d* work fine for this application. > > David. > > Edna wrote: > > > It's a Roland JV 1000 workstation with an 8-track sequencer. I haven't > > hooked up an interface, just recording sequenced material from its line out > > into the MEC. I do have an old MIDI interface card I have never used and > > not sure will work with XP I can try. > > > > "EK Sound" <spamnot.info@eksoundNO.com> wrote in message > > news:43888a2a@linux... > > > >>What kind of synth do you have? Are you using the synth as a > >>sequencer (is it a workstation)? Do you have a MIDI interface > >>connected to the computer? > >> > >>David. > >> > >>Edna wrote: > >> > >>>Well then, is there a way to have Paris trigger my synth at some point > > > > after > > > >>>recording begins? > >>> > >>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message > >>>news:4387f91b$1@linux... > >>> > >>> > >>>>but I haven't gotten > >>>> > >>>> > >>>>>into the Paris MIDI yet. > >>>> > >>>>Paris midi isn't available until you move into v3.0 (IIRC) and it is > >>>>somewhat nightmarish. When the time comes to get Paris happening with > >>> > >>>midi, > >>> > >>> > >>>>it's best to use a second machine with a sequencer like Cubase and an > > > > RME > > > >>>>HDSP series sound card slaved to a Paris ADAT module, though there are > >>> > >>>other > >>> > >>> > >>>>solutions also. > >>>> > >>>>Deej > >>>> > >>>>"Edna" <edna@texomaonline.com> wrote in message news:4387f7a8@linux... > >>>> > >>>> > >>>>>Thanks for the tip. I didnt have any automation programmed yet. Just > >>> > >>>in > >>> > >>> > >>>>>the early learning stages of my first project. What I'm doing is > >>>> > >>>>recording > >>>> > >>>>>from my 8-track sequenced synth tracks, one track at a time, and then > >>>> > >>>>using > >>>> > >>>> > >>>>>the drum track to align them to. Not very precise, but I haven't > > > > gotten > > > >>>>>into the Paris MIDI yet. > >>>>>Edna > >>>>> > >>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message > >>>>>news:4387f211$1@linux... > >>>>> > >>>>> > >>>>>>By simply moving the audio, any automation you have will now > >>>>>>be in the wrong place (by the amount of the move). I always > >>>>>>start recording after the 30 sec mark... somthing left over > >>>>> > >>>>>>from the analog and DTRS days... but it serves me well in > >>>>> > >>>>>>cases like this. > >>>>>> > >>>>>>David. > >>>>>> > >>>>>>Edna wrote: > >>>>>> > >>>>>> > >>>>>> > >>>>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message > >>>>>>>news:4387eb98$1@linux... > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>Are you holding Record THEN Play when you bounce? > >>>>>>> > >>>>>>> > >>>>>>>Yes > >>>>>>> > >>>>>>>You do > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>have to leave a small amount of space between the now line > >>>>>>>>and the start of audio... but no more than about a second. > >>>>>>> > >>>>>>> > >>>>>>>I see. I just selected all the tracks and nudged them up a bit and > >>> > >>>it > >>> > >>> > >>>>>>>worked fine. > >>>>>>>Thanks > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>David. > >>>>>>>> > >>>>>>>>Edna wrote: > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>>>Hey, when I bounce to disk I lose just a wee smidgeon off the start > >>>> > >>>>of > >>>> > >>>> > >>>>>>>my > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>>tracks. I tried moving them forward on the time line, but still > >>> > >>>the > >>> > >>> > >>>>>>>same > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>>result. (I have them start immediately in the Editor.) Is this a > >>>>>>> > >>>>>>>latency > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>>issue? Do I need to insert some silence at the beginning or > >>> > >>>rerecord > >>> > >>> > >>>>>>>the > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>>tracks? > >>>>>>>>>Thanks, > >>>>>>>>>Edna > >>>>>>>>> > >>>>>>>>> > >>>>>>> > >>>>>>> > >>>>>>> > >>> > > > >Gotta