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items: Deej - what wordclock are you using
items: Re: Deej - what wordclock are you using

Deej - what wordclock are you using
type: item
description: > ;o) > >I would give them ti
creator: Don Nafe
date: 2006-01-08T15:42:02-00:00

Re: Deej - what wordclock are you using
type: item
description: "_blank">1@linux... > > I've heard the same thing since Apple aquired Emagic. Since that purchase, > Digidesign has instructed all of their Plugin Partners to had all of their > Plugins PC compatible asap. it's been 3 years since the Emagic purchase, > and it seems that all of Digi's plugin partners have all of thier plugins > PC ready. > > Note: Avid's largest stockholders Microsoft. They Microsoft have invested > alot of money in AVID/Digidesign to have it's current markey position. So > all in all, each side have "drawn' their swords. > I agree Motu is in a crazy spot. Thank God, they got into the hardware > business > which has carried them. > > My advice,is to stay tuned. this is sure to get pretty interesting. What > surprised me is with the Yamaha/Steinberg deal. I and a lot of other > Steinberg > users where hoping for some cool integrated products or more affordale > controller > for SX/Nuendo. Oh well.. > LaMont > > "Chris Latham" <latham_c@bellsouth.net> wrote: >>I heard a rumor from an old engineer buddy of mine the other da
creator: Deej [1]
date: 2006-01-08T19:07:18-00:00

Re: Deej - what wordclock are you using
type: item
description: y, and I >>don't recall having seen anything about it here. He was telling me that >>word is Digidesign is considering stopping writing Protools software for > Mac >>because of their recent acquisition of Logic. He said he spoke with a >>local >>Digidesign rep who said they could neither deny or confirm that rumor. >> >>Last week I put in for a HD rig in my annual budget requests. Maybe I >>should research some other options. >> >>Speaking of options, I've been getting some recent emails about Soundscape >>packages, and remembering that they offered incentives to Paris users >>after >>the discontinuation, I was wondering did anyone here make that jump and >>how's it working out? >> >>Thanks, >>Chris >> >> >Check the Radial DIs for direct recording. I compared one recently to my Countryman, and the Radial is slightly better for bass. "John" <no@no.com> wrote in message news:43d4fa65$1@linux... > thanks, i can get the bass sounding good once it's recorded but without a > good sound to start i can't get the feel right so i'll have to get this > box fixed. tech21 is at namm so i'll wait till they get back on the 25th. > Thanks, > John > > Edna wrote: >> If you're just using it for recording, you might try the free plugin >> "Baxxpander" - it did wonders for a thin thumpy bass track I had on one >> tune. >> Edna >> "John" <no@no.com> wrote in message news:43d420ae@linux... >> >>>Can anyone recommend a killer preamp for bass guitar. I want something >>>cheap that sounds fantastic. Shouldn't be a problem right? Ideally it >>>would do Chris Squire distorte
creator: Deej [1]
date: 2006-01-08T19:12:41-00:00

Re: Deej - what wordclock are you using
type: item
description: :43d7c4c1@linux... >> There is a substantial price difference. >> The 5As are $999.00 Vs 6As $1699.00 CA. >> Are the 5As plenty loud Neil? >> >> >> >> >> "Neil" <IUOI@OIU.com> wrote in message news:43d784ff$1@linux... >> > >> > I'll second Lamont's opinion on the Dynaudios... I have a pair >> > of the BM5A's and I think they're great. >> > >> > Neil >> > >> > >> > "Rob Arsenault" <info@studiomanitou.com> wrote: >> > >Thanks for the heads up on Dyns LaMont, I had heard about em but never >> > >looked deeper. After a little googlin, I found that thes
creator: gene lennon
date: 2006-01-08T21:06:31-00:00

Re: Deej - what wordclock are you using
type: item
description: ly ribbon I >have here is a NADY RSM2 at the moment. Not the most stellar example of a >ribbon mic, but great on fiddles and guitar cabs (my primary use for it) >I'll be giving it a spin soon. Tonight I mic'ed a femme vocalist with the SE >Gemini through this preamp. > >http://www.heathersullivan.com/ > >She's used to working in the big studios on the big toys in LA and NYC. She >was completely floored by the Gemini (I didn't tell her how much it cost >;o). I had to be really careful with it on this preamp due to the >sensitivity and low level detail of the mic and the incredibly fast rise >time of the ADL 600, but the result was wonderful. This is a big, heavy >tube preamp with 600V rails and vents all over it and cooling fins on the >back panel. This preamp seemed to increase the audible frequency range of >the mic. There were comparisons made tonight by folks at the session who >have some pretty extensive experience with the AKG C12 and the ELAM 251. >I've got very little experience with these old mics so I wouldn't know. What >I do know is that depending on how the preamp was gainstaged and the >impedance was set, the timbre of the signal through the mic could change >pretty noticably and I didn't dial in anything that sounded bad to my ears. >. > >I can't wait to try this preamp on some other mics. I've got a fairly decent >rack of high end pre's here and I thought I was set for life as far as >pr
creator: Deej [1]
date: 2006-01-08T22:46:32-00:00

