Home » The PARIS Forums » PARIS: Main » Drum Mics Inquiry
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| Re: Drum Mics Inquiry [message #86274 is a reply to message #86255] |
Thu, 07 June 2007 09:09   |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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aining the ability to run
more iterations of whatever the song calls for. All is now running
comfortably on a dual G5, which is also a great platform for my hard
working video editing, compositing, graphics and animation software.
Cheers,
-Jamie
www.JamieKrutz.com
Brad Lyons wrote:
> For those that don't know me, I had one of the largest Paris systems in use
> out there and well while @ another music retailer, I sold Paris sytems by
> the boatloads, to many of ya'll I'm sure! So I'm curious, since Paris is
> long gone, how many here are still using Paris? And how many have moved
> on to other systems? If you've moved on, what are you using now?
>
> Brad Lyons-SweetwaterHey Nappy, that's great news! I hope all went well.
Best wishes for a speedy recovery!
Cheers,
-Jamie
www.JamieKrutz.com
Nappy wrote:
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyBrad -
As you know, I am still using Paris in my little studio, however, I am
migrating away from it as the centerpiece. Earlier this year, I put
together a PC to host my UAD card, and I will likely make that the
cen
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| Re: Drum Mics Inquiry [message #86275 is a reply to message #86255] |
Thu, 07 June 2007 09:12 |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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tral recorder soon.
I plan to pick up a Tascam DM4800 digital mixer to server as the
frontend for the new PC. Currently it has an RME Multiface as its i/o
and is running Samplitude, Reaper, and N-Tracks. When the DM4800 makes
it into the studio, I may consider Sonar or Cubase for tighter control
surface integration. Also, I have a Muse Receptor, and would like to
get it more in the signal path too.
At that time, Paris will move over to be the mixdown system, so I will
have a 2-card setup with ADAT + analog transfer capability of up to 32
tracks.
As always, we make this up as we go, so who knows what the final
configuration will be, but I am really looking forward to getting the
DM4800 here and playing with it.
- Paul Artola
Ellicott City, Maryland
On 6 Jul 2007 13:29:22 +1000, "Brad Lyons" <brad@audioandmidi.com>
wrote:
>
>For those that don't know me, I had one of the largest Paris systems in use
>out there and well while @ another music retailer, I sold Paris sytems
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| Re: Drum Mics Inquiry [message #86281 is a reply to message #86275] |
Thu, 07 June 2007 10:45 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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#64;linux...
>>>> Oh yeah, that song has one of the best crazy twisted guitar solos ever.
>>>>
>>>> I gotta get outa here . . . I've . . . got . . . to . . . get . . . OUT
>>>> . . . of . . . here!
>>>>
>>>> Good stuff. :)
>>>>
>>>> S
>>>>
>>>>
>>>> "Aaron Allen" <know-spam@not_here.dude> wrote in message
>>>> news:468aebe7$1@linux...
>>>>> Ballad of Dwight Fry tops my all time 5 favs.
>>>>> AA
>>>>>
>>>>>
>>>>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>>>>> news:468ae987$1@linux...
>>>>>> Opinions? Sure, I'm crawlin' with 'em over here:
>>>>>>
>>>>>> I am so with you on Steve Miller, in fact, I would disagree with
>>>>>> you on one point . . . I think Steve Miller Band screams CRACKER way
>>>>>> louder than Boston. I had just moved my band to Portland in late '73
>>>>>> and the local stations were playing "The Joker" so often that my gag
>>>>>> reflex barely had a chance to relax from the last play when they'd
>>>>>> play it again. Unfortunately, I think I do understand the appeal . . .
>>>>>> it's predictable . . . it's easy listening with a rock drumbeat. It
>>>>>> is to music what McDonalds is to food. It's sweet, fatty, salty, and
>>>>>> soft enough not to require much chewing. The motto of the American
>>>>>> consumer is "Please, Don't Make Me Think!" (Politicians know this and
>>>>>> use it continuously, but that's another discussion)
>>>>>>
>>>>>> Not to solo ou
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| Re: Drum Mics Inquiry [message #86290 is a reply to message #86281] |
Thu, 07 June 2007 12:02 |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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.com/BLACKHAWK/brad_blackhawk1.jpg" target="_blank">http://www.audioandmidi.com/BLACKHAWK/brad_blackhawk1.jpg
>
>
>
>Brad Lyons
>Sweetwater
>
>"Brad Lyons" <brad@audioandmidi.com> wrote:
>>
>>For those that don't know me, I had one of the largest Paris systems in
>use
>>out there and well while @ another music retailer, I sold Paris sytems
by
>>the boatloads, to many of ya'll I'm sure! So I'm curious, since Paris
is
>>long gone, how many here are still using Paris? And how many have moved
>>on to other systems? If you've moved on, what are you using now?
>>
>>Brad Lyons-Sweetwater
>LOL everyone keeps writing "good to see you're alive", I didn't realize just
how sick I was! Actually, I've had (3) ambulance rides, one of which I arrived
at the ER with a temp of 105, believe it or not. The funny thing was I was
going in and out of things but I remember them asking me which hospital I
wanted to go to.....I said "McDonalds" :-)
"chuck duffy" <c@c.om> wrote:
>
>Hi Brad,
>
>Good to see you are alive, well and having fun!
>
>Chuck
>"Brad Lyons" <brad@audioandmidi.com> wrote:
>>
>>I absolutely LOVED Paris at the time--but as we started to need more things,
>>it just couldn't keep up. The bouncing down was getting annoying, so we
>got
>>more DSP cards. But then trying to do independant headphone mixes became
>>an issue, then expanding into more tracks was a problem, many native plugins
>>were giving me issues, etc.