get up WAY earlier than that!!! ;-) David. Rod Lincoln wrote: > ooops...I see I was beat to the punch. :-) > rod > "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > >>The 4 ins and outs on the master section of the mec are 20 bit >>on both the black face and the "Pro" blue face. The 8 in or 8 out modules >>that you can add are 24 bit, both black and blue. >>Rod >>"Edna" <edna@texomaonline.com> wrote: >> >>>Am looking at picking up a used Pro system very reasonable and nearby. >> >>Was >> >>>wondering if the Pro MEC has 24 bit converters? Owner sez yes, but I have >>>heard the old and new MECs are the same. >>>Thanks, >>>Edna >>> >>> >> >It would start Paris playing. Once Paris is rolling you would have to either punch in manually, or use the autopunch markers to establish an in/out point. David. Edna wrote: > Will do. My onboard soundcard also has a midi port(game port) - I have this > disabled since it was sharing an IRQ with Paris. Anyway, your're saying > that I can clock Paris with the synth midi time code. Does this also start > Paris playing or recording at the same time as I play the synth tracks? > > "EK Sound" <spamnot.info@eksoundNO.com> wrote in message > news:438891e1@linux... > >>Check to see if the JV is capable of sending MIDI timecode when its >>sequence is playing. If it does, and you have a MIDI interface >>connected to the Paris computer, you should be able to get Paris to >>chase MTC so you can record multiple passes in sync. Even a simple >>computer MIDI I/O *should* work fine for this application. >> >>David. >> >>Edna wrote: >> >> >>>It's a Roland JV 1000 workstation with an 8-track sequencer. I haven't >>>hooked up an interface, just recording sequenced material from its line > > out > >>>into the MEC. I do have an old MIDI interface card I have never used > > and > >>>not sure will work with XP I can try. >>> >>>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >>>news:43888a2a@linux... >>> >>> >>>>What kind of synth do you have? Are you using the synth as a >>>>sequencer (is it a workstation)? Do you have a MIDI interface >>>>connected to the computer? >>>> >>>>David. >>>> >>>>Edna wrote: >>>> >>>> >>>>>Well then, is there a way to have Paris trigger my synth at some point >>> >>>after >>> >>> >>>>>recording begins? >>>>> >>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message >>>>>news:4387f91b$1@linux... >>>>> >>>>> >>>>> >>>>>>but I haven't gotten >>>>>> >>>>>> >>>>>> >>>>>>>into the Paris MIDI yet. >>>>>> >>>>>>Paris midi isn't available until you move into v3.0 (IIRC) and it is >>>>>>somewhat nightmarish. When the time comes to get Paris happening with >>>>> >>>>>midi, >>>>> >>>>> >>>>> >>>>>>it's best to use a second machine with a sequencer like Cubase and an >>> >>>RME >>> >>> >>>>>>HDSP series sound card slaved to a Paris ADAT module, though there are >>>>> >>>>>other >>>>> >>>>> >>>>> >>>>>>solutions also. >>>>>> >>>>>>Deej >>>>>> >>>>>>"Edna" <edna@texomaonline.com> wrote in message news:4387f7a8@linux... >>>>>> >>>>>> >>>>>> >>>>>>>Thanks for the tip. I didnt have any automation programmed yet. > > Just > >>>>>in >>>>> >>>>> >>>>> >>>>>>>the early learning stages of my first project. What I'm doing is >>>>>> >>>>>>recording >>>>>> >>>>>>>from my 8-track sequenced synth tracks, one track at a time, and then >>>>>> >>>>>>using >>>>>> >>>>>> >>>>>> >>>>>>>the drum track to align them to. Not very precise, but I haven't >>> >>>gotten >>> >>> >>>>>>>into the Paris MIDI yet. >>>>>>>Edna >>>>>>> >>>>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message >>>>>>>news:4387f211$1@linux... >>>>>>> >>>>>>> >>>>>>> >>>>>>>>By simply moving the audio, any automation you have will now >>>>>>>>be in the wrong place (by the amount of the move). I always >>>>>>>>start recording after the 30 sec mark... somthing left over >>>>>>> >>>>>>>>from the analog and DTRS days... but it serves me well