alright, for now...
>
>A call to the service centre tells me that it will cost probably between
>$100 and $300 to fix it, just for labour. Mind you I called Kawai and they're
>willing to sell me a new F# key if I can put it in myself...
>
>...where's that screwdriver?
>
>Cheers,
>Kim.I wonder now why my magma and my motherboard have some difficulties.
What I have found is that my motherboard works with magma ONLY if magma
pci is put only in slots 4,5,6 of P4B-E
If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
be recognized.
Also I cannot have Paris working from inside Magma (four cards or less)
.. There is some kind of distorted sound almost right away, totally
unusable, but UAD1 and powercore works great that way.
Do you think its Magma (the 7 pci slot expander) fault or motherboard's ?
I still use P4B-E because it is the on ly motherboard I know that can
use my 1.5 GB Kingston PC133 SDRAM modules.
Regards,
Dimitrios
DJ wrote:
> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
> living in my Magma with the host card using PCI 4 sharing IRQ 4, two Matrox
> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1, 3, 5
> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in one of
> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
> loaded for the HDSP PCI card and it immediately migrated to IRQ 4, sharing
> happily with the other two HDSP cards. I *never* had this easy a time
> installing hardware with my SBS expansion chassis.
>
> Go figure.
>
> ;o)
>
>"RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e86d92@linux...
> I've been using the PAFWAV converter for years for taking 24 bit mixes out
> of Paris into Sound Forge. It's a wonderful utility. I don't understand
> why you would go the other way (WAV to PAF) since Paris does that for you.
>
> RZ
Just trying it out....worked flawlessly...the problem was with the actual
wav files...they were out of alignment.
This was a huge three set live show and each individual track was at least
500 megs in size and as I had to stripwav each file I thought why not give
this a try so I did
Don
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e641c3@linux...
>> Sorry I should have mentioned going from Wav to PAF
>>
>> Duh!
>>
>> Don
>>
>> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e64182@linux...
>> > Has anyone run across any time alignment problems after using this app
>> >
>> > Thanks
>> >
>> > Don
>> >
>>
>>
>
>I see tascam has somehting liek this now too eh?
"Rich Lamanna" <richard.lamanna@verizon.net> wrote:
>Cuj, it definately doesn't fall into the very cheapy category but it's well
>worth the results and money saved after several masterings. I'm talking
>about the Alesis Masterlink, ML-9600. I am very impressed with mine. It
does
>just about everything, very powerful DSP with editing, fading, compression,
>eq, limiting, gain, normalizing, etc.. capabilities. I've mastered some
>great sounding cd's. Highly recommended.
>
>Ciao,
>Rich
>
>Do you have ACPI turned off? I turned ACPI off when I was using my SBS 7
slot chassis and set my IRQ assignments for the various PCI slots in the
BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ 11 and
PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a 13 slot
model) that will automatically grab either IRQ 4 or IRQ 10, but I know which
those are. theoritecially, I can now only add additional cards that share
the came drivers with my existing hardware so for me, this would allow
either one mor RME card (not likely to be needed) or another UAD-1 card (my
fourth and I'll probably do this later on)
PCI 4 was the only mobo slot for my Magma Host card that would allow me to
make these assignments so there are surely some limitations to some mobo's
when ACPI is turned off.
Brian T. once told me that using a 13 slot Magma with ACPI turned on when
using Paris with Win XP was really friendly. He was using a Pair of Matrox
G450's (AGP and PCI too, IIRC) and that the Device Manager showed all sorts
of devices sharing that normally shouldn't be, but that everything was
playing nicely.
If you have ACPI turned off, you might try reloading Windows (I think this
is the only way to turn it back on) and see if your situation becomes any
more flexible. If I ever want to add a Powercore, this is probably what I
will have to do, unless the POCO can share an IRQ with a UAD-1 or RME card.
Since I really only use the UAD-1 for EQ and compression these days, I doubt
if I'll be needing a POCO any time soon.
;o)
"DImitrios" <musurgio@otenet.gr> wrote in message news:42e8aea4@linux...
> I wonder now why my magma and my motherboard have some difficulties.
> What I have found is that my motherboard works with magma ONLY if magma
> pci is put only in slots 4,5,6 of P4B-E
> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
> be recognized.
> Also I cannot have Paris working from inside Magma (four cards or less)
> . There is some kind of distorted sound almost right away, totally
> unusable, but UAD1 and powercore works great that way.
> Do you think its Magma (the 7 pci slot expander) fault or motherboard's ?
> I still use P4B-E because it is the on ly motherboard I know that can
> use my 1.5 GB Kingston PC133 SDRAM modules.
> Regards,
> Dimitrios
>
> DJ wrote:
> > I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
> > living in my Magma with the host card using PCI 4 sharing IRQ 4, two
Matrox
> > G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
3, 5
> > of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
one of
> > my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
> > loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
sharing
> > happily with the other two HDSP cards. I *never* had this easy a time
> > installing hardware with my SBS expansion chassis.
> >
> > Go figure.
> >
> > ;o)
> >
> >> I can't comment on the Waves Transform Bundle and AFAIK Melodyne is meant
>
> for treating monophonic sound sources.
Interestingly enough, the version of Melodyne Uno will process
stereo only and for an entry level price. $150 street.
http://www.4beatz.com/proddetail.asp?prod=1011014&partne r=google
" Celemony Melodyne uno is a stand-alone application running under Mac OS X
and Windows. Melodyne supports CoreAudio, DirectX and ASIO2. You can also
integrate Melodyne uno into your existing production environment using
ReWire. Melodyne uno reads and writes a large number of audio formats (WAV,
AIFF, SD2, SND) in mono or stereo and in up to 24-bit / 96 kHz resolution. "
Regards,
El Miguel
ps. I have not purchased this product and know less about it :).
"Ab" <ab.vangoor@wanadoo.fr> wrote in message news:42c1cf29$1@linux...
>
> I work with Serato in PT and in Fairlight and the results are very good,
though
> on stereo (mixed files) sound sources you can hear the high-end becoming
>
> slightly unclear, but still very usable and certainly giving me the best
> results
> compared to any other software.
> I can't comment on the Waves Transform Bundle and AFAIK Melodyne is meant
>
> for treating monophonic sound sources.
>
> Ab
>
> Gantt Kushner <gizmo@his.com> wrote:
> >I had a client who needed an orchestral piece taken up a whole step.
> >Paris' pitch shift, as we all know, was not up to the task. I
> >downloaded
> >a demo of Serato's Pitch'n'Time and used it in Protools LE. It was
> >amazing! I was able to shift a Wynton Marsalis piece w/ full orchestra
> >up a major third w/ no disagreeable artifacts. I was stunned at the
> >ease
> >and quality of the processing. Morgan at East Coast tells me that the
> >new
> >Waves Transform bundle has an even better pitch shifter. Has anyone
> >here tried it? I've also read some amzing things about Melodyne.
> >
> >Any thoughts? All three packages are expensive, but in the same
> >ballpark.
> >
> >Thanks!
> >
> >Gantt
> >
>Hey Dimitrios,
We have a 13 slot Magma here with 5 x EDS, 1 x RME9652, 1 x UAD all
working flawlessly. Check your motherboard and use a PCI slot that
doesn't share any resouces for the host card.
David.
DImitrios wrote:
> I wonder now why my magma and my motherboard have some difficulties.
> What I have found is that my motherboard works with magma ONLY if magma
> pci is put only in slots 4,5,6 of P4B-E
> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
> be recognized.
> Also I cannot have Paris working from inside Magma (four cards or less)
> . There is some kind of distorted sound almost right away, totally
> unusable, but UAD1 and powercore works great that way.
> Do you think its Magma (the 7 pci slot expander) fault or motherboard's ?
> I still use P4B-E because it is the on ly motherboard I know that can
> use my 1.5 GB Kingston PC133 SDRAM modules.
> Regards,
> Dimitrios
>
> DJ wrote:
>
>> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>> Matrox
>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
>> 3, 5
>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>> one of
>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>> sharing
>> happily with the other two HDSP cards. I *never* had this easy a time
>> installing hardware with my SBS expansion chassis.
>>
>> Go figure.
>>
>> ;o)
>>
>>Thanks for your insight.
I use ACPI and there is no problem with assigning cards.
But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
motherboard but works on 4,5,6.
If I use powercore and UAD1 (poco can share with UAD1 alright) inside
Magma no problem ,but EDS cards do NOT work inside magma at all, too
much distortion right away...
Regards,
Dimitrios
DJ wrote:
> Do you have ACPI turned off? I turned ACPI off when I was using my SBS 7
> slot chassis and set my IRQ assignments for the various PCI slots in the
> BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ 11 and
> PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a 13 slot
> model) that will automatically grab either IRQ 4 or IRQ 10, but I know which
> those are. theoritecially, I can now only add additional cards that share
> the came drivers with my existing hardware so for me, this would allow
> either one mor RME card (not likely to be needed) or another UAD-1 card (my
> fourth and I'll probably do this later on)
>
> PCI 4 was the only mobo slot for my Magma Host card that would allow me to
> make these assignments so there are surely some limitations to some mobo's
> when ACPI is turned off.
>
> Brian T. once told me that using a 13 slot Magma with ACPI turned on when
> using Paris with Win XP was really friendly. He was using a Pair of Matrox
> G450's (AGP and PCI too, IIRC) and that the Device Manager showed all sorts
> of devices sharing that normally shouldn't be, but that everything was
> playing nicely.
>
> If you have ACPI turned off, you might try reloading Windows (I think this
> is the only way to turn it back on) and see if your situation becomes any
> more flexible. If I ever want to add a Powercore, this is probably what I
> will have to do, unless the POCO can share an IRQ with a UAD-1 or RME card.
> Since I really only use the UAD-1 for EQ and compression these days, I doubt
> if I'll be needing a POCO any time soon.
>
> ;o)
> "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8aea4@linux...
>
>>I wonder now why my magma and my motherboard have some difficulties.
>>What I have found is that my motherboard works with magma ONLY if magma
>>pci is put only in slots 4,5,6 of P4B-E
>>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>>be recognized.
>>Also I cannot have Paris working from inside Magma (four cards or less)
>>. There is some kind of distorted sound almost right away, totally
>>unusable, but UAD1 and powercore works great that way.
>>Do you think its Magma (the 7 pci slot expander) fault or motherboard's ?
>>I still use P4B-E because it is the on ly motherboard I know that can
>>use my 1.5 GB Kingston PC133 SDRAM modules.
>>Regards,
>>Dimitrios
>>
>>DJ wrote:
>>
>>>I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>>>living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>
> Matrox
>
>>>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
>
> 3, 5
>
>>>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>
> one of
>
>>>my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>>>loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>
> sharing
>
>>>happily with the other two HDSP cards. I *never* had this easy a time
>>>installing hardware with my SBS expansion chassis.
>>>
>>>Go figure.
>>>
>>>;o)
>>>
>>>
>
>
>This is the case with us... Win XP SP1 with CAPI turned on, but HT
turned off. Loads of sharing but no problems.
David.
DJ wrote:
snip
>
> Brian T. once told me that using a 13 slot Magma with ACPI turned on when
> using Paris with Win XP was really friendly. He was using a Pair of Matrox
> G450's (AGP and PCI too, IIRC) and that the Device Manager showed all sorts
> of devices sharing that normally shouldn't be, but that everything was
> playing nicely.
>
snipWhat size is the PSU in the Magma?? If it is 250W or less, you may
have to upgrade.
David.
DImitrios wrote:
> Thanks for your insight.
> I use ACPI and there is no problem with assigning cards.
> But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
> motherboard but works on 4,5,6.
> If I use powercore and UAD1 (poco can share with UAD1 alright) inside
> Magma no problem ,but EDS cards do NOT work inside magma at all, too
> much distortion right away...
> Regards,
> Dimitrios
>
> DJ wrote:
>
>> Do you have ACPI turned off? I turned ACPI off when I was using my SBS 7
>> slot chassis and set my IRQ assignments for the various PCI slots in the
>> BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ
>> 11 and
>> PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a
>> 13 slot
>> model) that will automatically grab either IRQ 4 or IRQ 10, but I know
>> which
>> those are. theoritecially, I can now only add additional cards that share
>> the came drivers with my existing hardware so for me, this would allow
>> either one mor RME card (not likely to be needed) or another UAD-1
>> card (my
>> fourth and I'll probably do this later on)
>>
>> PCI 4 was the only mobo slot for my Magma Host card that would allow
>> me to
>> make these assignments so there are surely some limitations to some
>> mobo's
>> when ACPI is turned off.
>>
>> Brian T. once told me that using a 13 slot Magma with ACPI turned on when
>> using Paris with Win XP was really friendly. He was using a Pair of
>> Matrox
>> G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>> sorts
>> of devices sharing that normally shouldn't be, but that everything was
>> playing nicely.
>>
>> If you have ACPI turned off, you might try reloading Windows (I think
>> this
>> is the only way to turn it back on) and see if your situation becomes any
>> more flexible. If I ever want to add a Powercore, this is probably what I
>> will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>> card.
