| Sarahtonin... [message #84689] |
Wed, 16 May 2007 14:28  |
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/Eug2kjy28quuoaYhTUo7yCWNZLee+QPDe3Ui2d5
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: Sarahtonin... [message #84708 is a reply to message #84695] |
Thu, 17 May 2007 06:11  |
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Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: Sarahtonin... [message #84759 is a reply to message #84751] |
Fri, 18 May 2007 06:45 |
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Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: Sarahtonin... [message #84805 is a reply to message #84782] |
Sat, 19 May 2007 02:35 |
Sarah
Messages: 608
Registered: February 2007
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Senior Member |
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good looking instrument, and I have the coolest looking
>>>> variax on the planet (cherry sunburst 700). Although the very best
>>>> looking variax is the acoustic model with the natural wood top, I
>>>> love mine. But I don't sleep with either of them...much...
>>>>
>>>> My cherryburst PRS looks and plays a notch better. I've never had a
>>>> luthier setup the variax for optimal playability though (since it's
>>>> been good enough) but that's on my todo list.
>>>>
>>>>
>>>>> I'm also surprised by the suggestions that tapping a humbucker
>>>>> gives a decent Strat sound. I tried that in 1978 and it sucked. i
>>>>> tried it again about every 10 years since and it sucked every time.
>>>>> Can it have stopped sucking in the new millennia? I doubt it.
>>>>
>>>> Not identical to a strat sound but similar enough to play that
>>>> spanky role.
>>>>
>>>> Actually I think the PRS does it by combining inner and outer coils
>>>> from the two different pickups in various combinations. I had an
>>>> Ibanez Roadstar II that did it by splitting the coils on either
>>>> pickup with any PU combination available. I could get spanky tones
>>>> out of both. Not exactly a strat but no suckage either.
>>>>
>>>>
>>>>> If I were mostly an R&B and rock player I would do a Strat w/ a
>>>>> humbucker in the bridge. That's about the most versatile setup I
>>>>> have heard. I actually have a handmade strat with EMGs and a
>>>>> midrange boost knob that does a pretty strong lead sound and of
>>>>> course excels at shimmery rhythm sounds.
>>>>
>>>> That's a great setup. My Kramer is configured like that (although
>>>> the neck PU is a sustainer driver as well). My Steinberger has
>>>> hum/single/hum which is also a very versatile setup.
>>>>
>>>> OK, now I guess you can see I swing both ways, a collection of trad
>>>> pickup guitars AND a couple of variaxen. I use them all. Clearly I'm
>>>> addicted...
>>>>
>>>> Cheers,
>>>> -Jamie
>>>> www.JamieKrutz.com
>>>>
>>>>
>>>>
>>>>> Jamie K wrote:
>>>>>>
>>>>>> LOL. Get a room, you two!
>>>>>>
>>>>>> I dig those guitars through a good amp, too.
>>>>>>
>>>>>> Remember when using an electric guitar and a guitar amp was
>>>>>> heresy? They booed Bob Dylan off the stage. USE A REAL GUITAR!! Heh.
>>>>>>
>>>>>> Flash forward and now that stuff is traditional
>>>>>>
>>>>>> I bet you would both dig my variax setup if you heard it.
>>>>>>
>>>>>> And Chuck, I bet you would even like what I do with amp
>>>>>> emulations, once you hear some of my custom setups (which stand up
>>>>>> to comparison with my tube rig).
>>>>>>
>>>>>> Cheers,
>>>>>> -Jamie
>>>>>> www.JamieKrutz.com
>>>>>>
>>>>>>
>>>>>> chuck duffy wrote:
>>>>>>> Haha I agree with you! I can't believe it!
>>>>>>>
>>>>>>> My 2 cents. A strat, a tele and a les with a bigsby trem and
>>>>>>> locking nuts.
>>>>>>> Also, a must have is a gibson vintage f hole.
>>>>>>> After that an SG and a les junior.
>>>>>>>
>>>>>>> Other areas we will agree on... USE AN AMP!
>>>>>>> Chuck
>>>>>>> "DC" <dc@spammersinhell.com> wrote:
>>>>>>>> Some good ideas here. But I am in the "buy 2 guitars" camp.
>>>>>>>>
>>>>>>>> A good LP and a hardtail strat would be the minimum.
