rm_id=8&am p;frm_goto=Go Enjoy DonAnyone comment on a VISTi setup to sync to Paris - best and good?I'll give it a go, but I am curious that no one else has had this issue. Am I the only one with 500 series pres that are so hot? Or it could be this 8 in was set wrong in the first place. "erlilo" <erlilo@online.no> wrote: >If you have CooleEditPro or Adobe Audition(or something similar program that >can do the job), you can make your own playback testtones at exactly the >volume you want to test with. From older days, to trim tape-recorde
t;hertz sinus-file you know are staying at 0db into Paris(made by a program as >CoolEdit etc.), just to control that Paris is showing the correct 0db >playback-volume(it will, but just to be sure). Then use a sinustone >generator with exactly the same hrtz as used as playback to record with and >use the recording trimpots to get 0db on each of the channels. So, I think >that will do the job perfect for you. > >Erling >. >"cujo" <chris@nospamapplemanstudio.com> skrev i melding >news:439dbc74$1@linux... >> >> >> I am finding that with my BAE and OSA pres the sigal is way too hot into >> Paris. >> What is the best wey to set the inputs in the 8 in? is there a problem >> with >> just tuning em way down? Are they detended? I dontl want to touch em ti >> find >> out. >> Should I run a tone trough em and even em all out? >> >> Thanks. >> C > >Thanks guys. I'm considering the lynx to replace a delta 1010. I have a lynx 1 in my paris rig....can't seem to make the paris asio to work with wavelab. DJ wrote: >I got an e-mail the other day
erlilo@online.no> wrote: > >>If you have CooleEditPro or Adobe Audition(or something similar program > > that > >>can do the job), you can make your own playback testtones at exactly the > > >>volume you want to test with. From older days, to trim tape-recorders, we > > >>used testtapes. They had sinus testtones at 1000 and 10,000 hrtz to make > > the > >>playback-heads correct. at 0 and -10db. When the playback-heads was correct > > >>we used a sinus-tone generator to trim the recording head at 1000 and 10,000 > > >>hrtz, to show the correct playback volume in both frequences. >>So here you are; you need a kind of sinustone generator to do the job. Be > > >>sure the channel faders in Paris are staying at 0db. Import a 440 or 1000 > > >>hertz sinus-file you know are staying at 0db into Paris(made by a program > > as > >>CoolEdit etc.), just to control that Paris is showing the correct 0db >>playback-volume(it will, but just to be sure)
. Then use a sinustone >>generator with exactly the same hrtz as used as playback to record with > > and > >>use the recording trimpots to get 0db on each of the channels. So, I think > > >>that will do the job perfect for you. >> >>Erling >>. >>"cujo" <chris@nospamapplemanstudio.com> skrev i melding >>news:439dbc74$1@linux... >> >>> >>>I am finding that with my BAE and OSA pres the sigal is way too hot into >>>Paris. >>>What is the best wey to set the inputs in the 8 in? is there a problem > > >>>with >>>just tuning em way down? Are they detended? I dontl want to touch em ti > > >>>find >>>out. >>>Should I run a tone trough em and even em all out? >>> >>>Thanks. >>>C >> >>"cujo" <chris@nospamapplemanstudio.com> wrote: >What is the best wey to set the inputs in the 8 in? I used an audio toolbox to send a test tone to one of the MEC's 20 bit ins, and found the level where they overloaded. I then set the level of the adjustable 8-ins to that same level."DJ" <animix_spam-this-ahole