>> Since I really only use the UAD-1 for EQ and compression these days, I
>> doubt
>> if I'll be needing a POCO any time soon.
>>
>> ;o)
>> "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8aea4@linux...
>>
>>> I wonder now why my magma and my motherboard have some difficulties.
>>> What I have found is that my motherboard works with magma ONLY if magma
>>> pci is put only in slots 4,5,6 of P4B-E
>>> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>>> be recognized.
>>> Also I cannot have Paris working from inside Magma (four cards or less)
>>> . There is some kind of distorted sound almost right away, totally
>>> unusable, but UAD1 and powercore works great that way.
>>> Do you think its Magma (the 7 pci slot expander) fault or
>>> motherboard's ?
>>> I still use P4B-E because it is the on ly motherboard I know that can
>>> use my 1.5 GB Kingston PC133 SDRAM modules.
>>> Regards,
>>> Dimitrios
>>>
>>> DJ wrote:
>>>
>>>> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>>>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>
>>
>> Matrox
>>
>>>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
>>
>>
>> 3, 5
>>
>>>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>
>>
>> one of
>>
>>>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>>>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>
>>
>> sharing
>>
>>>> happily with the other two HDSP cards. I *never* had this easy a time
>>>> installing hardware with my SBS expansion chassis.
>>>>
>>>> Go figure.
>>>>
>>>> ;o)
>>>>
>>>>
>>
>>
>>Dear David,
It is not the sharing that is the problem ,even on different IRQ numbers
EDS cards DO NOT work properly inside Magma.
I guess trhis has to do with the situation that the Magma host card DOES
NOT work on slots 1,2,3 which | think are more reliable than 4,5,6 in my
motherboard.
XP do not see any cards inside magma when host card magma seats on slots
1,2,3...strange right ?
Does this have to do anything with north south thing on motherboard chips ?
Thanks
Dimitrios
EK Sound wrote:
> Hey Dimitrios,
>
> We have a 13 slot Magma here with 5 x EDS, 1 x RME9652, 1 x UAD all
> working flawlessly. Check your motherboard and use a PCI slot that
> doesn't share any resouces for the host card.
>
> David.
>
> DImitrios wrote:
>
>> I wonder now why my magma and my motherboard have some difficulties.
>> What I have found is that my motherboard works with magma ONLY if
>> magma pci is put only in slots 4,5,6 of P4B-E
>> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma
>> can be recognized.
>> Also I cannot have Paris working from inside Magma (four cards or
>> less) . There is some kind of distorted sound almost right away,
>> totally unusable, but UAD1 and powercore works great that way.
>> Do you think its Magma (the 7 pci slot expander) fault or motherboard's ?
>> I still use P4B-E because it is the on ly motherboard I know that can
>> use my 1.5 GB Kingston PC133 SDRAM modules.
>> Regards,
>> Dimitrios
>>
>> DJ wrote:
>>
>>> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>> Matrox
>>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
>>> 1, 3, 5
>>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>> one of
>>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>> sharing
>>> happily with the other two HDSP cards. I *never* had this easy a time
>>> installing hardware with my SBS expansion chassis.
>>>
>>> Go figure.
>>>
>>> ;o)
>>>
>>>no it is big enouph, 450W
Regards,
Any 5V dummy load needed ?
Regards,
Dimitrios
EK Sound wrote:
> What size is the PSU in the Magma?? If it is 250W or less, you may have
> to upgrade.
>
> David.
>
> DImitrios wrote:
>
>> Thanks for your insight.
>> I use ACPI and there is no problem with assigning cards.
>> But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
>> motherboard but works on 4,5,6.
>> If I use powercore and UAD1 (poco can share with UAD1 alright) inside
>> Magma no problem ,but EDS cards do NOT work inside magma at all, too
>> much distortion right away...
>> Regards,
>> Dimitrios
>>
>> DJ wrote:
>>
>>> Do you have ACPI turned off? I turned ACPI off when I was using my SBS 7
>>> slot chassis and set my IRQ assignments for the various PCI slots in the
>>> BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ
>>> 11 and
>>> PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a
>>> 13 slot
>>> model) that will automatically grab either IRQ 4 or IRQ 10, but I
>>> know which
>>> those are. theoritecially, I can now only add additional cards that
>>> share
>>> the came drivers with my existing hardware so for me, this would allow
>>> either one mor RME card (not likely to be needed) or another UAD-1
>>> card (my
>>> fourth and I'll probably do this later on)
>>>
>>> PCI 4 was the only mobo slot for my Magma Host card that would allow
>>> me to
>>> make these assignments so there are surely some limitations to some
>>> mobo's
>>> when ACPI is turned off.
>>>
>>> Brian T. once told me that using a 13 slot Magma with ACPI turned on
>>> when
>>> using Paris with Win XP was really friendly. He was using a Pair of
>>> Matrox
>>> G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>>> sorts
>>> of devices sharing that normally shouldn't be, but that everything was
>>> playing nicely.
>>>
>>> If you have ACPI turned off, you might try reloading Windows (I think
>>> this
>>> is the only way to turn it back on) and see if your situation becomes
>>> any
>>> more flexible. If I ever want to add a Powercore, this is probably
>>> what I
>>> will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>>> card.
>>> Since I really only use the UAD-1 for EQ and compression these days,
>>> I doubt
>>> if I'll be needing a POCO any time soon.
>>>
>>> ;o)
>>> "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8aea4@linux...
>>>
>>>> I wonder now why my magma and my motherboard have some difficulties.
>>>> What I have found is that my motherboard works with magma ONLY if magma
>>>> pci is put only in slots 4,5,6 of P4B-E
>>>> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>>>> be recognized.
>>>> Also I cannot have Paris working from inside Magma (four cards or less)
>>>> . There is some kind of distorted sound almost right away, totally
>>>> unusable, but UAD1 and powercore works great that way.
>>>> Do you think its Magma (the 7 pci slot expander) fault or
>>>> motherboard's ?
>>>> I still use P4B-E because it is the on ly motherboard I know that can
>>>> use my 1.5 GB Kingston PC133 SDRAM modules.
>>>> Regards,
>>>> Dimitrios
>>>>
>>>> DJ wrote:
>>>>
>>>>> I got my RME Multiface in there today. I've already got 2 x HDSP
>>>>> 9652's
>>>>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>
>>>
>>>
>>> Matrox
>>>
>>>>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
>>>
>>>
>>>
>>> 3, 5
>>>
>>>>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>>
>>>
>>>
>>> one of
>>>
>>>>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the
>>>>> driver
>>>>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>
>>>
>>>
>>> sharing
>>>
>>>>> happily with the other two HDSP cards. I *never* had this easy a time
>>>>> installing hardware with my SBS expansion chassis.
>>>>>
>>>>> Go figure.
>>>>>
>>>>> ;o)
>>>>>
>>>>>
>>>
>>>
>>>(poco can share with UAD1 alright)
That's great news.........well........maybe not such great news for my
wallet.
;o)
Thanks,
Deej
"DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f2e1$1@linux...
> Thanks for your insight.
> I use ACPI and there is no problem with assigning cards.
> But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
> motherboard but works on 4,5,6.
> If I use powercore and UAD1 (poco can share with UAD1 alright) inside
> Magma no problem ,but EDS cards do NOT work inside magma at all, too
> much distortion right away...
> Regards,
> Dimitrios
>
> DJ wrote:
> > Do you have ACPI turned off? I turned ACPI off when I was using my SBS 7
> > slot chassis and set my IRQ assignments for the various PCI slots in the
> > BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ 11
and
> > PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a 13
slot
> > model) that will automatically grab either IRQ 4 or IRQ 10, but I know
which
> > those are. theoritecially, I can now only add additional cards that
share
> > the came drivers with my existing hardware so for me, this would allow
> > either one mor RME card (not likely to be needed) or another UAD-1 card
(my
> > fourth and I'll probably do this later on)
> >
> > PCI 4 was the only mobo slot for my Magma Host card that would allow me
to
> > make these assignments so there are surely some limitations to some
mobo's
> > when ACPI is turned off.
> >
> > Brian T. once told me that using a 13 slot Magma with ACPI turned on
when
> > using Paris with Win XP was really friendly. He was using a Pair of
Matrox
> > G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
sorts
> > of devices sharing that normally shouldn't be, but that everything was
> > playing nicely.
> >
> > If you have ACPI turned off, you might try reloading Windows (I think
this
> > is the only way to turn it back on) and see if your situation becomes
any
> > more flexible. If I ever want to add a Powercore, this is probably what
I
> > will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
card.
> > Since I really only use the UAD-1 for EQ and compression these days, I
doubt
> > if I'll be needing a POCO any time soon.
> >
> > ;o)
> > "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8aea4@linux...
> >
> >>I wonder now why my magma and my motherboard have some difficulties.
> >>What I have found is that my motherboard works with magma ONLY if magma
> >>pci is put only in slots 4,5,6 of P4B-E
> >>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
> >>be recognized.
> >>Also I cannot have Paris working from inside Magma (four cards or less)
> >>. There is some kind of distorted sound almost right away, totally
> >>unusable, but UAD1 and powercore works great that way.
> >>Do you think its Magma (the 7 pci slot expander) fault or motherboard's
?
> >>I still use P4B-E because it is the on ly motherboard I know that can
> >>use my 1.5 GB Kingston PC133 SDRAM modules.
> >>Regards,
> >>Dimitrios
> >>
> >>DJ wrote:
> >>
> >>>I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
> >>>living in my Magma with the host card using PCI 4 sharing IRQ 4, two
> >
> > Matrox
> >
> >>>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
> >
> > 3, 5
> >
> >>>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
> >
> > one of
> >
> >>>my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
> >>>loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
> >
> > sharing
> >
> >>>happily with the other two HDSP cards. I *never* had this easy a time
> >>>installing hardware with my SBS expansion chassis.
> >>>
> >>>Go figure.
> >>>
> >>>;o)
> >>>
> >>>
> >
> >
> >I couldn't live without my Wavelab.
jk
EK Sound wrote:
> Wavelab Essentials is $99 at Musicians Friend. I think that falls
> under the "cheapy" description! ;-)
>
> David.
>
> EK Sound wrote:
>
>> Montage window in Wavelab will do this.
>>
>> David.
>>
>> cujo wrote:
>>
>>> Those look great but I still can't tell if you can put all the
>>> stereo tracks
>>> in a line and slide em around to change the length of time between
>>> tunes.
>>> Think of how it is done in sonic solutions.
>>>
>>>
>>> "Neil" <OIUOIU@OIU.com> wrote:
>>>
>>>> Sound Forge v.8? It's got CD Architect, and also accepts both
>>>> Direct-X & VST plugins now.
>>>>
>>>> Worth checking out, at least.
>>>>
>>>> Neil
>>>>
>>>>
>>>> "cujo" <chris@applemanstudio.com> wrote:
>>>>
>>>>>
>>>>> I am looking for something I can do a better premaster CD ref with.
>>>>> Is there anyting out there that does not cost much that will allow
>>>>> nudging
>>>>> and slipping of tracks and of start stop times also give the
>>>>> ability to
>>>>
>>>>
>>>>
>>>> drop
>>>>
>>>>> the track #'s where needed.
>>>>> I'd like a more exact test CD for the mastering guys. Also being
>>>>> able to
>>>>> use some UAD plugs would be good for quick short run CD's,
>>>>
>>>>
>>>>That could be the problem, or contributing to it. I have the 13 slot magma,
and noticed a huge improvement once I installed the 5V Load resistor
(LOADRES5V). No more IRQ conflicts, power problems, clicks & pops, etc.
If you have a hard drive that you don't use, that will work in a pinch
(that's what I did while I waited for the part to arrive).
Stephen
"DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f803@linux...
> no it is big enouph, 450W
> Regards,
> Any 5V dummy load needed ?
> Regards,
> Dimitrios
>
>
> EK Sound wrote:
>
>> What size is the PSU in the Magma?? If it is 250W or less, you may have
>> to upgrade.
>>
>> David.
>>
>> DImitrios wrote:
>>
>>> Thanks for your insight.
>>> I use ACPI and there is no problem with assigning cards.
>>> But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
>>> motherboard but works on 4,5,6.
>>> If I use powercore and UAD1 (poco can share with UAD1 alright) inside
>>> Magma no problem ,but EDS cards do NOT work inside magma at all, too
>>> much distortion right away...
>>> Regards,
>>> Dimitrios
>>>
>>> DJ wrote:
>>>
>>>> Do you have ACPI turned off? I turned ACPI off when I was using my SBS
>>>> 7
>>>> slot chassis and set my IRQ assignments for the various PCI slots in
>>>> the
>>>> BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ 11
>>>> and
>>>> PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a 13
>>>> slot
>>>> model) that will automatically grab either IRQ 4 or IRQ 10, but I know
>>>> which
>>>> those are. theoritecially, I can now only add additional cards that
>>>> share
>>>> the came drivers with my existing hardware so for me, this would allow
>>>> either one mor RME card (not likely to be needed) or another UAD-1 card
>>>> (my
>>>> fourth and I'll probably do this later on)
>>>>
>>>> PCI 4 was the only mobo slot for my Magma Host card that would allow me
>>>> to
>>>> make these assignments so there are surely some limitations to some
>>>> mobo's
>>>> when ACPI is turned off.