>>>>>>>>
>>>>>>>> DC
>>>>>>>>
>>>>>>>>
>>>>>>>> "John" <no@no.com> wrote:
>>>>>>>>> Any suggestions on a single electric guitar that can do Strat /
>>>>>>>>> Les Paul
>>>>>>>> /
>>>>>>>>> Telecaster sounds or some other guitar that has an amazing
>>>>>>>>> array of these
>>>>>>>>> type sounds?
>>>>>>>This might be interesting...
http://www.vettaville.nl/vvpocketpod.html#552
DCDeej,
I feel for you, man. I hate slow drivers. If they're not going to go
the speed limit, they
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| Re: Sarahtonin... [message #84857 is a reply to message #84782] |
Sun, 20 May 2007 14:26 |
Mark McDermott
Messages: 204
Registered: February 2006
Location: Portland, OR
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Senior Member |
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>>>
>>>>>>>>>
>>>>>>>>>> Deej...I admire your persistance with DAWs, but after doing tons
>>>>>>>>>> of
>>>>>>>>>>
>>>>>>
>>>>>>
>>>>>>>>>> homework,
>>>>>>>>>> actual research, etc...I have come to the conclusion that the
>>>>>>>>>> best DAW
>>>>>>>>>>
>>>>>>
>>>>>>
>>>>>>>>>> is
>>>>>>>>>> the DAW that does not rely on ASIO or 'zero latency' for
>>>>>>>>>> monitoring...
>>>>>>>>>>
>>>>>>>>>> I have been in the process for a couple of days rearranging
>>>>>>>>>> everything
>>>>>>>>>>
>>>>>>
>>>>>>
>>>>>>>>>> (again)
>>>>>>>>>> and re-installing my Soundtracs console...this way, I have all
>>>>>>>>>> the analog
>>>>>>>>>> pres, comps, EQs, etc I want with true zero latency...Die hard
>>>>>>>>>> that
>>>>>>>>>>
>>>>>> I
>>>>>>>>>> am,
>>>>>>>>>> I have yet to encounter any latency when using a console for
>>>>>>>>>> tracking...kind
>>>>>>>>>> of backwards from the way most people use them, but hey, I've got
>>>>>>>>>> 32
>>>>>>>>>>
>>>>>>
>>>>>>
>>>>>>>>>> channels
>>>>>>>>>> on one board, 18 on another, and 8 on the 3rd...
>>>>>>>>>>
>>>>>>>>>> FWIW the most recent TapeOp mag/rag has a real world review of
>>>>>>>>>> the Mac
>>>>>>>>>>
>>>>>>
>>>>>>
>>>>>>>>>> only
>>>>>>>>>> Apogee/Symphony setup and Logic...but its a Mac ...
>>>>>>>>>> K
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>
>>>>>>
>>>>>>
>>>>>
>>>
>
> --
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com/>
> (859) 635-5762Hi Lamont,
Yes the Tascam would be good possibilities too. I tend not to recommend
thing because too many bad experiences with the company from a dealer
stand point and from a warranty and tech support stand point. But in
general the higher end stuff tends to be good from them.
Chris
LaMont wrote:
> Yeah what chris said..Also, I'm really considering (2) Tascams Dm4800 these
> are under 5k and the layout is fabulous!!
>
> DJ, my friend I know you have the furman thing, but a mixer, any mixer will
> make your life easier..
>
>
>
> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>
>> HI DJ,
>> Less than analog console.
>> The DM2000 VCM has 6 expansion slots with the right combination of
>> expansion cards you can have up to 96 channels of I/O A48k or 48 chs @
>> 96k. You can mix most any of th exp cards they have so you can replicate
>>
>
>
>> the current I/O needs you have now. If you want to bypass their analog
>> I/O you can easily hookup your ADI8DS to use with any analog effects or
>>
>
>
>> Mic-Pres if needed.
>> You can at some point replace all or some of those RME cards with a
>> single Madi and make the routing allot easier. Yamaha is supposedly
>> working on their own MY-Madi card but it won't be out for awhile. The
>> 3rd party one is stupid expensive for no reason. Now that we are
>> building the recording systems for Yamaha Commercial Audio we get to be
>>
>
>
>> dealers. :)
>> Chris
>>
>>
>>
>>
>> DJ wrote:
>>
>>> My Furman HDS16 gives me the flexibility of a console for cue mixes.
>>> Everything else is pretty well laid out and easy to manage. I do
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