>>
>>When I left Connecticut in 2000 to come to Sweetwater (wow, I've been here
>>7-years now???), I also left the studio and Paris systems behind. I was
>>burned out on audio, I took some time off--but not am back into it.
>>
>>I use (2) ProToolsHD3 Accel's, each with a Control24. I also use the Digidesign
>>DShow Venue live tied to an HD system. I have another PC running Nuendo,
>>Sonar, Cubase4 and a few other programs (all 100% legit) as testing setups
>>so I can better understand the programs and plugins for my clients. I'm
>>mixing television post and live broadcast, as well as tracking and mixing
>>live concerts where I regularly work with 48-80 tracks live. LOL I sometimes
>>am recording as much as 800MB of data PER MINUTE! :-)
>>
>>Here's the control room at my home studio:
>>
>>http://www.audioandmidi.com/studio/homestudio.html
>>
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| Re: Drum Mics Inquiry [message #86292 is a reply to message #86255] |
Thu, 07 June 2007 12:19 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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t;<FONT face=3DArial size=3D2>RME ADI4-DD</FONT></P>
<P align=3Dleft><FONT face=3DArial size=3D2>Mytek Stereo96 =
A/D</FONT></P>
<P align=3Dleft><FONT face=3DArial size=3D2>Mytek Stereo96 =
D/A</FONT></P>
<P align=3Dleft><FONT face=3DArial size=3D2>Cubase =
4/Vstack</FONT></P></BODY></HTML>
------=_NextPart_000_0042_01C7BFC6.12711860--I am still a faithful user. I use Paris everyday. Last year I upgraded to
a dual core PC running XP and ran into a few glitches to get it to work properly,
but now it is very stable. I still love working with Paris, and although
I've thought about moving to a different system, I haven't needed to just
yet.
"DJ" <animix _ at _ animas _ dot _ net> wrote:
>
>
>
>"Brad Lyons" <brad@audioandmidi.com> wrote in message =
>news:468db712$1@linux...
>>=20
>> For those that don't know me, I had one of the largest Paris systems =
>in use
>> out there and well while @ another music retailer, I sold Paris sytems
=
>by
>> the boatloads, to many of ya'll I'm sure! So I'm curious, since Paris
=
>is
>> long gone, how many here are still using Paris? And how many have =
>moved
>> on to other systems? If you've moved on, what are you using now?=20
>>=20
>> Brad Lyons-Sweetwater
>
>3 x HDSP 9652's and one Multiface PCI
>
>RME Multiface A/D D/A=20
>(2) RME ADI8-DS A/D D/A=20
>
>RME ADI4-DD
>
>Mytek Stereo96 A/D
>
>Mytek Stereo96 D/A
>
>Cubase 4/Vstack
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>"Brad Lyons" <</FONT><A=20
>href=3D"mailto:brad@audioandmidi.com"><FONT face=3DArial=20
>size=3D2>brad@audioandmidi.com</FONT></A><FONT face=3DArial =
>size=3D2>> wrote in=20
>message </FONT><A href=3D"news:468db712$1@linux"><FONT face=3DArial=20
>size=3D2>news:468db712$1@linux</FONT></A><FONT face=3DArial =
>size=3D2>...</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>> <BR>> For those that don't know =
>me, I had=20
>one of the largest Paris systems in use<BR>> out there and well while =
>@=20
>another music retailer, I sold Paris sytems by<BR>> the boatloads, to =
>many of=20
>ya'll I'm sure! So I'm curious, since Paris is<BR>> long gone, =
>how many=20
>here are still using Paris? And how many have moved<BR>> on to =
>other=20
>systems? If you've moved on, what are you using now? <BR>> =
><BR>>=20
>Brad Lyons-Sweetwater</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>3 x HDSP 9652's and one Multiface =
>PCI</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>RME Multiface A/D D/A </FONT&g
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| Re: Drum Mics Inquiry [message #86294 is a reply to message #86281] |
Thu, 07 June 2007 13:12 |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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ruly creative, unique, or even interesting break through on the
>>>>>>> airwaves?
>>>>>>>
>>>>>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my
>>>>>>> top ten rock songs of all time). AC/DC with Brian what's-his-name .
>>>>>>> .
>>>>>>> . not so interesting. He's a good screamer, but not much character.
>>>>>>>
>>>>>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>>>>>>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>>>>>>
>>>>>>> I think a lot of great bands deteriorate into boring parodies of
>>>>>>> themselves after achieving worldwide success and wealth. I think
>>>>>>> it's
>>>>>>> one of the hazards of getting rich off of one's art.
>>>>>>>
>>>>>>> One of my favorite bands of the '70s was Alice Cooper, in fact I
>>>>>>> still listen to the albums "Love It To Death" and "Killer" on
>>>>>>> occasion. After the success of "School's Out" and "Billion Dollar
>>>>>>> Babies," Alice lost his original band and with them a lot of
>>>>>>> important
>>>>>>> creative input. Being an entertainer became way more important than
>>>>>>> making good music, so Alice hung out with Liza Minnelli and golfed
>>>>>>> with Bob Hope and "went Hollywood." YAWN!
>>>>>>>
>>>>>>> I do think things got interesting for a while in the nineties
>>>>>>> when
>>>>>>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>>>>>> things have settled back down into layers of homogenized fluff.
>>>>>>> There's lots of great music out there, just don't expect to hear
>>>>>>> much
>>>>>>> of it on the radio.
>>>>>>>
>>>>>>> S
>>>>>>>
>>>>>>>
>>>>>>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>>>>>>
>>>>>>>> Just random observations. The construction guys renovating our
>>>>>>>> offices had
>>>>>>>> the local classic rock station on. Haven't listened to anything
>>>>>>>> like
>>>>>>>> that
>>>>>>>> in years.
>>>>>>>>
>
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