Re: Deej - what wordclock are you using
type: item
description: couple of things there, but no luck. I apologize if I missed the = > >answer. > > > > > > I'm using win 98 SE for PARIS [dual boot machine]. None of my VST = > >.dll files > > appear in the designated VST folder. So, is this a Win 98 issue? > > > > I have a project coming up soon, where I know Drumagog will really = > >help. > > Thanks in advance for any help. > > > > > > > ><META http-equiv=3DContent-Type content=3D"text/html; = > >charset=3Diso-8859-1"> > > > > > > > > > > Spin Auidio VST-DX Wrapper..Putt .dll = > >in=20 > >win/sys32/ensoniq/plugins > ><BLOCKQUOTE dir=3Dltr=20 > >style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = > >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> > > "Tom Bruhl" <<A=20 > > href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net> wrote = > >in message=20 > > <A href=3D"news:43d59779@linux">news:43d59779@linux... > > Paul, > > Wrap that bad boy. > > Tom > > <BLOCKQUOTE=20 > > style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = > >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> > > "Paul" <<A=20 > > = > >href=3D"mailto:paulbeach@adelphia.net">paulbeach@adelphia.net> = > >wrote in=20 > > message <A=20 > > = > >href=3D"news:43d57a48$1@linux">news:43d57a48$1@linux... Just= > >=20 > > purchased Drumagog [4.03] at NAMM. Runs fine in my WIN 2000 audio=20 > > apps. But... can't seem to get Paris to see it. I searched the = > >forum, and=20 > > tried a couple of things there, but no luck. I apologize if I = > >missed the=20 > > answer. I'm using win 98 SE for PARIS [dual boot = > >machine]. None=20 > > of my VST .dll files appear in the designated VST folder. = > >So, is=20 > > this a Win 98 issue? I have a project coming up soon, where I > = > >know=20 > > Drumagog will really help. Thanks in advance for any=20 > >help. > > > > >....and I heard that Mickey Mouse an Steve Jobs have been "married". So what will Disney and Steve Jobs do for the animation future?... Erling "James McCloskey" <excelsm@hotm…
creator: Morgan
date: 2006-01-08T23:58:42-00:00

Re: Deej - what wordclock are you using
type: item
description: d >> >>>>>>>Cubase SX when processing parallel drum submixes sample accurately >> >>on >> >>>>>both >>>>> >>>>>>>platforms. >>>>>>> >>>>>>>Paris MEC 2 mixer channels are bussed from RME 9652 #1 ADAT I/O > > #3 > >>and >> >>>>>RME >>>>> >>>>>>2 >>>>>> >>>>>>>ADAT #1 I/O assigned to audio channels 17-32 and the channels routed >>>> >>>>to >>>> >>>>>>RME >>>>>> >>>>>>>outputs 17-32. and 16 audio tracks are streamed from SX to Paris, >>> >>>being >>> >>>>>>>processed in both platforms. >>>>>>> >>>>>>>Paris MEC 3 mixer channels 1 thru 14 set to bus lightpipe from 14 >>>>> >>>>>channels >>>>> >>>>>>>playing back in SX on ADAT channels 1-14 routed to RME 9652 #2 ADAT >>> >>>!/O >>> >>>>>>#2 >>>>>> >>>>>>>and RME #2 ADAT I/O #3 assigned to audio channels 33-46.. RME ADAT >>>>> >>>>>channels >>>>> >>>>>>>47 and 48 are set up as a stereo FX bus for all send FX being >> >>applied >> >>>>to >>>> >>>>>>>tracks in Cubase SX.which is bussing to/from Paris Submix 3, Aux > > 1 > >>>>>>>interfacing with Paris ADAT I/O #15 and 16. >>>>>>> >>>>>>>The mix template routing between the two work stations is as >> >>follows: >> >>>>>>>Paris Submix 1-Drums (usually) >>>>>>> >>>>>>>Using RME HDSP 9652 Card #1 bussing to Paris Submix 1 and 2 >>>>>>> >>>>>>>Cubase CH 1>RME 1 ADAT 1-1 out > Paris CH 1 >>>>>>>Cubase CH 2>RME 1 ADAT 1-2 out > Paris CH 2 >>>>>>>Cubase CH 3>RME 1 ADAT 1-3 out > Paris CH 3 >>>>>>>Cubase CH 4>RME 1 ADAT 1-4 out > Paris CH 4 >>>>>>>Cubase CH 5>RME 1 ADAT 1-5 out > Paris CH 5 >>>>>>>Cubase CH 6>RME 1 ADAT 1-6 out > Paris CH 6 >>>>>>>Cubase CH 7>RME 1 ADAT 1-7 out > Paris CH 7 >>>>>>>Cubase CH 8>RME 1 ADAT 1-8 out > Paris CH 8 >>>>>>>Cubase CH 9>RME 1 ADAT 2-9 out > Paris CH 9 >>>>>>>Cubase CH 10>RME 1 ADAT 2-10 out > Paris CH 10 >>>>>>>Cubase CH 11>RME 1 ADAT 2-11 out > Paris CH 11 >>>>>>>Cubase CH 12>RME 1 ADAT 2-12 out > Paris CH 12 >>>>>>>Cubase CH 13>RME 1 ADAT 2-13 out > Paris CH 13 >>>>>>>Cubase CH 14>RME 1 ADAT 2-14 out > Paris CH 14 >>>>>>>Cubase ST CH 15L/ Ster…
creator: Deej [1]
date: 2006-01-09T06:27:44-00:00