>>>>
>>>> Brian T. once told me that using a 13 slot Magma with ACPI turned on
>>>> when
>>>> using Paris with Win XP was really friendly. He was using a Pair of
>>>> Matrox
>>>> G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>>>> sorts
>>>> of devices sharing that normally shouldn't be, but that everything was
>>>> playing nicely.
>>>>
>>>> If you have ACPI turned off, you might try reloading Windows (I think
>>>> this
>>>> is the only way to turn it back on) and see if your situation becomes
>>>> any
>>>> more flexible. If I ever want to add a Powercore, this is probably what
>>>> I
>>>> will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>>>> card.
>>>> Since I really only use the UAD-1 for EQ and compression these days, I
>>>> doubt
>>>> if I'll be needing a POCO any time soon.
>>>>
>>>> ;o)
>>>> "DImitrios" <musurgio@otenet.gr> wrote in message
>>>> news:42e8aea4@linux...
>>>>
>>>>> I wonder now why my magma and my motherboard have some difficulties.
>>>>> What I have found is that my motherboard works with magma ONLY if
>>>>> magma
>>>>> pci is put only in slots 4,5,6 of P4B-E
>>>>> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma
>>>>> can
>>>>> be recognized.
>>>>> Also I cannot have Paris working from inside Magma (four cards or
>>>>> less)
>>>>> . There is some kind of distorted sound almost right away, totally
>>>>> unusable, but UAD1 and powercore works great that way.
>>>>> Do you think its Magma (the 7 pci slot expander) fault or
>>>>> motherboard's ?
>>>>> I still use P4B-E because it is the on ly motherboard I know that can
>>>>> use my 1.5 GB Kingston PC133 SDRAM modules.
>>>>> Regards,
>>>>> Dimitrios
>>>>>
>>>>> DJ wrote:
>>>>>
>>>>>> I got my RME Multiface in there today. I've already got 2 x HDSP
>>>>>> 9652's
>>>>>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>>
>>>>
>>>>
>>>> Matrox
>>>>
>>>>>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
>>>>>> 1,
>>>>
>>>>
>>>>
>>>> 3, 5
>>>>
>>>>>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>>>
>>>>
>>>>
>>>> one of
>>>>
>>>>>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the
>>>>>> driver
>>>>>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>>
>>>>
>>>>
>>>> sharing
>>>>
>>>>>> happily with the other two HDSP cards. I *never* had this easy a time
>>>>>> installing hardware with my SBS expansion chassis.
>>>>>>
>>>>>> Go figure.
>>>>>>
>>>>>> ;o)
>>>>>>
>>>>>>
>>>>
>>>>
>>>>Interesting... So what are the specs for the resistor and where do you
install it?? We have at LEAST a million resistors here... I am not
about to order one.
Thanks,
David.
Stephen Stecyk wrote:
> That could be the problem, or contributing to it. I have the 13 slot magma,
> and noticed a huge improvement once I installed the 5V Load resistor
> (LOADRES5V). No more IRQ conflicts, power problems, clicks & pops, etc.
>
> If you have a hard drive that you don't use, that will work in a pinch
> (that's what I did while I waited for the part to arrive).
>
> Stephen
>
> "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f803@linux...
>
>>no it is big enouph, 450W
>>Regards,
>>Any 5V dummy load needed ?
>>Regards,
>>Dimitrios
>>
>>
>>EK Sound wrote:
>>
>>
>>>What size is the PSU in the Magma?? If it is 250W or less, you may have
>>>to upgrade.
>>>
>>>David.
>>>
>>>DImitrios wrote:
>>>
>>>
>>>>Thanks for your insight.
>>>>I use ACPI and there is no problem with assigning cards.
>>>>But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
>>>>motherboard but works on 4,5,6.
>>>>If I use powercore and UAD1 (poco can share with UAD1 alright) inside
>>>>Magma no problem ,but EDS cards do NOT work inside magma at all, too
>>>>much distortion right away...
>>>>Regards,
>>>>Dimitrios
>>>>
>>>>DJ wrote:
>>>>
>>>>
>>>>>Do you have ACPI turned off? I turned ACPI off when I was using my SBS
>>>>>7
>>>>>slot chassis and set my IRQ assignments for the various PCI slots in
>>>>>the
>>>>>BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ 11
>>>>>and
>>>>>PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a 13
>>>>>slot
>>>>>model) that will automatically grab either IRQ 4 or IRQ 10, but I know
>>>>>which
>>>>>those are. theoritecially, I can now only add additional cards that
>>>>>share
>>>>>the came drivers with my existing hardware so for me, this would allow
>>>>>either one mor RME card (not likely to be needed) or another UAD-1 card
>>>>>(my
>>>>>fourth and I'll probably do this later on)
>>>>>
>>>>>PCI 4 was the only mobo slot for my Magma Host card that would allow me
>>>>>to
>>>>>make these assignments so there are surely some limitations to some
>>>>>mobo's
>>>>>when ACPI is turned off.
>>>>>
>>>>>Brian T. once told me that using a 13 slot Magma with ACPI turned on
>>>>>when
>>>>>using Paris with Win XP was really friendly. He was using a Pair of
>>>>>Matrox
>>>>>G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>>>>>sorts
>>>>>of devices sharing that normally shouldn't be, but that everything was
>>>>>playing nicely.
>>>>>
>>>>>If you have ACPI turned off, you might try reloading Windows (I think
>>>>>this
>>>>>is the only way to turn it back on) and see if your situation becomes
>>>>>any
>>>>>more flexible. If I ever want to add a Powercore, this is probably what
>>>>>I
>>>>>will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>>>>>card.
>>>>>Since I really only use the UAD-1 for EQ and compression these days, I
>>>>>doubt
>>>>>if I'll be needing a POCO any time soon.
>>>>>
>>>>>;o)
>>>>>"DImitrios" <musurgio@otenet.gr> wrote in message
>>>>>news:42e8aea4@linux...
>>>>>
>>>>>
>>>>>>I wonder now why my magma and my motherboard have some difficulties.
>>>>>>What I have found is that my motherboard works with magma ONLY if
>>>>>>magma
>>>>>>pci is put only in slots 4,5,6 of P4B-E
>>>>>>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma
>>>>>>can
>>>>>>be recognized.
>>>>>>Also I cannot have Paris working from inside Magma (four cards or
>>>>>>less)
>>>>>>. There is some kind of distorted sound almost right away, totally
>>>>>>unusable, but UAD1 and powercore works great that way.
>>>>>>Do you think its Magma (the 7 pci slot expander) fault or
>>>>>>motherboard's ?
>>>>>>I still use P4B-E because it is the on ly motherboard I know that can
>>>>>>use my 1.5 GB Kingston PC133 SDRAM modules.
>>>>>>Regards,
>>>>>>Dimitrios
>>>>>>
>>>>>>DJ wrote:
>>>>>>
>>>>>>
>>>>>>>I got my RME Multiface in there today. I've already got 2 x HDSP
>>>>>>>9652's
>>>>>>>living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>>>
>>>>>
>>>>>
>>>>>Matrox
>>>>>
>>>>>
>>>>>>>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
>>>>>>>1,
>>>>>
>>>>>
>>>>>
>>>>>3, 5
>>>>>
>>>>>
>>>>>>>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>>>>
>>>>>
>>>>>
>>>>>one of
>>>>>
>>>>>
>>>>>>>my Magma backplane PCI slots, buttoned it up, booted my DAW, the
>>>>>>>driver
>>>>>>>loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>>>
>>>>>
>>>>>
>>>>>sharing
>>>>>
>>>>>
>>>>>>>happily with the other two HDSP cards. I *never* had this easy a time
>>>>>>>installing hardware with my SBS expansion chassis.
>>>>>>>
>>>>>>>Go figure.
>>>>>>>
>>>>>>>;o)
>>>>>>>
>>>>>>>
>>>>>
>>>>>
>>>>>
>
>Howdy.
I want to get a Lucid clock for my three-card, two-MEC Paris rig.
Several questions:
1. Can I clock my Kurzweil Rumour via the SPDIF sends and returns from Paris
once Paris is clocked via the Lucid?
2. What's the best way to handle using the Rumour across 2 or more EDS cards
digitally? Digital patchbay, and if so, does that device interfere with the
clock signal coming from the Luicd via Paris? Or do you just re-assign
submixes? That could get confusing....
I also might add a few more fx boxes and a 3rd MEC to the mix soon.
Thanks,
JimmyHowdy.
I've got a modified Fender Twin with the sweetest sound you ever heard. I
was thinking of adding a digital box to the mix for live work, and wondered
how one utilizes such jobbies on an old amp with no fx send-return. Do the
various fx boxes have settings where you can chose the position of the
device, say "before amp" vs. "fx return"?
JimmyAnswers below,
"uptown jimmy" <johnson314@bellsouth.net> wrote in message
news:42e9459a$1@linux...
> Howdy.
>
> I want to get a Lucid clock for my three-card, two-MEC Paris rig.
>
> Several questions:
>
> 1. Can I clock my Kurzweil Rumour via the SPDIF sends and returns from
Paris
> once Paris is clocked via the Lucid?
Yes.
>
> 2. What's the best way to handle using the Rumour across 2 or more EDS
cards
> digitally? Digital patchbay, and if so, does that device interfere with
the
> clock signal coming from the Luicd via Paris? Or do you just re-assign
> submixes? That could get confusing....
I use a pair of MAudio Digipatch Units for doing this with no problems at
all.
>
> I also might add a few more fx boxes and a 3rd MEC to the mix soon.
That should work fine and dandy..
>
> Thanks,
> Jimmy
>
>Welcome,
DeejMiguel,
By monophonic I meant the opposite of polyphonic soundsources, not stereo.
Only monophonic soundsources (one note at the time) like vocals, guitar lines,
bass lines etc. can be corrected. No piano nor guitar chords nor mixes for
example can
be adjusted. But with Serato you can. I don't say that's it without artifacts
but it's the best I've heard up to now and I use it a lot for publicity and
film work. I purchased a license of Melodyne Studio Edition about a year
and a half ago and had a hell of a time to make it work with Logic using
the Melodynebridge, so I gave up. (never tried with Rewire though) This part
of the advertising is at least misleading.
But since I got a new G5 2.7ghz Mac lately, I might spend a minute on trying
one more time on this machine with Logic 7.1. I'll report if there's something
positive to say.
Best wishes,
Ab
"Miguel Vigil" <nospam@nospam.com> wrote:
>> I can't comment on the Waves Transform Bundle and AFAIK Melodyne is meant
>>
>> for treating monophonic sound sources.
>
>Interestingly enough, the version of Melodyne Uno will process
>stereo only and for an entry level price. $150 street.
>
> http://www.4beatz.com/proddetail.asp?prod=1011014&partne r=google
>" Celemony Melodyne uno is a stand-alone application running under Mac OS
X
>and Windows. Melodyne supports CoreAudio, DirectX and ASIO2. You can also
>integrate Melodyne uno into your existing production environment using
>ReWire. Melodyne uno reads and writes a large number of audio formats (WAV,
>AIFF, SD2, SND) in mono or stereo and in up to 24-bit / 96 kHz resolution.
"
>
>Regards,
>
>El Miguel
>ps. I have not purchased this product and know less about it :).
>
>
>
>"Ab" <ab.vangoor@wanadoo.fr> wrote in message news:42c1cf29$1@linux...
>>
>> I work with Serato in PT and in Fairlight and the results are very good,
>though
>> on stereo (mixed files) sound sources you can hear the high-end becoming
>>
>> slightly unclear, but still very usable and certainly giving me the best
>> results
>> compared to any other software.
>> I can't comment on the Waves Transform Bundle and AFAIK Melodyne is meant
>>
>> for treating monophonic sound sources.
>>
>> Ab
>>
>> Gantt Kushner <gizmo@his.com> wrote:
>> >I had a client who needed an orchestral piece taken up a whole step.
>> >Paris' pitch shift, as we all know, was not up to the task. I
>> >downloaded
>> >a demo of Serato's Pitch'n'Time and used it in Protools LE. It was
>> >amazing! I was able to shift a Wynton Marsalis piece w/ full orchestra
>> >up a major third w/ no disagreeable artifacts. I was stunned at the
>> >ease
>> >and quality of the processing. Morgan at East Coast tells me that the
>> >new
>> >Waves Transform bundle has an even better pitch shifter. Has anyone
>> >here tried it? I've also read some amzing things about Melodyne.
>> >
>> >Any thoughts? All three packages are expensive, but in the same
>> >ballpark.
>> >
>> >Thanks!
>> >
>> >Gantt
>> >
>>
>
>As for specs, I really don't know.
The 5 Volt Load Resistor that I bought attaches to the PS via regular HD
power connector (red & black cables).
I've been scouring the net for pics, but haven't found anything yet. If I
do find one, I'll post it. If all else fails, I'll pull my magma chassis
and take a picture.