in >>>>>>> >>>>>>> >>>>>>>>cases like this. >>>>>>>> >>>>>>>>David. >>>>>>>> >>>>>>>>Edna wrote: >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message >>>>>>>>>news:4387eb98$1@linux... >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>Are you holding Record THEN Play when you bounce? >>>>>>>>> >>>>>>>>> >>>>>>>>>Yes >>>>>>>>> >>>>>>>>>You do >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>have to leave a small amount of space between the now line >>>>>>>>>>and the start of audio... but no more than about a second. >>>>>>>>> >>>>>>>>> >>>>>>>>>I see. I just selected all the tracks and nudged them up a bit and >>>>> >>>>>it >>>>> >>>>> >>>>> >>>>>>>>>worked fine. >>>>>>>>>Thanks >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>David. >>>>>>>>>> >>>>>>>>>>Edna wrote: >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>>>Hey, when I bounce to disk I lose just a wee smidgeon off the > > start > >>>>>>of >>>>>> >>>>>> >>>>>> >>>>>>>>>my >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>tracks. I tried moving them forward on the time line, but still >>>>> >>>>>the >>>>> >>>>> >>>>> >>>>>>>>>same >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>result. (I have them start immediately in the Editor.) Is this > > a > >>>>>>>>>latency >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>issue? Do I need to insert some silence at the beginning or >>>>> >>>>>rerecord >>>>> >>>>> >>>>> >>>>>>>>>the >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>tracks? >>>>>>>>>>>Thanks, >>>>>>>>>>>Edna >>>>>>>>>>> >>>>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>> > >So, I need to study the punch chapter in the manual, along with the sync Paris chapter. Could I also arm Paris, press and hold the record button and then press the play button on the synth to start Paris recording? "EK Sound" <spamnot.info@eksoundNO.com> wrote in message news:43889a1f$1@linux... > It would start Paris playing. Once Paris is rolling you would have to > either punch in manually, or use the autopunch markers to establish an > in/out point. > > David. > > Edna wrote: > > > Will do. My onboard soundcard also has a midi port(game port) - I have this > > disabled since it was sharing an IRQ with Paris. Anyway, your're saying > > that I can clock Paris with the synth midi time code. Does this also start > > Paris playing or recording at the same time as I play the synth tracks? > > > > "EK Sound" <spamnot.info@eksoundNO.com> wrote in message > > news:438891e1@linux... > > > >>Check to see if the JV is capable of sending MIDI timecode when its > >>sequence is playing. If it does, and you have a MIDI interface > >>connected to the Paris computer, you should be able to get Paris to > >>chase MTC so you can record multiple passes in sync. Even a simple > >>computer MIDI I/O *should* work fine for this application. > >> > >>David. > >> > >>Edna wrote: > >> > >> > >>>It's a Roland JV 1000 workstation with an 8-track sequencer. I haven't > >>>hooked up an interface, just recording sequenced material from its line > > > > out > > > >>>into the MEC. I do have an old MIDI interface card I have never used > > > > and > > > >>>not sure will work with XP I can try. > >>> > >>>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message > >>>news:43888a2a@linux... > >>> > >>> > >>>>What kind of synth do you have? Are you using the synth as a > >>>>sequencer (is it a workstation)? Do you have a MIDI interface > >>>>connected to the computer? > >>>> > >>>>David. > >>>> > >>>>Edna wrote: > >>>> > >>>> > >>>>>Well then, is there a way to have Paris trigger my synth at some point > >>> > >>>after > >>> > >>> > >>>>>recording begins? > >>>>> > >>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message > >>>>>news:4387f91b$1@linux... > >>>>> > >>>>> > >>>>> > >>>>>>but I haven't gotten > >>>>>> > >>>>>> > >>>>>> > >>>>>>>into the Paris MIDI yet. > >>>>>> > >>>>>>Paris