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WordClock ....How would i hook these devices? [message #65249]

Wed, 08 March 2006 09:07

Kip Sonnier

Messages: 32
Registered: December 2005

Member

erent....and really good. So this generation raised on cd, like
this "warm" sound Paris delivers.
And if I want that tight slappy digital sound of new PT, I simply boost a
broad "Q" centered around 4500, dump a

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Re: WordClock ....How would i hook these devices? [message #65250 is a reply to message #65249]

Wed, 08 March 2006 08:39

EK Sound

Messages: 939
Registered: June 2005

Senior Member

little 2-300 on the Massive across
the two bus, and viola. Then on the mixdown machine...hard limit to whatever
suits..
Still will probably be forced into Steiney world for cool midi plugs and
such....vertical learning. Technology beckons and I've been 8 years in Paris
and haven't given a rip. But maybe now new tech is ready to equal Paris
performance. Thoughts?.
Geo

"Kim" <h

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Re: WordClock ....How would i hook these devices? [message #65252 is a reply to message #65250]

Wed, 08 March 2006 08:57

Deej [1]

Messages: 2149
Registered: January 2006

Senior Member

za with chilli that's actually hot is becoming increasingly
> difficult. I'd like to think that one day Paris, and the more analog sound
> will be back in, but I suspect not. I beleive it will always have a
following
> though.
>
> It certainly has more funk and soul in my books. :o)
>
> Cheers,
> Kim.Hi Lamont,
Yes agreed on the audiophile 192k very good sounding. I hope E-MU
updates the usability of the damn mixer applet. The routing method sucks
balls. Don't know how useful multi-card functions will be unless they
are putting out PCI-E and or more USB or Firewire I/O options. MOst of
the new laptops do not have PCMCIA slots on them only the new Express
card slots. New motherboard have at most 3 PCI slots. The next wave will
have 2 or less.

Chris

LaMont wrote:
> Hey Chris,
>

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Re: WordClock ....How would i hook these devices? [message #65259 is a reply to message #65249]

Wed, 08 March 2006 18:24

Suad

Messages: 62
Registered: October 2005

Member

There will always be something to come
>>
>>out
>>
>>>>>>that
>>>>>>
>>>>>>
>>>>>>>>will be more slick than Paris. Paris is still pretty slick and vary
>>>
>>>>>>>>useable.
>>>>>>>>When combined with a second DAW for effect processing, Paris becomes
>>>
>>>>>>>>vary
>>>>>>>>hard to beat.
>>>>>>>>
>>>>>>>>Many Paris commercial studio owners have expressed that they have,
>
> or
>
>>>>>>>>are
>>>>>>>>considering going with PT because it's "The industry standard".
>
> Many
>
>>>>>>>>feel
>>>>>>>>that if they don't jump to PT that they are losing business. For
>>
>>some
>>
>>>>>>people
>>>>>>
>>>>>>
>>>>>>>>this is the case, and they need to do what they need to do. However,
>>>
>>>it
>>>
>>>>>>>>really should be based on the quality of the end result, not the
>>>>>>>>equipment
>>>>>>>>you use.
>>>>>>>>
>>>>>>>>Everybody has different needs. For most project studios, there is
>>>>>>>>really
>>>>>>>>no need for an expensive system like PT, or 2K for Nuendo, plus the
>>>
>>>cost
>>>
>>>>>>>>of hardware. If your in a major market like N.Y., L.A., Nashville,
>>>
>>>or
>>&

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