Stephen
"EK Sound" <spamnot.info@eksoundNO.com> wrote in message
news:42e93ae7@linux...
> Interesting... So what are the specs for the resistor and where do you
> install it?? We have at LEAST a million resistors here... I am not about
> to order one.
>
> Thanks,
>
> David.
>
> Stephen Stecyk wrote:
>> That could be the problem, or contributing to it. I have the 13 slot
>> magma, and noticed a huge improvement once I installed the 5V Load
>> resistor (LOADRES5V). No more IRQ conflicts, power problems, clicks &
>> pops, etc.
>>
>> If you have a hard drive that you don't use, that will work in a pinch
>> (that's what I did while I waited for the part to arrive).
>>
>> Stephen
>>
>> "DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f803@linux...
>>
>>>no it is big enouph, 450W
>>>Regards,
>>>Any 5V dummy load needed ?
>>>Regards,
>>>Dimitrios
>>>
>>>
>>>EK Sound wrote:
>>>
>>>
>>>>What size is the PSU in the Magma?? If it is 250W or less, you may have
>>>>to upgrade.
>>>>
>>>>David.
>>>>
>>>>DImitrios wrote:
>>>>
>>>>
>>>>>Thanks for your insight.
>>>>>I use ACPI and there is no problem with assigning cards.
>>>>>But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
>>>>>motherboard but works on 4,5,6.
>>>>>If I use powercore and UAD1 (poco can share with UAD1 alright) inside
>>>>>Magma no problem ,but EDS cards do NOT work inside magma at all, too
>>>>>much distortion right away...
>>>>>Regards,
>>>>>Dimitrios
>>>>>
>>>>>DJ wrote:
>>>>>
>>>>>
>>>>>>Do you have ACPI turned off? I turned ACPI off when I was using my SBS
>>>>>>7
>>>>>>slot chassis and set my IRQ assignments for the various PCI slots in
>>>>>>the
>>>>>>BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ
>>>>>>11 and
>>>>>>PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a
>>>>>>13 slot
>>>>>>model) that will automatically grab either IRQ 4 or IRQ 10, but I know
>>>>>>which
>>>>>>those are. theoritecially, I can now only add additional cards that
>>>>>>share
>>>>>>the came drivers with my existing hardware so for me, this would allow
>>>>>>either one mor RME card (not likely to be needed) or another UAD-1
>>>>>>card (my
>>>>>>fourth and I'll probably do this later on)
>>>>>>
>>>>>>PCI 4 was the only mobo slot for my Magma Host card that would allow
>>>>>>me to
>>>>>>make these assignments so there are surely some limitations to some
>>>>>>mobo's
>>>>>>when ACPI is turned off.
>>>>>>
>>>>>>Brian T. once told me that using a 13 slot Magma with ACPI turned on
>>>>>>when
>>>>>>using Paris with Win XP was really friendly. He was using a Pair of
>>>>>>Matrox
>>>>>>G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>>>>>>sorts
>>>>>>of devices sharing that normally shouldn't be, but that everything was
>>>>>>playing nicely.
>>>>>>
>>>>>>If you have ACPI turned off, you might try reloading Windows (I think
>>>>>>this
>>>>>>is the only way to turn it back on) and see if your situation becomes
>>>>>>any
>>>>>>more flexible. If I ever want to add a Powercore, this is probably
>>>>>>what I
>>>>>>will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>>>>>>card.
>>>>>>Since I really only use the UAD-1 for EQ and compression these days, I
>>>>>>doubt
>>>>>>if I'll be needing a POCO any time soon.
>>>>>>
>>>>>>;o)
>>>>>>"DImitrios" <musurgio@otenet.gr> wrote in message
>>>>>>news:42e8aea4@linux...
>>>>>>
>>>>>>
>>>>>>>I wonder now why my magma and my motherboard have some difficulties.
>>>>>>>What I have found is that my motherboard works with magma ONLY if
>>>>>>>magma
>>>>>>>pci is put only in slots 4,5,6 of P4B-E
>>>>>>>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma
>>>>>>>can
>>>>>>>be recognized.
>>>>>>>Also I cannot have Paris working from inside Magma (four cards or
>>>>>>>less)
>>>>>>>. There is some kind of distorted sound almost right away, totally
>>>>>>>unusable, but UAD1 and powercore works great that way.
>>>>>>>Do you think its Magma (the 7 pci slot expander) fault or
>>>>>>>motherboard's ?
>>>>>>>I still use P4B-E because it is the on ly motherboard I know that can
>>>>>>>use my 1.5 GB Kingston PC133 SDRAM modules.
>>>>>>>Regards,
>>>>>>>Dimitrios
>>>>>>>
>>>>>>>DJ wrote:
>>>>>>>
>>>>>>>
>>>>>>>>I got my RME Multiface in there today. I've already got 2 x HDSP
>>>>>>>>9652's
>>>>>>>>living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>>>>
>>>>>>
>>>>>>
>>>>>>Matrox
>>>>>>
>>>>>>
>>>>>>>>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
>>>>>>>>1,
>>>>>>
>>>>>>
>>>>>>
>>>>>>3, 5
>>>>>>
>>>>>>
>>>>>>>>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card
>>>>>>>>in
>>>>>>
>>>>>>
>>>>>>
>>>>>>one of
>>>>>>
>>>>>>
>>>>>>>>my Magma backplane PCI slots, buttoned it up, booted my DAW, the
>>>>>>>>driver
>>>>>>>>loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>>>>
>>>>>>
>>>>>>
>>>>>>sharing
>>>>>>
>>>>>>
>>>>>>>>happily with the other two HDSP cards. I *never* had this easy a
>>>>>>>>time
>>>>>>>>installing hardware with my SBS expansion chassis.
>>>>>>>>
>>>>>>>>Go figure.
>>>>>>>>
>>>>>>>>;o)
>>>>>>>>
>>>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>Go Spitzer. I never really cared for the guy, thought he was on some holy
crusade, but I have to give him kudos for this.
Ciao,
Rich
"The world wishes to be deceived." - Sebastian Franck (around 1500 A.D.)Erghh... it's going to be a long long drive... how far is it again? 8
hours or something?
Good thing I have some funky tunes in the car.Cron, how music affects and represents society is important to me. There are
so many good composers and musicians out there that are not getting the
proper recognition. I'm completely frustrated and madder than hell at the
state of pop music in this country. I think it's great that that Spitzer is
going after Sony for bribing JDs into playing their insipid, trite,
cacophonous, shallow, mediocre, inane, stupid crap passing as music. But I
do think it is amusing that he really doesn't have anything else to
investigate.
Ciao,
Richwe'd all agree that the market driven music business doesn't bring the best
music to the radio and such, but seriously, whats the solution? I can't
see payola ever going away, and honestly think that even complaining about
it is naive.
I dont listen to the radio nor watch MTV, so I lost touch with the current
acts a long time ago. I operate in my own HYDRO world, and I dont put crap
up on my channel, but then again I woudn't mind if someone slipped me some
dough.
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:42e96f4a@linux...
> Cron, how music affects and represents society is important to me. There
> are
> so many good composers and musicians out there that are not getting the
> proper recognition. I'm completely frustrated and madder than hell at the
> state of pop music in this country. I think it's great that that Spitzer
> is
> going after Sony for bribing JDs into playing their insipid, trite,
> cacophonous, shallow, mediocre, inane, stupid crap passing as music. But I
> do think it is amusing that he really doesn't have anything else to
> investigate.
>
> Ciao,
> Rich
>
>I have always disliked FX loops on amps. Put them before, you can always
use the extra gain for a bit more bite
"uptown jimmy" <johnson314@bellsouth.net> wrote:
>Howdy.
>
>I've got a modified Fender Twin with the sweetest sound you ever heard.
I
>was thinking of adding a digital box to the mix for live work, and wondered
>how one utilizes such jobbies on an old amp with no fx send-return. Do the
>various fx boxes have settings where you can chose the position of the
>device, say "before amp" vs. "fx return"?
>
>Jimmy
>
>rick <parnell68@hotmail.com> wrote:
>seems hard to believe that after 4 years one key would warp. i would
>think that it's just out of alignment. if it is warped, why not
>remove and reshape it?
You might be right. I haven't pulled the keyboard apart yet. It didn't feel
out of alignment though, and it looked a little twisted. Hard to say though.
I could attempt to remove and reshape it, but I've heard that the keys do
warp on these things. That being the case I'm willing to buy spares just
so I have them. I will keep the old one though. If I was to warp it back
it's altogether possible it would just warp again in a couple of years. Me
feeling is that if wood decides it wants to be a certain shape, you should
probably let it be.
This may depend on the cost of new keys though...
Cheers,
Kim.FWIW, when I shot the video with BT, he had 8 EDS cards loaded up in a 13
slot magma, and another rig with an SBS I think was housing 3 or so in it.
AA
"DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f3a3@linux...
> Dear David,
> It is not the sharing that is the problem ,even on different IRQ numbers
> EDS cards DO NOT work properly inside Magma.
> I guess trhis has to do with the situation that the Magma host card DOES
> NOT work on slots 1,2,3 which | think are more reliable than 4,5,6 in my
> motherboard.
> XP do not see any cards inside magma when host card magma seats on slots
> 1,2,3...strange right ?
> Does this have to do anything with north south thing on motherboard chips
> ?
> Thanks
> Dimitrios
>
> EK Sound wrote:
>
>> Hey Dimitrios,
>>
>> We have a 13 slot Magma here with 5 x EDS, 1 x RME9652, 1 x UAD all
>> working flawlessly. Check your motherboard and use a PCI slot that
>> doesn't share any resouces for the host card.
>>
>> David.
>>
>> DImitrios wrote:
>>
>>> I wonder now why my magma and my motherboard have some difficulties.
>>> What I have found is that my motherboard works with magma ONLY if magma
>>> pci is put only in slots 4,5,6 of P4B-E
>>> If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>>> be recognized.
>>> Also I cannot have Paris working from inside Magma (four cards or less)
>>> . There is some kind of distorted sound almost right away, totally
>>> unusable, but UAD1 and powercore works great that way.
>>> Do you think its Magma (the 7 pci slot expander) fault or motherboard's
>>> ?
>>> I still use P4B-E because it is the on ly motherboard I know that can
>>> use my 1.5 GB Kingston PC133 SDRAM modules.
>>> Regards,
>>> Dimitrios
>>>
>>> DJ wrote:
>>>
>>>> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>>>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>> Matrox
>>>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
>>>> 3, 5
>>>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
>>>> one of
>>>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>>>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>> sharing
>>>> happily with the other two HDSP cards. I *never* had this easy a time
>>>> installing hardware with my SBS expansion chassis.
>>>>
>>>> Go figure.
>>>>
>>>> ;o)
>>>>
>>>>Is it just an offset on the start point or is there drift in the tracks like
the sample rate has been altered?
I'm just curious, did you try dragging the WAV files into the Paris folder
and select "add audio file" from the edit screen and let Paris convert them.
I'm just wondering if that produces similiar results.
"Don Nafe" <dnafe@magma.ca> wrote in message news:42e8bab1$1@linux...
>
> "RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e86d92@linux...
> > I've been using the PAFWAV converter for years for taking 24 bit mixes
out
> > of Paris into Sound Forge. It's a wonderful utility. I don't
understand
> > why you would go the other way (WAV to PAF) since Paris does that for
you.
> >
> > RZ
>
> Just trying it out....worked flawlessly...the problem was with the actual
> wav files...they were out of alignment.
>
> This was a huge three set live show and each individual track was at least
> 500 megs in size and as I had to stripwav each file I thought why not give
> this a try so I did
>
> Don
>
>
> >
> > "Don Nafe" <dnafe@magma.ca> wrote in message news:42e641c3@linux...
> >> Sorry I should have mentioned going from Wav to PAF
> >>
> >> Duh!
> >>
> >> Don
> >>
> >> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e64182@linux...
> >> > Has anyone run across any time alignment problems after using this
app
> >> >
> >> > Thanks
> >> >
> >> > Don
> >> >
> >>
> >>
> >
> >
>
>You could try unplugging the spring reverb and inserting it there. Just a
thought.
RZ
"cujo" <chris@applemanstudio.com> wrote in message news:42e98038$1@linux...
>
>
> I have always disliked FX loops on amps. Put them before, you can always
> use the extra gain for a bit more bite
>
>
>
> "uptown jimmy" <johnson314@bellsouth.net> wrote:
> >Howdy.
> >
> >I've got a modified Fender Twin with the sweetest sound you ever heard.
> I
> >was thinking of adding a digital box to the mix for live work, and
wondered
> >how one utilizes such jobbies on an old amp with no fx send-return. Do
the
> >various fx boxes have settings where you can chose the position of the
> >device, say "before amp" vs. "fx return"?
> >
> >Jimmy
> >
> >
>The impedence and level is wrong in that chain, and typically there is a
pretty good sized EQ change in a tank circuit.... on top of that, you might
pop the FX pedal, I've seen some designs that have a pretty hefty voltage in
the signal to keep it hot into the tank.... a DMM should tell you if it's
safe or not. Shoot, you might like the sound of the odd impedence and tone
tailoring.. just make sure to hit it for that voltage.