midi isn't available until you move into v3.0 (IIRC) and it is > >>>>>>somewhat nightmarish. When the time comes to get Paris happening with > >>>>> > >>>>>midi, > >>>>> > >>>>> > >>>>> > >>>>>>it's best to use a second machine with a sequencer like Cubase and an > >>> > >>>RME > >>> > >>> > >>>>>>HDSP series sound card slaved to a Paris ADAT module, though there are > >>>>> > >>>>>other > >>>>> > >>>>> > >>>>> > >>>>>>solutions also. > >>>>>> > >>>>>>Deej > >>>>>> > >>>>>>"Edna" <edna@texomaonline.com> wrote in message news:4387f7a8@linux... > >>>>>> > >>>>>> > >>>>>> > >>>>>>>Thanks for the tip. I didnt have any automation programmed yet. > > > > Just > > > >>>>>in > >>>>> > >>>>> > >>>>> > >>>>>>>the early learning stages of my first project. What I'm doing is > >>>>>> > >>>>>>recording > >>>>>> > >>>>>>>from my 8-track sequenced synth tracks, one track at a time, and then > >>>>>> > >>>>>>using > >>>>>> > >>>>>> > >>>>>> > >>>>>>>the drum track to align them to. Not very precise, but I haven't > >>> > >>>gotten > >>> > >>> > >>>>>>>into the Paris MIDI yet. > >>>>>>>Edna > >>>>>>> > >>>>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message > >>>>>>>news:4387f211$1@linux... > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>>>By simply moving the audio, any automation you have will now > >>>>>>>>be in the wrong place (by the amount of the move). I always > >>>>>>>>start recording after the 30 sec mark... somthing left over > >>>>>>> > >>>>>>>>from the analog and DTRS days... but it serves me well in > >>>>>>> > >>>>>>> > >>>>>>>>cases like this. > >>>>>>>> > >>>>>>>>David. > >>>>>>>> > >>>>>>>>Edna wrote: > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>>>"Dave(EK Sound)" <audioguy_nospam_@shaw.ca> wrote in message > >>>>>>>>>news:4387eb98$1@linux... > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>Are you holding Record THEN Play when you bounce? > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>Yes > >>>>>>>>> > >>>>>>>>>You do > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>have to leave a small amount of space between the now line > >>>>>>>>>>and the start of audio... but no more than about a second. > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>I see. I just selected all the tracks and nudged them up a bit and > >>>>> > >>>>>it > >>>>> > >>>>> > >>>>> > >>>>>>>>>worked fine. > >>>>>>>>>Thanks > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>David. > >>>>>>>>>> > >>>>>>>>>>Edna wrote: > >>>>>>>>>> > >>>>>>>>>> > >>>>>>>>>> > >>>>>>>>>> > >>>>>>>>>>>Hey, when I bounce to disk I lose just a wee smidgeon off the > > > > start > > > >>>>>>of > >>>>>> > >>>>>> > >>>>>> > >>>>>>>>>my > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>>tracks. I tried moving them forward on the time line, but still > >>>>> > >>>>>the > >>>>> > >>>>> > >>>>> > >>>>>>>>>same > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>>result. (I have them start immediately in the Editor.) Is this > > > > a > > > >>>>>>>>>latency > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>>issue? Do I need to insert some silence at the beginning or > >>>>> > >>>>>rerecord > >>>>> > >>>>> > >>>>> > >>>>>>>>>the > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>>>>tracks? > >>>>>>>>>>>Thanks, > >>>>>>>>>>>Edna > >>>>>>>>>>> > >>>>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>>>>>>>> > >>> > > > >Thanks also Rod, so the only hardware difference in the Pro version is some button assignments on the C16 [and the color :-)]? "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message news:43889666$1@linux... > > ooops...I see I was beat to the punch. :-) > rod > "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > > > >The 4 ins and outs on the master section of the mec are 20 bit > >on both the black face and the "Pro" blue face. The 8 in or 8 out modules > >that you can add are 24 bit, both black and