Re: Deej - what wordclock are you using
type: item
description: > Paris > > CH > >>16 >> >>>>>>>Paris Submix #2 >>>>>>> >>>>>>>Cubase CH 16>RME 1 ADAT 3-17 out > Paris CH 1 >>>>>>>Cubase CH 17>RME 1 ADAT 3-18 out > Paris CH 2 >>>>>>>Cubase CH 18>RME 1 ADAT 3-19 out > Paris CH 3 >>>>>>>Cubase CH 19>RME 1 ADAT 3-20 out > Paris CH 4 >>>>>>>Cubase CH 20>RME 1 ADAT 3-21 out > Paris CH 5 >>>>>>>Cubase CH 21>RME 1 ADAT 3-22 out > Paris CH 6 >>>>>>>Cubase CH 22>RME 1 ADAT 3-23 out > Paris CH 7 >>>>>>>Cubase CH 23>RME 1 ADAT 3-24 out > Paris CH 8 >>>>>>> >>>>>>>Using RME HDSP 9652 Card #2 bussing to Paris Submix 2 AND 3 >>>>>>> >>>>>>>Cubase CH 24>RME 2 ADAT 1-1 out > Paris CH 9 >>>>>>>Cubase CH 25>RME 2 ADAT 1-2 out > Paris CH 10 >>>>>>>Cubase CH 26>RME 2 ADAT 1-3 out > Paris CH 11 >>>>>>>Cubase CH 27>RME 2 ADAT 1-4 out > Paris CH 12 >>>>>>>Cubase CH 28>RME 2 ADAT 1-5 out > Paris CH 13 >>>>>>>Cubase CH 29>RME 2 ADAT 1-6 out > Paris CH 14 >>>>>>>Cubase CH 30>RME 2 ADAT 1-7 out > Paris CH 15 >>>>>>>Cubase CH 31>RME 2 ADAT 1-8 out > Paris CH 16 >>>>>>> >>>>>>>Paris Submix #3 >>>>>>> >>>>>>>Cubase CH 32>RME 2 ADAT 2-9 out > Paris CH 1 >>>>>>>Cubase CH 33>RME 2 ADAT 2-10 out > Paris CH 2 >>>>>>>Cubase CH 34>RME 2 ADAT 2-11 out > Paris CH 3 >>>>>>>Cubase CH 35>RME 2 ADAT 2-12 out > Paris CH 4 >>>>>>>Cubase CH 36>RME 2 ADAT 2-13 out > Paris CH 5 >>>>>>>Cubase CH 37>RME 2 ADAT 2-14 out > Paris CH 6 >>>>>>>Cubase CH 38>RME 2 ADAT 2-15 out > Paris CH 7 >>>>>>>Cubase CH 39>RME 2 ADAT 2-16 out > Paris CH 8 >>>>>>>Cubase CH 40>RME 2 ADAT 3-17 out > Paris CH 9 >>>>>>>Cubase CH 41>RME 2 ADAT 3-18 out > Paris CH 10 >>>>>>>Cubase CH 42>RME 2 ADAT 3-19 out > Paris CH 11 >>>>>>>Cubase CH 43>RME 2 ADAT 3-20 out > Paris CH 12 >>>>>>>Cubase CH 45>RME 2 ADAT 3-21 out > Paris CH 13 >>>>>>>Cubase CH 46>RME 2 ADAT 3-22 out > Paris CH 14 >>>>>>>Cubase ST CH 47L/ Stereo Group 2 L> RME 3 ADAT 3-23 out > Paris > > CH > >>15 >> >>>>>>>Cubase ST CH 48R/ Stereo Group 2 R> RME 3 ADAT 3-24 out > Paris > > CH > >>16 >> >>>>>>>Paris S/PDIF I/O for MECs 1, 2 and 3, Sony V77…
creator: Tom Bruhl
date: 2006-01-09T06:57:09-00:00