AA
"RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e9bcd8@linux...
> You could try unplugging the spring reverb and inserting it there. Just a
> thought.
>
> RZ
>
>
> "cujo" <chris@applemanstudio.com> wrote in message
> news:42e98038$1@linux...
>>
>>
>> I have always disliked FX loops on amps. Put them before, you can always
>> use the extra gain for a bit more bite
>>
>>
>>
>> "uptown jimmy" <johnson314@bellsouth.net> wrote:
>> >Howdy.
>> >
>> >I've got a modified Fender Twin with the sweetest sound you ever heard.
>> I
>> >was thinking of adding a digital box to the mix for live work, and
> wondered
>> >how one utilizes such jobbies on an old amp with no fx send-return. Do
> the
>> >various fx boxes have settings where you can chose the position of the
>> >device, say "before amp" vs. "fx return"?
>> >
>> >Jimmy
>> >
>> >
>>
>
>13 slot Magma has ) problems with ACPI turned on in my system.
6 eds and 2 UAD.
rod
DImitrios <musurgio@otenet.gr> wrote:
>I wonder now why my magma and my motherboard have some difficulties.
>What I have found is that my motherboard works with magma ONLY if magma
>pci is put only in slots 4,5,6 of P4B-E
>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>be recognized.
>Also I cannot have Paris working from inside Magma (four cards or less)
>. There is some kind of distorted sound almost right away, totally
>unusable, but UAD1 and powercore works great that way.
>Do you think its Magma (the 7 pci slot expander) fault or motherboard's
?
>I still use P4B-E because it is the on ly motherboard I know that can
>use my 1.5 GB Kingston PC133 SDRAM modules.
>Regards,
>Dimitrios
>
>DJ wrote:
>> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>> living in my Magma with the host card using PCI 4 sharing IRQ 4, two Matrox
>> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
3, 5
>> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
one of
>> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>> loaded for the HDSP PCI card and it immediately migrated to IRQ 4, sharing
>> happily with the other two HDSP cards. I *never* had this easy a time
>> installing hardware with my SBS expansion chassis.
>>
>> Go figure.
>>
>> ;o)
>>
>>go with care.
On 29 Jul 2005 09:45:33 +1000, "Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Erghh... it's going to be a long long drive... how far is it again? 8
>hours or something?
>
>Good thing I have some funky tunes in the car.I brought an offending wav into Paris, let it convert it and it turned out
the problem was with the wav file...both the PAF-Wav and the Paris
conversion were identical..
Don
"RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e9bbf5@linux...
> Is it just an offset on the start point or is there drift in the tracks
> like
> the sample rate has been altered?
>
> I'm just curious, did you try dragging the WAV files into the Paris folder
> and select "add audio file" from the edit screen and let Paris convert
> them.
> I'm just wondering if that produces similiar results.
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e8bab1$1@linux...
>>
>> "RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e86d92@linux...
>> > I've been using the PAFWAV converter for years for taking 24 bit mixes
> out
>> > of Paris into Sound Forge. It's a wonderful utility. I don't
> understand
>> > why you would go the other way (WAV to PAF) since Paris does that for
> you.
>> >
>> > RZ
>>
>> Just trying it out....worked flawlessly...the problem was with the actual
>> wav files...they were out of alignment.
>>
>> This was a huge three set live show and each individual track was at
>> least
>> 500 megs in size and as I had to stripwav each file I thought why not
>> give
>> this a try so I did
>>
>> Don
>>
>>
>> >
>> > "Don Nafe" <dnafe@magma.ca> wrote in message news:42e641c3@linux...
>> >> Sorry I should have mentioned going from Wav to PAF
>> >>
>> >> Duh!
>> >>
>> >> Don
>> >>
>> >> "Don Nafe" <dnafe@magma.ca> wrote in message news:42e64182@linux...
>> >> > Has anyone run across any time alignment problems after using this
> app
>> >> >
>> >> > Thanks
>> >> >
>> >> > Don
>> >> >
>> >>
>> >>
>> >
>> >
>>
>>
>
>Hi,
I finally got round to buying a copy of No Limit on Monday, but as yet it's
not arrived in my inbox from Chuck... any ideas anyone? I have e-mailed him.
Also, the download link for the manual is broken (http://www.greatidea.com/paris/nolimitmanual.zip)
- perhaps someone could mail me it (or let me know if there's anything vital
in it). I know there's a bug so you can't set 0.0 or 50 as time values...
and that generally you should set around 0.25 or 0.26. Any things else? Tip.
Many thanks,
DanielAny feedback on these? Wondering if they're worth getting, or should I stick
with the stock Paris eqs and Waves + Waves RenEQ + Soundforge EQ.
Thanks,
DanIf you have to go to the trouble of pulling the lid from the case,
stick an Ohmeter across it to see what the value is. Appreciate it!!
Don't ya just love this place!!! :-)
David.
Stephen Stecyk wrote:
> As for specs, I really don't know.
>
> The 5 Volt Load Resistor that I bought attaches to the PS via regular HD
> power connector (red & black cables).
>
> I've been scouring the net for pics, but haven't found anything yet. If I
> do find one, I'll post it. If all else fails, I'll pull my magma chassis
> and take a picture.
>
> Stephen
>
>
> "EK Sound" <spamnot.info@eksoundNO.com> wrote in message
> news:42e93ae7@linux...
>
>>Interesting... So what are the specs for the resistor and where do you
>>install it?? We have at LEAST a million resistors here... I am not about
>>to order one.
>>
>>Thanks,
>>
>>David.
>>
>>Stephen Stecyk wrote:
>>
>>>That could be the problem, or contributing to it. I have the 13 slot
>>>magma, and noticed a huge improvement once I installed the 5V Load
>>>resistor (LOADRES5V). No more IRQ conflicts, power problems, clicks &
>>>pops, etc.
>>>
>>>If you have a hard drive that you don't use, that will work in a pinch
>>>(that's what I did while I waited for the part to arrive).
>>>
>>>Stephen
>>>
>>>"DImitrios" <musurgio@otenet.gr> wrote in message news:42e8f803@linux...
>>>
>>>
>>>>no it is big enouph, 450W
>>>>Regards,
>>>>Any 5V dummy load needed ?
>>>>Regards,
>>>>Dimitrios
>>>>
>>>>
>>>>EK Sound wrote:
>>>>
>>>>
>>>>
>>>>>What size is the PSU in the Magma?? If it is 250W or less, you may have
>>>>>to upgrade.
>>>>>
>>>>>David.
>>>>>
>>>>>DImitrios wrote:
>>>>>
>>>>>
>>>>>
>>>>>>Thanks for your insight.
>>>>>>I use ACPI and there is no problem with assigning cards.
>>>>>>But magma pci host card refuses to work on slots 1 ,2 ,3 on ASAUS
>>>>>>motherboard but works on 4,5,6.
>>>>>>If I use powercore and UAD1 (poco can share with UAD1 alright) inside
>>>>>>Magma no problem ,but EDS cards do NOT work inside magma at all, too
>>>>>>much distortion right away...
>>>>>>Regards,
>>>>>>Dimitrios
>>>>>>
>>>>>>DJ wrote:
>>>>>>
>>>>>>
>>>>>>
>>>>>>>Do you have ACPI turned off? I turned ACPI off when I was using my SBS
>>>>>>>7
>>>>>>>slot chassis and set my IRQ assignments for the various PCI slots in
>>>>>>>the
>>>>>>>BIOS. I've got PCI 4 assigned to IRQ 4 in my BIOS, PCI 2 set for IRQ
>>>>>>>11 and
>>>>>>>PCI's 1, 3 and 5 set to IRQ 10. There are some slots in tth Magma (a
>>>>>>>13 slot
>>>>>>>model) that will automatically grab either IRQ 4 or IRQ 10, but I know
>>>>>>>which
>>>>>>>those are. theoritecially, I can now only add additional cards that
>>>>>>>share
>>>>>>>the came drivers with my existing hardware so for me, this would allow
>>>>>>>either one mor RME card (not likely to be needed) or another UAD-1
>>>>>>>card (my
>>>>>>>fourth and I'll probably do this later on)
>>>>>>>
>>>>>>>PCI 4 was the only mobo slot for my Magma Host card that would allow
>>>>>>>me to
>>>>>>>make these assignments so there are surely some limitations to some
>>>>>>>mobo's
>>>>>>>when ACPI is turned off.
>>>>>>>
>>>>>>>Brian T. once told me that using a 13 slot Magma with ACPI turned on
>>>>>>>when
>>>>>>>using Paris with Win XP was really friendly. He was using a Pair of
>>>>>>>Matrox
>>>>>>>G450's (AGP and PCI too, IIRC) and that the Device Manager showed all
>>>>>>>sorts
>>>>>>>of devices sharing that normally shouldn't be, but that everything was
>>>>>>>playing nicely.
>>>>>>>
>>>>>>>If you have ACPI turned off, you might try reloading Windows (I think
>>>>>>>this
>>>>>>>is the only way to turn it back on) and see if your situation becomes
>>>>>>>any
>>>>>>>more flexible. If I ever want to add a Powercore, this is probably
>>>>>>>what I
>>>>>>>will have to do, unless the POCO can share an IRQ with a UAD-1 or RME
>>>>>>>card.
>>>>>>>Since I really only use the UAD-1 for EQ and compression these days, I
>>>>>>>doubt
>>>>>>>if I'll be needing a POCO any time soon.
>>>>>>>
>>>>>>>;o)
>>>>>>>"DImitrios" <musurgio@otenet.gr> wrote in message
>>>>>>>news:42e8aea4@linux...
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>I wonder now why my magma and my motherboard have some difficulties.
>>>>>>>>What I have found is that my motherboard works with magma ONLY if
>>>>>>>>magma
>>>>>>>>pci is put only in slots 4,5,6 of P4B-E
>>>>>>>>If I put it on slots 1,2,3 no Magma or other cards sitting in Magma
>>>>>>>>can
>>>>>>>>be recognized.
>>>>>>>>Also I cannot have Paris working from inside Magma (four cards or
>>>>>>>>less)
>>>>>>>>. There is some kind of distorted sound almost right away, totally
>>>>>>>>unusable, but UAD1 and powercore works great that way.
>>>>>>>>Do you think its Magma (the 7 pci slot expander) fault or
>>>>>>>>motherboard's ?
>>>>>>>>I still use P4B-E because it is the on ly motherboard I know that can
>>>>>>>>use my 1.5 GB Kingston PC133 SDRAM modules.
>>>>>>>>Regards,
>>>>>>>>Dimitrios
>>>>>>>>
>>>>>>>>DJ wrote:
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>>I got my RME Multiface in there today. I've already got 2 x HDSP
>>>>>>>>>9652's
>>>>>>>>>living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>Matrox
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>>G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
>>>>>>>>>1,
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>3, 5
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>>of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card
>>>>>>>>>in
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>one of
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>>my Magma backplane PCI slots, buttoned it up, booted my DAW, the
>>>>>>>>>driver
>>>>>>>>>loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>sharing
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>>happily with the other two HDSP cards. I *never* had this easy a
>>>>>>>>>time
>>>>>>>>>installing hardware with my SBS expansion chassis.
>>>>>>>>>
>>>>>>>>>Go figure.
>>>>>>>>>
>>>>>>>>>;o)
>>>>>>>>>
>>>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>See if you can find this guy...
http://sfgate.com/cgi-bin/object/dip?m=/n/pictures/2005/07/2 8/balance9.jpg&f=/g/archive/2005/07/28/dip.DTL
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Erghh... it's going to be a long long drive... how far is it again? 8
>hours or something?
>
>Good thing I have some funky tunes in the car.If the NG goes down, we're going to hire someone to hunt you down like a dog
and drag you kicking and screaming back hom to fix your server.
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:42e96e1d$1@linux...
>
>
> Erghh... it's going to be a long long drive... how far is it again? 8
> hours or something?
>
> Good thing I have some funky tunes in the car.This is because you need at least two more EDS cards and two more UAD-1's
;o)
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:42e9c14d$1@linux...
>
> 13 slot Magma has ) problems with ACPI turned on in my system.
> 6 eds and 2 UAD.
> rod
> DImitrios <musurgio@otenet.gr> wrote:
> >I wonder now why my magma and my motherboard have some difficulties.
> >What I have found is that my motherboard works with magma ONLY if magma
>
> >pci is put only in slots 4,5,6 of P4B-E
> >If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>
> >be recognized.
> >Also I cannot have Paris working from inside Magma (four cards or less)
>
> >. There is some kind of distorted sound almost right away, totally
> >unusable, but UAD1 and powercore works great that way.
> >Do you think its Magma (the 7 pci slot expander) fault or motherboard's
> ?
> >I still use P4B-E because it is the on ly motherboard I know that can
> >use my 1.5 GB Kingston PC133 SDRAM modules.