blue. > >Rod > >"Edna" <edna@texomaonline.com> wrote: > >>Am looking at picking up a used Pro system very reasonable and nearby. > > Was > >>wondering if the Pro MEC has 24 bit converters? Owner sez yes, but I have > >>heard the old and new MECs are the same. > >>Thanks, > >>Edna > >> > >> > > >I don't think that would work... but I have never tried it. Also, I would recommend adding two bars of click to the beginning of your sequence prior to transfering. This will allow Paris time to lock and start recording. David. Edna wrote: > So, I need to study the punch chapter in the manual, along with the sync > Paris chapter. Could I also arm Paris, press and hold the record button and > then press the play button on the synth to start Paris recording? > > "EK Sound" <spamnot.info@eksoundNO.com> wrote in message > news:43889a1f$1@linux... > >>It would start Paris playing. Once Paris is rolling you would have to >>either punch in manually, or use the autopunch markers to establish an >>in/out point. >> >>David. >> >>Edna wrote: >> >> >>>Will do. My onboard soundcard also has a midi port(game port) - I have > > this > >>>disabled since it was sharing an IRQ with Paris. Anyway, your're saying >>>that I can clock Paris with the synth midi time code. Does this also > > start > >>>Paris playing or recording at the same time as I play the synth tracks? >>> >>>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >>>news:438891e1@linux... >>> >>> >>>>Check to see if the JV is capable of sending MIDI timecode when its >>>>sequence is playing. If it does, and you have a MIDI interface >>>>connected to the Paris computer, you should be able to get Paris to >>>>chase MTC so you can record multiple passes in sync. Even a simple >>>>computer MIDI I/O *should* work fine for this application. >>>> >>>>David. >>>> >>>>Edna wrote: >>>> >>>> >>>> >>>>>It's a Roland JV 1000 workstation with an 8-track sequencer. I haven't >>>>>hooked up an interface, just recording sequenced material from its line >>> >>>out >>> >>> >>>>>into the MEC. I do have an old MIDI interface card I have never used >>> >>>and >>> >>> >>>>>not sure will work with XP I can try. >>>>> >>>>>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >>>>>news:43
ot; <dc@spamunclelouie.com> wrote in message news:4382b100$1@linux... > > I saw this system up close for the first time at the AES seminar on > Saturday. I may have found my next DAW if Paris ever becomes > unusable for me. > > Very impressive. > > Seen it? Opinions? > > http://www.sequoiadigital.comI like the idea of having the preamp knobs at arms length. primo job dude "EK Sound" <spamnot.info@eksoundNO.com> wrote in message news:4386499d@linux... > Hey guys, > > Well, I just had to pop up a pic of this. :-) I started building this > last month when the DM2K arrived, now I just finished assembling it. > I still have a lot of fill 'n finish to do, but it's up and running! > > For those who are curious, I have detailed photos of every step. I > will put them up on a page when time permits. > > Happy Thanksgiving to our southern neighbors! > > David. > ------------------------------------------------------------ ---------------- ----That is correct IIRC. Both are momentary. AA "Edna" <edna@texomaonline.com> wrote in message news:4388a974@linux... > Well, it turns out that its 2 switches with a stereo cable short to ground > type, one for punching and the other for recording. So I can get away > from > the noisy computer to do a vocal track. > > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message > news:43815a12$1@linux... >> Heh....heh....heh......<evil grin> >> >> "Edna" <edna@texomaonline.com> wrote in message news:43810909@linux... >> > With all the idiosyncrasies in Paris, it may explode! :-) >> > >> > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message >> > news:4380d718$1@linux... >> > > Yeh......what could possibly happen? >> > > >> > > ;o) >> > > >> > > "Edna" <edna@texomaonline.com> wrote in message >> > > news:4380984f@linux... >> > > > Thanks, thats what my Roland is, so I'll try it and see what > happens. >> > > > Edna >> > > > "Aaron Allen" <nospam@not_here.dude> wrote in message >> > > news:43804c2e@linux... >> > > > > Single pole momentary if I remember correctly. I haven't used >> > > > > one >> in >> > > > years >> > > > > though, so perhaps another user will support or correct me? >> > > > > AA >> > > > > >> > > > > >> > > > > "Edna" <edna@texomaonline.com> wrote in message >> news:437f753e@linux... >> > > > > > Regarding the footswitch for Paris mentioned in the manual, is >> this >> > > just >> > > > a >> > > > > > simple make-break single pole toggle type? >> > > > > > Thanks, >> > > > > > Edna >> > > > > > >> > > > > > >> > > > > >> > > > > >> > > > >> > > > >> > > >> > > >> > >> > >> >> > >Right, should be easy enough to make. "Aaron Allen" <nospam@not_here.dude> wrote in message news:438911c3$1@linux... > That is correct IIRC. Both are momentary. > > AA > > "Edna" <edna@texomaonline.com> wrote in message news:4388a974@linux... > > Well, it turns out that its 2 switches with a stereo cable short to ground > > type, one for punching and the other for recording. So I can get away > > from > > the noisy computer to do a vocal track. > > > > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message > > news:43815a12$1@linux... > >> Heh....heh....heh......<evil grin> > >> > >> "Edna" <edna@texomaonline.com> wrote in message news:43810909@linux... > >> > With all the idiosyncrasies in Paris, it may explode! :-) > >> > > >> > "DJ" <animix_spam-this-ahole_@animas.net> wrote in message > >> > news:4380d718$1@linux... > >> > > Yeh......what could possibly happen? > >> > > > >> > > ;o) > >> > > > >> > > "Edna" <edna@texomaonline.com> wrote in message > >> > > news:4380984f@linux... > >> > > > Thanks, thats what my Roland is, so I'll try it and see what > > happens. > >> > > > Edna > >> > > > "Aaron Allen" <nospam@not_here.dude> wrote in message > >> > > news:43804c2e@linux... > >> > > > > Single pole momentary if I remember correctly. I haven't used > >> > > > > one > >> in > >> > > > years > >> > > > > though, so perhaps another user will support or correct me? > >> > > > > AA > >> > > > > > >> > > > > > >> > > > > "Edna" <edna@texomaonline.com> wrote in message > >> news:437f753e@linux... > >> > > > > > Regarding the footswitch for Paris mentioned in the manual, is > >> this > >> > > just > >> > > > a > >> > > > > > simple make-break single pole toggle type? > >> > > > > > Thanks, > >> > > > > > Edna > >> > > > > > > >> > > > > > > >> > > > > > >> > > > > > >> > > > > >> > > > > >> > > > >> > > > >> > > >> > > >> > >> > > > > > >I'm using a 3 year old machine that i built myself. I could build a faster box today, but have never run out of power, so I haven't bothered. Bill "DC" <dc@spamsony.com> wrote in message news:43856f4a$1@linux... > > "Bill Lorentzen" <bill@lorentzen.ws> wrote: > >>Go ahead ask me what you want to know... > > I heard it likes the Mackie control well. > > Hey, what did you spend on the computer? RAM? What sort of > Mobo etc? > > I like Sequoia almost enough to not buy a Mac... > > Dang! > > DC >"Bill Lorentzen" <bill@lorentzen.ws> wrote: >I'm using a 3 year old machine that i built myself. I could build a faster >box today, but have never run out of power, so I haven't bothered. > >Bill > Thanks Bill!Thanks! "Sakis" <sakis@digisoundmastering.com> wrote: >IMO is the best DAW currently in the market with outstanding editing >features, excellent X-fade editing & 4 point cut abilities. The >comparisonics search engine rocks when you have a demanding editing project. >Plenty of native processing tools, excellent routing. I love the way that >you can customize the program to suit your needs, from shortcuts to >templates, and also the batch procesing engine