> >Regards,
> >Dimitrios
> >
> >DJ wrote:
> >> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
> >> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
Matrox
> >> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots 1,
> 3, 5
> >> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card in
> one of
> >> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
> >> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
sharing
> >> happily with the other two HDSP cards. I *never* had this easy a time
> >> installing hardware with my SBS expansion chassis.
> >>
> >> Go figure.
> >>
> >> ;o)
> >>
> >>
>On Wed, 27 Jul 2005 21:22:48 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>I think it would actually be pretty easy to get a hammer and a pair of
>pliers and create inverse reactive current from unilateral phase detractors
>on the upend of the cardinal granmeters. Then, if we encase the hydrocoptic
>marzilvane with either prefamulited amulite or basic tremy pipe (found in
>any hardware store) we could effectively reduce sinusoidal side fumbling.
>This will allow the modial reluctance of the flux capacitors to properly
>align to the sperving bearing of the retro encabulator. Flourescent score
>motion then flows freely deplenerating magneto reluctance and logarithmic
>capacitive duractance. Remember, you cannot block the panendermic
>semi-boloid slots of the stator when making this modification. Special care
>must also be employed when working on the panametric ambifacia lunar
>wainshaft where it meets the girdle spring of the fam.
>
>;o)
>
See? Now THAT makes perfect sense.
The real key to this whole thing is to use a vintage girdle spring for
the fam. Modern girdle springs just don't have that certain vintage
"something" that true vintage springs do. Vintagely.
Neil, about your earlier post about the tinfoil and zip cord buried in
the yard.. you certainly didn't use any of that precious stash of
vintage tinfoil you use for the hats, right? I refuse to believe that
you'd actually bury real, honest-to-goodness vintage tinfoil in the
backyard.
pab
"Enjoy every sandwich." -- Warren Zevon
"Here at Microsoft, Quality is job, oh, I dunno, maybe 7 or 8?"I'm writing to ask a question for a co-worker considering the UAD Card.
Since I know a lot of you use it regularly, I thought you might be able to
help.
Here's the scenario:
My co-worker has PT LE/G5 at home, and we've got a PT HD3/G4 system here at
work. (Don't worry guys; I still proudly use PARIS in my personal studio.)
He really wants to be able work on some initial mixes at home and then bring
them into our work studio to do final tweaks. Of course, the big question
is somehow getting an assortment of nice plug-ins that he can use both at
home and at work without having to purchase them twice. So our newfangled
idea is to have him get a UAD Card and then literally transport the PCI card
back and forth between work and home.
Are any of you guys doing something like this, or have you tried something
like this? How does that work as far as permissions go? Is the UAD its own
dongle, or is there some other authorization process that needs to occur
every time one switches computers?
Let me know your thoughts, and thanks in advance for any information/ideas
you might have.
BrianI would never disconnect that reverb. It's very sweet, and the tremolo that
comes out of it is the best I've ever played. I'd just like to add digital
delay from a rack-box; it's gonna be a lot easier to recreate my productions
that way.
Jimmy
"Aaron Allen" <nospam@not_here.dude> wrote in message news:42e9c091@linux...
> The impedence and level is wrong in that chain, and typically there is a
> pretty good sized EQ change in a tank circuit.... on top of that, you
might
> pop the FX pedal, I've seen some designs that have a pretty hefty voltage
in
> the signal to keep it hot into the tank.... a DMM should tell you if it's
> safe or not. Shoot, you might like the sound of the odd impedence and tone
> tailoring.. just make sure to hit it for that voltage.
>
> AA
>
>
> "RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e9bcd8@linux...
> > You could try unplugging the spring reverb and inserting it there. Just
a
> > thought.
> >
> > RZ
> >
> >
> > "cujo" <chris@applemanstudio.com> wrote in message
> > news:42e98038$1@linux...
> >>
> >>
> >> I have always disliked FX loops on amps. Put them before, you can
always
> >> use the extra gain for a bit more bite
> >>
> >>
> >>
> >> "uptown jimmy" <johnson314@bellsouth.net> wrote:
> >> >Howdy.
> >> >
> >> >I've got a modified Fender Twin with the sweetest sound you ever
heard.
> >> I
> >> >was thinking of adding a digital box to the mix for live work, and
> > wondered
> >> >how one utilizes such jobbies on an old amp with no fx send-return. Do
> > the
> >> >various fx boxes have settings where you can chose the position of the
> >> >device, say "before amp" vs. "fx return"?
> >> >
> >> >Jimmy
> >> >
> >> >
> >>
> >
> >
>
>down there big fellah...don't forget the brother whose fault it is
always, is there to keep us safe from harm.
On Fri, 29 Jul 2005 10:04:44 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>If the NG goes down, we're going to hire someone to hunt you down like a dog
>and drag you kicking and screaming back hom to fix your server.
>
>;o)
>
>"Kim" <hiddensounds@hotmail.com> wrote in message news:42e96e1d$1@linux...
>>
>>
>> Erghh... it's going to be a long long drive... how far is it again? 8
>> hours or something?
>>
>> Good thing I have some funky tunes in the car.
>http://www.uaudio.com/webzine/2005/may/index5.html
On Fri, 29 Jul 2005 12:03:20 -0500, "Brian Porick"
<brianporick@hotmail.com> wrote:
>I'm writing to ask a question for a co-worker considering the UAD Card.
>Since I know a lot of you use it regularly, I thought you might be able to
>help.
>
>Here's the scenario:
>
>My co-worker has PT LE/G5 at home, and we've got a PT HD3/G4 system here at
>work. (Don't worry guys; I still proudly use PARIS in my personal studio.)
>He really wants to be able work on some initial mixes at home and then bring
>them into our work studio to do final tweaks. Of course, the big question
>is somehow getting an assortment of nice plug-ins that he can use both at
>home and at work without having to purchase them twice. So our newfangled
>idea is to have him get a UAD Card and then literally transport the PCI card
>back and forth between work and home.
>
>Are any of you guys doing something like this, or have you tried something
>like this? How does that work as far as permissions go? Is the UAD its own
>dongle, or is there some other authorization process that needs to occur
>every time one switches computers?
>
>Let me know your thoughts, and thanks in advance for any information/ideas
>you might have.
>
>Brian
>Any ideas? I'm getting this when playing back a small project (2 stereo acoustic
guitars and 2 vocals), with a few crossfades and a coupla handfulls of waves
ren comps and L2s (whilst I wait for No Limit to arrive...).
I'm on PC (athlon 3000XP with 1 gig ram) on XP (clean install today, but
first time on XP... followed the install instructions carefully).
Any pointers much appreciated.
DanHi All
re: Drumagog..does the latest demo work in Paris?
Any Special Ed. versions floating around?
re: Strip silence - anyone using this type of app with Paris?
Is there a stand alone, VST or DX plug-in available
thanks
donSoooo..........you're saying he should have a life???????
My gawd man!!!!!!!!!.......get a hold of
yourself!!!!!!........errrrr......well.........not there.
;o)
"rick" <parnell68@hotmail.com> wrote in message
news:itrke11iklsqg5eb16i08j7q6smiio0s9j@4ax.com...
> down there big fellah...don't forget the brother whose fault it is
> always, is there to keep us safe from harm.
>
> On Fri, 29 Jul 2005 10:04:44 -0600, "DJ"
> <animix_spam-this-ahole_@animas.net> wrote:
>
> >If the NG goes down, we're going to hire someone to hunt you down like a
dog
> >and drag you kicking and screaming back hom to fix your server.
> >
> >;o)
> >
> >"Kim" <hiddensounds@hotmail.com> wrote in message
news:42e96e1d$1@linux...
> >>
> >>
> >> Erghh... it's going to be a long long drive... how far is it again?
8
> >> hours or something?
> >>
> >> Good thing I have some funky tunes in the car.
> >
>Gee........what could be easier than that?
;oP
"rick" <parnell68@hotmail.com> wrote in message
news:t6ske11qjf9tgl21eghgrtrifia7tqaukh@4ax.com...
> http://www.uaudio.com/webzine/2005/may/index5.html
>
> On Fri, 29 Jul 2005 12:03:20 -0500, "Brian Porick"
> <brianporick@hotmail.com> wrote:
>
> >I'm writing to ask a question for a co-worker considering the UAD Card.
> >Since I know a lot of you use it regularly, I thought you might be able
to
> >help.
> >
> >Here's the scenario:
> >
> >My co-worker has PT LE/G5 at home, and we've got a PT HD3/G4 system here
at
> >work. (Don't worry guys; I still proudly use PARIS in my personal
studio.)
> >He really wants to be able work on some initial mixes at home and then
bring
> >them into our work studio to do final tweaks. Of course, the big
question
> >is somehow getting an assortment of nice plug-ins that he can use both at
> >home and at work without having to purchase them twice. So our
newfangled
> >idea is to have him get a UAD Card and then literally transport the PCI
card
> >back and forth between work and home.
> >
> >Are any of you guys doing something like this, or have you tried
something
> >like this? How does that work as far as permissions go? Is the UAD its
own
> >dongle, or is there some other authorization process that needs to occur
> >every time one switches computers?
> >
> >Let me know your thoughts, and thanks in advance for any
information/ideas
> >you might have.
> >
> >Brian
> >
>The new key probably won't cost that much, (after all it's not a
Sony...)but disassembling a keyboard can be quite involved. If you're
accustomed to complicated dis and re-assembly it's not a big deal. Make
sure you have more time than you bargained for and mark everything as
you take it apart. Good luck!
Mike
Kim wrote:
>Was playing my ol' (well, 4 years is a long time these days) Kawai MP-9000,
>which has the fantastic feature of real wooden keys for a proper piano feel.
>
>And I heard a little bit of a noise when playing one of the F#'s, and the
>F next to it. Closer examination showed that the F# has apparently, being
>wood, decided to warp, and is rubbing against the F next door. Still plays
>alright, for now...
>
>A call to the service centre tells me that it will cost probably between
>$100 and $300 to fix it, just for labour. Mind you I called Kawai and they're
>willing to sell me a new F# key if I can put it in myself...
>
>....where's that screwdriver?
>
>Cheers,
>Kim.
>
>Definitely worth having. I use the BarbEQ on my aux channels, and the FreakQ
on my mix buss. It's hard to think you'd need a different eq for the mixer
channels though....
rock on,
-Carl
"dn" <daniel_burneNOSPAM@yahoo.com> wrote in message
news:42ea2779$1@linux...
>
> Any feedback on these? Wondering if they're worth getting, or should I
stick
> with the stock Paris eqs and Waves + Waves RenEQ + Soundforge EQ.
>
> Thanks,
> Dan
>I bent my F# once...
the doctor gave me a topical creme and all was fine....
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Was playing my ol' (well, 4 years is a long time these days) Kawai MP-9000,
>which has the fantastic feature of real wooden keys for a proper piano feel.
>
>And I heard a little bit of a noise when playing one of the F#'s, and the
>F next to it. Closer examination showed that the F# has apparently, being
>wood, decided to warp, and is rubbing against the F next door. Still plays
>alright, for now...
>
>A call to the service centre tells me that it will cost probably between
>$100 and $300 to fix it, just for labour. Mind you I called Kawai and they're
>willing to sell me a new F# key if I can put it in myself...
>
>...where's that screwdriver?
>
>Cheers,
>Kim.If you're using them in stereo, those l/r tracks MUST match on their
crossfades, _exactly_... or native plugs will fail.
The easiest way to be sure of that is to always and only edit them by
selecting them both at the same time. Since you've already made edits, zoom
all the way in to each pair and verify it visually.
AA
"dan b" <danieL_burneNOSPAM@yahoo.com> wrote in message
news:42ea7938$1@linux...
>
> Any ideas? I'm getting this when playing back a small project (2 stereo
> acoustic
> guitars and 2 vocals), with a few crossfades and a coupla handfulls of
> waves
> ren comps and L2s (whilst I wait for No Limit to arrive...).
> I'm on PC (athlon 3000XP with 1 gig ram) on XP (clean install today, but
> first time on XP... followed the install instructions carefully).
> Any pointers much appreciated.
> DanHA! I'm working on it. I've a 7th eds card, just havn't got around to installing
it yet.
Rod
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>This is because you need at least two more EDS cards and two more UAD-1's
>
>;o)
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:42e9c14d$1@linux...
>>
>> 13 slot Magma has ) problems with ACPI turned on in my system.
>> 6 eds and 2 UAD.
>> rod
>> DImitrios <musurgio@otenet.gr> wrote:
>> >I wonder now why my magma and my motherboard have some difficulties.
>> >What I have found is that my motherboard works with magma ONLY if magma
>>
>> >pci is put only in slots 4,5,6 of P4B-E
>> >If I put it on slots 1,2,3 no Magma or other cards sitting in Magma can
>>
>> >be recognized.
>> >Also I cannot have Paris working from inside Magma (four cards or less)
>>
>> >. There is some kind of distorted sound almost right away, totally
>> >unusable, but UAD1 and powercore works great that way.
>> >Do you think its Magma (the 7 pci slot expander) fault or motherboard's
>> ?
>> >I still use P4B-E because it is the on ly motherboard I know that can
>> >use my 1.5 GB Kingston PC133 SDRAM modules.