with mixer setups and various >output options. E-mail me if you need to ask more questions about it. > >Cheers, >Sakis > >"DC" <dc@spamunclelouie.com> wrote in message news:4382b100$1@linux... >> >> I saw this system up close for the first time at the AES seminar on >> Saturday. I may have found my next DAW if Paris ever becomes >> unusable for me. >> >> Very impressive. >> >> Seen it? Opinions? >> >> http://www.sequoiadigital.com > >Im having problems getting the second card jumper cables in the right spot,I keep getting error messages that they're wired wrong, I went straight on and crossed the 2 big ones.Is one end supposed to be upside down??? Thanks ScottEach ribbon cable has a red stripe on one edge. These cables need to be crossed over with the red edge on the same side of each cable....ie if you are looking down at one the cable and the red edge is on your right, then the red edge needs to be to the right on the other cable. Also, it's real easy to plug the cable adapters into just the top or bottom half of the dual rows of pins. Make sure you have the cable adapters plugged in to both rows of pins. Deej "Scott L" <slang97@starband.net> wrote in message news:438939ce$1@linux... > > Im having problems getting the second card jumper cables in the right spot,I > keep getting error messages that they're wired wrong, I went straight on > and crossed the 2 big ones.Is one end supposed to be upside down??? > Thanks > ScottThat's what I love about this group. People who are in search for the best, forget the BS, and willing to help other people get there. Thanks Sakis. Rod "Sakis" <sakis@digisoundmastering.com> wrote: >IMO is the best DAW currently in the market with outstanding editing >features, excellent X-fade editing & 4 point cut abilities. The >comparisonics search engine rocks when you have a demanding editing project. >Plenty of native processing tools, excellent routing. I love the way that >you can customize the program to suit your needs, from shortcuts to >templates, and also the batch procesing engine with mixer setups and various >output options. E-mail me if you need to ask more questions about it. > >Cheers, >Sakis > >"DC" <dc@spamunclelouie.com> wrote in message news:4382b100$1@linux... >> >> I saw this system up close for the first time at the AES seminar on >> Saturday. I may have found my next DAW if Paris ever becomes >> unusable for me. >> >> Very impressive. >> >> Seen it? Opinions? >> >> http://www.sequoiadigital.com > >You need three cables total. One 10 pin cable that goes straight across on either header, and two wider cables that cross over each other (can't remember if it's 15 or 16 pin). Keep all the stripes to the same side... doesn't matter which, as long as they are the same. The next trick is to figure out which is the master card. Attach an interface to one card and fire it up. If it starts, you found the A card. David. Scott L wrote: > Im having problems getting the second card jumper cables in the right spot,I > keep getting error messages that they're wired wrong, I went straight on > and crossed the 2 big ones.Is one end supposed to be upside down??? > Thanks > ScottThis is a multi-part message in MIME format. --------------060302050807010000010603 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Simple... ;-) David. --------------060302050807010000010603 Content-Type: image/jpeg; name="Monitors.jpg" Content-Transfer-Encoding: base64 Content-Disposition: inline; filename="Monitors.jpg" /9j/4AAQSkZJRgABAQEAYABgAAD/7RMsUGhvdG9zaG9wIDMuMAA4QklNA+0K UmVzb2x1dGlv bgAAAAAQAEgAAAABAAIASAAAAAEAAjhCSU0EDRhGWCBHbG9iYWwgTGlnaHRp bmcgQW5nbGUA AAAABAAAAB44QklNBBkSRlggR2xvYmFsIEFsdGl0dWRlAAAAAAQAAAAeOEJJ TQPzC1ByaW50 IEZsYWdzAAAACQAAAAAAAAAAAQA4QklNBAoOQ29weXJpZ2h0IEZsYWcAAAAA AQAAOEJJTScQ FEphcGFuZXNlIFByaW50IEZsYWdzAAAAAAoAAQAAAAAAAAACOEJJTQP1F0Nv bG9yIEhhbGZ0 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