>> >Regards,
>> >Dimitrios
>> >
>> >DJ wrote:
>> >> I got my RME Multiface in there today. I've already got 2 x HDSP 9652's
>> >> living in my Magma with the host card using PCI 4 sharing IRQ 4, two
>Matrox
>> >> G450's in the AGP and PCI 2 sharing IRQ 11 and 3 x UAD-1's in slots
1,
>> 3, 5
>> >> of my mobo sharing IRQ 10. I installed the Multiface HDSP PCI card
in
>> one of
>> >> my Magma backplane PCI slots, buttoned it up, booted my DAW, the driver
>> >> loaded for the HDSP PCI card and it immediately migrated to IRQ 4,
>sharing
>> >> happily with the other two HDSP cards. I *never* had this easy a time
>> >> installing hardware with my SBS expansion chassis.
>> >>
>> >> Go figure.
>> >>
>> >> ;o)
>> >>
>> >>
>>
>
>I've been working for about 6 months with 3 EDS cards which are hooked up to
three MECs. The last MEC doesn't have any analog I/O cards, just ADAT cards.
I usually track to the first two MECs.
Well, for some reason I can't fathom, suddenly MEC 3 stopped
sycing.........lots of digital hash. switching WC on and off would sync it
back up. Then that stopped working. The switching the EDS card on Submix 3
in the global window to virtual and then back to card worked. Now that has
stopped working. I thought it might be a bad cable so I switched the SCSI
cable from MEC 3 to Card B and attached the cable from MEC 2 to card C
figuring that if it was either a card or cable, I could trace the problem.,
Well, I found that that hooking this MEC #3 (which was previously attached
Card C) to Card B and attaching Card C to MEC #2 (which was previously
attached MEC #3) totlly solves the problem.
Rock solid, no sync problems and absolutely no discernable reason for this
behaviour. However, I did add an RME multiface to my Cubase SX system
yesterday and all of these devices are sharing a common clock so I'm
wondering if, by some cursed digital happenstance, this might have caused
the problem. I sort of doubt it though because the system was starting to
act erratic before I hooked up the Multiface to the SX DAW.
I've got project in the works here that has 12 songs with lots of tracks on
each. There's still lots more tracking/dubs to do on this project and I've
got a producer coming in tomorrow to discuss a label project. I'm going be
jacking around with reconfiguring my patchbay presets tonight to reflect the
new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
project I'm working on is playing back from the wrong &^$#^&^%&^&^%$ submix.
This stuff pisses me off to no end. This same thing started happening when I
was using 2 x MECs and a 442.
I thought I had a bad EDS card yesterday and I sent TheSoniq the money for
another one. Then the system started working normally again so I called him
and told him to hold off. I don't know if this is a card issue or not, but
I'm not gonna' get caught with my pants down so I'm going to tell him to
send it on.
Grrrrr...........
;o(I havn't done this for a while and I'm helping a friend (Louis who posted
here a couple weeks ago)install Paris on an XP system.
I think I remember how to dothe whole subsystem thing, but it would sure
be nice to know I'm steering him in the right direction. I can't seem to
locate the guide. Any help would be appreciated.
RodYeah...Freak Q on the mix buss is a trick I use all the time. Actually 2 Paris
comps and a freak Q. SWEET!!!
"Carl Amburn" <carlamburn@NOSPAMhotmail.com> wrote:
>Definitely worth having. I use the BarbEQ on my aux channels, and the FreakQ
>on my mix buss. It's hard to think you'd need a different eq for the mixer
>channels though....
>
>rock on,
>-Carl
>
>
>"dn" <daniel_burneNOSPAM@yahoo.com> wrote in message
>news:42ea2779$1@linux...
>>
>> Any feedback on these? Wondering if they're worth getting, or should I
>stick
>> with the stock Paris eqs and Waves + Waves RenEQ + Soundforge EQ.
>>
>> Thanks,
>> Dan
>>
>
>Try this link ...
http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
Ted
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:42eb0467$1@linux...
>
> I havn't done this for a while and I'm helping a friend (Louis who posted
> here a couple weeks ago)install Paris on an XP system.
> I think I remember how to dothe whole subsystem thing, but it would sure
> be nice to know I'm steering him in the right direction. I can't seem to
> locate the guide. Any help would be appreciated.
> RodThe NICE thing about Paris is that it totally doesn't matter
which MEC is on what card... it is completely assignable in
the global master window... you can literally shuffle your
MEC's around then reassign them without losing anything in
the way of routing.
David.
DJ wrote:
> I've been working for about 6 months with 3 EDS cards which are hooked up to
> three MECs. The last MEC doesn't have any analog I/O cards, just ADAT cards.
> I usually track to the first two MECs.
>
> Well, for some reason I can't fathom, suddenly MEC 3 stopped
> sycing.........lots of digital hash. switching WC on and off would sync it
> back up. Then that stopped working. The switching the EDS card on Submix 3
> in the global window to virtual and then back to card worked. Now that has
> stopped working. I thought it might be a bad cable so I switched the SCSI
> cable from MEC 3 to Card B and attached the cable from MEC 2 to card C
> figuring that if it was either a card or cable, I could trace the problem.,
> Well, I found that that hooking this MEC #3 (which was previously attached
> Card C) to Card B and attaching Card C to MEC #2 (which was previously
> attached MEC #3) totlly solves the problem.
> Rock solid, no sync problems and absolutely no discernable reason for this
> behaviour. However, I did add an RME multiface to my Cubase SX system
> yesterday and all of these devices are sharing a common clock so I'm
> wondering if, by some cursed digital happenstance, this might have caused
> the problem. I sort of doubt it though because the system was starting to
> act erratic before I hooked up the Multiface to the SX DAW.
>
> I've got project in the works here that has 12 songs with lots of tracks on
> each. There's still lots more tracking/dubs to do on this project and I've
> got a producer coming in tomorrow to discuss a label project. I'm going be
> jacking around with reconfiguring my patchbay presets tonight to reflect the
> new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
> project I'm working on is playing back from the wrong &^$#^&^%&^&^%$ submix.
>
> This stuff pisses me off to no end. This same thing started happening when I
> was using 2 x MECs and a 442.
>
> I thought I had a bad EDS card yesterday and I sent TheSoniq the money for
> another one. Then the system started working normally again so I called him
> and told him to hold off. I don't know if this is a card issue or not, but
> I'm not gonna' get caught with my pants down so I'm going to tell him to
> send it on.
>
> Grrrrr...........
>
> ;o(
>
>Yeah, I know........it's just the principle of the thing.
;oP
"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message
news:42eb101e@linux...
> The NICE thing about Paris is that it totally doesn't matter
> which MEC is on what card... it is completely assignable in
> the global master window... you can literally shuffle your
> MEC's around then reassign them without losing anything in
> the way of routing.
>
> David.
>
> DJ wrote:
> > I've been working for about 6 months with 3 EDS cards which are hooked
up to
> > three MECs. The last MEC doesn't have any analog I/O cards, just ADAT
cards.
> > I usually track to the first two MECs.
> >
> > Well, for some reason I can't fathom, suddenly MEC 3 stopped
> > sycing.........lots of digital hash. switching WC on and off would sync
it
> > back up. Then that stopped working. The switching the EDS card on Submix
3
> > in the global window to virtual and then back to card worked. Now that
has
> > stopped working. I thought it might be a bad cable so I switched the
SCSI
> > cable from MEC 3 to Card B and attached the cable from MEC 2 to card C
> > figuring that if it was either a card or cable, I could trace the
problem.,
> > Well, I found that that hooking this MEC #3 (which was previously
attached
> > Card C) to Card B and attaching Card C to MEC #2 (which was previously
> > attached MEC #3) totlly solves the problem.
> > Rock solid, no sync problems and absolutely no discernable reason for
this
> > behaviour. However, I did add an RME multiface to my Cubase SX system
> > yesterday and all of these devices are sharing a common clock so I'm
> > wondering if, by some cursed digital happenstance, this might have
caused
> > the problem. I sort of doubt it though because the system was starting
to
> > act erratic before I hooked up the Multiface to the SX DAW.
> >
> > I've got project in the works here that has 12 songs with lots of tracks
on
> > each. There's still lots more tracking/dubs to do on this project and
I've
> > got a producer coming in tomorrow to discuss a label project. I'm going
be
> > jacking around with reconfiguring my patchbay presets tonight to reflect
the
> > new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
> > project I'm working on is playing back from the wrong &^$#^&^%&^&^%$
submix.
> >
> > This stuff pisses me off to no end. This same thing started happening
when I
> > was using 2 x MECs and a 442.
> >
> > I thought I had a bad EDS card yesterday and I sent TheSoniq the money
for
> > another one. Then the system started working normally again so I called
him
> > and told him to hold off. I don't know if this is a card issue or not,
but
> > I'm not gonna' get caught with my pants down so I'm going to tell him to
> > send it on.
> >
> > Grrrrr...........
> >
> > ;o(
> >
> >to be honest i really didn't read it all but it kept me from saying
something stupid. ;o)
On Fri, 29 Jul 2005 13:24:25 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>Gee........what could be easier than that?
>
>;oP
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:t6ske11qjf9tgl21eghgrtrifia7tqaukh@4ax.com...
>> http://www.uaudio.com/webzine/2005/may/index5.html
>>
>> On Fri, 29 Jul 2005 12:03:20 -0500, "Brian Porick"
>> <brianporick@hotmail.com> wrote:
>>
>> >I'm writing to ask a question for a co-worker considering the UAD Card.
>> >Since I know a lot of you use it regularly, I thought you might be able
>to
>> >help.
>> >
>> >Here's the scenario:
>> >
>> >My co-worker has PT LE/G5 at home, and we've got a PT HD3/G4 system here
>at
>> >work. (Don't worry guys; I still proudly use PARIS in my personal
>studio.)
>> >He really wants to be able work on some initial mixes at home and then
>bring
>> >them into our work studio to do final tweaks. Of course, the big
>question
>> >is somehow getting an assortment of nice plug-ins that he can use both at
>> >home and at work without having to purchase them twice. So our
>newfangled
>> >idea is to have him get a UAD Card and then literally transport the PCI
>card
>> >back and forth between work and home.
>> >
>> >Are any of you guys doing something like this, or have you tried
>something
>> >like this? How does that work as far as permissions go? Is the UAD its
>own
>> >dongle, or is there some other authorization process that needs to occur
>> >every time one switches computers?
>> >
>> >Let me know your thoughts, and thanks in advance for any
>information/ideas
>> >you might have.
>> >
>> >Brian
>> >
>>
>after 32 yrs of honEy-do bliss it's all i have left. ;o)
On Fri, 29 Jul 2005 13:20:18 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>Soooo..........you're saying he should have a life???????
>
>My gawd man!!!!!!!!!.......get a hold of
>yourself!!!!!!........errrrr......well.........not there.
>
>;o)
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:itrke11iklsqg5eb16i08j7q6smiio0s9j@4ax.com...
>> down there big fellah...don't forget the brother whose fault it is
>> always, is there to keep us safe from harm.
>>
>> On Fri, 29 Jul 2005 10:04:44 -0600, "DJ"
>> <animix_spam-this-ahole_@animas.net> wrote:
>>
>> >If the NG goes down, we're going to hire someone to hunt you down like a
>dog
>> >and drag you kicking and screaming back hom to fix your server.
>> >
>> >;o)
>> >
>> >"Kim" <hiddensounds@hotmail.com> wrote in message
>news:42e96e1d$1@linux...
>> >>
>> >>
>> >> Erghh... it's going to be a long long drive... how far is it again?
>8
>> >> hours or something?
>> >>
>> >> Good thing I have some funky tunes in the car.
>> >
>>
>Thanks
rod
"Ted" <sonicartproductions@hotmail.com> wrote:
>Try this link ...
>
>http://homepage.mac.com/osxlover/ParisFAQs/parisonxp.html
>
>Ted
>
>
>
>
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:42eb0467$1@linux...
>>
>> I havn't done this for a while and I'm helping a friend (Louis who posted
>> here a couple weeks ago)install Paris on an XP system.
>> I think I remember how to dothe whole subsystem thing, but it would sure
>> be nice to know I'm steering him in the right direction. I can't seem
to
>> locate the guide. Any help would be appreciated.
>> Rod
>
>hi all
i'm looking for an 8 channel converters to add to my paris.
i need something quite good, that doesn't decrease the overall sound quality
of the rig.
i saw frontier design tango 24
seems quite cheap on s/h
does any1 know this one or could recommend me something else?
i could also trade the adat card for an 8i card.
thx anyone who answers
cyrilleLooks like it's a bad card or bad ribbon cable(s). Just booted the system
and now the same thing is happening. It's happening on Submix B now (which
was switched to card C last night). I've done enough testing to be pretty
sure it's not one of the HD SCSI cables or one of the MECs.
When loading my default .ppj, I'm getting a digital pulse in the global
fader. The only thing that stops this is switching the submix that is
assigned to card C to virtual and then back to card. This stops the noise,
but after doing this, no audio will play through the submix that card C is
assigned to.
I guess I've got more testing to do. First I'm going to pull card B, replace
it with card C and see if I have any problems with playback on either MEC B
or C.
If it won't play on either MEC, then it's likely the card. If it plays on
one MEC but not the other, then it's likely the MEC.
If it plays on both MECs, I'm going to start switching ribbon cables between
the cards and see if one of them is the culprit.
If I still have no problems, I'll be stumped 'cause cards A & B work
fine.......or so it seems right now.
Maybe I'll get finished with this sometime today.
;o(
"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message
news:42eb101e@linux...
> The NICE thing about Paris is that it totally doesn't matter
> which MEC is on what card... it is completely assignable in
> the global master window... you can literally shuffle your
> MEC's around then reassign them without losing anything in
> the way of routing.
>
> David.
>
> DJ wrote:
> > I've been working for about 6 months with 3 EDS cards which are hooked
up to
> > three MECs. The last MEC doesn't have any analog I/O cards, just ADAT
cards.
> > I usually track to the first two MECs.
> >
> > Well, for some reason I can't fathom, suddenly MEC 3 stopped
> > sycing.........lots of digital hash. switching WC on and off would sync
it
> > back up. Then that stopped working. The switching the EDS card on Submix
3
> > in the global window to virtual and then back to card worked. Now that
has
> > stopped working. I thought it might be a bad cable so I switched the
SCSI
> > cable from MEC 3 to Card B and attached the cable from MEC 2 to card C
> > figuring that if it was either a card or cable, I could trace the
problem.,
> > Well, I found that that hooking this MEC #3 (which was previously
attached
> > Card C) to Card B and attaching Card C to MEC #2 (which was previously
> > attached MEC #3) totlly solves the problem.
> > Rock solid, no sync problems and absolutely no discernable reason for
this
> > behaviour. However, I did add an RME multiface to my Cubase SX system
> > yesterday and all of these devices are sharing a common clock so I'm
> > wondering if, by some cursed digital happenstance, this might have
caused
> > the problem. I sort of doubt it though because the system was starting
to
> > act erratic before I hooked up the Multiface to the SX DAW.
> >
> > I've got project in the works here that has 12 songs with lots of tracks
on
> > each. There's still lots more tracking/dubs to do on this project and
I've
> > got a producer coming in tomorrow to discuss a label project. I'm going
be
> > jacking around with reconfiguring my patchbay presets tonight to reflect
the
> > new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
> > project I'm working on is playing back from the wrong &^$#^&^%&^&^%$
submix.
> >
> > This stuff pisses me off to no end. This same thing started happening
when I
> > was using 2 x MECs and a 442.
> >
> > I thought I had a bad EDS card yesterday and I sent TheSoniq the money
for
> > another one. Then the system started working normally again so I called
him
> > and told him to hold off. I don't know if this is a card issue or not,
but
> > I'm not gonna' get caught with my pants down so I'm going to tell him to
> > send it on.
> >
> > Grrrrr...........
> >
> > ;o(
> >
> >sounds like a card to me. I had that digi pulse thing happen and it was a
card, but the card worked fine by itself...only got the hash when hooked
in a multi card system
rod
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Looks like it's a bad card or bad ribbon cable(s). Just booted the system
>and now the same thing is happening. It's happening on Submix B now (which
>was switched to card C last night). I've done enough testing to be pretty
>sure it's not one of the HD SCSI cables or one of the MECs.
>
>When loading my default .ppj, I'm getting a digital pulse in the global
>fader. The only thing that stops this is switching the submix that is
>assigned to card C to virtual and then back to card. This stops the noise,
>but after doing this, no audio will play through the submix that card C
is
>assigned to.
>
>I guess I've got more testing to do. First I'm going to pull card B, replace
>it with card C and see if I have any problems with playback on either MEC
B
>or C.
>
>If it won't play on either MEC, then it's likely the card. If it plays on
>one MEC but not the other, then it's likely the MEC.
>
>If it plays on both MECs, I'm going to start switching ribbon cables between
>the cards and see if one of them is the culprit.
>
>If I still have no problems, I'll be stumped 'cause cards A & B work
>fine.......or so it seems right now.
>
>Maybe I'll get finished with this sometime today.
>
>;o(
>
>
>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message
>news:42eb101e@linux...
>> The NICE thing about Paris is that it totally doesn't matter
>> which MEC is on what card... it is completely assignable in
>> the global master window... you can literally shuffle your
>> MEC's around then reassign them without losing anything in
>> the way of routing.
>>
>> David.
>>
>> DJ wrote:
>> > I've been working for about 6 months with 3 EDS cards which are hooked
>up to
>> > three MECs. The last MEC doesn't have any analog I/O cards, just ADAT
>cards.
>> > I usually track to the first two MECs.
>> >
>> > Well, for some reason I can't fathom, suddenly MEC 3 stopped
>> > sycing.........lots of digital hash. switching WC on and off would sync
>it
>> > back up. Then that stopped working. The switching the EDS card on Submix
>3
>> > in the global window to virtual and then back to card worked. Now that
>has
>> > stopped working. I thought it might be a bad cable so I switched the
>SCSI
>> > cable from MEC 3 to Card B and attached the cable from MEC 2 to card
C
>> > figuring that if it was either a card or cable, I could trace the
>problem.,
>> > Well, I found that that hooking this MEC #3 (which was previously
>attached
>> > Card C) to Card B and attaching Card C to MEC #2 (which was previously
>> > attached MEC #3) totlly solves the problem.
>> > Rock solid, no sync problems and absolutely no discernable reason for
>this
>> > behaviour. However, I did add an RME multiface to my Cubase SX system
>> > yesterday and all of these devices are sharing a common clock so I'm
>> > wondering if, by some cursed digital happenstance, this might have
>caused
>> > the problem. I sort of doubt it though because the system was starting
>to
>> > act erratic before I hooked up the Multiface to the SX DAW.
>> >
>> > I've got project in the works here that has 12 songs with lots of tracks
>on
>> > each. There's still lots more tracking/dubs to do on this project and
>I've
>> > got a producer coming in tomorrow to discuss a label project. I'm going
>be
>> > jacking around with reconfiguring my patchbay presets tonight to reflect
>the
>> > new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
>> > project I'm working on is playing back from the wrong &^$#^&^%&^&^%$
>submix.
>> >
>> > This stuff pisses me off to no end. This same thing started happening
>when I
>> > was using 2 x MECs and a 442.
>> >
>> > I thought I had a bad EDS card yesterday and I sent TheSoniq the money
>for
>> > another one. Then the system started working normally again so I called
>him
>> > and told him to hold off. I don't know if this is a card issue or not,
>but
>> > I'm not gonna' get caught with my pants down so I'm going to tell him
to
>> > send it on.
>> >
>> > Grrrrr...........
>> >
>> > ;o(
>> >
>> >
>
>I vote for ribbon cables... do you have any Cramolin or
similar cleaner around? Try applying some to a seperate
ribbon connector (one not bing used for Paris) then work
that connector over the pins on the card... kind of like an
applicator. You could even chop an old IDE cable end in half
to use. This will wet the pins on the card and burnish
the contacts without loading up your jumper ribbons with
cleaning solution.
David.
DJ wrote:
> Looks like it's a bad card or bad ribbon cable(s). Just booted the system
> and now the same thing is happening. It's happening on Submix B now (which
> was switched to card C last night). I've done enough testing to be pretty
> sure it's not one of the HD SCSI cables or one of the MECs.
>
> When loading my default .ppj, I'm getting a digital pulse in the global
> fader. The only thing that stops this is switching the submix that is
> assigned to card C to virtual and then back to card. This stops the noise,
> but after doing this, no audio will play through the submix that card C is
> assigned to.
>
> I guess I've got more testing to do. First I'm going to pull card B, replace
> it with card C and see if I have any problems with playback on either MEC B
> or C.
>
> If it won't play on either MEC, then it's likely the card. If it plays on
> one MEC but not the other, then it's likely the MEC.
>
> If it plays on both MECs, I'm going to start switching ribbon cables between
> the cards and see if one of them is the culprit.
>
> If I still have no problems, I'll be stumped 'cause cards A & B work
> fine.......or so it seems right now.
>
> Maybe I'll get finished with this sometime today.
>
> ;o(
>
>
> "Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message
> news:42eb101e@linux...
>
>>The NICE thing about Paris is that it totally doesn't matter
>>which MEC is on what card... it is completely assignable in
>>the global master window... you can literally shuffle your
>>MEC's around then reassign them without losing anything in
>>the way of routing.
>>
>>David.
>>
>>DJ wrote:
>>
>>>I've been working for about 6 months with 3 EDS cards which are hooked
>
> up to
>
>>>three MECs. The last MEC doesn't have any analog I/O cards, just ADAT
>
> cards.
>
>>>I usually track to the first two MECs.
>>>
>>>Well, for some reason I can't fathom, suddenly MEC 3 stopped
>>>sycing.........lots of digital hash. switching WC on and off would sync
>
> it
>
>>>back up. Then that stopped working. The switching the EDS card on Submix
>
> 3
>
>>>in the global window to virtual and then back to card worked. Now that
>
> has
>
>>>stopped working. I thought it might be a bad cable so I switched the
>
> SCSI
>
>>>cable from MEC 3 to Card B and attached the cable from MEC 2 to card C
>>>figuring that if it was either a card or cable, I could trace the
>
> problem.,
>
>>>Well, I found that that hooking this MEC #3 (which was previously
>
> attached
>
>>>Card C) to Card B and attaching Card C to MEC #2 (which was previously
>>>attached MEC #3) totlly solves the problem.
>>>Rock solid, no sync problems and absolutely no discernable reason for
>
> this
>
>>>behaviour. However, I did add an RME multiface to my Cubase SX system
>>>yesterday and all of these devices are sharing a common clock so I'm
>>>wondering if, by some cursed digital happenstance, this might have
>
> caused
>
>>>the problem. I sort of doubt it though because the system was starting
>
> to
>
>>>act erratic before I hooked up the Multiface to the SX DAW.
>>>
>>>I've got project in the works here that has 12 songs with lots of tracks
>
> on
>
>>>each. There's still lots more tracking/dubs to do on this project and
>
> I've
>
>>>got a producer coming in tomorrow to discuss a label project. I'm going
>
> be
>
>>>jacking around with reconfiguring my patchbay presets tonight to reflect
>
> the
>
>>>new MEC/Card assignments. Right now every %$#^&*%^#$%'ing song on the
>>>project I'm working on is playing back from the wrong &^$#^&^%&^&^%$
>
> submix.
>
>>>This stuff pisses me off to no end. This same thing started happening
>
> when I
>
>>>was using 2 x MECs and a 442.
>>>
>>>I thought I had a bad EDS card yesterday and I sent TheSoniq the money
>
> for
>
>>>another one. Then the system started working normally again so I called
>
> him
>
>>>and told him to hold off. I don't know if this is a card issue or not,
>
> but
>
>>>I'm not gonna' get caught with my pants down so I'm going to tell him to
>>>send it on.
>>>
>>>Grrrrr...........
>>>
>>>;o(
>>>
>>>
>
>
>ANyone tried this new RNLA yet?
If so what are the verdicts?Just remember that guitar level is -20dB and look for a switch
on your rack box(es) to send into the input of your amp at that
level to optimise your signal to noise without overdrive or
distortion (unless you want it)
. "uptown jimmy" <johnson314@bellsouth.net> wrote:
>I would never disconnect that reverb. It's very sweet, and the tremolo that
>comes out of it is the best I've ever played. I'd just like to add digital
>delay from a rack-box; it's gonna be a lot easier to recreate my productions
>that way.
>
>Jimmy
>
>"Aaron Allen" <nospam@not_here.dude> wrote in message news:42e9c091@linux...
>> The impedence and level is wrong in that chain, and typically there is
a
>> pretty good sized EQ change in a tank circuit.... on top of that, you
>might
>> pop the FX pedal, I've seen some designs that have a pretty hefty voltage
>in
>> the signal to keep it hot into the tank.... a DMM should tell you if it's
>> safe or not. Shoot, you might like the sound of the odd impedence and
tone
>> tailoring.. just make sure to hit it for that voltage.
>>
>> AA
>>
>>
>> "RZ" <pearlmusic@sbcglobal.net> wrote in message news:42e9bcd8@linux...
>> > You could try unplugging the spring reverb and inserting it there.
Just
>a
>> > thought.
>> >
>> > RZ
>> >
>> >
>> > "cujo" <chris@applemanstudio.com> wrote in message
>> > news:42e98038$1@linux...
>> >>
>> >>
>> >> I have always disliked FX loops on amps. Put them before, you can
>always
>> >> use the extra gain for a bit more bite
>> >>
>> >>
>> >>
>> >> "uptown jimmy" <johnson314@bellsouth.net> wrote:
>> >> >Howdy.
>> >> >
>> >> >I've got a modified Fender Twin with the sweetest sound you ever
>heard.
>> >> I
>> >> >was thinking of adding a digital box to the mix for live work, and
>> > wondered
>> >> >how one utilizes such jobbies on an old amp with no fx send-return.
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